Norm Architects creates cedar-clad summerhouse that nods to traditional barns

Heatherhill Beach House by Norm Architects

A sedum roof designed to “change colours with the seasons” tops Heatherhill Beach House, a wooden holiday home burrowed among the hills on the Danish coast by local studio Norm Architects.

The 232-square-metre house will be used by its owners as “a getaway from everyday life in Copenhagen,” according to Norm Architects.

Heatherhill Beach House seen from outside
The holiday home is located among the hills on the Danish coast and has a covered walkway

Heatherhill Beach House comprises two volumes and is designed to reference traditional Danish barns but with a twist.

“We started from the traditional barn typology,” architect Sophie Bak told Dezeen. “This traditional structure we then ‘pulled’ apart and moved around to create a space in-between serving as a nod to the traditional courtyard.”

Covered walkway in Danish summerhouse
Its interior also features wooden pillars

The gabled Heatherhill Beach House has a linear silhouette, with a covered walkway flanked by wooden pillars leading up to its entrance. The pillared design is repeated inside, adding a classical touch.

Entirely clad in cedar, the home – which contains four bedrooms and two bathrooms – was designed to eventually blend in with its coastal surroundings.

Wooden house in Denmark
The holiday home is clad in cedar wood

“The colour and qualities of the cedar wood complement the raw nature in which the house is located,” Bak said.

“Moreover, it’s going to take on a silvery colour as it patinates – that is not only beautiful but also corresponding to the colours of the nearby ocean,” she added.

“Together with the sedum roof, the house will change its colours as the seasons pass, being one with its surroundings.”

View from Heatherhill Beach House
Douglas fir planks were used for the floors

The house’s green sedum roof adds to its natural feel and matches the heather-covered hills leading down to a nearby beach. The decision to add sedum was made by the house’s owner, who had a personal attachment to this type of design.

“Regarding maintenance, the sedum roof has great advantages,” Bak said.

“Being located this close to the salty sea, some materials were ruled out from the beginning. Moreover, the owner grew up in a home with sedum roof and wanted to recreate this sense of home – in this way, it’s a nod to a personal history as well as ancient building traditions – with a twist.”

Beach view inside Heatherhill Beach House
The house’s kitchen faces the ocean

Similar to how the cedar wood will weather, the sedum roof will also adapt to the seasons.

“The roof will change colours with the seasons, allowing the house to blend in and be one with its surroundings, while allowing the structure to have an almost dynamic expression – just like nature,” Bak said.

Heatherhill Beach House is also designed to optimise views of the nearby ocean, with its central line leading towards the beach.

“As you enter the site by a smaller shed, you can already catch a glimpse of the ocean, and as you approach the home, walking on a covered pathway, you only get closer,” Bak explained. “This way, the architecture makes the most of the beautiful surroundings.”

“You could say that the house is made up of two sections divided by an outdoor courtyard,” she added.

“The living room and kitchen are both facing the ocean, but are separated by a few steps as the spaces are placed on different levels, dictated by the sloping site.”

Wood panelling in Heatherhill Beach House
Wooden panelling enhances the holiday home’s natural feel

Like the exterior, the interior has a heavy focus on wood. Wooden panelling is featured throughout and 15-metre-long Douglas fir planks cover the floors.

“[It] was quite the challenge to install, but it was worth it as the planks now stretch the entire room, resulting in a seamless and minimal appearance,” Bak said.

Brick flooring in Danish beach house
Brick was used for the flooring in communal areas

To give the communal spaces in the home a different feel, the studio used brick for the flooring, but aimed for it to look contemporary rather than traditional.

“The choice of traditional brick flooring was another way of twisting tradition,” Bak said. “Just like the use of wood in the home, we’ve opted for integrating traditional materials in a contemporary way.”

“The bricks are placed side by side instead of in the traditional pattern and have minimal cuts – instead, the grout size changes minimally to achieve a homogenous and harmonious look,” she added.

Bathtub in wooden house in Denmark
A built-in bath references Japanese bathrooms

Bricks also clad the floor in the bathroom, which features a built-in bath with a striking view and chalky walls in a tranquil natural hue.

“Creating the bathrooms we found great inspiration from Japanese traditions as the spaces are rather small and should still feel comfortable and spacious,” Bak said.

Other recent projects by Norm Architects include a retreat in Sweden that was informed by Japanese temples and an interior for The Office Group in London that features natural forms and steel details.

The photography is by Jonas Bjerre-Poulsen.

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Smartphone upcycling concept helps give your old companion a new lease on life

Mobile devices, both smartphones and tablets, have become an inescapable fact of modern life to the point that almost everyone has one. While they do empower people with their smart features, they unfortunately also inflict damage on the environment, whether it’s through their manufacturing or, more often than not, their improper disposal. Not all smartphone manufacturers have a well-established or easy process for owners to send back unused or broken devices for handling and responsible disposal, which means many of these end up in landfills where they eventually poison the soil and water. Some of these aren’t even totally broken just outdated or unused for one reason or another. Finding a different use for them delays their untimely demise, which is exactly what this upcycling concept tries to do, offering smartphones a better life after death.

