Core77 Design Awards: Soft Goods/Apparel Jury Announcement LIVE, NOW!

Congratulations to this year’s Soft Goods/Apparel winners!

Student Winner: Helen Ferber – Euphemia

Student Runner Up: David Westwood – Link

Professional Winner: Bespoke Innovations – Bespoke Fairing

Professional Runner Up: Orange22 Design Lab – GRID IT!

Check out the rest of the notable projects at Core77DesignAwards.com

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kokoro : chocolate in a sweet wrap

Kokoro

Not often do I write about packaging or product design but there was no doubt in my mind that I had to share this super nice packaging for a new chocolate brand!

kokoro, wich means something like 'from the heart', is a new chocolate brand by chocolatier Kaori Pi, she also made the cute illustrations on the back of the bar, but my favorite designer from the Netherlands, Ben Lambers … studio aandacht … designed the logo, the total packaging and mold for the chocolate bars… yummie yummie can I have one please! {unfortunately the website from kokoro is still in the making …}

Kokoro-web-1

Marc Fornes & THEVERYMANY Present "nonLin/Lin Pavilion" at FRAC Centre

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Marc Fornes’ “nonLin/Lin Pavilion” is the latest “looks-cool-but-what-does-it-actually-do” project to land in the ol’ inbox. The installation—recently realized at the FRAC Centre (Center to those of us in the States) in Orleans, France—combines elements of biomimetic design, architecture, sculpture and technology in what can only be described as an organic form.

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nonLin/Lin Pavilion is a prototype which engages in a series of architectural experiments referred to as text based morphologies. Beyond its visual perception of sculptural and formal qualities, the prototypes are built forms developed through custom computational protocols. The parameters of these protocols are based on form finding (surface relaxation), form description (composition of developable linear elements), information modeling (re-assembly data), generational hierarchy (distributed networks), and digital fabrication (logistic of production).

The Pavilion project refers to its own scale. It is not considered a model of a larger structure or a building, neither is it an art installation. It is not made out of cardboard, or connected through paper clips. Its structural integrity does not rely on any camouflaged cables and it can resist water. It is light yet very strong. One could sit on it, even hang or climb it. It is scalable to a degree. It is not produced through academic facilities. It is a prototypical architecture.

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Float Reader

Scribd’s new app that will change the way you read on your phone
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Scribd, the document sharing site, today released the Float Reader, an app which intends to streamline the way we view news on our smartphones. Float collects content from over 150 publishers (including CH), laying them out in a user-friendly interface.

Technologically, the app is very advanced and it shows in the design. Ten reading options for various circumstances allow users the most comfortable reading experience available on the iPhone. Instead of zooming into text and having it come up slightly blurred, Float actually re-renders the text in a larger or smaller resolution. Float also allows users to cache select stories onto their phone to allow access without internet, and if you start reading a story before losing service, Float will have cached the rest of that article to allow you to continue.

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The app will also display Facebook and Twitter feeds, but will only show postings which contain links, keeping manageable and interesting. It is currently only available for iPhone, but iPad and Android versions are in development. Check out the web app here.


Core77 Design Awards: DIY/Hack/Mod Jury Announcement LIVE, NOW!

Congratulations to this year’s DIY/Hack/Mod winners!

Winner: Robert Turek for his Tall Furniture

Runner Up: STUDIO UNITE – Alice Minsoo Chun for Solar Puff

Runner Up: Colin Selig for his Propane Tank Bench

Check out the runner-ups and notable projects at Core77DesignAwards.com

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Villa 4.0 by Dick van Gameren

Villa 4.0 by Dirk Van Gameren

Dutch architect Dick van Gameren has converted a family house outside Hilversum by punching three faceted skylights through the roof and driving a corridor through the middle.

Villa 4.0 by Dirk Van Gameren

The project has been named Villa 4.0 since this is the fourth major rebuilding of the single-storey house, which was built in the sixties and which has a plan based on hexagons.

Villa 4.0 by Dirk Van Gameren

Floor-to-celling glazing surrounds a new sunken living room at the back of the house.

