Hasta La Ideas

Dutch designer Bo Reudler and company were recently invited to take part in a restoration project in a 19th century house near Amsterdam. The designers were challenged to bring a touch of contemporary design flair to the antique bathroom interior whilst retaining some of the character and features of the original.

Most modern bathrooms are shrines to function and sterility. This design sought to bring the space alive. Drawing heavily on natural forms, the copper pipes are left exposed and unfinished, to green with time and use—along with the copper sink and floral tile details. The ceiling’s cornicing, playing with classical interior features, gives the impression of water dripping upwards as you kick back in the antique bathtub.

Check out the tap details and plenty more pics on the Bo Reudler site.

One more view after the jump

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Tokyo studio Nendo have collaborated with a traditional Japanese potter to create a flat, square loudspeaker made of 1mm thick ceramic decorated with intricate patterns.

The speaker combines high-tech industrial ceramics and traditional craftsmanship.

The product was designed in collaboration with Kanazawa based potter Mitsuke Masagasu, for the Take Action Foundation, which seeks to rejuvenate traditional Japanese crafts.

Photographs are by Masayuki Hayashi.

See more ceramics in our Dezeen archive.

See all our stories on Nendo in our special category.

The following information is from the designers:

“ceramic-speaker” designed by nendo / Design concept

A contribution to the Revalue Nippon Project launched by former Japan footballer Nakata Hidetoshi to revitalize the traditional crafts in Japan. Nakata named five curators, each of whom selected one ceramicist and one designer (or contemporary artist) to collaborate on one piece. Curator Akimoto Yuji, director of the 21st Century Museum of Contemporary Art in Kanazawa, Japan, invited nendo to collaborate with Mitsuke Masagasu, a Kanazawa-based potter whose work springs from the traditions of the local Kutani ware.

We decided to complement the infinitely sophisticated, elaborate lines of Mitsuke’s red-glaze designs by fusing them with the infinite sophistication of digital manufacturing techniques to create a set of high-end audio speakers in 1mm thick ceramic substrate.

Ceramic substrate has a high heat resistance, so is often used for LED bulbs and other heat-emitting internal components and rarely exposed to human eyes. Its computer-controlled manufacture involves shaving thin slices from thicker ceramic slabs, fixing them with mercury vapour and mounting all components with a robot arm; human hands touch no part of the process. We hoped that adding Mitsuke’s red patterns to the process would disrupt it entirely, allowing a new form of expression to emerge.

As the substrate is exposed to sight, its function-optimized surface takes on a new decorative role. This reminds us both of the limits of the human hand, and of its infinite, unshakeable attraction, providing a glimpse into the future of craft.

See also:

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