Ibuku completes "unprecedented" bamboo building in the Balinese jungle

It has an undulating roof

Architecture studio Ibuku has completed The Arc gymnasium for a private school in Bali featuring a complex double-curved roof made entirely from bamboo.

The Arc is the latest building to be completed on the site of the Green School – a private educational institution that promotes sustainability through learning in a natural environment.

Ibuku built the structure within a forest
Top: The Ark is made from bamboo. Above: it is surrounded by a forest

The building was designed by Green School founders John and Cynthia Hardy’s daughter Elora Hardy and her studio Ibuku in collaboration with bamboo architect Jörg Stamm and structural engineering firm Atelier One.

It forms a protective roof sheltering a multipurpose sports court with a floor area of 760 square metres.

The Ark has a ribbed form
The undulating canopy covers a sports pitch

The lightweight structure features bamboo arches that support an organically shaped canopy. The 14-metre-high arches are connected by anticlastic gridshells that curve in two directions to create a robust, tensioned structure.

“The concepted structure for The Arc is totally unprecedented,” claimed Ibuku project architect Rowland Sauls.

“Embarking on a design never before executed required some bravery and optimism. We were creative and stubborn enough to research and develop the answers needed for the success of the project.”

The Ark was constructed using bamboo
The organically shaped roof was made from bamboo

The building’s organic form and structural system were informed by natural systems, in particular the way our ribcages are held in place by the tension from an outer layer of muscle and skin.

“The Arc operates like the ribs of a mammal’s chest,” explained Stamm, “stabilised by tensile membranes analogous to tendons and muscles between ribs.”

“Biologically, these highly tensile microscopic tendons transfer forces from bone to bone,” he continued.

“In The Arc, bamboo splits transfer forces from arch to arch.”

The Ark's canopy roof extends to the floor
The arched interior that echoes the shape of a mammals rib cage

Several months of research and development led to the creation of a precise geometrical solution that allowed the structure to enclose a large inner volume with a minimal amount of material.

“The gridshells use shape stiffness to form the roof enclosure and provide buckling resistance to the parabolic arches,” said Atelier One director, Neil Thomas.

“The two systems together create a unique and highly efficient structure,” he added, “able to flex under load allowing the structure to redistribute weight, easing localised forces on the arches.”

Student pictured within the pavilion
Floor space is column-free

The arches supporting the pavilion’s roof span 19 metres and allow for a large floor area that is uninterrupted by supporting columns.

Spaces around the base of the canopy allow breezes to flow through, providing natural ventilation. Vents at the roof’s apex also allow warm air to escape.

There is a brick structure within the bamboo canopy
Air can circulate through its openings

The Green School has been constructing bamboo buildings at its campus in Bali, Indonesia, since it was founded in 2008. The school now also operates campuses in New Zealand, South Africa and Mexico.

All of the buildings at the jungle site in Bali’s Badung regency are designed to be energy efficient and constructed using natural materials wherever possible.

John Hardy and Jörg Stamm worked together with designer Aldo Landwehr to create the initial buildings and infrastructure including bridges and a spiralling three-storey building housing the high school and administrative areas.

The Ark's bases have a textural quality
It is anchored to the ground

Bamboo was also used by Chinese firm LLLab to create an undulating riverside canopy on the site of a popular light show, while Ruta 4 also constructed a clothing factory in rural Colombia from bamboo.

Photography is by Tommaso Riva.

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This week the Olympics were accused of "greenwashing"

Olympic architecture

This week on Dezeen, we reported on the sustainable aims of the Tokyo 2020 Olympic Games, which were questioned in a peer-reviewed study.

As the Tokyo 2020 Olympic Games kicks off we looked at the initiatives that are aiming to make the games sustainable. These include medals made from old phones, podiums made from recycled plastic and cardboard beds.

However, a report conducted by the University of Lausanne concluded that the games were the third-least sustainable Olympics since 1992.

