Gif: forcing the gun from his hand
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L’artiste portugaise Joana Vasconcelos aime expérimenter ou inventer de nouvelles techniques artisanales. L’une de celles qu’elle manie parfaitement est le crochet. Ainsi, détournant ce savoir-faire, elle a – entre autres nombreuses oeuvres – créé des secondes peaux pour animaux et insectes en céramique. Un travail surprenant, minutieux et délicat.
Lithuanian designer Ingrida Kazenaite has developed a conceptual pen that would mend damaged clothes by “printing” over rips and tears.
Ingrida Kazenaite invented the wand-shaped device to repair old garments, so the wearer wouldn’t have to throw them away as regularly.
Related story: Repair It Yourself by Eugenia Morpurgo
“For most of us sewing and taking care of our fabrics is not a pleasurable activity,” said Kazenaite. “Fabric Pen concept is meant to take care of all that for you while letting you express yourself through the process of creation of your clothes.”
One end of the pen would scan the fabric to match the colour and texture, then the other end would spray the fibres onto the garment. Buttons on the case would allow the user to switch between the two functions.
“I can see something like this being manufactured in the next few years for cotton or polyester clothes, or to stop runs in tights or repair nylon,” Kazenaite told Dezeen.
The concept is based on an existing spray-on fabric called Fabrican, which forms a non-woven layer of cross-linking fibres when applied.
Kazenaite’s development involves the use of nanotechnology to make composite fabrics based on the clothing of the owner.
After scanning the pen would mix the molecular ingredients, like cellulose for cotton or polymer for synthetic fibres, and pigments needed to replicate the chosen material.
Nanoparticles in the fibres would make the repaired sections water and dirt resistant, as well as reduce odours trapped in the material, according to the designer.
“Building on the idea of a unified fabric particle delivery system as a way of creating fabric and an interest in sustainability, the Fabric Pen is developed to harness advances in 3D tech as a way to reduce waste,” she said.
She proposes to make the body of the pen from bioplastics so it could be recyclable and degradable.
A clear element on the underside of the device would denote the cartridge for the particles, which could be replaced if it runs out or a different colour is needed.
Kazenaite believes that the technology could also be developed for medical uses, printing bandages or plasters onto the skin, or for other types of textile.
“The concept of fabric pen of course is most appealing to the regular consumer as a clothes mending product, but the usage of such product could be expanded way beyond that,” she said. “Like the medical industry as a part of first aid kit to print a cast or a sterile bandage or in a business to retouch and repair upholstery, tents or other textile-based products.”
Fabric Pen has reached the third stage of a competition for design and technology students run by Swedish product company Electrolux.
The post Fabric Pen by Ingrida Kazenaite
repairs clothes without stitching appeared first on Dezeen.
Most kids these days are so addicted to their gadgets that they have forgotten what it is to spend some time frolicking in the park. Climbing walls, swinging on monkey bars and playing on the seesaw are a distant memory. To bridge the gap with technology, the Rocking Pad brings back the charm in playtime. It integrates reality and virtual-reality to develop a new way to play.
Designers: Ma Hui-Chuan, Cheng Yan-Jang and Fong Mu-Chern
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Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
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(Better Than The iPad was originally posted on Yanko Design)
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Alessio Albi est un photographe italien passionné par le portrait et qui réussit à capter à travers son objectif de superbes compositions, mettant souvent en scène des jeunes femmes dans des lieux et décors incroyables. Un grand travail sur la lumière et les jeux de couleurs sont à noter dans l’oeuvre de cet artiste basé à Pérouse.
For many people, paper is the hardest type of clutter to process. There are an extraordinary number of reasons why paper is difficult to manage; the following are some of the most common reasons, along with strategies for solving these problems.
When I help people sort through a paper backlog, things often go like this: junk, junk, junk, incredibly important paper, junk, junk. Handling paper is time-consuming because you need to look at every piece, so you don’t miss the important stuff.
Then, you need to make a decision about each piece of paper — the same type of decision you would make when evaluating what to do with a hammer or a pair of jeans, except those are larger. You can go though a stack of papers and make hundreds of decisions and not see the same amount of obvious progress you can see with other types of clutter.
Strategy: Tackle the backlog in short-enough bursts of time that you don’t hit decision-making fatigue. And don’t be harsh with yourself if the progress seems slow, as that is just the nature of the paper beast.
In general, we can get control of other types of stuff by doing our uncluttering and then avoiding any more unwise purchases. This isn’t the case with paper because it keeps coming in the mail, often unbidden.
Strategy: Remove yourself from mailing lists you don’t want to be on (for catalogs, charities, etc.) to limit the incoming paper.