Designer: Think Tank Team

There could be a variety of reasons for ditching an old but still functional smartphone. Some parts, like the screen, battery, or charging port might no longer be in tip-top shape, or the owner simply upgraded to a newer model that will last them another two years or so. Whatever the reason may be, it might not actually be enough to warrant simply throwing the phone in the waste bin, or even just keeping it in a drawer until it’s forgotten forever or, worse, becomes a safety hazard.

Project Afterlife tries to remedy that situation by upcycling rather than recycling the phone. This means it puts the device to a different use without actually modifying it or taking it apart, thereby using less energy, less resources, and less effort. This increases the likelihood that people will adopt this product because it is accessible and easy to use.

The product concept pretty much comes in a taco-like crescent shape made of recycled plastic and given a frosted finish. You simply slide in the phone from the opening and set it on a flat surface with its curved edge at the bottom. The shape is balanced in such a way that it will stay still unless you intentionally rock it, and that rocking motion actually affects its functions. Just like a game controller with motion sensors, tilting the phone lets you cycle through its different modes without having to touch the screen. Rocking also makes the “Endless Clock” change the clock face at every movement, while both the “Timeline” photo stream and the “Moment” abstract art display also react to such movement.

Admittedly, you can simply take that same old smartphone, put it on a stand, and use it in the same way as a clock or small photo frame. Project Afterlife, however, also transforms the phone into a kinetic art object that will enhance the ambiance of your desk or shelf. It’s a simple yet impressive example of how upcycling not only helps save the environment but even adds value to your experience.

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COBE to transform Danish parliament into "democratic meeting place for all"

Danish Parliament renovation by Cobe, Arcgency and Drachmann Arkitekter

Amphitheatre-like seating will be introduced to the courtyard at the Danish parliament in Copenhagen as part of a wider overhaul by architecture studios Cobe, Arcgency and Drachmann Arkitekter.

The revamp is set to open up the government complex to the public and establish it as “an accessible and inviting meeting place where everyone can experience democracy up close”, Cobe said.

Courtyard of the Danish Parliament by Cobe, Arcgency and Drachmann Arkitekter
Cobe, Arcgency and Drachmann Arkitekter are overhauling the Danish parliament

“As architects, there is not a more inspiring task than being allowed to work with the physical framework for our democracy,” said Cobe founder Dan Stubbergaard.

“Through this project, we aim to showcase the uniqueness of Danish democracy, making it open and accessible for everyone – yet still efficient, safe and secure, and to invite us all further inside its buildings, into the heart of parliamentary work, creating a democratic meeting place for all.”

Amphitheatre-like seating around a tree
They will introduce amphitheatre-like seating to the courtyard

The design by Cobe, Arcgency and Drachmann Arkitekter was the winning entry of a competition and is being developed with engineering firm Sweco.

According to the team, it takes cues from “the Tingsted” – an ancient Nordic outdoor gathering space for debate. This will be most evident in the courtyard, which will be updated with a cylindrical, sunken visitor entrance with amphitheatre-like seating.

Danish Parliament renovation by Cobe, Arcgency and Drachmann Arkitekter
A tree will sit at the base of the amphitheatre

“The courtyard is the setting for everyday life at the parliament – demonstrations, public speeches, media interviews and much more,” said Cobe.

“The new amphitheater stairs are a place for gathering and observing the dynamic daily life of the square, meeting up before or after a visit, and a natural collection point for a group introduction to the Danish parliament.”

Entrance to the Danish Parliament courtyard
The courtyard is located between the existing government buildings

At the foot of the steps will be a single tree, named The People’s Tree, which is intended as a symbol of “the roots of democracy”.

From the entrance, visitors will be led into an underground visitor centre between existing parliament buildings. These include the historic Christiansborg Palace – which houses the Danish parliament, the Supreme Court and the Ministry of State – and buildings previously occupied by the Danish National Archive – the archive-holding organisation for the country’s authorities.

This underground space will be characterised by bright rooms with archways, including an exhibition space dedicated to democracy.

The existing buildings on the site will be transformed into contemporary facilities and offices for parliament members, in addition to a restaurant and further exhibition spaces.

Government building interior by Cobe, Arcgency and Drachmann Arkitekter
The government buildings will be modernised as part of the project

“The project marks the largest construction undertaking at the Danish parliament since the reconstruction of Christiansborg Palace in 1928,” said Cobe.

“Given the historical significance of Christiansborg Palace and the buildings of the National Archive, the project requires a careful and deliberate restoration and transformation process.”

