Station To Station Reissue

An online scavenger hunt kicks off the reissue of David Bowie’s influential tenth album

Ground control to Bowie fans—the iconic singer today re-releases his legendary tenth studio album Station To Station with a web-based scavenger hunt to promote it. Simply gather all nine images of The Thin White Duke from around the web (starting with the one here) for access to a never-before-heard Bowie KCRW remix and a chance to win the Deluxe Edition box set, t-shirt, Bowie catalog on CD and an iPod Nano. The first 50 people to complete the hunt receive a limited-edition shirt.

The Deluxe Edition includes the original analog master as well as a highly sought after and previously unreleased recording of the live ’76 show at Nassau Coliseum. Also included are a DVD, an unreleased photo of David Bowie by famed photographer Steve Schapiro and extensive memorabilia.

Click on the image to the right to get started. To purchase the box set, visit Amazon where it sells for $133, or for around $27 you can get the “Special” three-disc edition, also from Amazon.


Alive

British singer Tallulah Rendall collaborates with artists for each track of her playful new album
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The whimsical British singer songwriter Tallulah Rendall‘s upcoming album celebrates creativity in all its dimensions. Alive follows her debut album Libellus, which was notable for Tallulah’s soaring voice and her clever idea of creating “viral vinyl” that worked both digitally and as a physical work of art.

Tallulah’s enterprising approach to music making is evident once again on Alive, which was independently funded through Pledge Music—the service that enables donators to follow the creative process of the album through regular updates from the artist.

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Always one for creative collaboration, Tallulah has extended her multimedia approach by working with a different artist on each song of this new album, inviting them to interpret her music in their own visual fashion. The first single “Ghost on The Water” features the sensual modern ballet of Amy Richardson-Impey, while the second more upbeat single “Blind Like A Fool” finds Tallulah animated on the circus high-wire by Jelly Brain Productions.

The obvious pleasure Tallulah takes in sharing the creative process with others has us looking forward to the Alive album and its accompanying artworks when it’s released early 2011.


Playbutton

Wear music on your sleeve with a pin that doubles as a player
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When an artist makes an album good enough, it feels wrong to just dump it into your music library among all the one-hit wonders and your secret Faith Hill collection. Playbutton pairs the concept of a great album with the classic button pin for the perfect wearable way to listen to music. The front of the button typically features artwork, keeping the album cover relevant while making it easier for bands to distribute and promote their music in a tangible way

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Like an iPod Shuffle (and keeping true to the artist’s vision), the songs can’t be rearranged but the simple device does have controls to play, pause, skip, and adjust volume, all powered by a rechargeable lithium battery. making for a clever new way to distribute and promote music. Simply plug in your best set of headphones and Playbutton supplies the sound. Patent-pending. Playbutton will be available for production beginning of next month.


Beachcomber’s Windowsill

The folk rock sounds of over a hundred instruments on British band Stornoway’s first album
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Five years in the making, Stornoway‘s recently-released debut album Beachcomber’s Windowsill like so many records before it, is the story of a homegrown musical enterprise. The band of Brits, named after a town on the Scottish isle of Lewis, met and honed their earnest, folk-rock style at the University of Oxford, where an eight-track recorder served as their primary means of laying down songs.

But for whatever they lacked in recording equipment, the quartet made up for in sound. Fast-forward to Beachcomber’s Windowsill, an album delivers over a hundred various instrumental notes—from the echoing chimes of a church bell and the signals of a Morse code message to the indecipherable sound of carrots being chopped.

Sensationally disorienting, the love song “Zorbing” kicks off the album, leading with a choir-like effect that builds to an excitedly robust crescendo. Frontman Brian Briggs explains the title, which takes its name from a slightly madcap activity involving a person rolling down hills inside a large, transparent ball, “I thought zorbing would make a good metaphor for how I was feeling at the time when I wrote the song.”

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“If you listen closely, you can hear stuff like various band members muttering, lots of hiss and funny little details that you would normally clean up if you were in a studio,” Briggs says of the album’s audible quirks, which he and the band deliberately chose to preserve. While an amalgamation of sounds, the album is a thoroughly complete work, featuring 11 tracks of mostly-acoustic offerings ranging from fast-paced and riff-heavy (“Watching Birds” and “I Saw You Blink”) to gently wistful (“Long Distance Lullabye”).

Look out for the band on tour in the U.S. starting mid-November 2010. Beachcomber’s Windowsill sells online from Stornoway (where you can also get a hacky sack to go with it), Amazon and
iTunes
.


Dirty Baby

Painting, jazz and poetry in a trialogue between David Breskin, Nels Cline and Ed Ruscha
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Dirty Baby,” a music project joining guitarist and composer Nels Cline (of Wilco fame) and poet David Breskin, “recontextualizes” American artist Ed Ruscha’s “censor strips” (artworks that depict the black marks used to censor documents). The resulting album and art book represents an aural and visual conversation between the three men and a load of talented musicians.

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Dirty Baby the album drops 12 October 2010, but people in L.A. will be treated to a spectacular release party on 7 October 2010 at the Los Angeles County Museum of Art (LACMA) as part of the Angel City Jazz Festival. Cline will perform, Breskin will recite poems Ruscha will project images, and after the concert all three will sign the beautifully-packaged “Dirty Baby” CD and
art book of the same name (published by Prestel).

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The book, the size and shape of an LP, pairs gorgeous reproductions of Ruscha’s images with Breskin’s ghazals (a tightly-structured, ancient Arabic form) and includes the four-CD set, two of which are the slow, twangy Jazz improvisations by Cline. (You can order the book from
Amazon
or Prestel.)

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The L.A. show will be held at LACMA’s Bing Theater, and while admission to the event is free it’s highly recommended to RSVP to info [at] angelcityjazz [dot] com.

Images copyright Ed Ruscha 2010