Construction workers suffer highest death rate from opioid overdoses in Massachusetts

A new study of opioid-related overdose deaths in Massachusetts has found that the construction industry is the worst affected, while architecture and engineering are the only occupations to have a higher death rate among women than men.

Published this month by the Massachusetts Department of Public Health, the report follows a major opioid epidemic in the state, which saw fatalities from overdosing on the highly addictive narcotics more than double between 2011 and 2015.

In order to find a cause and solution for the issue, the Opioid-related Overdose Deaths in Massachusetts by Industry and Occupation survey used death certificates from this period to source data about industry and occupation, gender, race and age among those affected.

A total of 5,580 Massachusetts residents died from opioid-related overdoses during this time, but some were excluded from the study because they were out of state or out of work at the time of death, or the certificates lacked sufficient information.

Out of those surveyed, the highest amount of deaths were found among construction and extraction workers, who made up more than 24 per cent of the total.

Report calls for improved working conditions for construction workers

Analysis by the authors attributes this to a high amount of injuries occurred on site, quoting a statistic that four out of every 100 construction workers are hurt on the job.

The report therefore calls for interventions to “address workplace hazards”.

“Pain is a common feature among injured workers and previous research indicates that opioids are frequently prescribed for pain management following work-related injuries, which has the potential to lead to opioid use disorders,” said the study, which was first reported by the Architect’s Newspaper.

As the results were so high within the construction industry, the survey segmented this workforce into different tasks.

The labourers group had the highest number of deaths, followed by carpenters; painters, construction and maintenance workers; pipe layers, plumbers and pipe-fitters; steamfitters; and roofers.

Brick, block and stone masons; structural iron and steel workers, and insulation workers all also had high fatalities.

Architecture and engineering only occupations to have higher female opioid deaths

The Massachusetts Department of Public Health divided those surveyed into a total of 25 industry sectors, including arts, design and entertainment, which came 12th, and architecture and engineering, which ranked 15th.

Comparing by gender, the survey found that more males died from opioid overdoses than females. But the report highlights that the architecture and engineering field is the only one to have higher fatalities in women than men.

“The rates of opioid-related overdose death was higher among males than females for all occupation groups except architecture and engineering occupations, but these differences were not always statistically significant,” it said.

While the survey associates the high death rate in the construction industry to occupational hazards, it draws more general observations for other industries. Among the key contributing factors listed are poor paid sick leave, which would prevent employees from taking time off to recover from injury and illness, and low job security.

Opioid overdose a “major public health crisis” in US

It also suggests that better education be provided about opioids, which are causing what the US National Institute on Drug Abuse describes as a “major public health crisis”.

Recent results have found that over 115 people die each day in the US after overdosing on opioids, with many incidents involving prescription painkillers.

The medication is also extremely addictive, causing many to turn to heroine as a substitute. US president Donald Trump is planning to address the problem by cutting back on the amount of opioid prescriptions.

Photograph by Flickr user J J, and has been cropped by Dezeen.

The post Construction workers suffer highest death rate from opioid overdoses in Massachusetts appeared first on Dezeen.

Shape-shifting Cypher sculpture by Ozel Office is controlled by motion

California architecture studio Ozel Office has created a blobby robotic sculpture that changes shape in the presence of people, or through the movements of those wearing a matching virtual reality headset.

Cypher is an interactive robotic sculpture that is controlled by sensors, scanners and virtual reality (VR) technology. The sculpture inflates and deflates when people or objects are in its proximity, and also based on commands given by a person wearing a connected VR helmet.

Cypher by Ozel Office

The “cyberphysical sculptural installation” was designed and developed by Ozel Office, a Los Angeles studio that explores the intersection of architecture and technology. The firm is led by architect Güvenç Özel, who is a faculty member at the University of California, Los Angeles (UCLA). The Cypher project was largely funded by a grant from Google’s Artists and Machine Intelligence Program.

Once publicly launched, Cypher will be the first robotic sculpture that is simultaneously controlled by physical sensors and VR, according to the team. The project aims to challenge notions of what is real and virtual and to merge domains that are typically viewed as distinct.

Cypher by Ozel Office

“Cypher creates a bridge between the physical and digital worlds, collapsing them into the same experiential plane through a combination of a virtual reality simulation and sensor-based human-robot interaction,” said Ozel Office in a project description.

“Cypher has an ability to translate concepts and experiences that are traditionally seen as opposite domains: sculpture and architecture, digital and physical, visual and tactile, material and simulated.”

Cypher by Ozel Office

The sculpture has a T-slotted aluminium frame with 3D-printed steel joints. Within the frame, the team placed an air compressor and a computer, which serve as the “brain” of the sculpture. These components are connected to sensors, valves, actuators and other elements that play a role in the sculpture’s movement.

