Acer Chromebox CX15 and Add-in-One 24 land at CES 2023 to upgrade offices and classrooms

Google’s Web-centric Chrome OS had humble beginnings, catering primarily to educational and business sectors using low-power and affordable laptops. Chromebooks today, however, are a far cry from their ancestors from nearly a decade ago, and Chrome OS itself has undergone a rather radical transformation worthy of rivaling the big operating systems. Aside from supporting multiple platforms like Android and Linux, Chrome OS devices now also come in different forms, like the modest Chromebox. It’s pretty much a mini PC running Chrome OS, but there’s no rule that says it has to be just a box that sits on top of your desk or hidden behind it. At CES 2023, Acer is doing more than just show off its new and shiny Chromebox, it’s also introducing a new “Add-in-One” solution that helps make the Chromebox more practical and more space efficient in the places where it’s needed the most.

Designer: Acer

At the heart of Acer’s new Chrome OS lineup is the Chromebox CX15 and its business-minded sibling, the Chromebox Enterprise CX15. On its own, it’s already a fine device that you won’t feel embarrassed to be seen on your desk, whether lying flat or standing up. Powered by 12th-gen Intel Core processors with up to 16GB of DDR4 memory, the Chromebox has all the processing muscle you need for your business workflows as well as educational programs. The Chromebox Enterprise CX15 also comes with business-minded solutions, including Chrome Enterprise Upgrade, Intel vPro, hardware-based security, and integrated malware protection.

Acer Chromebox CX15:

Despite its simple looks, the Chromebox CX15 checks all the boxes for integrating the mini PC into your office or school system. In addition to Wi-Fi 6 and Bluetooth 5 wireless connectivity, the box has a variety of ports and expansion slots to extend its capabilities. It can even support up to four external displays thanks to a tandem of USB-C ports and dual HDMI 2.1 ports. As a compact box, the Chromebox CX15 can be placed almost anywhere, including behind a monitor, courtesy of its VESA mount kit.

Where it really shines is in the Acer Add-in-One 24, and no, that isn’t a type. This is a tag-team productivity package composed of a Chromebox CX15 or Chromebox Enterprise CX15 and a 24-inch 1080p FHD monitor. The Chromebox CX15 slides inside a specially-designed dock on the back of that monitor, making it trivial to replace it with a backup unit in a worst-case scenario. There are also specialized screws that prevent the unauthorized separation of these two devices.

Acer Add-in-One 24:

The monitor itself is a perfect complement to the Chromebox CX15, providing a built-in 115-degree wide-angle 5MP webcam that has become necessary for both work and school these days. That camera comes with a physical shutter to protect users’ privacy when it isn’t in use. There are also dual mics and dual 4-watt speakers for video conferences and communication. Thin bezels maximize the viewable area of the screen, and the ability to tilt the screen gives lets users adjust the monitor to their comfort. With this space-saving two-in-one solution, the Acer Add-in-One 24 delivers a complete all-in-one package that still leaves plenty of room for changes and customization down the road.

  • The Acer Chromebox CX15 will launch in North America sometime in the first quarter, starting at $289.99
  • The Acer Add-in-One 24 will also arrive in Q1 with a starting price of $609.99

The post Acer Chromebox CX15 and Add-in-One 24 land at CES 2023 to upgrade offices and classrooms first appeared on Yanko Design.

The Acer Halo Swing is an eclectic, portable, water-resistant smart speaker with a hidden LED display

The Acer Halo Swing’s design is a confusing yet enchanting combination of design details that don’t immediately go together, but somehow create an overall experience that feels pleasant. The speaker’s monolithic like any smart speaker, but comes with a handle and a portable design, like Bose’s Soundlink Revolve+ II. It has a set of colorful lights at the bottom (which feel at odds with the black appearance on the top) and if those weren’t enough, the speaker’s front sports a concealed LED dot display that shines through the fabric to display icons like an alarm clock, the time, and the weather. Debuted just today at CES, the Acer Halo Swing has support for Hey Google, comes with its own built-in subwoofer and DTS Sound™ that fills your room with clear 360° audio, and a battery life that reportedly gives up to 10 hours of non-stop play. The Halo Swing’s built to be water-resistant too, and comes with its own charging platform that juices the speaker’s battery as soon as it’s placed on top.

