IKEA sofa from Tommy Cash collaboration might make you crave for bread all the time

A piece of furniture that’s a bit uncharacteristic of IKEA might redefine what it means to be a couch potato.

Sofas, sometimes called couches, have long been associated with relaxation and comfort. In more modern times, they have also been associated with TVs, home entertainment, and the food that usually gets consumed during such passive activities. The kinds of foods commonly thought of when talking about couches and sofas usually range from light snacks to microwavable meals, but a new design that’s coming to IKEA turns that idea on its head and might make you crave for a different kind of treat.

Designer: gab bois for Tommy Cash and IKEA

Bread is not exactly the first kind of food that would come to mind when the word “sofa” is mentioned. Pastries are often messy and would ruin upholstery, while certain rolls are best eaten with other kinds of food that might also make a mess on the sofa. That said, bread is also often associated with soft and fluffy feelings, which may have been the inspiration behind this tasty piece of furniture.

Rapper Tommy Cash is probably better known in design circles for his eccentric and outlandish ideas, and this LOAFA sofa is a clear testament to that. Designed to resemble a serving of glazed bread rolls, the sofa really looks good enough to eat. While it looks comfy, it almost also looks a bit sticky, perhaps generating conflicting feelings when deciding whether to sit on it or not.

Curiously, the LOAFA’s inspiration came from something unrelated to food. Designers gab bois indicated that the sofa is a nod to designer Mario Bellini’s classic Camaleonda modular sofa. Then again, those do look a bit like dinner rolls as well, and it didn’t take too much imagination to knead it into a Camaleon-dough. Unfortunately, it doesn’t seem like the LOAFA will be just as modular and will forever be frozen in its L-shaped form.

designboom recounts how Tommy Cash tried to garner more than 10,000 comments in order to convince IKEA to start selling the LOAFA sofa. The Instagram post already surpassed that number, though the famed furniture maker has yet to confirm if this piece of furniture is already baking in the oven. Given it will be IKEA that will be selling this pan-tastic piece, some people might end up biting more than they can chew for its price.

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Eleven of the best architecture events of 2022

Peter Cook – City Landscapes

Here are 11 architecture events including conferences, exhibitions and biennales taking place in 2022 selected from Dezeen Events Guide.

See also last week’s guide to the 25 best design events of the coming year.

Peter Cook – City Landscapes
21 January to 8 May

This exhibition explores the imaginative and colourful drawings of British architect Peter Cook, who has helped shape architecture and architectural thinking for nearly six decades.

Cook’s drawings suggest new ways of shaping the city and inhabiting it, a prevalent theme throughout Cook’s career when he and the neo-futuristic group Archigram created new and provocative ways of seeing the city of the future.

Peter Cook – City Landscapes takes place from 21 January to 8 May 2022 at The Louisiana Museum of Modern Art, Gl Strandvej 13, 3050 Humlebæk, Denmark. See more information on Dezeen Events Guide.

The World Around summit
5 February 2022

The World Around architecture summit will this year host a hybrid programme with talks live-streamed from across the world plus an in-person event at New York’s Guggenheim Museum.

Presented in collaboration with Rotterdam’s Het Nieuwe Instituut, the event’s third edition will present the most important new projects of the past year with a particular focus on architecture’s role in the climate emergency.

The World Around 2022 takes place on 5 February 2022 both online and at the Solomon R. Guggenheim Museum, 1071 5th Avenue, New York City, USA. See more information on Dezeen Events Guide.

London Festival of Architecture
1 to 30 June 2022

London Festival of Architecture is a month-long, citywide celebration of architectural practice and experimentation featuring a programme of talks, tours, installations, workshops, exhibitions and open studios.

This year’s programme of events centres around the theme Act, which aims to examine how we can act for ourselves, each other, our cities and the environment.

London Festival of Architecture takes place at various venues in London, England from 1 to 30 June 2022. See more information on Dezeen Events Guide.

The Urban Condition: From Smart Cities to Sustainable Architectures conference
13 to 25 March 2022

This conference examines architecture, design and cities in the developing world from sustainable architecture and smart city perspectives.