Cobe was founded in 2006 by Stubbergaard. Its other recent projects include an atomic-science research facility in Lund and The Opera Park in its hometown of Copenhagen.

Other upcoming government buildings include the Benin parliament, which Kéré Architecture is modelling on an African palaver tree, and Cheongju New City Hall in South Korea by Snøhetta.

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Panigiri dining system by Extremis

Panigiri dining system by Extremis

Dezeen Showroom: Belgian furniture brand Extremis has created a modular outdoor dining system called Panigiri, which is designed to comfortably accommodate people via a range of seating options.

Designed by Extremis founder Dirk Wynants, the Panigiri dining system is based around a long table with either attached bench seating or open space for chairs.

Panigiri dining system by Extremis
The Panigiri dining system offers either segmented bench seating or space for chairs

The benches are divided so that each seating spot can be easily accessed, without the need to clamber over it, and there is an optional add-on called the Bring Your Own Seat (BYOS) that hooks onto the benches to create a more supportive, chair-like sitting experience with a backrest.

Named after the Greek words “pan” and “giri”, meaning “all” and “gathering”, the furniture was designed to facilitate communal dining and comes in a number of variations seating eight to 12 people.

Panigiri dining system by Extremis
There is an optional seat add-on with a backrest that hooks onto the benches for added comfort

The system comes in three iterations – Panigiri Picnic features a picnic-table-style setup with bench seating, while the Panigiri Table has no built-in seating and is designed to be used in conjunction with supplementary chairs. The Panigiri Combo marries elements of both of these formats.

Made from steel and ash wood, the furniture is built for longevity, and Extremis made use of excess wood from other collections to minimise its environmental impact.


Product details:

Product: Panigiri
Designer: Dirk Wynants
Brand: Extremis
Contact: info@extremis.com

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Witherford Watson Mann Architects adds brick-and-timber River Wing extension to Cambridge college

New River Wing, Clare College Old Court by Witherford Watson Mann

British architecture studio Witherford Watson Mann has inserted an oak-framed structure into a narrow site within the Grade I-listed Clare College at Cambridge University.

Originally built in 1326 and then reconstructed in 1785, the 1,060-square-metre college needed an update to improve its accessibility, escape routes and services, as well as more flexible space to house its growing community.

Facade view of new addition to Clare College Old Court in Cambridge
Witherford Watson Mann has added an oak-framed structure to Clare College

Located on a plot beside the River Cam, the River Wing by Witherford Watson Mann includes new catering and social spaces. The renovation also saw the studio refurbish existing student rooms and add fire escapes to historic rooms.

The facade of the new structure is defined by rhythmic timber columns that have been infilled with exposed brick on the lower floor and glazed openings on the upper level.

Entrance to Clare College at Cambridge University
Newly built stone steps provide access into the college

Restricted by challenging site constraints, the oak structure was first manufactured off-site with CNC-cut mortise before being carefully inserted into the narrow plot – a building process the studio likened to “making a ship in a bottle”.

“We rebuilt openings where historically they used to be and then into that we essentially put this timber structure,” studio director Stephen Witherford told Dezeen.

“It’s completely developed to fit into that set of incidents and spaces and rhythms, so it’s very much coming from the historic building,” he added. “But at that same time, what it’s really doing is it’s mostly serving the historic rooms in there to function much better.”

Interior walkways within the New River Wing by Witherford Watson Mann
Oak wood and stone floors complement the building’s existing brick walls

Semi-circular stone steps leading up to the building’s front were dismantled and rebuilt to include a mechanism that retracts a section of the steps to reveal an automated lift, enabling no-step access.

Inside, a central corridor lined with Purbeck stone flooring connects to both new and existing stairways that provide access between the building’s three floors.

A restrained material palette of oak wood and stone floors complements the building’s existing brick walls, while door and window frames built from precast concrete mimic the original stone details.

View of the River Room within college extension by Witherford Watson Mann
Large windows and skylights draw daylight into the cafe

A steel staircase featuring treads clad with Purbeck stone leads down to the lower ground floor, which houses the kitchen and ancillary spaces, along with a newly built cafe at the rear.

The cafe, named the River Room, has a service bar at the front and a larger seating space at the back designed to host tutors, staff and students alike.

Enclosed on both sides by existing garden walls, the cafe is lined with large windows that are set back from the bordering wall to create light wells, along with skylight openings between the roof’s exposed oak beams.

Additionally, a set of original stone windows retained from the old structure were repurposed in the cafe’s seating area.

Meanwhile, at the back of the cafe, a small brick terrace fitted with a pergola is wrapped with benched seating that overlooks the neighbouring river.

Outdoor terrace within university development by Witherford Watson Mann
A brick terrace hosts a pergola wrapped with benched seating

The studio made an effort to make sure the new bricks didn’t stand out too much next to the existing college building.

