PaleoBarefoots: Chainmail Shoes For Better Back to Basics Running

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I come not to praise the Paleos, but to understand them.

Our story starts with the premise (which we will not unpack here, for reasons of brevity and taste) that running barefoot, or as close as possible to barefoot, is a more healthy means of locomoting. Under this premise, being immediately in tune with one’s physical terrain is beneficial to the body and mind, requiring greater intentionality and physical dexterity in order to cover rough ground without injury. For those who cringe at the idea of walking barefoot to the mailbox, this might be a lost point, but the “natural running” school of thought has seen major conversion over the last ten years. While the overall claims seem understandable, there are some basic logistical difficulties with barefoot running. Namely, that the bottoms of feet are pretty smooth. This means that wet/uneven/slick surfaces can be dangerously low traction, and hard textured surfaces like rocky paths and concrete can chew you up after a while.

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What to do, that won’t deny naturalist runners the high levels of bio-feedback they crave? Designer/barefooted thinker Jörg Peitzker’s answer: chainmail. Though “Paleo” brings to mind very little I’d associate with chainmail, the Paleo Barefoots are an interesting take on nekkid feet. The good: They provide traction, they’re breathable, zero-drop, and minimal enough to conform to all the uncomfortable and delightful bumps and lumps of a trail. They also offer minimalist liners, paw-print styled sole pads to increase traction and better fit different environments, and can stave off archery attacks to your arches while LARPing. The odd: they’re made of chainmail, not a material known for its ergonomic charm, so you’re basically just putting snow chains on your feet.

A good application of unexpected material to niche need? A misapplication of minimalism? All I can think of is medievally shaped blisters, but I imagine my stylish high-viz trail-running shoes leave me well outside the target demographic.

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King Fahad National Library

La bibliothèque nationale « King Fahad » en Arabie saoudite a ré-ouvert ses portes au public. Gerber Architekten caractérise cette bibliothèque par sa façade en textile et par son revêtement constitué d’auvents en losange comportant des motifs architecturaux traditionnels du Moyen-Orient.

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type tuesday: These amazing labels are painted!

These amazing old labels are not lithographed… these are gouache mockups that were presented to clients for approval. Read all about this special collection from Letterform Archive in the current issue of UPPERCASE.

Fiera set to search out the design fairs

Fiera magazine is designed to help readers discover new talent at the world’s furniture and product design fairs – and is set to launch this November having just reached its Kickstarter target…

The magazine, founded by Katie Treggiden (Confessions of a Design Geek) and magCulture’s Jeremy Leslie, has been raising funds on Kickstarter and will now put all extra money that it receives towards the production quality of the magazine, says Leslie.

Fiera’s intetion is to cover the world’s best new furniture and product design from the various fairs that take place all over the world; from London and Eindhoven, to Lodz and Prague.

According to the founders the front half of the magazine will contain “high-energy coverage from the coal-face of the festival circuit”. Editor Treggiden will also “share the stories of the people and processes behind the designs, bringing the shows to life in a way that you could only experience by being there yourself.”

In addition to this the magazine will include long-form content, macro trend analysis, and opinion from a range of disciplines such as creative writing, finance, and travel. (The images shown here are of a work in progress dummy edition made in preparation for issue one.)

Fiera is set to be a biannual, 160-page publication priced at £20. You can check out the Kickstarter for the project, here and also pre-order the magazine before it reaches the end of its campaign tomorrow at 14.59.

The Vulnerable Stage of Adolescence

Le photographe Bianka Schumann capture la transition fragile de l’enfance à l’âge adulte dans sa série « Arkhai ». Il y a encore une innocence enfantine dans la façon dont les sujets interagissent les uns avec les autres, tel que le jeu dans les bois, l’exploration d’espaces abandonnés, tout en portant des couronnes de feuilles.

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Kit Bike by Lucid Design packs into a bag

Indian company Lucid Design has created a conceptual “bike in a bag” that would quickly dismantle into parts to fit into a backpack (+ movie).

Kit Bike by Lucid Design

The full-size Kit Bike by Lucid Design would be assembled from a series of 21 parts that twist and lock together.



“Conventional bikes are awkward in every way except when you ride them,” the company’s creative director, Amit Mirchandani, told Dezeen. “The Kit Bike was designed to make problems of shipping, traveling with and commuting with a bike, a thing of the past.”

Kit Bike by Lucid Design

Hollow aluminium tubes would make up the frame, locking together via a series of joints that would twist together using a rotating mechanism and be secured with a key.

Kit Bike by Lucid Design

“The entire bike can be assembled or dismantled from one side making the process extremely simple and quick,” said Mirchandani.

Kit Bike by Lucid Design

The minimal white, diamond-shaped frame would attach to the steel wheel hubs on one side, so the bike could be assembled or disassembled while rested against a wall.

“It’s simple, minimal and cool, unlike folding bikes that tend to be complex,” Mirchandani said.

Kit Bike by Lucid Design

Leather is proposed for the seat and the handlebar grips would be made from cork.

The parts would pack away into a circular leather backpack, which features two compartments on each side for the wheels and a central section for the other components.

Kit Bike by Lucid Design

Lucid Design currently has no plans to produce the bike, but may consider it in the future.

The project received a Red Dot 2014 Design Award earlier this month.

Kit Bike by Lucid Design

Designers often create new visions for cycling, with recent ideas including a high-tech version of the first pedalled bicycle and a “smart” bike that gives directions with flashing lights and vibrating safety alerts.

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packs into a bag
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The Computer Virus Catalog

Inspired by the “dark side of computing,” Amsterdam-based designer Bas van de Poel has launched an illustrated online guide to some of the world’s most destructive computer viruses.

