First Moon Party
Posted in: UncategorizedMonthly plans. One-of-a-kind care packages. Awesome advice..(Read…)
Monthly plans. One-of-a-kind care packages. Awesome advice..(Read…)
After an enlightening morning of discussion, coffee and idea sharing had a lot to live up to—and it did just that and more. Read on for a quick recap of what went on in the afternoon sessions of the #Core77Con in Brooklyn:
Colin McSwiggen, Technologist and Writer
What responsibility do we have as designer to those who make and use our designs? McSwiggen showed us all the immense social and cultural impact created by the very rise of design in industrial and manufacturing settings. When white collar, clerical work began to separate from factory based work, a rift between the two worker classes was born, supported by architecture and maintained by further advances in technology. Today, we look at process of designing to make something easier as a potential introduction of more difficulties and stress into our own lives and the lives of those. Colin’s presentation was an eye-opening exploration of the real results of design. See what the crowd in attendance had to say:
“The history of design is the history of work. The very notion of design is a statement about how we work.” @cosmc #Core77Con
— Divia Padayachee (@DiviaPadayachee) June 19, 2014
.@cosmc kicks off the 2nd half of the day speaking to the many ways people interpret “design” #Core77Con pic.twitter.com/UyCM6OuEZ7
— IDSA (@IDSA) June 19, 2014
Marta Salas-Porras, Creative Director at Obscura Digital
The remix is starting to take off and Salas-Porras encouraged us to pay close attention to the possibilities and opportunities all around us. From models of open source that are becoming standardized (think Getty Images and the Tesla patents) to the growing understanding that the “accepted” form of formal, post high-school education is nearly useless, we have countless chances to leverage the last unregulated resource available to us: Our creativity. Once we gain a firm grasp of the social and socioeconomic consequences of our designs, we can truly change the future, but it requires that we focus on the moment. Check out the audience’s reaction on Twitter:
“This is the greatest time to be a creative, [in this time of] spherical thinking” Marta Salas-Porras #Core77Con
— HDOº (@ideasrealidad) June 19, 2014
“Leave the constraints of specialized disciplines behind.” Experience MDD: multiple discipline disorder. – Marta Salas-Porras #Core77Con
— Caroline Tiger (@carolinetiger) June 19, 2014
Slightly obscured by the glare of the gallery’s impossibly tall and tinted windows, the lines of Robert Currie’s wiry, site-specific installation stretch toward the entrance of Bryce Wolkowitz…
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At the Google Glass Basecamp inside NYC’s Chelsea Market, the Lower East Side Film Festival transplanted some of its selections and audience for a night that was the first of its kind. “Glass Shorts” was an…
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La photographe Shelly Mosman, basée à Minneapolis, capture des portraits captivants d’étrangers en noir et blanc et en couleurs. Elle arrive à figer la puissance d’un regard et d’une expression avec beaucoup de talent. Une sélection de ses photos est disponible en images dans la galerie.
This week’s Dezeen Mail newsletter includes a spiralling museum designed by Bjarke Ingels, classic songs illustrated as buildings and a proposal to build the world’s tallest tower. Read on for the latest news, jobs and reader comments from Dezeen.
Read Dezeen Mail issue 207 | Subscribe to Dezeen Mail
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Wavy timber louvers will flank Azerbaijan’s pavilion designed by Simmetrico Network, Arassociati architects and landscape architects AG&P for next year’s World Expo in Milan.
Event design group Simmetrico Network teamed up with Milan architecture studio Arassociati and landscape architects AG&P to develop the proposal for the Azerbaijan pavilion in response to the World Expo 2015 theme, Feeding the Planet, Energy for Life.
Employing ecologically responsible architecture principles, the pavilion will be built from natural and recyclable materials with low embodied energy using fast and sustainable construction methods, said the designers.
The superstructure will be constructed from wood and iron, enclosed in a glass and steel envelope with the slatted wooden shell providing an additional protective and decorative layer.
The undulating timber louvers will shield the interior from direct sunlight, with the aim of reducing the building’s air conditioning requirements while maintaining transparency and allowing natural light to reach the interior.
Two glazed spheres and another made from curving metal strips will intersect the floors of the four storey building at different levels.
One of the metal and glass structures will poke through a slatted wooden roof and another will protrude from the building’s open end.
“The biosphere was chosen as the iconic symbol of the Pavilion, the best metaphor to represent Azerbaijan as a country that protects the growth and the qualitative development of the environment and its natural, human and cultural resources,” the architects told Dezeen.
Each of the spheres will accommodate facilities for welcoming visitors and introducing them to different aspects of Azerbaijan’s climatic, geographical and morphological diversity.