“Overall, I think it’s quite calm. It’s got a sort of softness next to the existing building,” Witherford said.

“All of the joints where we redid the bricks we’ve sooted down. You put a little slightly grey watery colouring on them to just take them down a bit so they’re not too white next to the existing [brick].”

“So there’s quite a lot of softening goes on to bring the new and the old into a different sort of conversation,” he added.

The Glazed Gallery within Clare College Old Court in Cambridge
The Glazed Gallery serves as an access corridor on the upper floor

Upstairs, the studio added the Glazed Gallery, which is similarly defined by rhythmic timber columns and exposed brick. It serves as an access corridor providing lift access to the college’s upper floors with views overlooking the neighbouring gardens of Trinity College.

Here, glass openings also provide views into the adjacent fire escape, which is equipped with an oak spiral staircase that cuts into an existing chimney to travel down from the student rooms on the top floor.

Fire escape within the River Wing by Witherford Watson Mann
A newly built fire escape is fitted with an oak spiral staircase

The £25.5 million River Wing development by Witherford Watson Mann forms part of a larger transformation project set to be delivered in phases at Clare College.

Other recently completed renovations of historical buildings include the addition of a glazed pavilion to the Grade II-listed Rhodes House in Oxford and the revamp of a century-old university building in California.

The photography is by Philip Vile.

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Social housing means "I can breathe again" say residents

Charles Curtis looking out from his balcony at Daventry House

Dezeen speaks to residents of new council housing in London about what their homes mean to them as part of our Social Housing Revival series.

“When I got here, I was just really in shock because it is absolutely beautiful,” said Amanda Bennett*, a mother-of-three who recently moved into a new council house near south London’s Old Kent Road, in a development designed by Pollard Thomas Edwards and Concertus for Southwark Council.

“I’ve never been as happy,” Bennett told Dezeen.

“It’s such a weird feeling”

Bennett and her children previously spent 12 years in a one-bedroom flat, bidding unsuccessfully for social housing where they would have more space.

“Our old flat had condensation because it was overcrowded and my back was breaking from having to move things around constantly,” she recalled.

“It was such a tight area, so there was hardly any space for the children to play and my son couldn’t get homework done – he went backwards at school quite quickly.”

“Really and truly, he just needed some space and a good night’s sleep, but it’s impossible when the baby’s crying, it was just chaotic.”

Wouldham Court council homes in Southwark
Amanda Bennett and her three children recently moved into a council house in south-east London. Photo courtesy of Southwark Council

Named Wouldham Court, the 21-home scheme on a former garage site is aesthetically functional, but for Bennett and her family it has been life-changing.

“It’s such a weird feeling – I feel like I can breathe again,” she said.

In the decades following world war two, local councils were the UK’s primary builders of new housing. In 1953, they completed 245,000 homes – 75 per cent of all homes built in the country.

This era came to an end in the late 1970s when Margaret Thatcher’s government cut funding for new council housing and introduced Right to Buy, which saw millions of homes sold off to tenants at a discount.

By 2000, the supply of new council housing had dwindled to a tiny trickle. Between 2005 and 2010, London’s 33 local government bodies built just 90 homes between them.

Chatto Court in Hackney designed by Henley Halebrown
Taxi driver Abbey Alebiosu now lives in a new block on Hackney’s Frampton Park Estate designed by Henley Halebrown. Photo by Jim Stephenson

However, in recent years, following a series of reforms to financing and borrowing rules plus targeted funding from London mayor Sadiq Khan, councils in the UK capital have launched a mini-renaissance in house-building.

In 2022/2023, they started a combined 11,000 homes.

As well as helping to meet London’s enormous affordable-housing need, some of the city’s new council housing is among its most significant contemporary architecture.

Henley Halebrown‘s intervention to deliver 45 homes on the Frampton Park Estate in Hackney, including 16 council homes for social rent, won a RIBA National Award in 2023.

Arranged over three blocks ranging from five to seven storeys that are connected by bridges, the project used small bricks to reduce material weight and timber-aluminium hybrid windows and solar shading to reduce overheating.

“When I saw the property, I was shocked”

Taxi driver Abbey Alebiosu was the first tenant to move into the scheme three years ago. He rents a two-bedroom maisonette, which he shares with his wife and adult son.

“When I saw the property, I was shocked because I was expecting it to be one of those little boxes, but what they built was really, really surprising,” said Alebisou.

“I was really impressed with them to have built something of such a good standard. My son would not be able to stay in London if we did not have this place.”

Their total rent and service charge bill is currently £641 a month – significantly less than it costs to rent a private room in most of the borough.

Daventry House by Mae Architects
Mae Architects’ Daventry House provides 59 flats for older people at social rents. Photo by Lorenzo Zandri

Across town just off Edgware Road, Daventry House is a 10-storey block of homes designed by Stirling Prize-winning studio Mae Architects for Westminster Council, which completed last year.