“The majority of the measures that have been included in this particular Olympics, and the ones that were particularly mediatised, have a more or less superficial effect,” David Gogishvili, who is co-author of the report, told Dezeen.

Olympic venues
Dezeen’s guide to the architecture of the Tokyo 2020 Olympic Games

We also rounded up the most architecturally significant venues that will be hosting events during the games, including several buildings designed for the 1964 Olympics in the city.

The centrepiece of the games is the 68,000 capacity Japan National Stadium (picture top) designed by Japanese architect Kengo Kuma, which is one of the few venues built especially for the event.

Oil rig
Norway begins work on “absolutely necessary” project to bury up to 1.25 billion tonnes of CO2 under the North Sea

Our carbon revolution series continued this week with news that Norway has started work on a €1.7 billion project to bury vast amounts of captured carbon under the North Sea.

Eventually, the project could see a total of up to 1.25 billion tonnes of CO2 sequestered in former fossil reserves deep beneath the sea.

The bridges spans across a canal
Joris Laarman’s 3D-printed stainless steel bridge finally opens in Amsterdam

A 3D-printed pedestrian bridge designed by Joris Laarman finally opened in Amsterdam this week, six years after the project was first launched.

Spanning the Oudezijds Achterburgwal in Amsterdam’s Red Light District, the bridge was made from stainless steel welded by six-axis robotic arms.

Libverpool World Heritage status UNESCO
Liverpool stripped of World Heritage status due to waterfront developments

In the UK, UNESCO stripped the city of Liverpool of its World Heritage status after it found that a series of recent developments had “eroded the integrity” of the site.

Following a vote that took place in Fuzhou, China, Liverpool joins the Elbe Valley in Germany and the Arabian Oryx Sanctuary in Oman as the only sites to have lost the status.

Marble Arch Hill viewpoint by MVRDV
MVRDV’s artificial hill rises at Marble Arch in London

Also in the UK, the Marble Arch Mound viewpoint in central London was photographed under construction in London.

Designed by Dutch studio MVRDV, the artificial hill rises 25 metres tall alongside Hyde Park and is set to open to the public later this month.

Central Park Tower in New York
Six new supertall skyscrapers changing New York’s skyline

As a spate of supertall skyscrapers – buildings over 300 metres – are under development in New York, we rounded up six that are set to change the city’s skyline forever.

In other skyscraper news, Swiss architecture studio Herzog & de Meuron unveiled a 204-metre-tall cylindrical tower in Canary Wharf, London.

The art centre was built in a naval hospital
Laplace and Piet Oudolf transform 18th-century naval hospital into Hauser & Wirth art gallery

Popular projects this week include a gallery for Hauser & Wirth in a collection of historic buildings in Menorca, a hotel in New Orleans in a 19th-century infant asylum and a copper-clad cabin in a Danish forest.

Our lookbooks this week focused on natural biomaterials and office interiors filled with trees and plants.

This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

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3D Printed Products designed to exhibit the endless possibilities of this simple yet groundbreaking technique!

3D Printing is gaining more momentum and popularity than ever! Designers and architects all over the world are now adopting 3D Printing for the creation of almost all types of products and structures. It’s a technique that is being widely utilized in product design, owing to its simple and innovative nature. But designers aren’t employing 3D printing only to create basic models, they’re utilizing this technique in mind-blowing ways as well! From 3D printed artificial coral reefs to a menacing two-wheeler design with 3D printed bodywork, the scope of this dependable technique is unlimited! Dive into this collection of humble yet groundbreaking 3D printed designs!