The conference brings together government officials from India together with private industry, NGOs, academics and entrepreneurs to exchange ideas, share experiences and network on the future of architecture and urban planning in India and beyond.

The Urban Condition: From Smart Cities to Sustainable Architectures Bangalore and New Delhi, and online from 13 to 25 March 2022. See more information on Dezeen Events Guide.

(In)tangible Heritage(s): Technology, Heritage and Architecture conference
15 to 17 June 2022

The (In)tangible Heritage(s) conference invites delegates to visit Canterbury to explore how architects, digital modellers, conservationists and historians often work in collaboration.

The conference’s keynote presentation is about The Soane Project by Robert AM Stern Architects and Hewlett Packard, which used open-source digital modelling to reconstruct Sir John Soane’s lost Bank of England project in London.

(In)tangible Heritage(s): Technology, Heritage and Architecture takes place 15 to 17 June 2022 in Canterbury, England and online. See more details on Dezeen Events Guide.

The Architect’s Studio: Forensic Architecture exhibition
19 May to 23 October 2022

This exhibition explores the work of London studio Forensic Architecture, which is dedicated to solving crimes against civilians by analyzing architecture and landscapes. It works with evidence to reconstruct events in films and images to give a voice to materials and witnesses that are not normally included in established jurisprudence.

The Architect’s Studio takes place from 19 May to 23 October 2022 at The Louisiana Museum of Modern Art, Gl Strandvej 13, 3050 Humlebæk, Denmark. See more details on Dezeen Events Guide.

Cultures, Communities and Design conference
28 to 30 June 2022

This conference celebrates the 50th anniversary of the School of Architecture, Planning and Landscape at the University of Calgary and explores sustainable and participatory design.

Cultures, Communities and Design – Sustainability and Practice takes place from 28 to 30 June 2022 in Calgary, Alberta, Canada and online. See more details on Dezeen Events Guide.

AIA Conference on Architecture 2022
23 to 25 June 2022

The 2022 edition of the American Institute of Architects’ annual conference brings together leaders and professionals in architecture and design to discuss the industry’s innovations.

AIA Conference on Architecture 2022 takes place from 23 to 25 June 2022 at McCormick Place Convention Center, Chicago, USA. See more details on Dezeen Events Guide.

Tallinn Architecture Biennale
7 September to October 2022

The biggest architecture exhibition in the Baltics, this year’s Tallinn Architecture Biennale includes a large exhibition about the circular economy and the ways it interacts with design fields plus an outdoor installation in the heart of Tallinn.

Tallinn Architecture Biennale takes place from 7 September to October 2022, at various locations across Tallinn, Estonia. See more details on Dezeen Events Guide.

Oslo Architecture Triennale
21 to 25 September 2022

The eighth edition of the Oslo Architecture Triennale is exhibiting projects and practices that focus on the idea of neighbourhoods as places to rethink cities.

The Triennale brings together professionals and enthusiasts to discuss ways in which local projects through to large-scale master plans can shape cities.

Oslo Architecture Triennale takes place from 21 to 25 September 2022 in various locations across the city of Oslo. See more details on Dezeen Events Guide.

MVRDVHNI: The Living Archive of a Studio
Until 4 September 2022

Continuing from last year, this exhibition explores Dutch architectural practice MVRDV, digitally showcasing over 400 projects from MVRDV’s archive.

It offers an insight into the workings of the practice, displayed through an active working environment cum living office space with models, maquettes, drawings and notes displayed on rows of shelves.

MVRDVHNI: The Living Archive of a Studio run until 4 September 2022 at Het Nieuwe Instituut, Museumpark 25, 3015 CB Rotterdam, Netherlands. See more details on Dezeen Events Guide.

Sigurd Lewerentz: Architect of Death and Life
Until 28 August 2022

Sigurd Lewerentz: Architect of Death and Life is the first major exhibition of the Swedish architect’s life and work, which takes place at ArkDes in Sweden.

Opened last year, the exhibition displays ArkDes’ complete collection of Lewerentz’s drawings, personal archive and library. This includes his lesser-known designs for shops and commercial interiors, the landscape and chapel at the Woodland Cemetery in Stockholm and St Mark’s church in Björkhagen.

