Airbus unveils three hydrogen-powered zero-emission aircrafts to be operational by 2035!

Airbus is targeting to bring zero-carbon passenger plane to the masses by 2035, keeping in line with its vision for emission-free flights in the future. The ultimate goal is to pave way for the “decarbonization of the entire aviation industry.” To this end, the aerospace giant has revealed three concept airplanes that will harness the power of hydrogen to give their future-forward vision, WINGS! Choosing hydrogen fuel for these concepts makes complete sense – after all, it is clean aviation fuel and is one of the solutions for the aerospace and other industries to reach their climate-neutral milestones.

As Guillaume Faury, Airbus CEO said, “I strongly believe that the use of hydrogen – both in synthetic fuels and as a primary power source for commercial aircraft – has the potential to significantly reduce aviation’s climate impact.” Guillaume added that this venture requires able support from the government and industry partners. It will require increased funding for research & technology and digitalization. He also emphasized on the fact that airports will have to be ready for the hydrogen transport and refueling infrastructure to make it feasible in day-to-day operations.

Designer: Airbus

The trio of concept aircraft, for now, is christened “ZEROe” – each one having a unique configuration depending on the requirement of the commercial aviation operation.

Airbus ZEROe Turboprop

Fit for short interstate trips, the ZEROe Turboprop aircraft uses a turboprop engine which is again powered the liquid hydrogen fuel. By the way, it can carry up to 100 passengers on-board. The plane goes more than 1,000 nautical miles on a full tank, making it perfect to be a private airliner for the filthy rich.

Airbus ZEROe Turbofan

The ZEROe Turbofan is more of a conventional airplane configuration that accommodates 120-200 passengers. Totally capable of conducting transcontinental flights (more than 2,000 nautical miles), the ZEROe Turbofan is propelled by a modified gas-turbine engine, powered by liquid hydrogen fuel. The fuel is stored and supplied to the airplane engine via the storage tanks on the back of the rear pressure bulkhead. The passengers are seated in the other three-fourth of the plane along with the crew.

Airbus ZEROe Blended-wing body

The ZEROe Blended-wing body is the most eye-catching of them all – looking to be inspired by the Stealth bomber plane. It has a wide configuration as compared to the other two which have a very sleek, lengthy structure. The wings are a part of the airplane body – that’s why the name “blended-wing body”. It can haul up to 200 passengers in one go and has a range of 2,000 nautical miles, similar to its sibling, the turbofan concept. This design has a very wide fuselage, thereby, giving flexibility for multiple configurations when it comes to the cabin layout and the hydrogen fuel storage option.

A Rooftop-Based Wheelchair Deployment System for Cars

BraunAbility is the mobility solutions company that retrofitted NYC taxis with wheelchair accessibility (as seen above with the Nissan NV200). They also devise modification that wheelchair users can purchase for their own cars. One particularly innovative example is their Chair Topper, which utilizes typically unused roof space and thereby frees up storage/passenger space in your car:

Stored within the rooftop shell, the wheelchair is completely sealed from the elements. The winch can haul a maximum wheelchair weight of 44 pounds, and the modification adds 21.5″ in height to your vehicle. It keeps the interior of your car clean (if you’ve been rolling through muddy puddles, for instance) and works well in tight parking situations.

You can learn more about the Chair Topper, and/or find a dealer, here.

Facebook Experimenting With Data-Gathering Eyeglasses in the Name of Augmented Reality Research

Facebook’s recently-announced Project Aria (not to be confused with Project Ara, Google’s stalled modular smartphone project), reveals the social media giant is dipping their foot into the world of physical hardware. Starting with a pair of data-gathering eyeglasses, their end goal is to produce a wearable augmented reality device with mass appeal. Here’s what they’re envisioning:

The first step will be these chunky ‘n clunky spectacles, which they’ve designed purely to conduct research:

“The Project Aria glasses are not a consumer product, nor are they a prototype,” the company writes. “They won’t display any information on the inside of the lens, and research participants cannot view or listen to the raw data captured by the device. As a research device, the glasses will use sensors to capture video and audio from the wearer’s point of view, as well as eye movement and location data to help our engineers and programmers figure out how AR can work in practice. The glasses will encrypt, compress, and store data until it’s uploaded to our separate, designated back-end storage systems.”