Hong Kong saw an 80% decline in the coral population in Double Island, Sai Kung, over the past decade and that drove the team to come up with a solution that would not only help that region but also the rest of the world that was blessed with corals. The team from Swire Institute of Marine Science (SWIMS) of the University of Hong Kong (HKU) and its Robotic Fabrication Lab of the faculty of architecture worked together to 3D print terra-cotta tiles that will act as artificial reefs. The result is a mesmerizing, organic swirl of line and negative space that reads like a burnt orange topographic map—and mimics the natural patterns of the coral itself. Why terra-cotta? It’s highly porous with “nice surface micro-texture” for marine organisms to latch on to, says team member Dave Baker, and an eco-friendly alternative to conventional materials such as cement or metal, the HKU team says.

Austria-based Vagabund Moto is one custom motorcycle shop that keeps pushing the envelope of design, materials, and processes. Their 15th build based around the BMW R nineT justifies the fact, as founders, Paul Brauchart and Philipp Rabl spray their creative magic over the two-wheeler for a facelift that’s so desirable for a speed junkie. The amount of metalwork is owed to craftsman Bernard Naumann! The client asked the team to make this the best ever two-wheeler they’ve ever worked on and the final result is called “Tin Man.” It has an extensive shell of bodywork highlighted by the monocoque tank cover and the seating configuration. It also has an underlying monocoque part that doubles as the under-seat storage. This is the most exciting bit of the bike is the 3D printed remote control that opens up the upper layer moving on hydraulic shocks. When open, the Motogadget dash is visible through the acrylic window in the cover.

Kairi Eguchi’s 3D-printed pen has a pretty unique way of balancing minimalism along with an expressive design. It’s rather simple if you break it down by its cross-section – The pen’s basically square-shaped, but it isn’t just a simple extruded square. Somewhere down the middle, the square profile makes a gradual 180° twist, creating a form that’s wonderful to look at and has a tactile appeal!

They look like wood, feel like it too. Hell, they even have those grain patterns that you associate with wood, but don’t let your eyes or fingers be fooled. This line of homeware designed by Yves Behar’s fuseproject isn’t made from actual wood. The technology you’re looking at lies within the domain of 3D printing, but it’s much more advanced than you’d think. Developed and pioneered by Forust, a subsidiary of Desktop Metal, this 3D printed material is a unique composite of recycled sawdust and bio-epoxy resin… but here’s where it gets interesting. Forust’s printers can actually print annular rings, knots, and grains into the printed wood. These details don’t exist on a surface level either. You can sand them and run a coat of polish over them and they’d look exactly like real wood.

The Art Deco movement of the late 19th century helped create new relationships between architecture and geometry. In a time that was certainly considered flourishing, just before the world wars, Art Deco beautifully combined European sensibilities with Eastern and South-American exotic styles while expressing itself through simple-yet-complex geometric forms and shapes… quite like Picasso’s Cubist art, but with arguably more attention to symmetry and composition. The Arintzea Collection from Muka Design Lab and Gantri pays tribute to Art Deco’s influences within Basque architecture, and it’s 3D printed!

If Adidas is to be believed, they might have created the most advanced running shoe of them all. The highly advanced shoe is deemed to give runners an all-new capability they’ve not experienced so far. They call it the 4DFWD sneaker – crafted using high-tech 3D printed performance technology. Working in close quarters with Carbon, the shoe results from 17 years of athlete-driven data and the Digital Light Synthesis technology coming together to create an advanced Adidas shoe unlike anything so far. According to Alberto Uncini Manganelli, SVP, and GM Adidas Running & Credibility Sports at Adidas, “We’re always looking to combine athlete insights with new and innovative technologies to create the best performance running products.”

The sleekness of the Apple TV remote wasn’t a feature, it was a flaw, and people were constantly complaining about losing their remote and never being able to find it… so when Apple redesigned their remote, many were expecting the 2 trillion-dollar company to address this problem too. However, all Apple managed to do was redesign the remote’s controls by bringing an iPod-style jog-dial on it. For the thousands of people who don’t see themselves buying a new remote just so that they can face the same old problems, Etsy-maker PrintSpired Designs has a neat workaround – a 3D printed case that not only gives the old Apple TV remote some volume and thickness but also allows you to slip an AirTag in so you can track your remote when it inevitably gets misplaced.