Designer: Acer

Right off the bat, the Halo Swing feels like it’s trying to tick as many boxes as possible. While most smart speakers are designed as stationary units that don’t leave your room, let alone your home, the Acer Halo Swing comes with a portable design that encourages you to travel with it and use it outdoors… even in questionable weather, thanks to an IPx5 rating. The monolithic black design has a thick leather strap on top that feels reminiscent of the Vifa Helsinki, although the entire design is black from top to almost bottom. I say almost bottom because the smart speaker also comes with an RGB LED array at the base that lights up to create a visual ‘flutter’ that adds to your music-listening experience.

The other notable visual ‘flutter’ on the speaker is its LED dot matrix on the front that shines through the grill to outline the Halo Swing’s multiple features. It lights up when you set an alarm, or displays the weather when you ask it to, and also gives you the freedom to customize it with emojis, drawings, and messages of your own using the Acer Halo App.

Details on the actual audio elements of the Halo Swing are scarce, although Acer mentioned there’s a subwoofer somewhere in there for expansive, foot-tapping audio, and an omnidirectional far-field microphone for voice commands. The Halo Swing also comes with Bluetooth® 5.2 and Wi-Fi 6, along with support for Google Fast Pair, and can either be controlled via the app, or the panel on top of the speaker, which houses a microphone mute button, hinting at the fact that it can be used for video and audio calling too. The Halo Swing also has the ability to pair with multiple other units to create a symphony of sound, with that 10-hour battery being extremely handy for long parties… although the biggest one of the year just got over the day before!

The post The Acer Halo Swing is an eclectic, portable, water-resistant smart speaker with a hidden LED display first appeared on Yanko Design.

NVIDIA GeForce RTX 40 graphics enable powerful tools for creators

A lot of our experiences today rely on computer graphics. Some might think that only games and gamers actually benefit from advancements in this field, but the proliferation of 2D and 3D digital art, the push for the metaverse, and even the booming industry of live streaming all depend on not only powerful but also accessible graphics. At the heart of all these is, of course, the graphics processing unit or GPU, the dedicated piece of hardware that can make or break the graphics experience. Graphics cards, especially those inside thin laptops, are no longer just a luxury for gamers, and NVIDIA’s latest GeForce RTX 40 Series is demonstrating how these same technologies presumed to be just for gamers are also essential in supporting the sophisticated needs and workflows of today’s creators.

Designer: NVIDIA

Announced a few months ago, NVIDIA’s GeForce RTX 40 family is built on the company’s new Ada Lovelace architecture that, as you might expect, pushes the envelope in terms of graphics performance while balancing thermal and power efficiency. The graphics giant’s CES 2023 address was naturally filled with the technical terms and buzzwords that both gamers and game developers drool over, including the next-gen AI-powered ray tracing technology DLSS3. These very same features, however, support more than just the consumption of content but, more importantly, empower creators with new tools to bring their ideas and imagination to life.

The GeForce RTX 40 graphics cards naturally make apps run more smoothly and fluidly, particularly those that depend heavily on graphics performance, such as Blender and Photoshop. NVIDIA’s graphics cards also include a tiny supercomputer inside for machine learning and AI, and this power also boosts the performance of AI-based tools, like image generation, real-time avatar control, and other neat features like “Eye Focus” which “remaps” your eye so that it seems like you’re always looking straight at the camera.

NVIDIA also presents its Omniverse platform and a suite of new tools in its NVIDIA Studio that allow creators to collaborate on a single project from different parts of the world using different tools. Whether it’s creating 3D animation or 2D art, NVIDIA’s latest generation of graphics cards provides the power and intelligence to make it happen.

Of course, all that power would remain unused unless it landed in the hands of the creators it was made for. Taking aim at the growing trend of 14-inch laptops, NVIDIA is bringing the GeForce RTX 40 family to a wide variety of laptops from different brands, some starting as low as $999. By bringing this technology in a more portable and accessible form, NVIDIA is empowering creators, designers, gamers, and live streamers to dream big and go big, bringing their ideas to life and making this world a more vibrant and lively place.

The post NVIDIA GeForce RTX 40 graphics enable powerful tools for creators first appeared on Yanko Design.

William Strobeck’s Films Showcase the Art of Skateboarding

Play Dead is a recently released 53-minute skateboarding video by William Strobeck featuring Supreme team members Beatrice Domond, Sage Elsesser, Mark Gonzales, Tyshawn Jones and more. Like many of Strobeck’s films, Play Dead depicts more than impressive tricks (though they are abundant in the film); the filmmaker captures the excitement and concentration of the skaters who often turn to the hobby as a way to escape difficulties at home. “I just remember, looking back—being around the energy, and how excited they were, killed everything else that I wanted to do. It was the best, because I was like, what these kids are right now is what I believe is the most original, authentic thing about skating,” says Strobeck. Often highlighting undiscovered talent and East Coast skate culture, the filmmaker has been credited with helping launch several younger skaters’ careers. Play Dead is the first of his films to be shot entirely in NYC. Learn more about it at The New York Times.