Sigurd Lewerentz: Architect of Death and Life runs until 28 August 2022 at ArkDes, Exercisplan 4, 111 49 Stockholm, Sweden. See more details on Dezeen Events Guide.

The main image shows Outcrop House by Peter Cook.

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Grzywinski+Pons combines hotel and co-working in Buckle Street Studios

Co-working mezzanines in Buckle Street Studios by Grzywinski+Pons for Locke hotels

New York-based Grzywinski+Pons has completed a hotel in east London for the Locke group, featuring glass block walls and a mezzanine for co-working.

Buckle Street Studios is a 13-storey building in Aldgate East, featuring 103 rooms, a dedicated co-working space for guests, a coffee shop, meeting rooms and a shop.

Ground floor of Buckle Street Studios by Grzywinski+Pons for Locke hotels
Buckle Street Studios is the latest hotel from the Locke group

Grzywinski+Pons designed the building, the interior and many of the furniture pieces.

The aim was to follow the design-led ethos as Locke’s other hotels, many of which were also designed by Grzywinski+Pons.

While the other Locke hotels are planned with long stays in mind, Buckle Street Studios mainly caters to short-stay guests. Co-working is also a key part of the offer, with separate spaces for working and relaxing provided for guests.

Glass blocks at top of Buckle Street Studios by Grzywinski+Pons for Locke hotels
The building features glass-block walls

Design details both inside and outside the building respond to the architectural history of the area.

“Being able to design the exterior and interior simultaneously afforded us a great opportunity to capitalise on architectural advantages we created, and curate a truly integrated experience,” said architect Matthew Grzywinski.

Street level facade of Buckle Street Studios by Grzywinski+Pons for Locke hotels
The building has curved corners to match its neighbours

While the exterior is more serious in its aesthetic, combining soft grey brickwork with nickel-coated metal panels, there are some playful touches.

The rounded quoins, cornices and window details of neighbouring buildings are subtly referenced in the hotel’s radiused corners, while a section of glass blocks at the very top of the building creates the effect of a lantern.

Illuminated glass blocks at Buckle Street Studios by Grzywinski+Pons for Locke hotels
The aim was to make the structure feel more transparent towards the top

“We employed dramatic but ordered material shifts throughout the building’s strata to define a pediment and crown,” said Grzywinski.

“This tiered approach allows the building to become more light and transparent as it rises.”

Co-working mezzanines in Buckle Street Studios by Grzywinski+Pons for Locke hotels
A double-heigh height frames the mezzanine co-working floor

More curves can be found inside the building, where a parabolic arch is used to frame the layout of public spaces on the ground floor and the co-working mezzanine above.

True to the Locke brand identity, the interiors combine soft colours and textural materials to create a cosy but contemporary environment, intended to feel welcoming to those wandering in from the street.

In the public ground floor spaces, colourful curtains and joinery details create a living room feel, while tiled flooring and clay plaster offer a more industrial edge.

Rhombic glass vitrines – filled with items for sale –  and curved banquettes echo the curves of the structure.

Arches and vitrines in Buckle Street Studios by Grzywinski+Pons for Locke hotels
Glass vitrines are used for displaying products for sale

“The space, like the contents of the vitrines, lies at the crossroads of art and commerce,” said Grzywinski.

“Equal parts gallery, lounge, coffee shop, retail concept and living room, the space beckons to the street,” he continued.

“It is our hope that passers-by will feel compelled to come inside to further discern what, exactly, it is, and then feel free to get comfortable and stay a while.”

Bedroom in Buckle Street Studios by Grzywinski+Pons for Locke hotels
Rooms are designed for a mix of short-stay and long-stay guests

The rooms include a mix of traditional hotel rooms, micro studios and studio apartments.

The clay plaster walls and wooden floors are contrasted by furnishings and textiles in shades of sage green, grey-blue and pale pink.

Desk and shelves in bedroom of Buckle Street Studios by Grzywinski+Pons for Locke hotels
Shelves and trays create places for displaying objects

Shallow shelves, hanging trays and tiered tables create opportunities for occupants to display their own belongings, to make spaces feel their own.

Rooms are the top of the building benefit from the glass-block walls, while rooms in the corners are shaped by the building’s curved corners.