The Computer Virus Catalog charts twenty viruses dating from the 1960s to the present day. Some are fairly harmless – from an animated worm wishing users Happy New Year and one which triggers lichen-inspired visuals when keyboards are inactive – while others have wiped out entire hard drives and caused billions of dollars in damage.

Each entry is accompanied by an original illustration from a different creative, and contributors include HORT, Jonathan Zawada, Sarah Mazzetti, Karborn and Mike Perry. “I approached artists whose work I really like, and tried to create a nice mix of designers, illustrators and artists,” says van de Poel.

“I’ve always had a great interest in the dark side of computing. Things like the NSA, underground TOR networks and viruses really fascinate me, and it seemed to be an interesting area to explore creatively,” he adds.

The project is ongoing and as well as adding more viruses to the site, van de Poel hopes to publish the collection in book form. For now, you can see the full set here.

Top: LSD, illustrated by Clay Hickson, overwrites computer users files’ before displaying a hallucinogeic-inspired video

Above: Madman, illustrated by Jay Wright, causes an ASCII image of an angry red faced man to appear whenever computer users hit CTRL-ALT-DEL. Hit the keyboard again and the virus displays the message: ‘Nothing can save you here, friend – you’re in my world now!’

Nople, illustrated by Merijn Hos, invades local networks displaying furry graphics and the message ‘It is the hour to format your disc!’

 

Implant, illustrated by Karborn, displays a hi res photograph of a topless blonde woman. On rebooting, it erases the infected computer’s hard drive

Anna Kournikova, illustrated by Sarah Mazzetti, poses as an email containing an image of the tennis player before invading and emailing Outlook users’ contact lists…

Skulls, illustrated by Anthony Burrill, corrupts Nokia phones sending malicious links to contacts and draining batteries



Ika-Tako, illustrated by Saïd Kinos, replaces photos, applications and system files on Windows PCs with images of squids

Lichen, illustrated by Jonathan Zawada, produces lichen-inspired visuals whenever users’ keyboards are inactive for more than a minute

 

Cookie Monster, by Lawrence Slater. Allegedly the world’s first computer virus, it freezes activity until users type the word ‘cookie’

Framing the Internet: Physical Display for your Digital Art from Electric Objects

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It should come as no surprise that the marriage of art and technology has had some difficulty finding a place in the institutional white cube exhibition spaces of most contemporary galleries and museums—after all, many practitioners reject the traditional art-object format on principle. Indeed, the incorporation of technology in art has vastly expanded the realm of creative possibilities, both aesthetically and with respect to distribution—auction house Phillips recently held the second edition of its forward-looking “Paddles On!” digital art auction—yet the modes by which it is bought, sold or displayed continue to shift and evolve.

The recent Kickstarter campaign for Electric Objects marks a noteworthy attempt to streamline the presentation of Internet and digital art into more conventional means. Electric Object’s first major product run, the EO1, is essentially a wall-mountable, high-definition screen with Wifi connection for control from their handy mobile app. The EO1, framed in your choice of white, black or wood, displays your collection of Internet art without drawing away your attention from daily activities. The EO1 supports static images, animated GIFs and javascript-based visualizations.

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The EO1 serves only as an object for passive engagement, i.e. it’s not a computer per se: The screen has no keyboard, mouse, speakers or docs to confuse its sole use as an art viewing device. These limitations of interaction may well be its greatest strength. These constraints represent Electric Object’s commitment to freeing the ‘trapped’ art of the Internet from our smartphones, laptops and other ‘devices designed or distraction,’ such that the EO1 is a proverbial blank canvas for creativity. By clearly delineating the boundaries of functionality for the EO1, Electric Objects has managed to come up with a domestic screen-based object that is passive enough to not make us feel like we live in the Corning “A Day Made of Glass” concept video.

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Electric Objects founder Jack Levine has recruited Zoë Salditch, formerly of Rhizome and Eyebeam, as Director of Artist Relations, to further establish to the EO1 as the premier platform for digital art by commissioning original works from notable artists through their Artist-in-Residency Program. Additionally, Electric Objects has a handful of partners including New York Public Library, Digg and Museum of Moving Images, whose partial collections will be available for the EO1. Currently, a number of works are available (most appropriately) through the Electric Objects Tumblr. Since the platform can technically access any work with a URL, it is entirely feasible that you could display anything on the Internet. Neverthless, besides registered collection and commissioned works through Electric Objects, we look forward to seeing how the team manages a viable monetization model for purchase or sale of preexisting digital works.

The EO1 looks promising in its fledgling stages, attracting over 400K in funding in its first week. The Kickstarter campaign still has a little over three weeks to go and can be seen here or on the Electric Objects website.

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Electric Waste Orchestra: Creating unconventional musical instruments from outdated computer parts and other e-waste

Electric Waste Orchestra


In the hubbub of Moogfest, we (serendipitously) ran into a guy wearing purple 3D-printed purple eyeglasses and holding something that looked like a keytar. Upon closer inspection, and with the house lights turned up, it turned out to be a musical instrument made…

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What Kind of Footprint Will You Leave as a Footwear Design Intern With Timberland in Stratham, New Hampshire?

Work for Timberland LLC!

Working for Timberland is challenging. And rewarding. And fun. Plus a lot of other things you’d associate with a company that’s all about the great outdoors. Working at Timberland is really about bringing 4 simple ideas alive: People, Value, Purpose and Passion. This is what makes them a global leader in the design, engineering and marketing of premium-quality footwear, apparel and accessories for consumers who value the outdoors and their time in it.

How would you like to gain valuable experience as an Intern working with a senior level Designer to present footwear concepts per seasonal product briefs for Timberland? All you need is a great attitude, a bit of experience, excellent computer skills and a desire to learn at one of the most recognized footwear brands around. If this sounds like a dream opportunity, Apply Now.

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