Many of us are addicted to information; it feeds our curiosity or our desire to know as much as we can about the field in which we work. Our paper piles can include huge stacks of things we feel we should read — magazines, professional journals, etc. — or should keep filed away.
Strategy: What-to-read strategies are the same for online information and for paper. The article four questions for preventing information overload may help you decide if something is really worth your time.
When it comes to the toss-or-file decision, imagine under what circumstances you will pull this reference information out of your files. If you’re planning to write a paper or give a speech on a given topic, keeping related articles may make sense. And certain reference papers are just so good that we do find ourselves coming back to them, time and again. But all too often, we file away informational papers that we’ll never use, many of which we could find again if we had an unexpected need for them.
Notes and handouts from classes or conferences often languish in piles or files, never to be seen again, yet we may hesitate to throw them away.
Strategy: As Scott Belsky said, “Separate the wisdom from the action.” If you haven’t already done so, identify the to-do items buried in those notes, and incorporate them into whatever system you use for managing to-dos.
Then, decide what to do with the “wisdom.” For the papers that are keepers, consider how best to store them, so they can be found and used in the future. It may be more helpful to file them by topic, rather than keeping everything from a given conference together. You may also want to scan the article and run it through OCR software so you will easily be able to search its contents later.
Not all papers will be keepers, even from a worthwhile class or conference. Sometimes, the major benefits of a conference are connections made or a few key insights gathered. You don’t need to feel bad about dumping any paper that isn’t useful to you. Also, notes from old classes and conferences may have been useful at the time, but not so useful a number of years later.
Post written by Jeri Dansky
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A man-made leaf that could help humans colonise space, blown-glass sex toys and seven architect-designed bus shelters (pictured) feature in Dezeen Mail issue 213. Click through for the latest news, jobs and reader comments from Dezeen.
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This weekend saw the unveiling of the collaborative bicycle designs that are going head to head in the third edition of the Oregon Manifest, in which five teams in as many cities set out to create and craft the best urban utility bike. As of Monday morning, the public is invited to vote on their favorite one, which may well be produced by Fuji Bikes in the near future. We are pleased to present exclusive Q&As with each team so they have a chance to explain why their bicycle is the best before the voting period closes this Sunday, August 3.
Yesterday, we spoke to San Francisco’s HUGE × 4130 Cycle Works; here’s a few words from TEAGUE × Sizemore.
Did you and Sizemore know (or know of) each other before the collaboration? What was the matchmaking process like?
Roger Jackson (Creative Director, TEAGUE): Oregon Manifest did a great job pairing us with two incredible potential bike partners; we visited and spent time with both of them at their workshops. That alone was a privilege. To see true craftsmanship in the flesh, both makers had their own unique style and preferences for bike building. But this project was going to be a longterm engagement (nine months), so it was important that there was the ability to meet up regularly and a shared vision for what we wanted to achieve. Taylor Sizemore was a natural fit for our team, but was also excited to go beyond his own comfort level with the build, which excited us.
By its very nature, the design-fabrication relationship for this collaboration is far more intimate than your average designer’s relationship with a contractor or manufacturer. To what degree did you educate each other on your respective areas of expertise? Has the collaboration yielded broader lessons?
Intimate is right! Taylor is now part of the TEAGUE family! We’ve been fortunate with just how much time and energy he’s put into this endeavor. From the first brainstorm, he was there, sparing and inspiring us. As for the education, he was fascinated with just how quickly we could get into 3D CAD and spit out prototypes on our 3D printers. I would also say from a technology stand point, being able to quickly mock-up and test lighting and haptic feedback concepts using arduinos, was also something we offered Taylor. As for us, the advantage of Taylor building custom bikes is that he knows exactly what works and what doesn’t from an ergonomic standpoint. Something that may look cool or unique could negatively impact the ride comfort and quality. It was truly a mutual learning experience.
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The Future hunter-gatherer’ is a device that quite literally gets you to start cooking with a virtual hunt in your kitchen. Allow me to explain; this is a device that recreates a holographic experience of sourcing ingredients, right in your kitchen. You can shop from a holographic supermarket or a fish market and get food delivered to your doorstep.
You can even use the device to play a pleasant hunting, fishing or farming game, depending on your culinary expertise and dietary needs. In a nutshell, ‘The Future hunter-gatherer’ takes you back to the roots of hunting, farming and gathering via a virtual experience. So while you gain knowledge about how our ancestors sourced food, you get fresh produce delivered home. This concept is a part of the 2014 Top 35 Shortlisted entries of the Electrolux Design Lab Competition.
Designer: Pan Wang
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Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(Virtual Shopping was originally posted on Yanko Design)
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