The Mickey Soap Dispenser Attachment isn’t an officially licensed product from Disney but is rather a clever fan-made product that retrofits onto most foaming handwash dispenser nozzles (although the designer recommends Bath and Body Works soap bottles). The attachment basically helps distribute the foamed handwash into three large blobs instead of one, making it resemble Mickey Mouse’s iconic circular head and ears (or Deadmau5, if you’re an electronic music aficionado). The 3D printed attachment is pretty simple to install and even simpler to use. It comes in three solid colors (that gold one looks rather nice), as well as two decorated variants that resemble Mickey and Minnie.

Say hello to the Mandalorian smart speaker holder for the 4th Generation Amazon Echo Dot. Inspired by the Star Wars spin-off series, the smart-speaker holder comes 3D printed by Etsy shop Slic3DArt, quite perfectly resembling the Mandalorian helmet. Place your spherical Amazon Echo Dot within its head cavity and you’ve officially got yourself a trophy-head worth showcasing on your mantelpiece or coffee table! The purpose of the Mandalorian smart-speaker holder is purely aesthetic. It doesn’t enhance the speaker’s functions but doesn’t impair them either (it does, however, block the light ring at the base).

Designing new and unique light fixtures is no easy feat though and the designers behind HorizON, a suspension lamp with an elliptical form designed and constructed in Italy’s glass-making capital, Murano, took it upon themselves to completely reimagine the future of lighting design. On the inspiration behind HorizON, the designers say, “HorizON lamp is based on the belief that the industry of the next years won’t only evolve through a constant, technological upgrade of products, but reconsider values such as uniqueness, hand-making, and even ‘imperfection.’” Through HorizON, the creators reconsider design values by transmuting classic, craftsman artistry with 21st-century technological capabilities. HorizON’s final product is comprised of two main parts: a glass bubble crafted through a tried-and-true glassmaking tradition that enwraps its 3D-printed, LED-filled centerpiece.

This spaceship from the 1960s was restored for guests to stay for some Jetsons-inspired staycation!

Nowadays, our gaze is set on outer space. Modern times feel eerily similar to the thrill of the days during the 20th-century Space Race. While the goals of the Space Race change over time, our interest in the starry sky remains. On earth, we watch films like The Jetsons and marvel at Elon Musk’s Starlink, if only because it looks like a moving constellation, just to feel closer to Outer Space. Today, artist Craig Barnes restored a saucer-shaped structure, designed by Finnish architect Matti Suuronen in the late 1960s, calling it Futuro House in his ode to the cosmos.

Landed in Somerset’s Marston Park for guests to rent out, stay the night, and pretend they’ve landed on Mars, the Futuro House is a tiny home can accommodate up to four people and features an array of earthly amenities. Barnes happened upon one of Suuronen’s 68 saucer-shaped structures while out in South Africa, bringing it back to the UK, where he began restoration work.

Easily transportable, Barnes describes how he managed to bring Futuro House to Somerset, “Some workers were knocking down a building nearby and we thought perhaps they were going to tear it down too. It was a wreck, there was no front door left, the windows were smashed in, but they let us in. It was horrible and grotty, but we found out who owned it. On an impulse while on top of Table Mountain, we agreed to buy it. So we bought it and shipped it home.”