Image courtesy of William Strobeck

Concept Design for a Stool Made from a Repeating Component

Here’s an example of a great concept by an innovative designer who may not quite have a firm grasp on the realities of the material. This Pentagon stool concept by Designerd simplifies production by using an identical piece, five times over, to form the object:

There is one additional piece, this stabilizing ring to keep everything together:

Where they might want to investigate further is with the materials choice, as the design specifies hardwood legs. I imagine they’d want to speak with an experienced steam bender to ask about the actually achievable bend radius. Also, the absolute consistency required for the joinery, coupled with the difficulties of steam bending, might render solid wood a poor materials choice here. But I absolutely love the concept and the thinking.

The Pointer Sisters: Dare Me

Anita Pointer, a founding member of beloved girl group The Pointer Sisters, has passed away at 74 years old. Formed in Oakland under the name “Pointers, a Pair” in 1969 by sisters June and Bonnie Pointer, the band coalesced into a trio when Anita joined. They released their debut self-titled album in 1973, but it was in during the ’80s that The Pointer Sisters found their greatest success with enduring tracks like “Automatic,” “I’m So Excited” and “Jump (For My Love).” Written by Nashville-based songwriters Sam Lorber and Dave Innis, synthpop bop “Dare Me” was written with the trio in mind and the video features the sisters dressed in drag at a boxing gym. The buoyant, energetic and playful song embodies the group’s vibe and the legacy they have left behind.

An Antique Employee-Tracking Device: The International Dial Time Recorder Clock

In pre-industrial times, your work schedule was pretty simple: You started work when it was bright enough to see, and quit for the day when it was too dark to see.

The invention of railroads hastened the uptake of clocks and watches, as trains needed to leave at times more precise than dawn, noon or sunset. Clocks were important at factories, too, which had rigid (and often punishing) schedules. But with some factories employing hundreds or thousands of workers, how could a manager expect to keep track of all of their arrival and departure times?

Initially, there was a sort of Factory Narc whose job was to write down when each employee showed up and departed. But these human timekeepers could be sweet-talked, lied to or threatened. Better to have an unfeeling machine that could do the job. Hence in 1888, inventor Alexander Dey patented the dial time recorder—the first ever punch-in, punch-out clock, though it was the size of a piece of furniture.

Image: The Smithsonian National Museum of American History

Here’s how it worked, according to the Smithsonian:

“[The device] could furnish a daily or weekly record of up to 150 employees…. The dial time recorder was essentially a spring-driven clock with a cast-iron wheel affixed to its dial side. The rim of the wheel was perforated with numbered holes. As employees pressed a rotating pointer into the hole at their assigned number, the machine recorded the time on a preprinted sheet and rang a bell with each punch. A two-color ribbon printed all regular time in green and all tardiness, early departures, and overtime in red.”

The machines became popular in the early 20th Century, produced by the International Time Recording Company, which got its start in 1900. Twenty-four years later, that company changed its name to the International Business Machine Corporation, which today we know as IBM.

Where to Buy "Car Bows"

How do you sell a four-foot-long ribbon of PVC for $150?

Simple: By tying it in a bow, and marketing it as the thing you have to put on top of a car to signify it’s a gift. (Because if your spouse leads you outside during the holidays, and there’s a new Silverado in the driveway, you might not put two and two together.)

Companies like California-based King Size Bows and Iowa-based Golden Openings sell “car bows” that run from tens to hundreds of dollars for the single-use objects. Options include protective feet, magnetic mounts or even suction cup mounts so that the wind doesn’t ruin your driveway moment.

I guess technically speaking, whether they’re single-use or not depends on the buyer; you could store it in the attic and break it out again next year, when you’ve upgraded your gift to the latest model. Though something tells me that folks with those kinds of means probably aren’t concerned with keeping a PVC ribbon out of the trash.

We ought ask what, as a society, has conditioned us to believe that gifting a five- or six-figure automobile demands an expensive ribbon. (It’s also worth noting that you can purchase a 30-foot-long ribbon at Michaels Art Supply for $10.)

