International Center of Photography Director Willis Hartshorn to Step Down

Willis (“Buzz”) Hartshorn, who has served as director of the International Center of Photograpy since 1994, will step down due to health reasons, the institution announced today. Hartshorn, who has been diagnosed with Parkinson’s disease, will transition to a new, unspecified full-time executive role at ICP once his successor is in place. In light of the news, ICP’s board has formed a search committee and retained Russell Reynolds Associates to conduct an international search for a new director. “I feel very fortunate to have had the opportunity to build on the legacy of Cornell Capa, working with a talented staff and engaged board,” said Hartshorn, who joined the ICP staff in 1982. “I particularly appreciate their support, as I look ahead to continuing to serve the institution in new capacities.”

Among Hartshorn’s many achievements as director of the New York-based institution was raising more than $20 million in a 2001 capital campaign (the institution’s first) to move ICP from 94th Street to its current dual sites at 43rd and Avenue of the Americas. During his tenure, the endowment has grown from $700,000 to $11 million. Most recently, Hartshorn directed a planning process that “envisions a facility that would enhance integration of the exhibition, collection, and education programs,” according to a statement issued today by ICP. “Buzz and his team have led ICP from strength to strength throughout his 17-year tenure, from its exhibition programs, to its greatly increased endowment, to the breadth and depth of its educational programs and the photography talent trained by ICP, to its leading position in the world of photography,” said Jeffrey A. Rosen, president of the ICP Board of Trustees. “All are a testament to his legacy.”

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Ai Weiwei Tells the Media That He’s Gotten in Trouble for Talking to the Media

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Over the past couple of weeks with artist Ai Weiwei suddenly starting to reemerge online and in the media, despite a gag order placed on him by the Chinese government upon his release from a three-month detainment, we’ve spent time speculating every time he quickly pops his head out in public to test the waters if the ban has been lessened or if Weiwei just can’t be kept away. Breaking the gag order once more by recently talking to the LA Times, it appears to be much more of the latter. In between talking about an installation of his work at the Los Angeles County Museum of Art, which opened this past Saturday, writer David Ng managed to get the artist to reveal a bit about his recent forays back into the limelight (like right at that moment, talking to the LA Times). Though very brief and, as Ng puts it, “the artist hesitated when asked,” Weiwei offered up the following: “Twitter is not allowed, of course,” he said. “I can’t talk about my case. I have broken some rules, but I have to take the consequences. I have been warned again.” So, as we’d said back when Weiwei joined Google+, once a rule breaker, always a rule breaker. How much trouble he’ll get in for saying he’ll get in trouble for saying that is anyone’s guess. We’ll wait to hear all about it on Twitter or maybe a profile/interview in the New Yorker.

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Black Eyed and Bruised Ribbed, Shepard Fairey Offers Up His View of the Recent Attack Against Him in Copenhagen

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This past weekend, as you may have heard, artist Shepard Fairey was physically assaulted shortly after the opening of an exhibition of his work in Copenhagen. He and his Obey colleague, Romeo Trinidad, were reportedly jumped while exiting a nightclub, attacked by a number of men who screamed at Fairey to “Go back to America” and that he was “Obama illuminati.” By the time they’d run off, the artist had a bruised rib and a black eye. All of this followed something of a giant wall-scaling mural Fairey had painted in the city, near where a famous youth house once stood, which some local residents had seen as an encroachment by the government, despite the painting’s call for peace. After lots of press attention, Fairey himself has posted on his blog about the contentious debate over the mural and the hostilities that popped up around it (it was almost immediately defaced), why the media often seemed to slightly side more with his attackers (case in point, the Miami New Times‘ headline, “Did Shepard Fairey Deserve to Get Beat Up by Danish Anarchists?“), and offering up his view of the fight from inside the middle of the fray. Here’s a bit:

I unthreateningly asked him why he was saying that stuff to me, and what his problem with me was. He just said “YOU HAVE THE PROBLEM” and did the chest shove every visitor to a playground has experienced. Then as he raised his fists I was clocked from the side by someone I never saw. The next thing you know I’m being attacked by at least 3 guys and Romeo jumps in to help me. It was crowded, and people tried to pull everyone apart which somehow left Romeo being ganged up on by a couple guys, so I had to jump back in to help him, while I was being punched and kneed by people behind me.