Sparing Suuronen’s retrofitted relic from a future spent in obsolescence, Barnes restored Futuro House into a sparkling ski lodge, allowing guests to stay the night for £400–£1,200 ( around $550–$1,412) per night, a rent scale depending on the number of adults staying inside the ship. Inside and outside the saucer, guests can enjoy plenty of onboard amenities, like private bathrooms, fresh linen, and towels, hot water, changeable mood lighting, midrange studio monitor speakers, food services, options for coffee and tea, as well as an outdoor fire pit where guests can sit around and recline into the night. Going on to note his thrill over his own interpretation of today’s Space Race, Barnes says,

“It was always important to me that wherever it goes, it functions as a space to live and experience – an inspiring place that everyone can see. I never wanted this to be something that you cannot touch. I believe in the power of art and architecture and how it affects us. We have never opened [the house] up as a rental before; we hadn’t found the right home for it. At Marston Park, they want to make unique experiences and there is a realm for artworks you can stay in and people are interested in that. It is the fulfillment of a longstanding dream to offer this womb-like structure for people to stay in and be in this otherworldly space.”

Designers: Chris Barnes x Matti Suuronen

Stationed beside a quiet lake amongst the trees of Somerset’s Marston Park, Futuro House appears as a UFO landed for a pitstop.

Inside, the 60s space themes continue with spaceship seating arrangements and oval-shaped windows that wrap the entire circumference of the saucer.

Tulip kitchen seats hearken back to the 60s when the Space Race reached a peak.

While there is only one main sleeping area, four people can stay the night.

Come dark, the spaceship glows into a golden lantern.

While on a midnight stroll in the park, onlookers could even mistake Futuro House for a real UFO.

Stationed against orange night skies, guests can pretend they’ve landed on Mars.

Bell & Ross’s aircraft radar-inspired timepiece will make you look like an international Bond villain!



Ever seen a watch that’s fascinating yet unsettling at the same time?

The Red Radar Ceramic from Bell & Ross looks absolutely stunning with its aircraft control radar-inspired dial. Designed in a sinister black-and-red color-way, the watch features a dial with multiple concentric circles and a sweeping seconds hand to make it look like the radar’s in the process of scanning. To tell the time, the dial comes with two airplanes that indicate the hours and minutes respectively as they rotate around in circles. It’s a treat to watch time go by, and I’m sure the next time you’re passing through an airport, the TSA’s going to really think you’re a cool cat!

As its name suggests, the Red Radar Ceramic comes with a 42mm wide ceramic body. The watch itself runs on Bell & Ross’ own BR-CAL.302 automatic movement, and is housed in a casing that’s water-resistant up to 100 meters. To top things off, the watch obviously comes with a sapphire crystal glass on top, but for added appeal, the glass is tinted red too, giving the watch its crimson radar-inspired design.

The watch is a part of a limited release, with just 999 units up for sale. If you fancy yourself a slick Bond villain-type and you’ve got $4,300 to spare, you could probably get your hands on a piece.

Designer: Bell & Ross

Studio Dlux brightens up Rio de Janeiro office for Grupo Editorial Record

Grupo Editorial Record by Studio Dlux

Plywood furniture and vibrant colours feature in the headquarters for one of Brazil‘s major publishers, which has been overhauled by architecture office Studio Dlux.

The studio renovated the 595-square-metre office for Grupo Editorial Record, which is spread across several floors in a 1980s block in the São Cristóvão neighbourhood of Rio de Janeiro.

Studio Dlux designed the project
The office design is for Grupo Editorial Record

Local firm Studio Dlux was initially hired to renovate a single level, but after a careful analysis of the company’s needs, the project was expanded to two floors.

“The project became a more strategic proposal to reformulate the division of workspaces in some sectors of the company – editorial and marketing,” the firm said.

“The project that once was designed just to modernise the space ended up changing the Group’s thinking in relation to workspaces and promoted a behavioural change.”

Grupo Editorial Record is in Rio de Janeiro
Vibrant colours are central to the design

The editorial department is located on the third floor, while the marketing group is housed on the fourth. Overall, the team sought to create a brighter and more open atmosphere on both levels, which were formerly dark and cramped.

On the third floor, the layout was totally reconfigured. In the past, different book groups were separated from one another. To foster collaboration, the architects removed partitions and created a central, open area with shared workstations.