Apartment with glass blocks in Buckle Street Studios by Grzywinski+Pons for Locke hotels
The top-floor apartments benefit from the glass-block walls

“We were able to design this room types to accommodate – even celebrate – those curves,” Grzywinski told Dezeen.

“We custom designed most of the furniture, so in those rooms we designed sofas that fit into the corner with a matched radius.”

Bathroom in Buckle Street Studios by Grzywinski+Pons for Locke hotels
The colour palette includes shades of sage green, grey-blue and pale pink

Locke’s other hotels in London include Leman Locke, which is located across the street from Buckle Street Studios, Locke at Broken Wharf and Bermonds Locke, which was designed emerging studio Holloway Li.

Photography is by Nicholas Worley.

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Dezeen Jobs posted a record 3,600 vacancies in 2021 as the recruitment market booms

People gathered around a table in office setting

Happy new year from Dezeen Jobs! Last year we helped 1,760 companies with their recruitment needs, confirming our position as the world’s most vibrant architecture and design jobs board.

The bumper year saw 3,593 positions advertised in 56 countries around the world.

With many companies saying that finding staff is their key challenge at the moment, Dezeen Jobs is an affordable way of reaching relevant potential employees around the world.

We now have over 60,000 registered jobseekers at all experience levels in over 130 countries.

Dezeen Jobs is the leading international marketplace for architecture positions as well as roles in the interior, furniture, industrial, product and graphic design sectors.

We also list roles for sales, support, editorial and academic staff.

Post a single job ad for just £150

It’s simple and affordable to post a job ad with us. Click here to select a job ad and upload details of your vacancy, your company logo and a project image.

For single roles, purchase a standard ad for £150 or a featured ad for £300.

Featured ads provide 70 per cent more exposure. They feature at the top of the Dezeen Jobs homepage for one week, receive a free bump up worth £50 and are shared on Dezeen Jobs’ Facebook and Twitter social media channels, as well as Dezeen’s LinkedIn account.

For multiple roles, you can purchase a discounted package of five standard job ad credits for £500, saving £250, or a package of three featured job ad credits for £1,200, saving £300.

Credits are valid to use for two years so there is no rush to use them all at once. Contact the team for details about bespoke ad packages.

Jobseekers can create free accounts

Jobseekers can create free accounts that allow them to seamlessly find and apply for hundreds of job vacancies posted each month.

View our company profiles directory to learn more about companies before you apply for roles, including their history, location, type of work and notable projects completed.

For daily roundups of positions we’ve published straight to your inbox, subscribe to the Dezeen Jobs daily newsletter.

The image shows the Talent table by Alegre Design for Actiu.

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Blast Studio 3D prints column from mycelium to make "architecture that could feed people"

3D-printed mycelium Tree Column by Blast Studio with curvy silhouette

London practice Blast Studio has developed a method for 3D printing with living mycelium and used it to form a column that could be harvested for mushrooms before serving as a structural building element.

The two-metre-high Tree Column has a ridged, undulating structure reminiscent of a tree trunk.

Its shape was algorithmically designed to enhance the column’s structural capacity and provide optimum growing conditions for mycelium, the root system of fungi.

3D-printed mycelium Tree Column by Blast Studio with curvy silhouette
The Tree Column (above) is on display at London’s Design Museum (top image)

The column was constructed by mixing mycelium with a feedstock of waste coffee cups collected from around London and feeding it into a custom-made cold extruder, similar to the kind used for 3D printing with clay.

Once printed into shape, the mycelium consumes the pulped paper cups and grows to take over the whole column, producing mushrooms that can be picked off and eaten.

The mycelium root structure is then dried to create a load-bearing architectural element with natural insulating and fire-retardant properties.

Close-up of modules of 3D-printed Tree Column made from mycelium
The column is 3D printed from layers of mycelium

Blast Studio is working to scale up the technology to print a pavilion and in the future, it hopes to construct entire buildings. Co-founder Paola Garnousset said this could effectively allow cities to grow architecture from their own waste while providing food for their inhabitants.

“Our vision is to start a new type of living architecture that could self-repair and be harvested to feed people,” she told Dezeen.