Lastly:

Word of Mouth: Arts and Culture in Memphis, Tennessee

A museum dedicated to metal art, a gallery dedicated to the African diaspora, a vinyl library and more

As the place Aretha Franklin, Issac Hayes and Al Green called home and one of the formative sites for blues and rock’n’roll, Memphis, Tennessee has history and culture in its veins. It’s no wonder then that the city has an inspiring music, theater and arts scene, comprised of local and international creatives; all of whom are often focused on and galvanized by community. The worthwhile and landmark sites like the Memphis Rock ‘n’ Soul Museum and Stax Museum of American Soul Music speak to how music shaped the city and vice versa, but state-of-the-art and under-the-radar galleries, venues and institutions offer a glimpse at how the municipality cultivates rich, salient contemporary artists today. Below, these cultural hubs and more speak to the soul of Memphis: a city rooted in grassroots, integrity and creativity.

by Jamie Harmon

Memphis Listening Lab

The Memphis Listening Lab is a free vinyl library and archive, built around the 60,000 record collection (which also includes rare 45s from local Memphis musicians) of radio historian, Ardent Records co-founder and music promoter, John King. The public service space allows anyone to come in, browse the collection and listen to records amongst an array of mid-century seating, turntables and an impressive EgglestonWorks audio system. The sophisticated space—which looks like a cross between a library and recording studio—also offers a podcast studio and music-editing software free to the public. Between their expansive collection and record swapping or record release events, it’s easy to spend hours here—and get a true pulse for the Memphis music scene by the Lab’s head archivist, Jim Cole.

Courtesy of Crosstown Arts/Green Room

Green Room

Right across from the Listening Lab in the Crosstown Concourse is the Green Room, an intimate, acoustically-treated and vintage-inspired music performing space. Thoughtfully designed to create an environment that elevates an artist’s work as well as the audience’s listening experience, the elegant venue hosts small shows by acclaimed and emerging musicians who often perform unique sets, featuring new collaborations made specifically for the Green Room.

by Jamie Harmon

Crosstown Arts Galleries

Two sprawling exhibition spaces that amount to 7,000 square feet make up Crosstown Arts Galleries, a dual art gallery with two missions: to bring international and contemporary art to Memphis and to offer local artists a premiere place to show their work. With the extensive space—that is sometimes used for separate shows or as a conjoining one—the galleries’ yearly rosters act as a site for a diverse range of works, from painting to sculpture, scientific art and more.

by Kelly Pau

TONE

Located in Orange Mound—the first neighborhood in America to be built by and for Black people—is art gallery and multi-use space TONE. Led by Victoria Jones, the gallery’s programming highlights Black, Memphis-based artists in addition to building infrastructure and community to sustain the creative community of the city. Their roster of emerging and established artists promise thought-provoking and visceral exhibitions.

by Jonathan Thomason, courtesy of Indie Memphis

Indie Memphis

Founded by a group of film students at the University of Memphis in 1998, Indie Memphis began as a gathering in coffee shops to screen student work. Now, under the direction of Kimel Fryer, it’s a hub for international and acclaimed shorts, documentaries and feature movies. Beyond their annual film festival, the organization screens films year round and offers grants, fellowships and forums for Memphis directors and filmmakers. Under Fryer’s careful curation, the programming aims to uplift Black creatives while also showcasing works that speak to the city’s demographics and interests.

“Exciting Chaos” by Birhane Worede 2021, Acrylic On Canvas; courtesy of Urevbu Contemporary

Urevbu Contemporary

Urevbu Contemporary is a Black-owned art gallery in the South Main Arts District where exhibitions often explore the African diaspora, transgress boundaries and critically engage in cultural discourse. Their emerging and mid-career artists create innovative shows that question justice, collective narratives, memory and other significant themes.

courtesy of Metal Museum

Metal Museum

The only non-profit institution dedicated to the art and design of metalworks in the US, the Metal Museum is a unique exploration of the artistry in blacksmithing. From architectural works to archival objects and their program to educate and create opportunities for emerging metal artists, Metal Studio, the museum meditates on sculpture, design, function and history through fascinating displays of the medium.

Hero image courtesy of Metal Museum

Andrés Jaque designs Reggio School "to become a multiverse"

Facade of Reggio School

Spanish architect Andrés Jaque‘s Office for Political Innovation has completed a school near Madrid that aims to be as colourful and playful as a child’s imagination.