Glazing separates private offices from the main areas
Private offices are enclosed within glass walls

The central zone is ringed by private offices enclosed within glass walls. The glazing provides transparency and enables light to flow in through perimeter windows.

“This layout contributed to the symmetry that Grupo Record sought so that all editors could see each other and have the privacy for some more strategic meetings,” the team said.

Studio Dlux designed the project for a Brazilian publishing house
Pops of colour are included in the shelves

A similar layout strategy was used on the fourth floor. One small difference is the function of the enclosed rooms, which serve as both offices and meeting spaces.

Each level also has a kitchen and dining area, which are referred to as “decompression zones”. Suspended over a dining table is a wooden lighting installation that can hold potted plants.

Suspended over a dining table is a wooden lighting installation that can hold potted plants
A wooden lighting installation features potted plants

Pops of colour help enliven the office environment. A deep sky blue was used on the third floor, while orange and seafoam green were used upstairs. The colours were chosen in collaboration with the company’s employees.

The project’s simple finishes include vinyl flooring and white drywall. Plywood was used to fabricate built-in furniture and desks. Electrical cords are held within painted pipes that run up to the ceiling.

Studio Dlux added sky blue to the third floor's walls
Sky blue is used on the third floor

The project also entailed a full upgrade of the building’s infrastructure.

Other projects by Studio Dlux include the conversion of an event space in Curitiba into a school featuring a multicoloured playground and a vaulted ceiling that looks like a starry sky.

Photography is by Dhani Borges.


Project credits

Architect: Studio Dlux
Team: Beatriz Guedes (lead architect), Denis Fujii, Karina Delomo, Maria Eduarda Scarsanella, Thaís Rio
Collaborative architect: Paloma Rosa
Engineering: Diedro Engenharia
Client: Grupo Editorial Record
Floor: W. Magalhães
Frames: DJ Esquadrias em Alumínio LTDA
Desks: Mono Design
Wall stickers: Bonton Arte Sign
Joinery and furniture: Reativa Cenografia/Mono Design
Lamps: Ledeteria

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Snapback’s MagSafe wallet for your iPhone 12 also comes with its dedicated AirTag slot

SnapBack Slim Air MagSafe Wallet for Apple iPhone with AirTag

Designed so you can track your wallet if it ever gets lost (or isn’t attached to your phone), Snapback’s Slim Air wallet is all about giving you the best Apple’s ecosystem has to offer.

It’s sort of baffling that Apple wants you to track your wallet with the AirTag, but doesn’t allow you to track your MagSafe wallet. Sure, the MagSafe wallet’s designed to sit on your iPhone most of the time, but then again, it’s also something you’ll find yourself removing ever so often… especially when you need to wirelessly charge your phone, or if you want to just swiftly use the wallet without taking your entire phone out. By virtue of its slimness, the MagSafe wallet is a convenient alternative to a bifold, but it isn’t trackable… Snapback changes that.

SnapBack Slim Air MagSafe Wallet for Apple iPhone with AirTag

The Snapback Slim Air, which debuted on Kickstarter, comes made from Italian leather and is marginally wider than Apple’s own leather MagSafe card-holder/wallet. It’s large enough to hold 6 cards, a few folded bills, and the pocket on its front was designed specifically to slide an AirTag in, so you can locate the wallet when you’re in a hurry and you can’t find your stuff. It’s worth noting that the presence of an AirTag doesn’t make the wallet ‘anti-theft’ – the thief could easily pop out the cards and leave the wallet and AirTag behind – but it’s convenient if you’re the kind of person to use the wallet independently too (without snapping it to the back of your iPhone 12 every time). The Slim Air, as its name suggests, is a remarkably slick product that’s a perfect alternative to chunky bifolds. Its soft-shell leather design allows you to easily slide it into your pockets too, even without the iPhone.

