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coffee table constitued by 2 panel elements wich give an hexagon form

Glif guys, Part 2: Manufacturing

In Part 2 of this four-part interview, Dan Provost and Tom Gerhardt (a/k/a Studio Neat) discuss the manufacturing process and challenges of the Glif, describe what it’s like to see something you designed being produced, and explain why they chose to manufacture in the United States.

See Part 1: Getting it Started, Part 3: Package Design and Fulfillment and Part 4: Lessons Learned and What’s Next or find out about the original Kickstarter project that set it off!

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Kickstarter Project for Haptica Braille Watch

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Speaking of Kickstarter, David Chavez, the man behind the Haptica Braille Watch has launched his own campaign to fund the engineering, R&D, manufacturing and packaging to get this project on track to becoming a reality! We first mentioned this project two years ago when Chavez won the Spark Design award and interacted with some prototypes at last year’s New York Design Week. Support Chavez and the Haptica Braille Watch by donating through Kickstarter here!

Haptica presents a logical alternative for the blind and replaces the archaic products currently available. It provides precision and discretion to the user and seeks to improve the quality of life for a consumer market that is oftentimes over looked. Like most products for people with disabilities, it’s somewhat of a niche market. Many products in this category are clumsy and unappealing. Raising funds or finding a big company to back these kinds of products is difficult. By harnessing the power of crowd sourcing, a great concept can become a great product and we won’t have to compromise the creative process. We’ll be able to create a product that will be both functional and beautiful.

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Wikipedia – 10th Anniversary

Voici cette installation par l’artiste Dean McNamee représentant l’activité de Wikipédia en continu. Dans le cadre de la soirée des 10 ans du site à la Fondation Louis Bloind (Londres), une série de 18 imprimantes ont produit sur papier les contributions des internautes en temps réel.



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Previously on Fubiz

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My First Dictionary

Book of cleverly corrupt definitions teaches big kids the facts of life

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First time author Ross Horsley tackles the challenge of teaching young minds with a playfully disturbing dictionary. An innocent endeavor at first blush, “My First Dictionary” is actually filled with inappropriate definitions for its roster of simple words, accented by charming Norman Rockwell-esque illustrations that are actually taken from the 1977 book “The Giant Picture Dictionary for Boys and Girls.”

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For example, Horsley defines the word abandon as, “Father is trying to abandon us” and pocketbook as “a small bag used for carrying money and xanax.” Even though it is wildly inappropriate for kids we cant stop reading it ourselves.

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“My First Dictionary” sells from Harper Collins and Amazon.


Oscar Wilde

“Give a man a mask and he will tell you the truth.” – Oscar Wilde


Oscar Wilde

Summer Camp for Designers? SVA’s Masters Workshop in Italy

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Ready for a little Roman Holiday? SVA has two unique opportunities to study design this summer in Italy. Led by Lita Talarico and Steven Heller, co-chairs of SVA’s MFA Design program, and Louise Fili, author of Italianissimo, the Master’s Workshop is an integrated multidisciplinary program allowing participants to study graphic design and typography with leading designers, historians, archeologists and publishers. Considered the birthplace of western typography, the Venice and Rome programs will culminate in unique (and potentially publishable) print and Web projects.

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Nice work for Nike, Skittles, Lynx, Virgin Media and more…

Lots more lovely new advertising work to share with you this week. We begin with the first of two new Nike ads from Wieden + Kennedy. This one, for the new CTR 360 boot, stars Barcelona midfield maestro Andrés Iniesta and features immersive surround sound, best experienced via headphones. Directed by Scott Lyon, the film was shot using six cameras mounted together to capture a 360 degree image of the players in action.


The second piece from Nike is a trailer for a new film project from Nike Basketball, which is directed by Robert Rodriguez. Titled The Black Mamba, the film stars Bruce Willis and Kanye West and will be released online on February 19. More info is here.

 

Skittles returned with another surreal little number this week too, starring two men trapped in giant fists. Agency: TBWA \ Chiat \ Day, New York. Director: Ulf Johansson.

 

BBH in London has released a TV spot for new Lynx fragrance, Excite. While beautifully shot by Rupert Sanders, the ad’s narrative takes the usual Lynx schtick of the deodorant rendering men irresistible to women to new, ridiculous heights as angels drop from the sky to seek out the Lynx wearer. We’ve said this before but surely it’s time for Lynx to look for a new narrative now. Please?


The Lynx ad does have an interesting cover version of Sexy Boy by Air though, and this new ad for Virgin Media (by DDB London) in turn features a curious remix of a familiar tune, with the lyrics from Madness’s Our House set to the Dan Black track, Symphonies. The ad is directed by Seb Edwards and aims to show how the brand makes the world ‘a more exciting place to live’.


We end with two non-TV projects. Firstly, this interactive window display from The Media Merchants, which was created for Starbucks and appeared in two storefronts, in Vancouver and Toronto. The display features a game where users seek the ingredients for the Tazo teas sold in Starbucks.


Finally, this amusing campaign from Del Campo Nazca Saatchi & Saatchi in Buenos Aires sees Andes Beer create a robot that allows a chap to be out with his friends (via video link to the robot) and at home with his girlfriend at the same time. The film above, directed by Luisa Kracht and Nico & Martin, shows how the robots work.