“The idea would be to 3D print a living structure in situ, which would be inoculated with different varieties of mushrooms, some with high structural resistance and some delicious ones.”

Close-up of reishi mushrooms growing on a column made by Blast Studio
Mushrooms can grow on the surface of the structure

The Tree Column’s production process starts with shredding paper coffee cups and boiling them in water to produce a sterilised paper pulp. This is then mixed with the mycelium, as well as any desired natural pigments to add colour.

The resulting biomass paste is pushed through an extruder and 3D-printed, layer by layer, to form 10 separate modules, which are stacked into a column measuring 2.1 metres high and fused together using more mycelium.

Its many folds and crevices were generatively designed to create a structure that could support itself during the additive manufacturing process, as well as supporting the mycelium’s growth process by creating sheltered “microclimate pockets” that trap moisture along the length of the column.

Man standing next to a Tree Column 3D-printed from mycelium that towers over him
The column is more than two metres tall

“For the mycelium to grow well, it needs a humid environment away from airflow, like in the undergrowth where it grows naturally,” Garnousset explained.

“We were inspired by the shapes of cacti that can successfully grow in the desert by capturing moisture from the wind and creating shade in their folds.”

For the first three to four weeks, until the mycelium has grown to encompass the entire column, it needs to be kept inside a contained humid environment similar to a greenhouse.

After that, it is dried at 80 degrees Celcius, effectively killing the organism to stop its growth and solidify the material, which Blast Studio estimates has a similar structural capacity to medium-density fibreboard (MDF).

“The column is very light and good in both compression and flexion thanks to the elasticity of the material,” Garnousset said. “In small constructions such as houses and small buildings, concrete could be substituted by mycelium.”

Indigo blue mycelium column by Blast Studio
Blast Studio has also created a blue version of the column

If a Tree Column is damaged or no longer needed, it can be recycled and reprinted to form a new architectural element.

But Blast Studio is also looking at creating a self-repairing version of the pillar by drying the mycelium just enough to stop propagation without killing the organism, which would allow it to re-grow over any cracks once exposed to water.

Close-up of 3D-printed layers on mycelium-based Tree Column
This is made by mixing the paper pulp and mycelium with natural indigo pigment

A Tree Column is currently on display as part of the Waste Age exhibition at London’s Design Museum and will be used as the first building block for the Tree Pavilion, which the studio is hoping to construct by the end of the year to show that its technology could be applied to a larger architectural scale.

A number of other architects and designers, including Dirk Hebel and New York studio The Living, have also created experimental pavilions using mycelium instead of traditional emissions-intensive structural materials such as concrete and steel.

3D-printed mycelium column by Blast Studio at the Waste Age exhibition in London's Design Museum
The column forms part of the Waste Age exhibition at the Design Museum

This generally involves the mycelium being grown in a mould to form bricks. But Blast Studio’s 3D-printing technology is able to create complex shapes without the need for formwork, which are optimised to improve the performance of the building element while reducing its weight and material use.

While these kinds of applications are still nascent, a number of companies are already working to create certified insulation and acoustic panels from mycelium, which can perform better than their plastic equivalents while sequestering carbon during their growth process.

The top photo is by Felix Speller.

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This device turns air into pure drinking water, providing 10 liters of fresh mineral water each day



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What’s funny about the idea of progress is that it’s much more layered than we think. Sure, 30 years from now, we will have sent humans to Mars… but 30 years from now most cities will even be dealing with extreme climate change, polluted air, and scarcity of resources like running water. Sounds odd when you look at the whole picture, right? Well, we’re living in a world that’s on a path to change, and it may be prudent to stop taking things like drinking water for granted.

Meet Kara Pure, a water dispenser that basically turns air into drinking water. Designed by Cody Soodeen, Kara Pure wasn’t created in a void — Soodeen grew up in a town where the drinking water was contaminated by a strain of bacteria that had health implications for the people who consumed it. Unfit drinking water isn’t particularly rare nowadays, with groundwater tables either being infected/polluted, or being entirely depleted due to overconsumption and a lack of accounting for climate change. While Kara Pure is clearly built keeping a pretty inevitable future in mind, it’s important that Soodeen and other people like him perfect the technology now, rather than later.