Villa 4.0 by Dirk Van Gameren

A hexagonal block in one corner encloses three bedrooms with bamboo floors.

Villa 4.0 by Dirk Van Gameren

Other Dutch houses recently published on Dezeen include one with a fabric facade and another with an inwardly pitching roof – see all our stories about Dutch houses.

Villa 4.0 by Dirk Van Gameren

Photography is by Marcel van der Burg – Primabeeld.

The following is provided by the architects:


When the client set off with his family on a round-the-world sailing trip in 2007, he had no idea that this would lead him to the villa in which he lives today. Daily life on board ship was quite different from that on land: you had to generate your own electricity, make potable water with a watermaker, separate waste products down to the smallest scale and of course exploit the wind for travel purposes. All at once, things he and his family had scarcely considered on land became crucial matters. Back in the Netherlands, this fact of automatically considering aspects of sustainability became the springboard for their new house: Villa 4.0.

Villa 4.0 by Dirk Van Gameren

In the leafy Gooi region around Hilversum they found an attractive plot of land containing a simple bungalow dating from 1967 on a hexagonal ground plan. This became the stepping-off point for a major building project involving many specialists and with sustainability taken up in the plans wherever possible. So instead of demolishing the bungalow – which had already been radically altered in 1972 and 2001 – it was to be recast. The reuse principle is also in evidence in the garden design; trees and bushes have been replanted to fulfil a new duty in the garden and felled trees are stored away as firewood for the high efficiency wood burning stove in the kitchen. Heat pump, solar boiler and LED lighting are among the energy-efficient solutions deployed for handling all the big energy consumers, from heating, cooling and hot water to electricity. Some are feats of technology, others are proven yet largely forgotten solutions such as a clothes horse for drying clothes or a bicycle as the principal means of transport.

Villa 4.0 by Dirk Van Gameren

Design

Although the many modifications and additions had made the house bigger, it had also become increasingly inward-looking. The expanding wings were steadily enclosing the heart of the house with the hall and living quarters, and direct contact between the house and the magnificent surroundings was largely lost. The original detailing and material form were consistently adhered to during all previous interventions but the result was now thoroughly outmoded and of a poor technical quality.

Villa 4.0 by Dirk Van Gameren

The house has now been given its fourth look. Dick van Gameren Architecten was commissioned for the design, the principle guiding this most recent intervention being to create a house that is much more sustainable and able to reinstate the lost relationship between it and the landscape.

Villa 4.0 by Dirk Van Gameren

Dick van Gameren Architecten kept as close as possible to preserving the existing house, which gave the first step towards a sustainable end result. Taking the existing structure as the basis, the outer walls and roofs were modernized by adding insulation and replacing all windows and larger areas of glazing. The walls in the central section of the house were removed to create a new living hall looking out onto the surroundings on four sides. In addition, the physical bond between house and landscape has been consolidated by an all-glass pavilion attached to the living hall that reaches out to the brook flowing past the house.

Villa 4.0 by Dirk Van Gameren

Interior

The client desired a timeless interior. To this end the IDing interior design firm took ‘interior follows exterior’ as its stepping-off point and gave most of the rooms concrete floor slabs. This is because of that material’s durable and maintenance-friendly quality but also because it weds well with the finish of the external walls. Expansion joints made in the concrete floor continue the direction taken by the walls both inside and out onto the concrete paths in the garden. This strategy picks out the sight lines in interesting ways. The corners between walls, the kitchen, the sunken sitting area and the desk in the study all follow the architecture of the bungalow.

Villa 4.0 by Dirk Van Gameren

The harmony between internal and external space was a key design determinant, particularly in terms of colour, sight lines and lighting. Besides the aforementioned expansion joints many natural colours have been applied to ensure the house’s sense of timelessness. Exceptions to this are the natural wool felt upholstery of the settee in the kitchen and the sunken sitting area in the living room, which are a mass of colour. Curtains, all of which can be drawn up into rails in the ceiling, are in neutral tints.