Located in Encinar de los Reyes, on the northern outskirts of the Spanish capital, Reggio School is a six-storey building featuring cork walls, concrete arches, porthole windows and zigzagging roofs.

Inside, classrooms and other teaching spaces are interspersed with indoor gardens.

Reggio School
Reggio School features cork walls, concrete arches and zigzagging roofs

Jaque – who is dean of Columbia University’s Graduate School of Architecture as well as the founder of New York-based Office for Political Innovation – describes it as “a complex ecosystem” for education.

“Avoiding homogenisation and unified standards, the architecture of the school aims to become a multiverse where the layered complexity of the environment becomes readable and experiential,” the studio said.

“It operates as an assemblage of different climates, ecosystems, architectural traditions and regulations.”

Facade with cork surfaces and porthole windows
Cork serves as both exterior surface and thermal insulation

The Reggio school model was pioneered in Reggio Emilia, northern Italy, where a series of preschools promote child-led rather than adult-dictated forms of learning.

Based on a concept developed in the 1940s by educator Loris Malaguzzi, these schools offer more scope for creativity and imagination than traditional learning environments.

Reggio School is set into the ground
The building is partially set into the landscape

Office for Political Innovation, led by principal Roberto González García, has brought the same kind of thinking to architecture.

To create spaces that fully support this method of education, the building is organised as a mini vertical city. Each level has a different feel and the age of pupils increases as you move up.

Greenhouse in Reggio School
The two uppermost floors are organised around an atrium greenhouse

“This distribution of uses implies an ongoing maturity process that is translated into the growing capacity of students to explore the school ecosystem on their own and with their peers,” said the architects.

Ground and first-floor rooms are designed to interact with the landscape, with some partially submerged in the earth.

On the two intermediate floors, rooms are organised around an eight-metre-high hall. This open-air space functions as both a social plaza and a space where children learn about nature.

The two upper levels feature classrooms interspersed around an atrium greenhouse and various indoor gardens, which are filled with plants thanks to reclaimed water and soil tanks located below.

Balcony in Reggio School
Concrete arches frame leaning spaces on the intermediate levels

Sustainability played a key role in shaping the building’s design aesthetic, but also keeping costs low.

A minimal-waste approach led to service pipes, ducts, wires and grilles being left exposed rather than concealed.

Plaza in Reggio School
An eight-metre-high hall can be used for various activities

Instead of doubling up on exterior cladding and thermal insulation, cork – an entirely natural material – serves both purposes, covering 80 per cent of the building volume.

The building volume is also highly efficient, thanks to both its multi-level layout and an optimised structural arrangement calculated by engineer and researcher Iago González Quelle.

Expoed services in Reggio School
Service pipes and cables are left exposed throughout

Office for Political Innovation describes the approach as “thinning, skinning and making fluffy”.

“The overall amount of material used in the facades, roofs and interior partitions of the building has been reduced by 48 per cent just by replacing a big part of the construction by simple strategies or thermal insulation and mechanical systems distribution,” it said.

“The result presents a naked building where the non-edited visibility of its operating components defines its aesthetics.”

Classroom in Reggio School
Classrooms on the lowest levels open out to the landscape

Jaque is known for his experimental approach to architecture, as seen in projects like the Never Never Land House in Ibiza and the Cosmo installation in the MoMA PS1 courtyard in New York.

Reggio School is his studio’s largest built work to date.

The ambition is for the building to redefine the concept of a sustainable school, looking beyond the building fabric to the types of uses and activities it facilitates.

The photography is by José Hevia.


Project credits:

Architects: Andrés Jaque/Office for Political Innovation
Team: Roberto González García, Luis González Cabrera, Alberto Heras, Ismael Medina Manzano, Jesús Meseguer Cortés, Paola Pardo-Castillo, Rajvi Anandpara, Juan David Barreto, Inês Barros, Ludovica Battista, Shubhankar Bhajekar, Elise Durand, Drishti Gandhi, Maria Karagianni, Bansi Mehta, Alessandro Peja, Meeerati Rana, Mishti Shah, Saumil Shanghavi
Structural engineering: Qube Ingeniería de Estructuras
Services engineering: JG Ingenieros
Quantity survey (project): Dirtec Arquitectos Técnicos
Ecology and edaphology: Mingobasarrate
Project management: Ángel David Moreno Casero, Carlos Peñalver Álvarez, Almudena Antón Vélez

The post Andrés Jaque designs Reggio School “to become a multiverse” appeared first on Dezeen.