For the “skin”, the team used flexible 3D-printed panels made of silicone and carbon fibre-infused thermoplastic. The spiky texture was influenced by the skin patterns of natural creatures, and is meant to challenge the aesthetic expectations of robots. The sculpture’s dark hue also conveys a message and blurs one’s reading of the object.

Cypher by Ozel Office

“The black glossy colour is used to enhance the mystique of the object further, therefore blurring the true morphological qualities of the sculpture through a play between the absence of light and variable reflection,” said the team.

The skin has a series of “soft robotic clusters” with infrared sensors, which are connected to solenoid valves. These valves communicate with the computer, and control the inflation and deflation of the sculpture.

“Each sensor directly controls a solenoid, which feeds air into the individual soft robotic silicon clusters, allowing the clusters to pulsate,” the team said.

Attached to the top of the sculpture is a lidar scanning device, which uses pulsed laser light to detect objects in the surrounding environment. Lidar scanners, which are commonly used in self-driving vehicles, fire laser beams in multiple directions and record data points each time a beam hits a surface. The map of data points is known as a point cloud.

Cypher by Ozel Office

The Cypher’s lidar can detect the presence of objects up to 40 metres away. Running on custom software, the lidar generates a point cloud, which in turn determines the movement of the sculpture in real-time.

The team created a series of pre-programmed behavioural patterns, which are based on the proximity of viewers. The closer a viewer stands to Cypher, the more the sculpture breathes in and out, resulting in a highly amorphous form.

Cypher by Ozel Office

“Cypher initially ‘greets’ the user with a full inflation, and the closer the user gets to the sculpture, the further away its shape becomes,” the team said.

To enable Cypher to shape-shift more naturally over time, the team incorporated machine-learning capabilities into the computer software.

“The experimental machine-learning application allows Cypher to ‘develop’ motion patterns the more it gets exhibited, which eventually allows it to veer away from a typical finite state machine,” they added.

Cypher by Ozel Office

In addition to the infrared sensors and lidar scanner, Cypher’s movement can also be controlled by a person wearing a VR helmet. The black headpiece is made of the same materials, and was fabricated using the same process, as the sculpture. Incorporated into the helmet is VR technology that runs on Unity, a cross-platform game engine.

While wearing the headset, the user is “teleported” to the sculpture’s interior and experiences several different VR scenes. The user can direct the sculpture to change shape in real-time through hand gestures.

Cypher by Ozel Office

“The VR headset has embedded sensors that use inside-outside tracking to position the headset in space, as well as the hands of the user,” the team said.

The helmet, like the sculpture, changes shape. Based on the wearer’s actions in the VR environment, the headpiece inflates and deflates, in turn, “fusing the user into the spectacular motion of the sculpture”.

Other research involving robotics include the Dactyl robot hand by OpenAI, which exhibits “unprecedented dexterity”, and a robot developed by Cornell University engineers whose soft skin gets goosebumps or becomes spiky based on its internal state.

Photography is by Ozel Office.

Project credits:

Designer: Ozel Office (Guvenc Ozel, Benjamin Ennemoser)
University partner: UCLA Architecture and Urban Design, IDEAS Program
Fabrication: Guvenc Ozel, Tyson Phillips, Benjamin Ennemoser
Programming: Benjamin Ennemoser, Tyson Phillips
Virtual reality: Guvenc Ozel, Benjamin Ennemoser
Fabrication modelling: Guvenc Ozel, Tyson Phillips, Zhe Liang, Nazli Tatar
Sponsor: Google (Google Artists and Machine Intelligence)

The post Shape-shifting Cypher sculpture by Ozel Office is controlled by motion appeared first on Dezeen.

"Hauntingly beautiful"

In this week’s comments update, readers discuss whether a proposal for a memorial to the victims of the Grenfell Tower fire is appropriate.

Something to remember: architecture studio JAA divided readers with a concept for a memorial to the victims of the Grenfell Tower fire that would encase the burnt-out shell of building in a sarcophagus of black concrete.

“An urban-scaled tombstone memorialises only by looking backwards. The challenge faced by the designers would be to find a less morbid, more positive way in which to memorialise this tragedy,” offered a dissappointed HeywoodFloyd.

An equally unimpressed Studio Ulanowski added: “Why does this eternalise the morbid moment of death, rather than celebrate the lives and diversity of the people who lost their lives?”

Others though, including Little Jezzer, were full of praise: “Respect to the studio for putting their neck out there and daring to suggest something! No one else seems to be proposing anything a year later. For me, this is a very beautiful idea.”

“This would be a beautiful idea. Shame it probably won’t happen,” agreed an unhopeful ChristinanolanXD.

One reader was particularly touched by the proposal:



What do you think of JAA’s plans? Join the discussion ›


Miami Produce Center by BIG

Unbalanced: BIG released plans to build the Miami Produce Center, combining housing, offices, a school and urban farming, and readers were not impressed.