Villa 4.0 by Dirk Van Gameren

Sustainability informs as much as possible of the interior. Thus, the kitchen boasts an ecological, high efficiency wood stove which after two heating sessions of 1.5 hours provides 24 hours of agreeable warmth. Not just that, the stove achieves low emission at high temperatures. The bedrooms have bamboo floors as a sustainable alternative to wood. Bamboo was chosen because it is a rapidly lignifying grass of extremely fast growth and therefore far more sustainable than any wood type. All lighting inside the house is LED based. Once again this choice is informed by sustainability; an LED lamp lasts roughly 50 times as long as an incandescent lamp and consumes about 90% less electricity.

Villa 4.0 by Dirk Van Gameren

Landscape

Like all the other specialists, landscape architect Michael van Gessel drew inspiration from the existing situation: magnificent beeches on the high-lying avenue, their branches reaching far across the steep slope, the garden’s choice position directly along the brook and several magnificent trees and shrubs round the house inspired him to draw up a new garden design whose reuse of existing plants and trees accorded well with the wishes of the client.

Villa 4.0 by Dirk Van Gameren

The special areas of the garden have been emphasized to the full by removing all extraneous elements – conifers, the many maples, low shrubs and the bare slope – to make room for a large lawn and a generous planting or replanting of perennials and flowering shrubs along the property boundary. Throughout the year, the garden presents an ever-changing though always ‘natural’ picture with a wealth of flowers and leaf shapes appropriate to both the underlying principle and the changing orientation to the sun.

A salient detail is that a large oak has been planted in the patio of the house. This makes it seem as if the house has detached itself from the edge of the woods to move into the open space in full view of the sun. Like the floor of the house the hard landscaping – entrance, parking and terraces – consists of large slabs of helicoptered concrete so that house and garden, inside and outside, flow one into the other as if it were the most natural thing.

Villa 4.0 by Dirk Van Gameren

Villa 4.0 took two years to design and build and has now been appropriated by the client.

Villa 4.0 by Dirk Van Gameren

More on aspects of sustainability in Villa 4.0 – The Netherlands

Sustainability is a concept that has been crucial in informing all components of the design, construction and daily use of the house. Rather than create an icon of sustainability, the idea was to consider practically and level-headedly at every step how the house could be least taxing on the environment in both the short and the long term. Key points of departure were maximum reuse of built elements and materials already on site and the use of sturdy and proven techniques to achieve the lowest possible energy consumption. The clients see a sustainable house not as the end of the story but as an inspirational spur to a way of life that places concern for mankind and nature and care of our planet at centre stage.

Villa 4.0 by Dirk Van Gameren

Reuse

The design steps off from the existing house, so that along with comprehensively improving the quality of both space and building performance it makes the most of the materials already on site. Components of the existing house that had to be removed have been reused elsewhere in the design where possible.

Roofs and facades have been insulated or reinsulated (R Value 3.5). The floor too has been insulated (R Value 3) and finished with a smooth continuous concrete deck floor on compression-resistant insulation. The old wood frames have been replaced with new aluminium-framed facade units of insulated glass (U Value 1.1)

Villa 4.0 by Dirk Van Gameren

Energy and indoor climate

A floor heating system has been laid into the new concrete deck floor that can heat or cool the rooms using low temperature heating (water < 35°C). A second system has been installed in the bedroom ceilings to facilitate additional cooling in summer. The entire system is fed by a thermal storage unit. All rooms can be regulated individually. Self-generated energy is not being treated as an option for the time being. The surrounding trees mean that there is much shade for a large part of the year and little wind. The part of the roof that does catch the sun all year long is provided with a solar boiler for hot water facilities (head pipe system).

Villa 4.0 by Dirk Van Gameren

Ventilation of the house is premised on the natural circulation of air throughout the building. Ventilation units in the outer walls make it possible to regulate the exact quantity of air entering the building. In summer, ventilation can be stepped up using a mechanical discharge system in the roof lights of the central hall. Of the two spaces with a lot of glazing, the kitchen has a glass sliding roof and the living room a roof hatch that allows for additional ventilation in warm weather. The ventilation units enable the house to be aired without having to leave windows and doors open.