 

 

CR in print

Thanks for reading the CR Blog, but if you’re not reading us in print too, you’re missing out on a richer, deeper view of your world. Our Type Annual issue has 100 pages of great content, featuring the best typefaces of the year and great writing from Rick Poynor, Jeremy Leslie, Eliza Williams and Gavin Lucas. It’s printed on four different, beautiful heavyweight paper stocks and offers a totally different experience to the Blog. You can buy it today by calling +44(0)207 292 3703 or go here to buy online. Better yet, subscribe to CR, save yourself almost a third and get Monograph for free plus a host of special deals from the CR Shop. Go on, treat yourself.

Ask Unclutterer: Organizing photographs

Reader Mary submitted the following to Ask Unclutterer:

My parents both passed away before I was 30. My sister and I cleaned out our mom’s house and stored some items in Florida in separate units until we thought we could use them. After 10 years (!!), I finally realized I was never going to move that stuff out to California where I live, so I went back and cleaned out the unit and ended up keeping very little. One thing I did keep, however, is ALL of the family photos, and the envelopes of negatives. Some are in albums (all unmatched, of course) and some are still in their envelopes. Plus I have my own photos and negatives. I’m swimming in this stuff (about 2-3 large totes worth) and have no clue how best to organize, what to keep, what can I toss (the negatives??). Because it’s only me and my sister now, and these photos are all I have as “evidence” of the first three decades of my life.

My condolences about losing your parents. I realize it has been more than a decade, but I’m still sorry for your loss.

As far as the photographs are concerned, I’m of the belief that photographs aren’t clutter. Okay, so maybe that blurry one of the ground you accidentally took in the eighth grade doesn’t need to be in your collection, but the rest are of family, friends, places, and experiences you value. The majority of them likely bring you joy — and those are worth keeping.

However, I don’t think storing them in a large tote is the best way to show you value these images. Here’s how I would tackle the project:

  • Pick a Saturday on your calendar when you can sort through all of the photographs. Keep the day free of all other obligations. Wear comfortable clothes, have your favorite snacks on hand, and play your favorite music. Going through all of the pictures is going to take time and a lot of mental energy. Give yourself the day and don’t rush.
  • You’re going to want to sort the pictures into two groups: Trash and Keep. Obviously, you’ll throw out and/or shred the Trash pictures at the end of the sorting process. Get rid of any blurry ground shots or ones where the flash didn’t go off and you can’t identify anything in the photo. All black pictures from when you forgot to take off the lens cap can go into the Trash without a second thought. Duplicates, photographs you can’t stand, and anything else you don’t want to keep because it’s associated with a negative experience can go into the Trash pile, too.
  • The Keep pile will be the photographs you plan to store and look at from time-to-time. As you decide to keep them, lay them out onto a cleared floor or dining table. I suggest making piles by decade (1970s, 1980s) or life stage (elementary school, middle school, high school). When you put the photographs in albums, you can organize in more detail by months and years.
  • Once all of the images you have chosen to keep have been sorted, you may choose to bundle and box the photographs and have them professionally scanned. (ScanMyPhotos and ScanCafe are national companies that do this. However, many photo processing businesses offer this service, so check locally if you don’t wish to ship them across the U.S.) If you have the images scanned, I also recommend uploading a copy to a private Flickr or Picasa Web account. This way, you can easily share the images with your sister and friends, and you have a back up copy in case a fire, flood, or other disaster destroys the originals.
  • When you have the original images back from being scanned, you can sort them in more detail and put them into albums. You may decide that since you have digital copies of the photographs that you don’t want to keep the originals. If this is the case, I suggest giving your sister a call and offering them to her. She might prefer the originals to the digital version.
  • Write information about the images next to the photographs in the album, or type the information into the Notes field of the digital file. This way, you’ll know who is in the picture, when it was taken, and why you chose to keep the picture. These can be great reminders when, years from now, you have forgotten some of this information.
  • If you use photo albums, store them in a place where you can easily look at them and enjoy them whenever you want. Keeping them in a box in a closet or a basement makes it difficult to view these memories. Also, you may find a few favorites in the tote that you want to frame and enjoy every day.

As far as negatives are concerned, I don’t see anything wrong with ditching them if you have a good, quality digital copy of the image. Most photographic printers are digital these days, even at photo-processing businesses, so a good scan should be all you need if you want to make physical copies of an image.

Thank you, Mary, for submitting your question for our Ask Unclutterer column.

Do you have a question relating to organizing, cleaning, home and office projects, productivity, or any problems you think the Unclutterer team could help you solve? To submit your questions to Ask Unclutterer, go to our contact page and type your question in the content field. Please list the subject of your e-mail as “Ask Unclutterer.” If you feel comfortable sharing images of the spaces that trouble you, let us know about them. The more information we have about your specific issue, the better.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Glif guys, Part 1: Getting it Started

Dan Provost and Tom Gerhardt, designers of the Glif, were the first product designers to bring Kickstarter into the public consciousness. In the days before anyone realized Kickstarter could have a profound effect on the field of industrial design, the roughly $137,000 that Provost and Gerhardt received to advance the Glif shattered their expectations of doing a quiet little $10,000 project.

The two designers, who now operate under the name Studio Neat, took the time to sit down with Core77 for an in-depth interview on what this project has been like for them, from start to finish.

Provost and Gerhardt were refreshingly open about discussing the money, the manufacturing process, mistakes they made and things they learned along the way. The interview, which we’ve broken into four parts, should be of interest to anyone starting out in ID or thinking about Kickstarting a product design project.

Here in Part 1 they discuss the project’s inception and how they got started.

Don’t miss the rest of the series: Part 2: Manufacturing, Part 3: Package Design and Fulfillment and Part 4: Lessons Learned and What’s Next or find out about the original Kickstarter project that set it off!

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