A l’occasion de la commémoration du centenaire de la Première Guerre Mondiale, l’artiste Paul Cummins and le designer Tom Pipier ont réalisé « Blood Swept Lands and Seas of Red », une oeuvre réunissant à la Tour de Londres 888 246 fleurs en céramique, soit le nombre de soldats décédés de l’Empire Britannique. Une oeuvre encore incomplète, les fleurs étant progressivement installées jusqu’au 11 novembre.
This London house extension by Tigg Coll Architects features sliding glass doors that retract into the brick walls to open the space up to the garden (+ slideshow).
London studio Tigg Coll Architects was tasked with providing a new kitchen and living room for a couple whose children had recently moved out of the Malbrook Road residence.
“They asked us to look at how the home could work for them differently, as their lifestyle is now changing,” architect David Tigg told Dezeen. “They wanted us to create entertaining and living space that would connect them directly back to the large garden, and they were open-minded in their approach.”
This ensured that all openings are framed by full bricks, which have been laid vertically and horizontally.
“Although we wanted the new extension to feel contemporary in form and use, we also wanted to use a material that would link this new aspect back to the history of the existing building and area as a whole,” said Tigg.
“If done well, brickwork adds movement and texture, and will stand the test of time.”
Dark-grey powder-coated aluminium window frames were used to keep the appearance of the windows as minimal as possible, while pockets in the walls allow a corner of sliding doors to be hidden from view when open.
“The glazing is hidden in secret pockets between two leaves of brickwork on adjacent walls,” explained Tigg. “This detail opens up the corner entirely and allows the inside to fully address the patio and garden.”
A row of bricks continues from the walls on to the ground to mark the threshold between indoor and outdoor space.
“We were very conscious that we wanted to emphasise the threshold,” said Tigg. “We like the idea that although the indoor and outdoor spaces are linked, they still remain different and the brick threshold helps to emphasise this.”
Large white porcelain floor tiles have been used inside and out, chosen to create a noticeable contrast with the garden lawn.
The architects conceived the extension as a pavilion-like building, and designed its roof with a subtle pitch to echo the shape of the existing house. “A flat roof would have been too blunt and predictable,” said Tigg.
A rooflight at the side of the extension ensures light reaches the kitchen, which is deeper in the plan. Its triangular shape was chosen to emphasise the roof’s faceted shape and provide a counterpoint to the more traditional rectangular shape of the house’s existing interiors.
A recessed strip of lighting in the ceiling was also chosen to emphasise the roof’s faceted form. “It gives a soft glow that really lifts the space in the evening,” said Tigg.
In the garden, vertical fins made from Corten steel follow the line of the side wall to help lead the eye outside, and give the patio a sense of enclosure.
“We wanted a material that would mellow nicely with age and balance well with the old-stock brickwork, yet at the same time feel contemporary and hard-edged. Corten steel was the obvious choice,” added Tigg.
Gorgeous Children: How We Do It Starting out with playful tooting and honking that sounds like it belongs in an old-fashioned animation, Gorgeous Children’s “How We Do It” quickly morphs into a breezy, but ultimately sex-driven…
Stockholm-based Note Design Studio used photographs of Death Valley to inform the pastel colour scheme for this restaurant and coffee shop in the Swedish capital (+ slideshow).
Note Design Studio renovated the interior for FineFood Kärlek och Mat, located in the Hammarby Sjöstad area to the south of Stockholm.
The various nuances of mint, dark green, and turquoise, with the contrasting coral and salmon red, reference a photographic series documenting the landscape the Californian Mojave desert by artist Jordan Sullivan.
“We scanned the internet for images of material, architecture and interiors but didn’t really found what we were looking for,” designer Johannes Carlström told Dezeen.
“At some time we just stumbled upon the Death Valley series and felt right away that it was a conclusion of everything wanted aesthetically – a clean setting with amazing pastels, the different shades of grey in the rock and just the pure serenity.”
Note revamped the setting to be open plan and spacious with banquette seating lining the rear of the space.
Lightweight furniture surrounds the front of the central bar and a galley table is positioned to the right of the counter. Full-aspect windows allow as much natural light into the space as possible.
Green Guatemale marble clads the bar area and forms the counter tops, while also running as a trim along the far end of the restaurant.
In contrast the walls are clad in corrugated wood and painted in dark vermilion to create intimate zones in the cafe.
On the floor, muted monotone tiles are laid in a herringbone pattern to offer the setting an appearance that contrasted with its neighbours. “One of our main concerns after solving the primary issues in the floor plan, was to give the space its own look and identity,” said Carlström.
“For some time in Sweden almost every restaurant, deli or bistro that has opened are using the industrial chic butcher-shop aesthetics with white tiles, naked lamps and rough metal work. We wanted to get away from that and find inspiration from a totally different area.”
Taking the environmental concerns into consideration, Note used eco-friendly silicate paint for the walls and roof, LED-spots for the interior lighting and produced the bespoke furniture in a local carpentry ten minutes away from the cafe.
Typical Scandinavian materials like light ash wood, natural leather and brass detailing have also been used, with products in the fit-out including the studio’s own ceramic Fuse pendant light.
Concrete houses are always popular with readers, so we’ve collected together a number of unique examples from Dezeen’s archive and pinned them to a new Pinterest board »
the shape when both brooms combined together reflects intimate relationship between parents and children.Flexibility of plastic tube enables the baby ..
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.