To start with, this month Facebook is handing out pairs of these to “a limited group of Facebook employees and contractors” from which they can harvest data. And while the company states that “this initial dataset has to be relevant for as many people as possible” and are thus “asking people of diverse genders, heights, body types, ethnicities, and abilities to participate in the research program,” I do think they’ve made one major mistake:

“The initial batch of research participants will be limited to about one hundred Facebook employees and contractors, primarily located in the San Francisco Bay Area and Seattle.”

San Francisco and Seattle are both great cities. They are also not representative of the rest of the country or world, not by a long stretch. By largely confining their research to these two areas, I’m certain that a West Coast urban bias will be baked into the design of both the UI and the UX.

It’s early days yet, so I’m hoping they not only target cities in other regions, but the roughly 20% of Americans that live in rural areas. The design of our Electoral College system has had the result of giving these folks outsized political influence, and we’ve all seen what happens when they are ignored.

From Amazon to Samsung, the products designed by these famous brands will define the 2020 technology trends!

Fiction writers dealing with futuristic and sci-fi novels explore multiple universes, but none of them feature a future where tech has no role in our life. The tech giants and reality are not quite far behind! The quarantine has sped up human seclusion and remote working took a leap like never before – going from Zoom calls to digital payments and even robotic delivery! Here are some of the latest innovations by the brands of our era that aim to revolutionize technology as we know it!

I’m not entirely sure whether the resemblance to the Harman Kardon Aura Studio is intentional or not, but it definitely gives the Amazon Humidifier a certain visual appeal. The humidifier is powered by ultrasonic tech that helps create a uniformly distributed mist of vapor in the air. An auto-sensing mechanism allows it to switch on when the air gets exceptionally dry, and turn off after a while.

The 0° Clean concept offers a new way to make sure your face-mask is fresh, dry, and sanitized between uses. Created by Jungkwang Hwang as a fan-made concept for Samsung, the 0° Clean is a nifty flat-bed UV-C sanitizer that uses a combination of ultraviolet light and dry air to cleanse and blow-dry your mask. It comes with a detachable cylindrical battery-unit (with a built-in display) that you can easily snap onto the sanitizing flat-bed to power it.

LG “leaked” a video of their upcoming smartphone in action. Codenamed the Wing (as opposed to Samsung’s Galaxy Fold), this smartphone reinvented the candybar mobile format with a swiveling screen layout. Designed to behave a lot like the LG VX9400 smartphone that Tony Stark used in the 2008 Iron Man, the Wing featured a front screen that rotated 90° and slid up to reveal a second screen underneath. While LG’s leaked video wasn’t much of an aesthetic reveal, it definitely did a lot to show what the company had in store for the future of phones – a future that promised multitasking without horrible hinges, delicate folding screens, and awkwardly thick phones.

The Snap Goggles come with tinted eyeglasses, but unlike in the original Snap Spectacles, these glasses don’t have the dual-camera lenses cutting into the eyepieces. Instead, the tinted circular eyepieces exist independently, with the two camera lenses resting on the end of the temple-stems. The result is a pair of spectacles that look funky yet contemporary, with the camera lenses being placed slightly further apart, but in a manner that makes much more sense visually.

Traditional laundry machine cycles can potentially damage clothes (how many of us even know the right settings for our loads?) and ever since the pandemic took over our lives we are doing laundry more often to stay safe – this is bound to wear them out 5x faster than usual. The Samsung AirDresser is here to save the day! Its sleek build is similar to a tall, thin fridge and can seamlessly blend in any room. The AirDresser uses a combination of steaming and heat-pump powered drying, and you won’t even have to plumb it in says Samsung. “That’s because, rather than a water connection like a traditional washer would require, the AirDresser relies on a refillable water tank at the bottom of the cabinet. It means it can be installed pretty much anywhere with a regular 120V outlet,” explains the team.