Azerbaijan’s countryside, technology and agriculture will be celebrated alongside displays dedicated to the country’s culinary traditions and heterogeneous culture.
Materials typical of Azerbaijani architecture will be given pride of place, with domestic stone used for external paving and wood forming the internal flooring.
A modular design will enable the interior spaces to be reconfigured as required, while the fourth floor is designated as a terrace and restaurant area.
Following the expo, the pavilion will be entirely dismantled and moved the Azerbaijani capital, Baku.
Other national pavilions that will be erected at the event include Italy’s pavilion with an air-cleaning facade designed to resemble tree branches and France’s latticed timber structure with crops planted in the gaps.
Daniel Libeskind has designed a twisting pavilion covered in red scales for a Chinese property developer, while sculptor Wolfgang Buttress is to design a beehive-inspired structure for the British pavilion.
The post Glass globes and wavy wooden walls
feature in Azerbaijan’s Milan Expo pavilion appeared first on Dezeen.
The “anti-culture uniform” of teenagers from cities around the world has been reinterpreted into a range of menswear for London fashion brand Sibling’s latest collection.
A hand crocheted tracksuit and motocross jacket and mohawk headpieces made from viscose “hair” form the backbone of Sibling‘s Spring Summer 2015 collection.
The London-based fashion studio, founded by Sid Bryan, Joe Bates and Cozette McCreery, said that the collection was themed around teenagers, with spots and hair – “the two biggest preoccupations of your average self-obsessed youth” – appearing as motifs throughout the collection.
Related story: Please Kill Me by Sibling
A series of looks were created by trapping individual strands of artificial viscose hair into a knitted yarn to create webbed garments covered in fine fringing.
Denim pieces were patterned with large paler spots made out of a series of smaller dots, as if they had once been covered with metal studs. On black, red and yellow sequinned knitwear, more spots mutated into the leopard print pattern that Sibling has used in previous collections.
Huge red pompoms made of raffia were used to create two spiky outfits to close the show.
“Rarely are clothes worn more as armour than when you’re young,” said the designers. “The pack anonymity of a group of ‘hoodies’, the up-yours gesture of a boy in a skirt or the societal baiting of a shocking hairstyle… challenging conformity and in-your-face declarations are everything.”
“While racked with insecurities, there is also the joy and power of dressing and grooming to extremes. Boundaries of taste or decency are pushed to breaking point, but there is a secret strength drawn from every stare, gasp or giggle.”
The studio collaborated with artist Mike Egan, who created cartoonish skull prints for hoodies and t shirts.
Although the collection debuted at this week’s London Collections: Men fashion showcase, it also included pieces from Sibling’s newly-launched women’s resort range, which featured looks “stolen straight from the boys but made feminine”.
Aprons and tunics for both men and women featured heavily, with the intention of creating a warrior-like visual effect and challenging gender stereotypes.
“With an unwritten code, [teenagers] form tribes and gangs, or in the Sibling world: families. It is a world of extremes and exhibitionism where a warrior attitude is essential,” said the designers.
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themed fashion collection by Sibling appeared first on Dezeen.
Closing out the second-to-last day of Core77 Design Awards announcement is the Interiors & Exhibitions jury team with this year’s line-up of honorees live from the Core77 Conference. Watch as Front Studio‘s Michi Yanagishita and Yen Ha, EFGH‘s Hayley Eber and Gizmodo/BLDGBLOG‘s Geoff Manuagh walk us through their decisions. (Local Project‘s Jake Barton was also on the judging team, but is not included in the live broadcast). Make sure to tune in tomorrow for the last day of announcements for this year’s program!
Professional
Winner: Volume Inc. with Studio Terpeluk – Sustainability Treehouse
Runners-up:
» HouMinn Practice – Breaking the Mold
» Marc O Riain (CIT) / Neil Tobin (RKD) – Architecture Factory
Notables:
» C&G Partners – Against The Odds: American Jews & The Rescue of Refugees 1933-1941
» Carter LeAmon – Melbourne Now Design Wall
» INABA Inc. – Red Bull Music Academy
» Volume Inc. – Western Gallery
» Rockwell Group – Shinola
» IDEO – Edison: An interactive light installation for Joie de Vivre Hotels
» Tellart & Google Creative Lab – The Binoculars
Student
Winner: Chris Natt – Blastproof
Runner-up: Tanya Shukstelinsky – Cocoon
One of the highlights of Art Basel 2014 is an exhibition neatly tucked behind the main halls in a smaller gallery. “14 Rooms” is curated…
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