Designer: Cody Soodeen

Click Here to Buy Now: $1229 $2399 (47% off). Hurry, less than 24 hours left! Raised over $470,000.

Kara Pure extracts water from atmospheric moisture, turning it into mineral-rich alkaline drinking water that hydrates and cleanses toxins within the body. The device, which looks like a monolithic silver tower, can dispense up to 10 liters of water (2.5 gallons) each day, while also enriching it with 7 rare natural minerals and bringing it up to a pH of 9.2+. As a by-product, it also dehumidifies and purifies air, serving multiple purposes at the same time so you have fresh water to drink AND fresh air to breathe every single day.

It’s also a dehumidifier.

Kara Pure’s underlying technology is perhaps its biggest innovation. Soodeen points out that other water-capture devices in its category use refrigerants to condense atmospheric moisture and turn water vapor into droplets of water – a process that’s energy-intensive, noisy, and bad for the environment. Kara Pure, on the other hand, uses a desiccant that absorbs water from the air (sort of like volcanic rock or silica gel). The air passes through this desiccant and the water is extracted and stored in Kara Pure’s storage tank.

The water then goes through a multi-stage purification system where it’s sterilized using UV light and is mineralized with Calcium, Magnesium, Zinc, Lithium, Selenium, Strontium, and Metasilicic Acid, before being passed through an ionizer that alkalizes the water and a carbon filter that removes any final impurities before dispensing clean, clear drinking water that’s alkaline in nature, offering a host of health benefits. Kara Pure’s water-capture process, unlike conventional dehumidifiers and water-capture devices, doesn’t use refrigerants or chemicals that are harmful to the environment, and Kara Pure operates noise-free, providing 10 liters of water through this process every single day.

The monolithic device has an industrial aesthetic to it that combines high-end engineering with minimalist design – well within the domain of companies like Apple and Dyson. The device’s clean exteriors almost reinforce the idea of purity, and the fact that it works without generating the all-too-common whirr that other appliances like refrigerators make, just elevates its overall experience. Kara Pure’s UI is ridiculously simple too. It doesn’t really complicate the process by telling you what the machine is doing or offering you a whole variety of options to choose from. There’s just one single button that, seemingly like magic, dispenses fresh water into Kara Pure’s cavity that’s large enough for a glass, bottle, or even a carafe or jug. All Kara Pure really requires is a power source, and the relatively large contraption can easily be shifted between rooms too, without worrying about noise, water inlets, outlets, or any of the other points of failure that other similar products have today.

Kara Pure literally turns air into water – a feat that’s worth marveling just on its own. Soodeen mentions that Kara Pure is ideal for areas that don’t have access to the purest of drinking water. The fact that Kara Pure works without relying on groundwater means that it can effectively work practically anywhere on earth and all it really needs is a periodic $100 filter replacement every year.

Click Here to Buy Now: $1229 $2399 (47% off). Hurry, less than 24 hours left! Raised over $470,000.

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This insanely detailed Hayabusa scale-down model is made entirely out of paper



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With a dizzying level of detail all the way down to the cylinders on the engine and even the needles on the speedometer, this tiny Suzuki GAX1300R Hayabusa model shows how versatile and powerful paper is as a material.

If you’re taking out 20 full minutes to watch the video above, be warned, it’s nothing short of sheer madness and devotion. The artist, a Japanese Hobbyist by the moniker of YoshiwoModels, goes into absolute thorough detail, constructing literally every aspect of the superbike just from scraps of paper found in sketchbooks, cardboard boxes, and receipts. If there’s ever been a video that captures true passion and perseverance, it’s this one right here. YoshiwoModels explains his process as he builds out every single part of the Hayabusa, relying on model schematics found online. He talks about his love for the environment and how waste paper can be such a versatile material to work with, while also highlighting his shift to starch-based glues because they aren’t bad for the environment. As he assembles the engine he reflects on how gasoline engines will be obsolete in the future. There’s an inherent respect for the Hayabusa as YoshiwoModels meticulously carves out every single gear and piston from scratch, and the entire video is a phenomenally humbling experience, watching how simple sheets of paper transform into easily the most thoroughly detailed physical model/replica I’ve ever laid eyes on.