Here’s some bonus content! Meet the winner of a competition hosted by autonomous network transit (ANT) company Dromos, this self-driving pod designed by PriestmanGoode is capable of safely carrying humans as well as acting as a logistical truck to deliver consignments. Envisioned to cater to the demands of the 21st century, the pod needed to be safe, reliable, and affordable, focusing on modularity, sustainability, and flexibility of use. The pod boasts of a minimalist design with a skateboard-style electric platform on top of which rests the pod’s body. With a schematic that closely resembles MUJI x Sensible 4’s Gacha bus, the pod is built to comfortably seat two people spaced apart, or store cargo, based on its use.

Speaking of tech, these Apple-inspired gadget designs are a must-have to upgrade your desk setup!

VenhoevenCS and Ateliers 2/3/4/ reveal timber aquatic centre for Paris 2024 Olympics

Paris 2024 Olympics Aquatic Centre by VenhoevenCS and Ateliers 2/3/4/

Dutch studio VenhoevenCS and French practice Ateliers 2/3/4/ have unveiled the designs for a timber swimming pool complex in Paris, which will be the only permanent venue built for the 2024 Olympic Games.

Set to be built alongside the Stade de France stadium, which will host the Games’ opening and closing ceremonies as well as athletics events, the timber aquatic centre will be the venue for swimming, diving and water polo events.

It will be the only major facility built for the 2024 Olympic Games as all the other events will be hosted in existing venues or temporary structures.

Paris 2024 Olympics Aquatic Centre by VenhoevenCS and Ateliers 2/3/4/
VenhoevenCS and Ateliers 2/3/4/ have designed a timber aquatic centre

The venue’s main hall, which contains the competition pools, will be topped by a timber roof that spans 80 metres but is only 50 centimetres in diameter.

“In this immense cathedral dedicated to aquatic sports, there is no false ceiling or cladding,” said VenhoevenCS and Ateliers 2/3/4/.

Paris 2024 Olympics Aquatic Centre by VenhoevenCS and Ateliers 2/3/4/
The building will host swimming and diving events at the Paris 2024 Olympics

The curved roof is raised at the sides to accommodate the stands while dipping in the middle to reduce the volume of the space, making it more efficient to heat.

“The roof, stretched with wooden beams, magnifies the space thanks to its dynamic curves that make it both intimate and airy,” said the studios.

“Adapted to open heights and optimal visibility from the stands, this sculpted membrane seems to move and undulate like a living organism.”

Paris 2024 Olympics Aquatic Centre by VenhoevenCS and Ateliers 2/3/4/
The timber roof has an 80-metre span

VenhoevenCS and Ateliers 2/3/4/ chose to make the structure from timber as the material has less CO2 emissions than other materials – such as concrete and steel – and Paris is aiming to be the most sustainable games in history.

To contribute to the power needed to run the building the timber roof will be topped with solar panels to make the “largest urban photovoltaic farm in France”.

Within the main arena, the swimming pool is designed to be flexible, with a mobile bulkhead positioned between the competition pool and the diving pool so that the lengths of the pools can be changed for different events.

The whole space will be naturally lit with both ends of the structure made from glass walls, one of which looks over the neighbouring Stade de France.

Paris 2024 Olympics Aquatic Centre by VenhoevenCS and Ateliers 2/3/4/
The aquatic centre will be set in a park

During the Games stands for 6,000 people on the first floor will be positioned alongside the pool on either side, with a third at the opposite end to the diving tower.

Following the Games, one of the stands will be removed to reduce the capacity to 2,500. The space were the stand stood will then be used for five-a-side football pitches, which will overlook the main pool.

The building also contains a smaller training pool and a warm-up pool along with changing rooms, a bouldering wall, basketball courts and exercise rooms. After the Games, a restaurant will also be built.

Paris 2024 Olympics Aquatic Centre by VenhoevenCS and Ateliers 2/3/4/
Walkways will be built alongside it

Both sides of the building will be clad in timber with a sunshade made from a steel structure supporting timber louvres, enclosing walkways that will contain seating.

According to the architecture studios, this is part of the effort to integrate the building into the surrounding park.