SnapBack Slim Air MagSafe Wallet for Apple iPhone with AirTag

SnapBack Slim Air MagSafe Wallet for Apple iPhone with AirTag

What Snapback’s Slim Air does is integrate two of Apple’s services into a single product. It relies on MagSafe, a highlight feature of the iPhone 12, while also combining the AirTag into it. Whether you’re someone who enjoys having those two features clubbed together is entirely up to you, but for a small subset of people who just want a wallet they can track (and occasionally snap to the back of their smartphone), the Snapback Slim Air’s quite the pick. The Slim Air wallet comes made in USA, and is available in brown or black. It costs $55 (that’s about 4 bucks cheaper than Apple’s own MagSafe wallet), and you’ll need to buy the AirTag separately.

Designer: Snapback

SnapBack Slim Air MagSafe Wallet for Apple iPhone with AirTag

The Plunger

The plunger is a household essential, but one that’s rarely attractive. This one—available in four bright colorways—from NYC-based Staff is more design-forward and playful than most on the market. With an acrylic handle, it comes with a sanitary drip tray and stands just under 24 inches tall. Founded during the pandemic by Charlie Weisman, Staff aims to bring thoughtful design, interesting materials, bold colors and character to oft-overlooked household items.

Scientists Uncover More Information About Ancient Supercontinent

Known as Zealandia or Te Riu-a-Māui, an ancient supercontinent exists underneath New Zealand. “Only recently recognized by scientists, Zealandia is the most submerged, thinnest, and youngest continent yet found,” and geologist Rose Turnbull is dedicated to unraveling its secrets. While the landmass was believed to be relatively young, with a crust roughly 500 million years old, the discovery and testing of crystals of zircon collected from the islands of Zealandia that appear above the sea provide evidence that it’s much, much older—over a billion years old. Turnbull says, “It just makes you keen to keep getting out there and exploring.” Read more at National Geographic.

Image courtesy of National Geographic

A modular electric cargo bike to glide your load through city centers in environmentally-friendly manner

Whether you want to run errands, carry groceries home or even ride kids to school – a cargo bike can let you pull it off with all the health benefits of cycling and without burdening the environment. For their convenience on the street and the benefit of hauling heavy loads, electric cargo bikes are gaining popularity as a greener mode of transportation. Designers are doing their bit to make the space even more enthralling for customers who are now picking more electric cargo bikes than electric cars. A fact documented through research by the Two-wheel Industry Association of Germany.

These bikes with a longer wheelbase (than standard bikes) that make space for carrying cargo are donning the street in numbers. They are being billed as a viable alternative for the busy city centers and commercial hubs around the world that have begun banning gas-powered cars considering the growing air and noise pollution. When cargo bikes begin to comprise a considerable part of the traffic in city centers – quietly and in an environmentally friendly manner – a concept like the LARA cargo bike will don the scene with its modular approach.

A result of an industrial design project for an intermediate diploma, the LARA cargo bike is the brainchild of designer Alexander Kaula. It is constructed on a single frame with intelligently included mounting points that make installation of modules possible depending on the user preference. LARA opens up multiple use case possibilities, which are akin to cargo bikes, but this differs with its ability to customize. To the already interesting frame of the cargo bike, the rider can combine a loading area with a small transport box or attach additional accumulators, stands, head/tail light depending on the requirement. Interestingly there is a port to allow batteries to be replaced or more batteries can be connected to increase the bike’s range.

LARA is fitted with a tiny computing display onboard, which can read the provided information from the smart mounting points as to which module is attached or detached and configures itself accordingly. The screen also displays maximum payload, battery status, and maps for navigation amid other statistics. The bike spans a length of 2.45 with a loading area measuring approximately 1×0.6m. The bike is driven by a carbon belt that is positioned inside the rear wheel rim which also adds aesthetic appeal to the otherwise rimless wheels. The cargo bike is a greener, modular solution to hauling cargo alright, but with the possibility to add a child seat in the cargo area, it can instantly become your bike to transport kids to and back from school!

Designer: Alexander Kaula