Designer: YoshiwoModels

YoshiwoModels’ process is a simple yet painstakingly laborious one. He finds schematics online and meticulously creates plans and outlines of each and every single component, which he then traces onto sheets of paper. For a lightbox, he either uses an illuminated window or relies on the backlight of a computer monitor. The tools YoshiwoModels uses are relatively specialist too… he relies on a hole-punch to create perfect holes in cardboard sheets and uses scalpels and tiny scissors to cut out parts. Assembling the paper scraps isn’t easy too, as Yoshiwo relies on a pair of tweezers to carefully join paper elements together, building first the oil sump, then the engine, the wheels, the chassis, seat, outer body, exhaust, and finally the incredibly tiny elements on the dashboard.

The techniques used by Yoshiwo in this video have their roots Kirigami, a paper-folding style that lets you cut the paper (unlike Origami that only allows you to manipulate paper using folds). In a conscious effort to be as environment-friendly as possible, Yoshiwo doesn’t use any blank or fresh papers in his constructions. For the most part, he relies on boxes and sketchbook covers to create his models and even employs thermal paper found in used receipts, because they can’t be recycled. Once the model is completely ready, Yoshiwo finishes it off by adding the Hayabusa’s kanji logo on the fairing of the superbike.

While the Suzuki Hayabusa is associated with speed and power, this video is the polar opposite, displaying an almost meditative calmness in its slow craftsmanship. Sure, it’s easy to appreciate how beautiful a Hayabusa looks… but when you see every single part of it built and assembled from scratch, it allows you to appreciate the superbike’s design on an entirely different level.

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OnePlus is allegedly toying with the idea of a smartphone with a single large rotating camera



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Based off a patent from 2020 discovered by LetsGoDigital, OnePlus could possibly be working on a smartphone with a single primary lens that rotates independently, eliminating tilt while filming videos for more stabilized footage.

The details or the functionalities of such a camera remain unknown, although LetsGoDigital tapped into the talents of Technizo Concept to help render this idea to life. The results feel like a fusion of OnePlus’ later phones along with a camera that’s highly reminiscent of the Nokia Lumia 1020. The camera, according to the patent, isn’t like your pop-up camera, which featured on the OnePlus 7 Pro, but rather, uses a series of magnets to rotate in its place like a turntable. While the immediate benefits of such a shooting mode aren’t entirely apparent, it definitely goes a long way in eliminating jittery footage caused by the hands shaking while capturing videos. The rotating camera can keep the video 100% vertical or horizontal regardless of how you hold your phone (even if you switch orientations, the video still remains the way it was), and can even help effectively capture panoramas without any tilting. Combine this with the massive camera’s built-in image stabilization system and Hasselblad’s imaging tech and you’ve got a phone that packs an incredibly powerful shooter (along with what I can only assume is a large sensor to match) that gives you stellar images as well as shake-free videos.

A semi-detailed look at the camera system shows how massive the lens is in comparison with the ones seen on phones from the competition. Call it an ‘all eggs in one basket’ approach if you will, but the fact that OnePlus is even working on such a system shows their level of faith and commitment to the idea of an all-powerful single-lens camera. A larger sensor allows more light to pass into the camera too, making it easier to take ‘portrait blur’ shots, night-shots, and even high-speed photography. It’s worthwhile noting that the concept’s camera doesn’t pop in or out like a point-and-shoot. It stays just the way it is, with a camera bump that still feels respectably on the lower side.

While the concept certainly evokes a pretty strong reaction (you’re either going to be really intrigued by it or you’re going to hate it), let’s not forget that the concept is just that… a concept. Companies are always quick to patent technologies that they value as intellectual property, but it isn’t entirely necessary that every patented technology will make its way into a phone. The idea of a single-lens camera in the year 2022 seems decidedly bizarre (especially after OnePlus already announced the 10 Pro just this month with a multi-lens setup), but given the dizzying number of changes happening at OnePlus ever since their parent company Oppo decided to take over, it’s fair to imagine that the future for OnePlus isn’t going to be business as usual.