Paris 2024 Olympics Aquatic Centre by VenhoevenCS and Ateliers 2/3/4/
After the Games, it will become a public pool

Following the Games, the pool will be reopened as a public facility and will also be used to host events like the European and world swimming championships, when temporary seating will be reintroduced.

The masterplan for the Paris Olympics, which was designed by Populous and Egis, will see events take place across the city with temporary venues installed in prominent locations including the beach volleyball court being placed at the foot of the Eiffel Tower.

Visualisations by Proloog.


Project credits:

Client: Métropole du Grand Paris
Main contractor: Bouygues Bâtiment Île-de-France Operations: Récréa
Maintenance: Dalkia
Control office: Socotec
Architects: VenhoevenCS and Ateliers 2/3/4/
Project partners: Cécilia Gross and Laure Meriaud
Project managers: Yves de Pommereau and Tjeerd Hellinga Landscape architect: Ateliers 2/3/4/
Project managers: Arnaud Talon et Clément Arnaud Structural engineer: SBP Schlaich Bergermann partner Mep: INEX
Water treatment: Katène
Acoustic consultant: Peutz
Sustainability consultant: Indiggo
Economist: Mazet & Associés
Security consultant: CSD & Associés

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AMAA stacks shipping containers in Italian factory to create Space within a space

Space within a space by AMAA

Venice architecture studio AMAA has installed eight shipping containers in an Italian factory as a permanent installation that aims to investigate what architecture is.

Named Space within a space, the permanent installation was designed without a specific use in mind, although the studio envisions events taking place in the building in the future.

Space within a space by AMAA
AMAA has created Space within a space

“At this time, we haven’t strictly planned what the end use of the space is going to be, as possibilities are left open to new forms of colonization,” said AMAA architect Marcello Galiotto.

“We have designed a collective space with the aim of cultivating social value; a place that can be occupied by either private or public activities, a space that can host art exhibitions, art performances and festivals,” he told Dezeen.

Shipping container installation
The permanent installation is made of eight shipping containers

By installing the eight shipping containers in the empty former industrial building, the studio aimed to demonstrate how the feeling of space can be changed.

“We had the chance to study and experience how space can change, how it can be modified by an act of appropriation, and we interpreted the former industrial building as a cave,” said Galiotto.

“An abandoned space can change appearance and become multiple things by using a standard module not related to the human being.”

Shipping container installation
The shipping containers are stacked to create tension

AMAA created a series of physical models to explore how to push the structural capacity of the boxes to the limit and placed them accordingly. The eight containers are arranged in a loop, with four on the floor and four stacked above.

According to the studio, this stacking creates tension within the space.

“The architectural concern is how these modules – due to their arrangement – generate tension, transforming the space in an experience, and not a mere functional solution,” explained AMAA architect Alessandra Rampazzo.

Space within a space shipping container installation
AMAA arranged the shipping containers after creating physical models

Although Space within a space may be used for performances or other activities in the future, AMAA does not believe that shipping containers are appropriate modules for creating buildings.

“Containers have been interpreted as units to be inhabited,” said Rampazzo. “We think that their role is in some way abused, as these spaces are not meant to be lived in,” she continued.

“In our project containers are used in order to change space; they are volumes that originate a new space, which is the one to be experienced.”

Space within a space by AMAA
Space within a space could be used for events

AMAA treated the installation as a learning and research exercise to investigate what architecture is.

“We learnt that there are no limits in architecture,” said Rampazzo.

“Each space can change by small actions. And small doesn’t mean simple: the design of Space within a space required a comprehensive process of study of volumes, research and making of physical models.”

Stacked shipping containers
AMAA created the installation to investigate space

Shipping containers are increasingly being used by architects to create housing and other buildings. Recently British architecture studio AHMM unveiled a shipping-container housing development in Oklahoma, while design studio Doone Silver Kerr used the modular structures to create a hotel and wine bar in London.

Earlier this year the author of Container Atlas highlighted the top shipping container architecture in the world for Dezeen.

Photography is by Simone Bossi.