They quickly ran off , and it seemed that things were over except for my wife freaking out across the parking lot. I was wrong, somehow the attackers had snuck back through the crowd and I caught a punch in the eye out of nowhere as I turned to see Romeo pushed against a wall being punched and kneed in the back. I tried to help him again, and after brief retaliation the attackers fled again.

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R. Crumb Cancels Festival Appearance After Local Paper Calls Him a ‘Sex Pervert’

Here’s a bit of advice: if you’re planning to invite famous cartoonist Robert Crumb to attend a festival in your town, it’s likely best to make sure all the local news outlets will agree not to call him names or he’ll probably cancel on you. Such as happened to Graphic, a weekend-long festival dedicated to “graphic storytelling, animation and music” in Sydney, Australia. After an article appeared in the Sunday Telegraph entitled “Smutty Show a Comic Outrage,” which begins immediately by calling Crumb “a self-confessed sex pervert” and frequently quotes from “sexual assault crisis groups” who were against his appearance, the artist decided to cancel:

“It was strong stuff and it made me look very, very bad,” Crumb said. “All it takes is a few people who overreact to something like that to show up and cause unpleasantness. I have a lot of anxiety about having to confront some angry sexual assault crisis group.”

…Crumb wrote to Graphic co-curator Jordan Verzar on Monday to confirm his withdrawal. “I told him that I’m not coming and to cancel the whole thing,” the artist said. A festival spokesperson said Verzar had last night asked Crumb to reconsider his decision.

So is Crumb’s skin too thin or Australia’s? Given that “Crumb’s work cannot be shown in Australia unless he submits his illustrations for classification” we’re inclined to believe the latter.

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$100,000 Print Stolen from Designer Marc Ecko’s Studio

Speaking of thievery, as we were in that last post, here’s something a bit more direct. Two weeks ago, though only being reported now, a man sneaked into fashion designer Marc Ecko‘s studio in Manhattan and stole the print “Untitled (Calvin Klein)” by the artist Kaws. NY1 reports that the thief knew the door code to the building, entered with a poster tube under his arm, lifted the print and then stuffed it into the tube while hiding in a bathroom before hightailing it back out into the street. The Kaws print is said to be worth roughly $100,000 and Ecko’s most recent blog posts have laid out information about the case, currently being investigated by the NYPD. Here’s all the info about the suspect:

The suspect is described as being a white male between 20 and 40 years old, approximately 5’11″ tall with a thin build and a mustache. He was wearing a dark green hoodie, blue jeans, a tan baseball hat with dark sunglasses and running sneakers. Police say he was also carrying a dark backpack at the time.

Anyone with information about the case is being asked to contact Crime Stoppers by calling 1-800-577-TIPS, by texting TIP577 to CRIMES, or by [visiting their website]

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Ai Weiwei Grants First, Post-Release Interview

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Not only has artist Ai Weiwei been breaking the social media gag order the Chinese government placed on him upon his release from a three month detainment, with posts first on Google+ and then earlier this week on Twitter, now Weiwei has broken the media ban as well by sitting down for a reported six hour interview with a newspaper. However, that’s a bit easier to understand when you learn that said paper, the Global Times, is well under the control of China’s government, as close as a state-run paper as you can get. That six hour interview has been condensed into just two pages, but if you’re able to look past the Global Times‘ bias, it’s not only chock full of information, but it’s interesting to finally hear Weiwei in his own words, outside of those aforementioned brief online snippets. ArtInto has gone through the essay and pulled out some of the more telling sections and quotes, lending some context along the way to help fill in the gaps. Most interesting, perhaps, is that they found in their reading that the paper actually “comes out in support of Ai through a number of passive but notable ways. Most prominent among them is their argument that Ai isn’t actually committing the cardinal sin of trying to start a revolution.” Here’s a bit more on that:

“While Ai continues to demand reforms, he said he has never called for a change to the form of China’s government,” Global Times writes. “Overthrowing the regime through a radical revolution is not the way to solve China’s problems,” Ai is quoted as saying. “The most important thing is a scientific and democratic political system.” Calling for democracy, of course, is dicey — but China’s number one political crime is attempting to overthrow the government, which the Global Times articles goes out of its way to state that Ai is not doing.