It is an area of the city better known for ultra-prime residential development than social housing, but nearly all 60 flats are let to tenants at social rents.

Many of the residents are former council tenants who have moved from Penn House, an ageing block nearby that had started to suffer from serious disrepair.

One such resident is Charles Curtis, who now lives on the 10th storey of Daventry House. He said that Penn House was a difficult place to live, and that his life has greatly improved in the new building.

“I wanted the flat on the top floor because you get such great light,” Curtis told Dezeen. “I see the sunrise and the sunset from here.”

Charles Curtis at his flat in Westminster
Charles Curtis moved into a top-floor flat at Daventry House six months ago. Photo by Nat Barker (also top)

The view from his window is a panorama of London, from Wembley Stadium to the London Eye.

“You think about how much this place would cost if it was private,” he said. “I am very fortunate that I have what I have here.”

London has been the epicentre of council housing’s re-emergence in the UK, but it is not the only place where high-quality, low-rent municipal homes have had a transformational impact on residents’ lives.

One notable example is Goldsmith Street, a street-based Passivhaus project owned by Norwich City Council that won the Stirling Prize in 2019.

Architect Mikhail Riches received a letter from a resident of the development describing how her new council home has meant she no longer relies on food handouts to eat, and has been able to entertain friends for the first time in as long as she can remember.

Mikhail Riches told Dezeen it has also heard stories of residents who have been able to pay off long-standing debts after moving into Goldsmith Street.

Post-occupancy analysis by the studio found that a third of residents had experienced improvements to their health, citing reduced requirement for medication, better sleep, less anxiety and improved respiratory illnesses.

Not everyone is satisfied though. Dezeen also spoke to a wheelchair-using resident of Daventry House who said his storage is out of reach, the bathroom is difficult to use and that a lip on his front door means he cannot leave the flat unaided.

Westminster Council said it will investigate the issues and fix any defects where necessary, and Dezeen saw emails shortly after our visit showing that works had been approved to his flat.

The case does, however, reflect dissatisfaction experienced by many social housing residents in the UK, with decades of restricted investment meaning that a significant minority of existing homes – particularly older ones – are beset with issues.

Goldsmith Street by Mikhail Riches
Residents reported improved health after moving into Mikhail Riches’ Goldsmith Street in Norwich. Photo by Tim Crocker

Councils and housing associations are also often criticised for poor management practices.

Dezeen asked Newham Council about speaking to residents at its Neave Brown Award-winning McGrath Road scheme, designed by Peter Barber Architects and completed in 2019.

But the authority declined, saying it is working through “ongoing issues” at the estate.

Meanwhile, economic headwinds mean councils’ progress on new housing has slowed, as major cities including London struggle more than ever to retain key workers and families are increasingly priced out.

Bennett is hopeful that the social-housing revival continues, however.

“Everyone needs the chance to at least live a nice life, and an opportunity to do the best they can,” she said.

*This name has been changed.


Social Housing Revival artwork by Jack Bedford
Illustration by Jack Bedford

Social Housing Revival

This article is part of Dezeen’s Social Housing Revival series exploring the new wave of quality social housing being built around the world, and asking whether a return to social house-building at scale can help solve affordability issues and homelessness in our major cities.

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Only a week left to register for Dezeen and Forbo Flooring's Marmoleum Design Challenge webinar

Dezeen and Forbo Flooring's Marmoleum Design Challenge graphic identity

Planning on entering Dezeen and Forbo Flooring‘s Marmoleum Design Challenge? There is just under a week left to register for a webinar about how to use the Marmoleum material. Register before 21 March to join.

The webinar, which takes place on 28 March, will see Forbo Flooring’s design team lead a deep dive into its Marmoleum material, followed by a live question-and-answer session, to help Marmoleum Design Challenge contestants with their design.

The Marmoleum Design Challenge is a global contest that challenges architects and designers to create an interior space that promotes wellbeing using Forbo Flooring’s Marmoleum material.

To enter the competition, participants must register on the Forbo Flooring website. Once registered, they will receive an invitation to a webinar in which the company’s design team will lead a product deep dive and live Q&A session.

Entrants will also receive free Marmoleum samples and a brochure to inform their design once they register.

Register to join the webinar and receive free Marmoleum samples ›

The design challenge tasks entrants with designing a 10-square-metre space that can provide respite and enhance wellbeing in environments such as schools, offices or hospitals – anywhere where you can play, learn, work or heal.

Designs must utilise Marmoleum as flooring and the design should be realistic and feasible to construct.

Marmoleum is a linoleum flooring product by Forbo Flooring that is crafted from natural raw materials, including linseed oil extracted from flax plant seeds, wood flour, limestone, pine resin and jute plant fibres.

