Hasta La Ideas

Dutch supermarket Spar’s flagship store in Budapest features a series of undulating wooden forms through its interior by local firm LAB5 architects (+ slideshow).

The curvaceous forms of the interior are designed to guide shoppers to the back of the store. “There is a short route for quick daily shopping and a long route for weekend buyers,” Andras Dobos of LAB5 architects told Dezeen. “All the forms in the interior are inspired by this flow of customers.”

Shelving is created in between curved wooden ribs that extend from the walls and across the ceiling.

The wooden sections merge into an island for displaying bottles of wine. “[The wood] helps to create a more cosy atmosphere in spite of many industrial elements,” said Dobos.

Curved counters are clad vertically with similar wooden lengths in the bakery. Walls are painted brown, in keeping with the natural feel of the materials.

In other parts of the store, white beams zigzag between ribbed sections on the ceiling where wooden lengths are spread more sparsely.

A mix of pendant lamps, spotlights and tube lights are attached between the ribs on the ceiling.

A pair of curved white beams guide the shopper through the aisles, while fruit and vegetables are displayed within rounded counters made from Corian – a solid surface material that creates a smooth finish.

Rounded grey and white tills are positioned at the front of the store, which is located in Budapest’s MOM Park shopping centre.

Photography is by Zsolt Batár.

Here is some more information from the architects:

MOM Park is a shopping mall located in a wealthy district of Budapest. When SPAR decided to open its supermarket there, they had the idea to build a flagship store, and have a unique design for it to achieve elevated experience of shopping. They invited architects and interior designers to submit design proposals in a non-open competition. LAB5 architects won because of the look and feel of a market space, with a friendly industrial atmosphere. Luckily later 90% of the original ideas could have been realised.

Located in a shopping mall, this retail can draw mainly three kinds of costumers, so the layout is organised accordingly. One can be shopping very quickly even not entering across the gates. There is a “short route” for quick daily shopping, and a “long route” for weekend buyers. All the forms in the interior are inspired by this flow of costumers.

From the entrance the ceiling is attracting you to the back zone, and then shows different possible ways to go on. The block before cashiers doesn’t have suspended ceiling, and it is just clear and organised.

Due to the condition of the modest internal height, we wanted to gain the space above the suspended ceiling zone, so we didn’t put a ceiling, unless it was really necessary, and also in a free-form way. Where we could we used solid white surface, and where we had to put additional elements (lights, sprinkler, etc.) we used optical ceiling.

Where possible, shelves and counters are forming islands, just as if they were standing at a market.

There are two zones where the ceiling converts into a 3d form by flowing down to the ground. At the bakery products warm feelings are strengthen. At the wine section, the lamellas of the ceiling are continuing down to the ground to form a space of a cellar, and to indicate at this point the quality and the culture of the product. Generally saying, as the ceiling is the element that can be seen from everywhere, it became one of the main elements in orientation and of impression.

The Dutch word “Spar” meaning pinewood gave the idea of using “wood-like” materials at the ceiling or at the winery. It also helps to create a more cosy atmosphere in spite of many industrial elements. We chose acryl (corian) for the finishing of all rounded furniture, as they had to be white, shiny, clean, durable, and supporting the “fluid” effect.

Due to many contradictory specifications we couldn’t apply concrete for the floor as we planned, but the single colour solution of grey tiling is perfect for the goal.

Maybe because of the fact that we are architects and not interior designers originally, we were seeing this retail as being one part of the big shopping mall, so we used the colour brown of its public spaces, on many elements (floor, ceiling, rear of shelves, etc.), and no other colours (beside grey and white).

Supermarket with 2000 m2 of public zone.
Location: Piazza floor of MOM Park (EU – Hungary, 1123 Budapest, Alkotás utca 53.)
Competition: March 2013
Design: May 2013
Construction: June – September 2013

The post Spar supermarket displays groceries
between curved wooden ribs appeared first on Dezeen.

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News: the Russian designer of the AK-47 assault rifle Mikhail Kalashnikov has died aged 94.

A general in the Russian army and the designer of the widely used weapon that bears his name, Kalashnikov died in hospital yesterday after a long illness.

The AK-47, abbreviated from Avtomat Kalashnikova 1947, is a selective-fire, gas-operated assault rifle and one of the first to have been mass produced.

Kalashnikov and his team developed the gun at the end of the Second World War to function reliably in harsh conditions. Its success was put down to the simple design, compact size and cheap manufacturing cost.

The firearm was adopted as the standard issue assault rifle of the Soviet Army in 1949 and was later disseminated worldwide, undergoing a series of modifications until the present day.

Kalashnikov continued working as chief designer at the firm that first built the AK-47 in Izhevsk, Russia, into his late 80s.

He received many state honours and was twice lauded with the honorary title Hero of Socialist Labour by the Soviet Union.

The AK-47 was added to the collection at London’s Design Museum in December 2011.

The post Mikhail Kalashnikov
1919-2013 appeared first on Dezeen.

Your cell phone is able to vibrate because there’s a little motor inside that rotates a small, off-balance weight. We’ve all seen our phones skitter across a desk when a call comes in, some further than others, depending on what model you have. But the phone’s locomotion is not directed or intended, it’s just a side effect of this little device spinning inside.

What if that motion was directed, and even precisely predetermined? Independent of cell phones, researchers at Switzerland’s Institute for Dynamic Systems and Control designed and built the Cubli, a 15-cm cube that can move around by means of little flywheels, motors and sensors inside of it. While a cube is not the shape you think of when you think about designing a miniature vehicle, check out what this thing can do:

I’m going to forego my usual robophobic tirade about the borderline creepiness of a cube that can move like that, and instead propose that these guys make my cell phone silently stand straight up on my desk whenever a call or text comes in.

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