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Interview: Calihash Extractions Company Founder + CEO Michael Domecq

As the cannabis industry expands, there’s a renewed focus on hash and its production

Hash, the concentrated form of cannabis, has a storied history. The product appears in literary works and anthropological studies as far back as the 16th century. It’s a complex form of the cannabis flower that’s surprisingly simple to produce—and exponentially more potent than smoking the dried flower on its own. The plant’s thrichomes (where the cannabinoids, or active components, are found) are separated from the cured flower through a variety of methods. Calihash, one of LA’s top recreational and medicinal hash producers and retailers draws theirs—whether it be pressed or raw—from California’s finest indoor-grown cannabis, and they extract it gently and without solvents, to both preserve the profile of the cannabis plant and ensure the full spectrum of components remain intact.

Their extraction method employs ice water and a series micron filters meant to separate excess plant biomass. Founder and CEO Michael Domecq ensures that sinking cannabis in ice water, and thus freezing the trichomes, proves most natural for the plant and best for the end consumer. On the contrary, hydrocarbon extractions—which are often done on the commercial level to make batches of product quicker and more consistently—often require harmful fuels like butane. Domecq launched Calihash with the intention of making hash (for consumption, infusion in pre-rolls, and beyond) at a commercial level without compromising flavor, composition or potency. We spoke with him to further understand the processes behind his brand’s selection.

Can you explain Calihash’s ice water extraction?

Ice water extraction is a relatively simple process that incorporates traditional methods of extraction with modern technology. It works by using ice-cold water to separate the trichomes of cannabis flower from the rest of the plant material. Trichomes are dense and waterphobic, so when placed in cold water, they separate from the plant material, fall to the bottom and are collected as cold water hash.

Why is this your preferred method?

This is the preferred method because it does not require high pressure or harsh solvents that disrupt the integrity of the trichome. Instead, ice water extraction is an extremely safe and gentle process that preserves the most useful cannabinoids within the trichomes without leaving behind the chemical residues associated with other extraction methods. This not only makes for a cleaner product with a robust profile, but it also revives the nature flavor and experience of hash.

What’s the primary objective of the method?

Preserving the trichomes is the main objective of ice water extraction in order to produce the highest quality, full-spectrum hash product without disrupting the integrity of the original cannabinoid profile. There are many benefits to making hash through ice water extraction, one of which is that it is an inherently safer way to extract trichomes using ice and water rather than harmful chemicals like Butane and Ethanol.

Is it fair to call hash an emerging category in both craft and consumption?

To say emerging would imply that hash has not been a large factor in the global cannabis market—which it has. The United States has just been lagging behind. Now, hash is finally growing in popularity in the US in both craft and consumption.

What are the primary methods of consumption?

Hash can be used in a multitude of ways. Ice water hash can come in a raw, granulated-like texture and can be pressed into a brick or a temple ball, that can be either smoked on its own to experience its full effects or mixed with cannabis flower to add a higher level of THC and create a slow burn effect for pre-rolls when mixed with flower.

For some, the final product transcends the visual expectation of cannabis. How do you explain it to someone who may have only experimented with flower or oil?

All cannabis lies on a spectrum of THC (and other cannabinoid) concentration. Cannabis flower lies lower on this spectrum while oils, rosins and other dab-able products are the highest—many advertise levels of THC over 80%. Hash is a happy medium on this spectrum and produces products that are higher in THC than most flowers yet lower than stronger oils. Being an age-old tradition within cannabis use, hash is for those who want to experience the full history and benefits of the plant.

Images courtesy of Calihash

Ernö Goldfinger's Glenkerry House is a brutalist "vertical village"

Glenkerry House by Erno Goldfinger

The focus of this short film, published in collaboration with Open House London, is the Glenkerry House tower block, which marries brutalism with its architect Ernö Goldfinger’s utopian housing ideals.

Filmed by Edward Bishop of Stephenson/BishopFilms, it is one of a series of video tours of overlooked and unusual places in the city commissioned by the festival for its 2020 programme.

Built in Poplar, east London in 1977, Glenkerry House is a 14-storey residential tower that functions as a housing cooperative, meaning that the block is managed by its residents.