Designer: Technizo Concept & LetsGoDigital

Images via LetsGoDigital

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Black + Decker’s latest Kitchen Appliance is like a Keurig for cocktails



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Unveiled at CES 2022, the $300 Black + Decker Bev is an automatic bartender that whips up the tastiest cocktails and mocktails for you on the spot. It occupies about the same space as a Keurig, and strangely enough, comes immediately after Keurig announced it was terminating its own $300 cocktail maker project. What the Black + Decker Bev offers is pretty much in the same ball-park when it comes to functionality. The kitchen countertop appliance sports a 6-bottle layout that lets you easily load 5 750ml alcohol bottles of your choice along with a sixth spot for Bev’s water chamber. Stainless steel straws descend into each bottle, allowing Bev to conveniently (and accurately) suck up precisely calibrated portions of alcohol to conjure up cocktails. No more mounting bottles upside down like other cocktail makers/dispensers.

To create different cocktails, Bev works on a disposable pod system quite similar to Keurig and Nespresso. Created in partnership with Bartesian, Black + Decker plans on releasing as many as 40 different beverage pods with pre-mixed juices, bitters, and syrups that just need to be popped into the appliance. Once a pod is loaded, you can select how intense you want your cocktail, and Bev does the rest, mixing the ingredients together and dispensing your final cocktail directly into a glass. The entire process takes all of 30 seconds, and yes, Bev even comes with a mocktail setting for people who don’t drink.

The product’s slated to be available in May, and Black + Decker’s mentioned that it doesn’t come with Bluetooth or a smartphone app. It does, however, sport a ‘Party Mode’ that uses LEDs under the bottles to create a pretty nifty ambiance!

Desigenr: Black + Decker

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Valentino Gareri Atelier designs village made from 3D-printed cacao waste

Valentino Gareri Atelier has unveiled renderings of the Cacao Eco Village in Ecuador for local farmers that will feature 3D-printed buildings made from recycled cacao.

Cacao Eco Village will be located on the coast of Ecuador’s Manabi province where cacao farmers live and work to produce chocolate through extracting cocoa butter and solids from cacao beans.

Cacao Eco Village
Cacao Eco Village will be located on the coast of Ecuador

Valentino Gareri Atelier designed the project for Ecuadorian chocolate manufacturer Muze, as well as nonprofit organisation Avanti, with construction scheduled to begin this year.

The village will feature various site figurations of three different-shaped modules, all of which will be 3D-printed using cacao shell waste biofilaments leftover from chocolate production.

The Events Center
The Events Center will feature pillars clad in cacao shell waste

Geometric in form, the modules will also include a range of other local materials in their architecture, such as bamboo and wood.

According to Valentino Gareri Atelier, the modules will be designed in order to create a self-sufficient village. For example, decorative water tanks will be integrated into the modules’ roofs, which will collect rainwater.

Village by Valentino Gareri Atelier
The village will have sea views

“The facades will draw inspiration from the wide range of multi-coloured Ecuadorian houses and from the cacao trees’ colourful fruits,” said the architecture firm, which has offices in New York and Sydney.

Cacao Eco Village will include a cacao-processing chocolate factory, as well as an educational and research centre and co-working and co-living spaces.

Also designed as a tourist destination, the village will feature a large network of cycle paths and pedestrianised boulevards that will encourage visitors and residents to experience the various amenities by bike or on foot.

Charging stations for electric cars will also be provided throughout the community, with cars and trucks only being allowed to drive in designated areas around the factory.

Triangular modules
Valentino Gareri Atelier has designed three different-shaped modules

Vegetation such as palm trees and large expanses of grass will cover the space between each cluster of modules that make up the village.

“This sustainable and smart infrastructure emerges as a solution for the environmental and social impact of the cacao industry using a circular economy model as a creative solution for reducing environmental footprint, generating increased income, reducing resource dependency and minimising waste,” said the architecture firm.

“Cacao Eco Village will be the Silicon Valley for circular economy innovators,” it concluded.

Valentino Gareri Atelier cacao village
The village will be intended as a space to gather

Other communities that have been created using 3D printing include the “world’s largest” neighbourhood of houses in Texas that were designed by construction companies ICON and Lennar as well as global architecture studio BIG.

The renderings are courtesy of Valentino Gareri Atelier. 

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