How Much Snow Will Cancel School?
Posted in: UncategorizedRedditor atrubetskoy constructed a map that shows approximately how much snow is required to cancel..(Read…)
Redditor atrubetskoy constructed a map that shows approximately how much snow is required to cancel..(Read…)
This Daldis Dress is Whovian Cosplay At Its Best (Fackbook)..(Read…)
"Here’s a product for the man (or woman) that has everything, or will…A GOLD AXE." Man..(Read…)
User experience design has quickly become a critical skill in fields ranging from software development to industrial design, but how can a designer already enmeshed in their career make a pivot toward UX? While traditional design schools are beginning to incorporate this area of interest into their curricula, sometimes one class isn’t enough.
The Unicorn Institute is a new initiative by Jared Spool, founder of pioneering user experience consulting firm User Interface Engineering, and Dr. Leslie Jensen-Inman, a Ph.D in Learning and Leadership, that aims to provide professional training for experience designers through classes tailored for the market’s needs. And while there’s value in studying design theory and methods, sometimes designers just want the practical experience that can get them to the next level in their career.
If their success on Kickstarter is any indication, Spool and Jensen-Inman have clearly struck a nerve: The Unicorn Institute has brought in over $70,000 so far, three and a half times its $20,000 goal. Most backers are content to put up a few bucks for “digital pixie dust”—a.k.a. wallpapers for a mobile, tablet and desktop—or “digital awesomeness,” the $50 tier, which includes a series of books on experience design; higher reward levels include access to the classes as they become available.
Wieden + Kennedy London has teamed up with directing duo Smith & Foulkes again for its latest ad for Honda, and created another beautiful piece of work.
The spot aims to highlight the size and quality of the Honda Civic Tourer’s interior. To do this, the viewer is taken on a journey inside various objects – a golf ball, camera, robot, suitcase etc – and shown the unexpected beauty that is found within each item. At the end of the spot, the objects all land inside the car, where they fit perfectly, of course.
Smith & Foulkes used a mix of stop frame animation and CGI to create the ad. For the full story on how it was made, look out for the March issue of Creative Review, out towards the end of February, which is a making-of special.
Credits:
Agency: Wieden + Kennedy London
ECDs: Tony Davidson, Kim Papworth
Creative director: Scott Dungate
Production company: Nexus
Directors: Smith & Foulkes
VFX: Time Based Arts
Sound design: Anthony Moore & Tom Joyce at Factory
Taking it from the general public, 91mobiles conceptualized a Google Nexus concept and we think its pretty much aligned with what people require. Nexus 6 takes things to the next level and is built around a 5.2-inch LCD display featuring a full-HD resolution. Corning’s Gorilla glass protects it and the curved design fits your face perfectly. The pressure-sensitive screen lets you unlock the device by simply tapping on it or swiping upwards.
Designer: 91mobiles
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(A Good Nexus was originally posted on Yanko Design)
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News: British writer and editor Joseph Grima will curate the cultural programme at this year’s Biennale Interieur in Kortrijk, Belgium.
Grima and his Genoa-based design and research collaborative Space Caviar will curate a programme of exhibitions, talks and films for Biennale Interieur 2014, which will investigate the current role of the home and the future of interiors.
“Interieur is one of Europe’s oldest design biennials, and has a remarkable tradition of advancing critical thinking with specific regard to the domestic sphere – a realm that is rarely explored or challenged by any other biennial,” said Grima.
“It is therefore the perfect context within which to conduct an investigation into domesticity as the site of encounter between design and everyday life today.”
The research will focus on how shifts in society and technology could impact domestic life and the design of homes.
“We were struck by how urgently such an investigation into the condition of the domestic sphere is needed – particularly considering the rapidly-evolving context of the twenty-first-century city and the central role of the home in the present crisis,” Grima said.
Space Caviar’s investigation will take the form of a multi-site exhibition, a series of talks and panels, and a film programme at the event, plus a book revealing the findings.
The twenty-fourth edition of the biennale will take place from 17 to 26 October, encompassing exhibitions and events across Kortrijk.
Grima stepped down as editor-in-chief of Italian design magazine Domus last summer, after two years in the role.
He curated the Adhocracy exhibition at the Istanbul Design Biennial 2012, which explored the impact of digital networks and open-source thinking on design.
The post Joseph Grima to curate
Biennale Interieur 2014 appeared first on Dezeen.
Dave Sedgwick has designed a new logo, website and brand identity for Manchester bar and arts venue 2022NQ.
The space – now known as Twenty Twenty Two – re-opens today with a new ping pong room housing sculptures made out of ping pong balls by artist Liam Hopkins and a wall showcasing work from up and coming artists.
To celebrate its re-launch, Twenty Twenty Two is also hosting a free exhibition of ping pong themed design and illustration work.
Sedgwick has worked with the venue since its launch in 2012. The 2022 and NQ in its original name refers to the bar’s street number and location in the city’s Northern Quarter, but Sedgwick felt it was confusing and “a little old fashioned.”
“People have struggled with the name for the past 12 months calling it a multitude of things from ‘two oh two two’ (SIC) and ‘Two thousand and twenty two’ etc etc. It was just not working,” he says.
“The venue itself is difficult to find due to its location on a side street, so to also have a name which wasn’t memorable seemed to be an issue. I decided to look at the words and started to work with Twenty Twenty and Two,” he explains.
The new logo uses the three Ts from Twenty Twenty Two in a stair formation, referencing the building’s underground location. Sedgwick has also introduced a new brand type – New Zealand foundry Klim’s Calibre – and designed ping pong-themed posters and signage.
“In terms of how the brand will develop, we are in early days, [but] I want it to be flexible,” says Sedgwick. “The venue space is ever changing, with all sorts of things happening on a regular basis and a rigid brand identity doesn’t seem to favour it. It’s important we keep to some rules though and these will become apparent over time on posters, signage and promo work,” he adds.
The ping pong exhibition, titled pongping, opens on February 6 and features work by more than 20 creatives including Si Scott, Design by Atlas, Studio Opposite, Craig Oldham, Teacake and Manchester collective Empre – for details, see twentytwentytwo.co.uk.
Posters by Dave Sedgwick, Foreign Policy & Barney Ibbotson
SoundFocus is looking for an experienced industrial designer to help them craft the future of consumer audio devices that will improve the lives of millions. Their ideal candidate loves consumer products and has a passion for creating products that people can hold and touch. This is a company with a strong design culture at its heart – both founders have worked in design, and understand its importance in product development – so they’re looking for similarly passionate designers.
As the first full-time designer on the team, you’ll own all things design from physical design of our product to our website, mobile applications, and all aspects of our brand. You’ll work alongside smart people with deep backgrounds in product design, signal processing, software development, electrical and mechanical engineering. Sound fun? Apply Now.
Barcelona designers and illustrators are heading to Manchester in March for the second edition of graphics event BCNMCR.
Eleven studios – Alex Trochut, Brosmind, Solo, Toormix, Laura Meseguer, Atipus, Clase, BCN, Two Points, Folch Studio, Forma & Co and Berto Martinez – will showcase work in a free exhibition at Northern Quarter venue Twenty Twenty Two (formerly 2022NQ), which opens on March 27 until April 23. Designers will also be giving talks on March 28 at St Peter’s Church in Ancoats.
BCNMCR is sponsored by Shillington College and organised by designer Dave Sedgwick, who launched the event after visiting Barcelona several times and spotting parallels between the two cities. “Both are cosmopolitan with a creative and flourishing design community and distinctive identity,” he says.
For more info or to book talk tickets, see bcnmcr.co.uk