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Continuing to Ignore the Gag Order, Ai Weiwei Now Back on Twitter

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Two weeks ago, we told you that artist Ai Weiwei was treading slightly dangerous waters by opening a Google+ account, despite being issued a complete media and social networking gag order by the Chinese government who had just released him from a long, secretive and reportedly punishing detainment. Now Weiwei is apparently pushing a bit further, as his Twitter account suddenly sprang back to life. His messages thus far, at least in those we’ve read translated by sources like the BBC and ArtInfo, have been more than a bit tame, ranging from “Hey, hugs. Goodnight,” to talking about what he’d had for lunch: “Lunch 10 dumplings, bodyweight regains 3kg.” Whether this means that the media noose imposed by the government has been loosened or has Weiwei just decided speaking to the public worth the risk is anyone’s guess.

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Michael Kors Wedding on the Horizon?

What’s the number one golden ticket that soon everyone in the upper echelons of New York will be trying to get their hands on? The presumably upcoming wedding between fashion designer turned TV personality Michael Kors and his long-haired, longtime partner (and occasional Jesus look-alike), Lance LePere. Now that gay marriage has become legal in New York, the pair are expected to tie the knot sometime soon, as the two were reportedly spotted at City Hall late last week requesting a marriage certificate. Thus far they’ve kept things quiet about the whens and wheres, but you can imagine that there is already an army of tabloid scribes and paparazzi digging for the details, given that the even is sure to have a few celebrities among its ranks. Here’s the only word from Kors thus far:

“Lance and I are very excited to finally be able to have the opportunity to marry in our home state after many years together,” Kors, a Long Island native, said in a statement.

“We have no plans for a major party, but we will be getting married privately,” Kors, 51, added.

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He’s Apparently Had Eyes This Whole Time: Karl Lagerfeld Photographed Without Sunglasses

You can tell that either the celebrity in question has made it so large that he now exists on another plane away from we ordinary man, or that, outside of American politics, it’s been a pretty slow, summer news week. Decide for yourself as you react to the news that this week fashion designer Karl Lagerfeld was photographed without wearing his sunglasses. Are you shocked? Are you hyperventilating as you click over to Google News to check out the more than 40 news outlets (well, make that 41 now) that, at the time of this writing, had breathlessly reported as much? Or can you somehow, perhaps because you’re gifted mentally, imagine Karl Lagerfeld without his sunglasses by simply picturing him with normal looking eyes instead of a pair of sunglasses? Whatever camp you fall into, let us all remember where we were when this happened and what we were doing, because this is the sort of thing you tell your grandchildren. And then when they ask, “Who is Karl Lagerfeld?” you can answer, “He was a guy who wore gloves and made plot-less ice cream commercials.” They should understand immediately thereafter and be filled with a glowing reverence for all you have experienced.

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Details of Alexander McQueen’s Will Released, Designer Leaves £50,000 for Care of His Dogs

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The press took a bit of a break this week in talking about how insanely popular the Alexander McQueen exhibition at the Met has been, helping to set all sorts of record attendance levels and forcing the museum into staying open a few extra hours here and there to accommodate the heaving throngs, to instead talk about the departed fashion designer’s will, which was released to the public this week. Most notably, beyond the usual breakdown of assets given to family, charity, and friends, the majority of the talk has been about McQueen leaving £50,000 of his £16 million estate for the care of his three dogs, Juice, Minter and Callum. Such an animal lover was McQueen that reportedly his last statement was “Look after my dogs, sorry, I love you, Lee,” written sometime before he committed suicide. Furthermore, beyond the care for his dogs, the designer’s will also stipulated that two animal charities should each receive from his estate £100,000.

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