As a result, it is climate-positive from cradle to gate, without any offsetting. This means that the carbon dioxide absorbed by the biobased materials used to make the product is greater than the carbon dioxide emitted by manufacturing it.

Design challenge closes on 30 April

The Marmoleum Design Challenge closes for entries at 23:59 CEST (Central European Summer Time) on 30 April 2024.

A shortlist of the best ideas will be published on Dezeen in May, with the winner announced and published on Dezeen in June 2024.

The winner will receive a cash prize of £5,000 and have their design realised in collaboration with Forbo and installed in the Forbo Flooring showroom in the Netherlands.

The winner (one representative only) will also be invited to attend a launch event in the Netherlands.

For more information about how to enter, including the full brief and rules, visit www.dezeen.com/forbo-flooring-marmoleum-design-challenge.

Partnership content

The Marmoleum Design Challenge is a partnership between Dezeen and Forbo Flooring. Find out more about Dezeen partnership content here.

The post Only a week left to register for Dezeen and Forbo Flooring’s Marmoleum Design Challenge webinar appeared first on Dezeen.

Recycled stone forms walls of Rajasthan farmhouse by Sketch Design Studio

Exterior of Stone House by Sketch Design Studio

Sketch Design Studio has completed a rural residence in north India that combines a highly ordered facade with a rustic stone interior.

Located near the Aravalli mountains in Rajasthan, the two-storey Stone House is built from stone blocks sourced from local demolition sites.

Exterior of Stone House by Sketch Design Studio with window bays
The stone walls are rendered in mud and lime plaster

The walls are rendered externally in mud and lime plaster. This provides a smooth and even finish, emphasising the linearity of the various ground-floor window bays.

The irregularity of the stone is only revealed inside the house, where it is left exposed on a series of feature walls and arches.

Exterior of Stone House by Sketch Design Studio with spiral staircase
A spiral staircase leads up to the first-floor roof terrace

Sketch Design Studio founder Shipra Singhania designed Stone House for a couple whom she said “have long been our neighbours and cherished family friends”.

Following the Covid-19 pandemic, the couple decided to swap their apartment home in Alwar for a residence that would allow them to grow their own food and reconnect with nature.

Stone wall at Stone House by Sketch Design Studio with dog
The recycled stone is left exposed on select interior walls

“They set their sights on a farm located on the outskirts of the city, envisioning a small yet inviting home that would serve as their sanctuary and a gathering place for family and friends,” Singhania explained.

The design showcases Singhania’s interest in building with natural, non-toxic materials, as she previously did with the Dezeen Award-winning Mud House and the more recent project, Hybrid House.

Living room of Stone House by Sketch Design Studio with dog
A filler-slab ceiling incorporates ceramic pots

The other key material finish is clay paint, which covers many of the house’s interior walls.

“We conceptualised Stone House as a modern home that combines the rustic charm of repurposed stone with eco-friendly finishes and a seamless integration of indoor and outdoor spaces,” Singhania told Dezeen.

The house’s form and construction details take cues from various traditional Indian building techniques, which were reworked for a contemporary aesthetic.

The roof is a low-angled pyramid, projecting out on one side to meet a pair of simple columns. As well as topping the first floor – a volume with the feel of a lookout tower – it provides partial shelter to a large roof terrace.

Bedroom with clay paint walls
Clay paint covers many of the interior walls

Inside, a filler-slab ceiling incorporates ceramic pots. The technique pays tribute to the legacy of eminent architect Laurie Baker, whose work is mostly found in South India.

“Not only does this technique enhance the structural integrity of the roof, it also adds a unique visual element that captivates the eye and celebrates the beauty of nature’s randomness,” said Singhania.

Bedroom with exposed stone wall
White marble provides flooring and furniture in the bedrooms

The interior layout is modest, with only a handful of rooms.

The ground floor is divided into two zones, with an open-plan lounge and kitchen on one side and a pair of en-suite bedrooms on the other, while the first floor contains a single room dedicated to music.

White marble sourced from the town of Makrana provides flooring throughout and furniture in the bedrooms.

Terrace at Stone House by Sketch Design Studio
The living space leads out to a patio terrace

One of the window bays features a glazed door, which opens the living spaces out to a screened patio. A spiral staircase connects this outdoor space with the roof terrace above.

“This outdoor seating area serves as a gateway to the lush lawns and flourishing kitchen garden, providing an idyllic space for relaxation and connection with nature,” added Singhania.

The photography is by Purnesh Dev, with styling by Rahul Kukreja.


Project credits:

Architecture and interior design: Sketch Design Studio
Design team: Shipra Singhania, Gargi Thakur, Mohit Ganda
Structural consultants: 3D construction

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HKS references "forts and palaces" for monolithic arena in Saudi Arabia

The Arena in Diriyah by HKS and Diriyah Company

Architecture studio HKS has unveiled plans for The Arena in Diriyah, a 20,000-seat venue for sports and entertainment in Saudi Arabia that references the country’s traditional architecture.