“If we got rid of the gimmicky purple lights, this would be perfect,” said a swayable Steve Hassler.

Hexagons added sarcastically: “Bonus points to BIG for the neon-lighted car park nightclub with no visible fire exits…though BIG should have added a ski slope somewhere.”

Other readers, including Jea, were less subtle in their criticism: “One of these days, their designs will stop looking like student projects. Today is not that day, I don’t think.”

Testudo agreed: “Exactly my feeling. I saw lots of student projects exactly like this one. I was expecting something more interesting than something I can see coming from a third year architect student.”

For this commenter, the plans reminded them of something else:



Perfect planning or student-like project? Join the discussion ›


Nolla cabin by Robin Falck

Time to reflect: readers aren’t convinced about the practicality of a mirrored holiday home designed by Robin Falck, which allows visitors to have a zero-emissions holidays.

“A very complicated and expensive camping tent. At least with the tent, you can dismantle it and move to another place,” wrote a disgruntled Apsco radiales.

E Smit was also unconvinced: “No emissions, so basically a log cabin right? As long as you don’t fart or grill your food on a barbecue. Vegans should definitely be banned from this establishment.”

“It’s likely not a sustainable product, and I have to wonder how many birds will kill themselves as they fly into this roof,” added Instablographer in concern.

Audrey agreed: “Remember birds collide with mirrored surfaces. Billions die every year around the world.”

For one reader, there was a much more important question to be answered:



Is this holiday home just a glorified tent? Join the discussion ›


Carrot concrete

Strong roots: engineers at Lancaster University have discovered that nano platelets sourced from the fibres of carrots could significantly improve the strength of concrete, and readers are impressed.

“Fantastic idea. At first I started to laugh seeing myself putting carrots in concrete, but then, wow!” exclaimed Małgorzata Bogusław.

Thehuey was also approving: “Makes sense, carrots are good for you.”

Other readers, including Jay C. White Cloud were less convinced: “We already had superior concrete 2000 plus years ago. It worked better than what we have today and without the addition of “carrot juice” so I would suggest, if it wasn’t broken and we haven’t done better since then, why are we trying to fix it?”

“Does it improve the concrete’s vision as well?” asked Threefloatingorbs jokingly.

One commenter was concerned about the potential edibility of the concrete:



What do you think about adding carrots to concrete? Join the discussion ›

The post “Hauntingly beautiful” appeared first on Dezeen.

The Final Trailer for 'The Happytime Murders'

STX Entertainment just released the final uncensored look at The Happytime Murders, an upcoming puppet crime comedy film directed by Brian Henson, the son of iconic puppeteer, Jim Henson. The film stars Melissa McCarthy, Maya Rudolph, Joel McHale, Leslie David Baker, and Elizabeth Banks. The Happytime Murders comes to theaters on August 17th.”No Sesame. All Street. The Happytime Murders is a filthy comedy set in the seedy underbelly of Los Angeles where puppets and humans coexist. Two clashing detectives with a shared secret, one human (Melissa McCarthy) and one puppet, are forced to work together again to solve the brutal murders of the former cast of a beloved classic puppet television show.”..(Read…)

Mark Wahlberg Breaks Down His Most Iconic Characters

Mark Wahlberg breaks down his most iconic and favorite characters, including his roles in ‘The Basketball Diaries,’ ‘Fear,’ ‘Boogie Nights,’ ‘Three Kings,’ ‘The Perfect Storm,’ ‘Planet of the Apes,’ ‘I Heart Huckabees,’ ‘The Departed,’ ‘The Fighter,’ ‘Ted,’ ‘The Other Guys,’ and his newest movie, ‘Mile 22.’..(Read…)

Nina Dobrev Explains Bulgarian Slang

Nina Dobrev teaches you Bulgarian slang words…(Read…)

Watermelon Launch

Ouch..(Read…)

How to Make a Simple Kayak

How to Make a Simple Kayak..(Read…)

2019 Ford's New Mustang Bullitt

To celebrate the 50th anniversary of the film Bullit. Ford has released an all-new 2019 Mustang Bullitt. The limited-edition Bullitt receives a performance upgrade over the latest Mustang GT giving the 5.0-liter V8 engine 480 horsepower and 420 lb.-ft of torque with a top speed of 163 miles per hour. The Bullitt is about $7,000 more than the Mustang GT and starts at $46,595…(Read…)

Superheroes Without Special Effects Look Super Silly

The power of visual effects continues to allow film makers to push their visions of what superheros are capable of doing but what happens when you take that away?Superhero films and series are rife with incredible action scenes, and everybody gets in on the fun. Of course, for these scenes, the majority of the fighting sequences are loaded with CGI — we can’t actually have Thor or Hulk destroy half of New York City. Also, Thor and Hulk don’t actually exist. That we know of…(Read…)