It forms a part of Hungarian architect Goldfinger’s Brownfield Estate – a group of concrete tower blocks and low-rise housing at the north entrance of the Blackwall tunnel, which includes Balfron Tower.

Flat interior of Glenkerry House by Erno Goldfinger
A flat inside Glenkerry House

In the video, tour guide and Glenkerry House resident Katie John talks about the design and history of the tower, which is home to 79 generously-sized flats.

The majority of flats contain one or two bedrooms, however, there are also four four-bedroom maisonettes on the ground floor and 12 three-bedroom flats. These are positioned in an interlocking arrangement that requires only one corridor for every three floors, helping to maximise living space for the residents.

Other interesting details that can be seen in the video include the tower block’s community gardens, its bush-hammered concrete finishes and a service tower that is topped by a projecting boiler room.

A view from Glenkerry House by Erno Goldfinger
A view of Balfron Tower and Carradale House from Glenkerry House

Inside, John explains that the generous sizes of the flats and their large windows are a reflection of Goldfinger’s utopian housing ideals and belief “that everybody deserves high-quality accommodation”.

According to fellow Glenkerry House resident Alberte Lauridsen, who also features in the video, these ideals are still present today in the way that residents run the tower. Flats are also priced below market value so that they are within reach of people on modest incomes.

As such, Glenkerry House is a “vertical village in which everyone has a say in keeping the community going,” Lauridsen said.

Community gardens at Glenkerry House by Erno Goldfinger
The Glenkerry House community gardens

Dezeen is the media partner for Open House London and will be publishing a different video every day during the festival.

The films are part of the festival’s diverse programme for 2020, which has been curated in response to the coronavirus pandemic and fewer buildings opening to the public as a result.

Open House London takes place at venues across London and online from 19 to 27 September. Videos will be published on Dezeen each day during the festival. See Dezeen Events Guide for details of more architecture and design events.


Project credits:

Guide: Katie John
Producers: Nyima Murry and Ella McCarron
Videographer: Jim Stephenson of Stephenson/BishopFilms

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Radical Lovers Forever Mug

With 100% of the proceeds from sales donated to the Anotherwild Fund—a grant for BIPOC LGBTQ+ independent makers—this colorful mug offers double the positivity. Emblazoned with “Radical Lovers Forever” in all the hues of Daniel Quasar’s Pride flag—which incorporates black and brown stripes to represent People of Color, along with the pink, white and blue of the trans pride flag—this cute ceramic cup is microwave- and dishwasher-safe.

Earphones that magnetically hang like a necklace for the ultimate tech-fashion statement

Being an audiophile means you take the audio quality and ergonomic fit of your earphones pretty seriously. If you get one that is stylish too, then you are in for a jackpot. Having a pair of earbuds that come with a snug fit, boast style statement and the reassurance of not being misplaced is something you just can’t ignore.

We are talking about these earphones that are designed to double up as a jewelry piece. Designed by Yibai Science & Technology from Shenzen, these are called the “Jade Culture Earphone Jue 20.” That’s a bit odd name but everything else about these conceptual wireless earbuds listed on iF Design Award 2020 is super cool. When not in use, the earbuds magnetically lock together to take the form of a necklace pendant that’s suspended by the tethering wire. Then again, when you want to listen to your favorite tunes, simply separate the pendant and get groovy. Picture this scenario – your buddy compliments, “This pendant looks so cool, bud”, and you’ll detach them and plug-in to your ears to their amazement, “It’s my pair of earbuds, mate!” Added bonus – you surely won’t lose one of the earbuds as there is no accidentally falling down- speaking to you AirPods!

The earbuds are designed keeping in mind the ergonomic comfort while listening to music for an extended duration of time, which is a usual affair with music lovers. They come with the “half-ring in-ear” method for use in the listening mode. To give them a sophisticated look – both as an earphone and modern jewelry piece – the makers have draped the outer sculptural shape in high-polished material. The glossy finish in emerald green and gold color options is classy and doesn’t look tacky in either use case scenario. Don’t be surprised if these designer earbuds kick-off a new trend of electronic jewelry – in particular – for wireless earphones or even True Wireless Earbuds.

Designer: Yibai Science & Technology