Designed by HKS for developer Diriyah Company, the arena will be located in the town of Diriyah and intended as a “tourism hallmark” that helps draw visitors to the region.

This is hoped to promote cultural and economic growth in line with the Saudi Vision 2030 – a plan to diversify the country’s economy to reduce its dependence on oil.

Render of arena exterior by HKS and Diriyah Company
HKS has designed a multipurpose arena in Diriyah

The 76,000-square-metre arena will be arranged into monolithic volumes decorated with luminous triangular perforations, angular openings and decorative detailing reminiscent of the country’s traditional Najdi architecture.

Between the volumes, HKS has designed a series of “digital waterfalls” – jagged, transparent facades that will emit light from the interior.

This glowing effect is hoped to transform the arena into a beacon, encouraging visitors inside.

Exterior view of plaza and arena by HKS
Monolithic volumes will be decorated with triangular perforations

“The architecture rises from the landscape as a series of monoliths, evoking local geological formations and alluding to ancient Nadji forts and palaces,” said lead architect Alex Thomas.

“Digital waterfalls animated by light glow between them. The visual energy of the waterfalls serves as a beacon drawing guests to the dynamic experience inside.”

A large, paved plaza adjacent to the building will be open for locals and visitors while providing an outdoor venue for live performances and pop-up shows.

Additionally, a retail and dining district lined with outdoor seating space will aim to create a “prolonged entertainment experience” for visitors, HKS said.

The Arena in Diriyah interior space
The 20,000-seat arena aims to serve as a “tourism hallmark”

Inside, The Arena in Diriyah will offer rows of seating organised around an illuminated central stage backed by a large digital screen.

The venue will also offer different configurations to enable flexibility when hosting a variety of events.

Outdoor seating at The Arena in Diriyah by HKS and Diriyah Company
A retail and dining district will be lined with outdoor seating space

The project is the latest in a wider masterplan for Diriyah, which is set to accommodate 100,000 residents, workers, students and visitors upon completion.

Other projects currently under development in Saudi Arabia include a two-kilometre-high skyscraper by Foster + Partners and a three-sided stadium overlooking a cliff side by Populous.

The renders are courtesy of HKS Architects. 

The post HKS references “forts and palaces” for monolithic arena in Saudi Arabia appeared first on Dezeen.

Waterdrop CoreRO Countertop Reverse Osmosis System Review: an Eco-Friendly and Cost-Efficient Solution for Pure Drinking Water

PROS:

  • Fast setup and doesn’t require installation
  • The most efficient reverse osmosis system on the market with 3:1 ratio
  • 3-stage filter with an extra long 12-month lifespan
  • Removable water container

CONS:

  • Requires refilling the water container daily
  • Takes up counter space

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR’S QUOTE:

Waterdrop CoreRO Countertop RO System is compact, efficient, and sustainable, offering high-quality water and significant savings. An excellent investment for any household.

A countertop RO system brings a plethora of benefits to your home. Not only does it provide clean and delicious water, but it also takes convenience to a new level. The system requires no complicated setup, saving you from the upfront high cost of purchasing a traditional under-stage RO, hassle, and time typically associated with such installations. Furthermore, it doesn’t come with the high installation costs that often accompany traditional water purification systems. Unlike under-sink models, a countertop RO system does not take up any space under your sink, which leaves you with more room for storage. All these advantages make the Waterdrop CoreRO Countertop Reverse Osmosis System an excellent choice for those who value both quality, value, and convenience.

Designer: Waterdrop

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Aesthetics & Ergonomics

As the name implies, countertop Reverse Osmosis (RO) systems, such as the Waterdrop CoreRO, are designed to be placed on a kitchen or utility room countertop, ideally close to a water source. This placement is not only for convenience but also for the system’s efficient operation.

The Waterdrop CoreRO is designed for compactness, standing just 17 inches tall. This height, considered small compared to other models, is a major selling point. It should fit comfortably under most if not all, kitchen countertops. Despite its powerful purification capabilities, it won’t dominate your kitchen space. It’s crucial, as the kitchen is often a family gathering spot, and the last thing you want is an unsightly appliance on the countertop.

Moreover, its slim yet wide dimensions (15.6 inches by 10.9 inches) significantly add to its compact nature. These dimensions have been carefully chosen to ensure the system takes up minimal space on your countertop while providing ample room for the necessary filtration components. Overall, the Waterdrop CoreRO’s compact design can seamlessly fit into your kitchen setup without disrupting your space or routines.

The front of the device has an easy-to-read touch-screen control panel, and underneath is a drip tray. The filter is inserted into the top left, while the pure water tank sits on the right side. At the same time, the feed water tank hangs out in the back of the unit.