Villa 4.0 by Dirk Van Gameren

Click above for larger image

Another source of cooling is by means of a roof-top pump that draws up water from the brook and sprays it onto the roof. The water then flows back into the brook. There is a high efficiency wood burning stove in the kitchen, fuelled with wood from the garden. The heat yield supports the heat pump, thereby reducing the energy consumption of the thermal storage system. The house’s open layout ensures that heat from the stove can spread throughout the house.

The living room heats up quickly in winter by being oriented to the south and having all-glass facades, and thus serves as a heat source for the house as a whole.

Villa 4.0 by Dick van Gameren

Interior

All living spaces receive daylight from more than one direction. Storage units, bathrooms and other ancillary spaces also receive daylight, some of it indirect. All artificial lighting is LED-based. Much of the furniture is built-in and where possible made of sustainable materials: wood floors and wardrobes – bamboo, kitchen cupboards – Ecoplex (poplar) laminate,  settees in the living room and kitchen, curtains in the nurseries – woolfilt,  floor covering in the sunken sitting area -bamboo.

Villa 4.0 by Dick van Gameren

Water and garden

Rainwater on the roofs is run off directly into the brook. All waste water (greywater) is run off into a tank where it is purified organically and then discharged into the brook. Only biodegradable cleansing agents are used in the house. The new garden layout is informed as much as possible by the replanting of existing trees and shrubs. This gives a greater openness but also more privacy where this is required. The garden is sprinkled exclusively with water from the brook. An electric lawn mower robot keeps the grass at the correct height, and the planting in the garden can be tended without the need for herbicides and artificial fertilizers.


See also:

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Villa Geldrop by Hofman
Dujardin Architects
Villa 1 by Powerhouse
Company
H House in Maastricht
by Wiel Arets

Peter Saville on How "Autobahn" Changed His Life

As I mentioned in yesterday’s recap of the “Avant/Garde Diaries” launch event, Peter Saville related that the album art for Kraftwerk’s 1974 LP Autobahn was the singular inspiration for his decision to pursue graphic design—a sound decision, considering that his artwork for the likes of Joy Division and New Order has perhaps eclipsed that of their krautrock predecessor. In fact, Autobahn was the first record that he bought with his own money—until that point in his teenage years, he simply borrowed tunes from his older brothers.

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The überminimal design gave Saville his first taste of semiotics as an underlying issue in visual communication. To hear him tell it, the abstracted highway represents “time, history [and] travel” even as it resembles everything from a “power station [to a] cathedral.” Saville also noted that the ideograph’s deeper meaning in terms of “history as well as space,” where it has taken on a cultural significance in addition to its graphic one.

Any other graphic designers care to share their “Eureka” moments in the comments? (I’m personally a fan of Stanley Donwood’s work for Radiohead…)

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Peter Saville is a British art director from Manchester, best known for his album covers for Joy Division, OMD, New Order and other bands signed with the Factory Records label. His work—for instance the legendary cover for the New Order single Blue Monday in the form of an 8-inch floppy disk or the cover for the Joy Division album Unknown Pleasures—stands out with its quintessential, minimalist style. He runs his own company Peter Saville Associates. Apart from his work with the music industry, he has also worked for customers such as CNN, Adobe Systems, Givenchy and Stella McCartney.

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S+PBA Bangkok Architecture Firm

Core77 Design Awards COUNTDOWN: Packaging

jury-packaging.jpgc77da_jury_map-nyc.jpgJury Team from L to R: Mark Christou, Melanie Wiesenthal, Josh Handy, Marianne Rosner Klimchuk, Joe Marianek

Over the next week we’ll be giving you a 24-hour reminder to set your clocks for the live broadcast of this year’s inaugural Core77 Design Awards winners. Please note, all broadcast times and dates are Eastern Standard Time.

CORE77 DESIGN AWARDS LIVE BROADCAST
July 12-22, 2011
10 Days. 15 Categories. Eight Countries. Live!!

Special thanks to the incredible jury team who worked on judging this year’s Packaging category!

Wednesday, July 20th
@5:00PM EST
PACKAGING
Judging location: NEW YORK CITY, USA

Jury Captain

Mark Christou
Creative Director at Pearlfisher
For nearly 10 years, Mark Christou has worked his creative magic at packaging and branding powerhouse Pearlfisher. After leaping across the pond from London to New York in 2007, Mark quickly became one of the youngest creative directors around – a testament to his talents both as a designer and as a team leader. Known for being a highly imaginative and expressive brand designer, Mark approaches the creative process with great vision, passion and intuitive flair, believing that as a designer his role is to convey an experience, an emotion and fundamentally, a strong sense of connection. A firm advocate of the less-is-more school of thought, his work can be summarized as simple and bold.

Jury Team

Melanie Wiesenthal
Director of Creative 3D at Victoria’s Secret
Melanie Wiesenthal is a creative director and designer, currently at Victoria’s Secret Beauty and previously at Martha Stewart Living Omnimedia, Origins, and Aveda. Melanie is an Adjunct Professor at Parsons School of Design, having taught studio classes in typography and graphic design since 2003 and has spoken at numerous conferences in the US and around the globe on design and sustainability including AIGA, Fuse and ENG Amsterdam. Her corporate and freelance work has been featured in The Art Director’s Club, Print Magazine, Communication Arts, Graphis, Cooper Hewitt Design Museum, How Magazine and Graphic Design USA.

Josh Handy
Vice President of Industrial Design at Method Products
Josh Handy has been designing consumer products for over 19 years in four countries. His degree in Mechanical Engineering is tempered with a Masters in Industrial Design and an MBA in Design Management. After working with Method Products in 2001 at Karim Rashid’s studio in New York, Josh established the Method internal industrial design studio in 2006. In 2010, his pump laundry packaging for Method won IDEA Gold, Best of Category and IDSA Silver for Design of the Decade.

Marianne Rosner Klimchuk
Associate Chairperson of Packaging Design at Fashion Institute of Technology (FIT)
As Associate Chairperson of the Packaging Design Department at FIT, Marianne Rosner Klimchuk is responsible for shaping the mission and curriculum in the education of future design leaders. She has co-authored two books: Packaging Design: Successful Product Branding from Concept to Shelf and Really Good Packaging Explained. She is a partner in DesignPracticum, which consults to organizations and companies on the integration of design thinking, education, strategy and best practices. She currently serves on the Advisory Board for Package Design magazine and is a contributing writer to industry magazines, judges industry competitions including the FiFI Awards, and is a member of the Design Management Institute (DMI). She has a bachelors degree from Wesleyan University and an MS in Package Design from Pratt Institute.

Joe Marianek
Associate Partner at Pentagram
Joe Marianek has led and contributed to a broad variety of identity, print and environmental projects for clients including Citibank, the Museum of Arts and Design, Bobby Flay, and Guitar Hero. His work has been recognized by the AIGA, Art Directors Club, Type Directors Club and featured in numerous publications and exhibitions. In 2010 he was named a Young Gun by the Art Directors Club, an international award for innovative talent in the visual communications field aged 30 and under. He serves on the Board of AIGA Rhode Island and is an adjunct faculty at the School of Visual Arts in New York.

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Core77 Design Awards: Products/Equipment Jury Announcement LIVE, NOW!

Congratulations to student Pengtao Yu for multiple wins: U-Haul Emergency Response Conversion Kit (Winner) and Tea Time (Runner Up), as well as runner up Aakash Dewan for Onedown.

As for professionals, we’d like to congratulate Paul Justin for Makedo (Runner Up), Scott Wilson of Minimal for TikTok+LunaTik watch kits (Runner Up), and Vikram Dinubhai Panchal of the NID for Load Carrier for Labor (Winner)!

Check out the full list of projects, including notables, at Core77DesignAwards.com

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