One feature I particularly appreciate is the mode settings, which can store the precise amount of water to dispense. I’ve set the favorite mode to dispense 8oz of water, as this is the daily recommended intake for an adult. The option on the right allows for amounts ranging from 4, 8, 12, and 20 ounces all the way up to 999 oz. It also has a TDS display showing the Total Dissolved Solids in the water. These include small particles like minerals, salts, or metals. The display provides a measurement that allows you to assess your water quality. A lower TDS value indicates purer water.

What sold me is the 40oz removable water container. It’s the perfect size for the refrigerator. The part is it’s convenient to have a few of these containers on hand, prefilter the water, and have them nice and cold, ready to pour for a refreshing drink.

Performance

Operating with a “3:1 pure to drain RO filtration,” this system showcases its proficiency in water purification. The “3:1” ratio indicates that for every three portions of clean water it generates, only one portion is wasted, highlighting the efficient use of water resources. This makes the Waterdrop CoreRO Countertop RO System a sustainable choice for clean water.

During the RO process, water is forced through a semipermeable membrane, separating out impurities and contaminants. The Waterdrop CoreRO Countertop System, which is NSF/ANSI 372 Certified, SGS&CSA Tested, and FCC approved, utilizes a 5-stage filtration process, reducing up to 99.9% of impurities. This process includes a PP cotton layer, a scale inhibitor layer, a carbon fiber layer, another PP cotton layer, and a final 0.0001μm RO membrane. The discarded water, often called drain or wastewater, removes the rejected substances from the system. The system strikes a balance between producing purified water and managing wastewater, ensuring clean drinking water delivery while reducing resource wastage.

My family consumes a significant amount of water daily, more than I do, since I primarily drink coffee. They can’t tell the difference between Waterdrop CoreRO and bottled water. More importantly, they prefer its purer taste over the filtered water from our refrigerator.

Sustainability

For several reasons, a countertop RO system, such as the Waterdrop CoreRO, is highly sustainable and better for the planet. First, it reduces the need for disposable plastic water bottles, a major pollution source. Providing clean, filtered water directly from the tap eliminates the need for bottled water and the associated waste.

Secondly, this system is designed with longevity in mind. The 5-stage filter has a lifespan of 12 months, reducing the frequency of replacement and the associated waste. This is significantly longer than many other filtration systems on the market, further contributing to its sustainability.

Moreover, the Waterdrop CoreRO system’s efficient 3:1 ratio ensures minimal water wastage during filtration, a big improvement over less efficient systems that waste more water. The system contributes to water conservation efforts by minimizing water waste, an important consideration given the increasing global water scarcity. The Waterdrop CoreRO Countertop Reverse Osmosis System is a high-performance water purification system that, through its sustainable design, significantly contributes to environmental conservation.

Value

Thanks to its low initial cost, the Waterdrop CoreRO countertop system offers substantial long-term value. This is particularly evident when considering the financial savings and positive environmental impact it provides.

The recommended daily water intake for a family of two adults and two children averages around 240 ounces. Factoring in the system’s cost of $199 plus next year’s filter replacement only comes to less than $300.

Contrast this with the expense of purchasing bottled water. With an average cost of $0.50 per 16.9 oz bottle, the family’s daily consumption translates to approximately $7.10. Annually, this reaches a staggering $2591.50.

Despite the initial investment, the cumulative annual savings become evident. Deducting the total yearly cost of using the filtration system from the annual expense of buying bottled water yields a net annual savings of approximately $2391.50.

Living with two teenagers who participate in sports year-round, it’s crucial for them to consume water beyond the recommended daily intake. Hence, we find great value in the Waterdrop CoreRO system. Instead of reaching for bottled water, my kids use this system to fill up their water bottles.

As a coffee enthusiast, I’ve always found that coffee tastes much better when made with filtered water. I can enjoy this luxury without paying for bottled, filtered water. I’m convinced.

Verdict

For any household looking for a compact, efficient, and sustainable solution for high-quality drinking water, the Waterdrop CoreRO countertop RO system is an exceptional choice. Its standout features include a hassle-free setup that eschews complex installations, a leading-edge 3:1 reverse osmosis efficiency ratio that signifies its outstanding efficacy, and a 5-stage filter boasting an impressive 12-month lifespan for sustained use. The design includes a removable water container for added convenience alongside a built-in safeguard against leaks, a common issue with traditional under-the-sink systems. While it requires daily refilling of the water container and occupies some counter space, the overall benefits, such as its aesthetic appeal, user-friendly design, top-notch performance, sustainable operation, and excellent value proposition, make it a sound investment for accessing pure drinking water.

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The post Waterdrop CoreRO Countertop Reverse Osmosis System Review: an Eco-Friendly and Cost-Efficient Solution for Pure Drinking Water first appeared on Yanko Design.