Renzo Piano volunteers to design "beautiful" new bridge for Genoa

Italian architect Renzo Piano has offered to design a structure to replace the collapsed Ponte Morandi bridge in his hometown of Genoa.

Piano told the Observer magazine it was too early to talk about the particulars of the new design, but that the new bridge must stand as a both a memorial and an embodiment of a “positive moment of unity and cooperation”.

The Ponte Morandi, in Genoa, collapsed in bad weather on the morning of 14 August 2018, killing 43 people. A large section of the structure gave way, plunging vehicles down a 45-metre drop.

Piano, the architect behind the Shard in London and the Centre Pompidou in Paris with Richard Rogers, grew up in the city.

New bridge to signal “truth and pride”

“One thing for sure is that it must be beautiful – not in the sense of cosmetics but in conveying a message of truth and pride,” said Piano.

“It must be a place where people can recognise the tragedy in some way, while also providing a great entrance to the city. All this must be done without any sign of rhetoric – that would be the worst trap. But I think we will stay away [from that] and instead try to express real pride and values. That is what Genoa deserves.”

A 12-month state of emergency has been declared in the region.

A 200-metre section of the bridge collapsed in a storm, killing 43 people. Photo is courtesy of Getty Images

Piano said rebuilding the bridge, which was a vital part of Italy’s main A10 motorway, is imperative not just because it would restore a major piece of infrastructure but because it would stand as a landmark for hope.

“A bridge is a symbol and should never fall, because when a bridge falls, walls go up. So it’s not only physical but metaphorical – walls are bad, we should not build walls, but bridges are good, they make connections.”

Piano sees work as his “mission”

The architect was in a meeting in Geneva when he heard about the disaster, and soon offered his assistance to the Italian government.

“I’ve already said I would be happy [to be involved] because that’s my mission. I’m also a senator for life and so it is one of my duties to respond to such a disaster in some way,” said Piano, who was appointed a member of the Senate of the Republic in the Italian Parliament in 2013.

In 2016 Renzo Piano was called upon to lead the reconstruction efforts after several towns in Italy were devastated by an earthquake, which measured 6.2 on the Richter Scale.

The bridge pictured before the collapse. Photo from Getty Images

Italian engineer Riccardo Morandi built his eponymous cable-stayed bridge in 1974, during Europe’s postwar construction boom. The concrete structure was unconventional due to it’s low span to stay ratio and the choice of prestressed concrete encasements for the cables rather that traditional steel.

“Morandi was a great engineer for sure, and he made something audacious, clever and brave but, of course, very fragile,” said Piano.

“Fragile in the sense of a beauty that is fragile – it’s not a criticism. The bridge demanded an extremely high level of attention during its lifespan.”

Government blames contractor for bridge collapse 

Constant maintenance was required to keep the Ponte Morandi operational, and its location near a steel factory in a port town meant it was weathered by pollution and the salty sea air.

Reinforcement work was being done to the bridge’s foundations, with another round due to begin in October, but a complete rebuild had been dismissed as too costly and disruptive.

Italy’s new coalition government has blamed Autostrade per l’Italia, the private company that has the contract to maintain the country’s motorways, for the disaster. Ministers have attempted to revoke the government contract with Autostrade and impose a £136 million fine.

The Milan-based firm released a statement saying it was confident it had monitored and maintained the bridge to the “best international standards”, reported Reuters.

“At this stage it is not possible to provide any reliable explanation on the reasons for the collapse,” Autostrade said.

Italian prosecutors have launched a criminal investigation into the disaster.

Main image is by Leo García Méndez.

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Minimalistic Design of New Bang & Olufsen Speaker

Il y a quelques semaines nous vous présentions tout le savoir-faire de la marque danoise Bang & Olufsen. Cette dernière conçoit du matériel audio dont le design constitue l’une des pièces maîtresses.

La dernière création présentée à l’IFA (salon international de la radiodiffusion) de Berlin en ce 29 août 2018 en est bien l’illustration. Il s’agit du Beosound Edge élaboré en collaboration avec le célèbre designer Michael Anastassiades. Fubiz s’est rendu au Danemark, dans l’antre de la marque, accompagné du photographe Ludwig Favre, qui nous fait découvrir en images ce petit bijou de design.

Cette enceinte sans fil est dotée d’une forme circulaire ultra sobre, qui ajoute une touche d’esthétisme à votre intérieur. Imaginé en aluminium poli, matériau de prédilection de la marque, le Beosound Edge est pensé pour être soit fixé au mur, défiant ainsi la loi de la gravité, soit posé sur le sol et se fondant parmi les meubles et la décoration de la pièce. Il dispose de capteurs intelligents, qui détectent la présence à proximité de l’utilisateur et illuminent subtilement l’interface tactile. Il est alors possible de régler le volume en un geste.

Pour contraster avec la structure en aluminum, Bang & Olufsen et le designer Michael Anastassiades ont pourvu l’enceinte d’un tissu noir, sur les côtés, qui permet de conserver toute la sobriété et le minimalisme de la création.

Le Beosound Edge est pourvu d’une qualité sonore de pointe qui caractérise Bang & Olufsen depuis plus de 90 ans. Nous consacrerons prochainement un article dédié au son délivré par cette magnifique dernière création de la marque danoise. Comme nous vous le révélions précédemment, la qualité sonore de Bang & Olufsen est notamment permise grâce au design toujours plus intelligent et pensé pour le confort de l’utilisateur.

Cette dernière création de Bang & Olufsen démontre une nouvelle fois le savoir-faire de la marque qui continue d’allier à la perfection le design et la qualité sonore. Le Beosound Edge sera présenté en 6 septembre prochain lors de la Paris Design Week.

 





Highly Detailed Illustrations by Ilya Milstein

Ilya Milstein est une illustratrice née à Milan et qui a grandi à Melbourne. Désormais installée à New-York, elle s’évertue à perpétuer l’aspect traditionnel de l’illustration. « Je dessine tout mon travail avec un stylo bleu, à la main ou avec de l’encre avant de colorier sur l’ordinateur ». Un travail dans le détail très coloré inspiré par de nombreux artistes du monde entier. Des peintres Néerlandais de la Renaissance comme Hieronymus Bosch aux dessinateurs de presse comme Richard F.Outcault ou encore aux illustrateurs et dessinateurs Européens des années 1980, comme Yves Chaland, Ilya se laisse porter par diverses formes d’expression. « Je laisse toutes les influences possibles entrer dans mon travail », assure-t-elle.

« J’ai essayé de parfaire un style qui est objectif, sans ombrages ni couleurs plates et sans systèmes de projection graphiques limités. Avec l’espoir que la personne qui regarde mes dessins se sente concernée par ce qu’ils évoquent et qu’elle se sente libre d’entrer dans l’image ». Dans son enfance, l’illustratrice a passé des heures à lire et à dessiner obsessivement des BD, dont elle raffole.

Véritable autodidacte, Ilya n’a pas eu à fréquenter les bancs de la fac pour étudier le design graphique ou l’illustration. « Mon entourage me demandait souvent de dessiner des choses comme des posters, parfois même des couvertures d’album ». Après des années de pratique amatrice, l’artiste est approchée par le New-York Times. Désormais, ses travaux font les beaux jours de nombreux titres de presse. « Tout s’est déroulé naturellement, mais avec beaucoup de travail ! »

 

 

 

 

 

 

 

 

 

 

 

 

 

 












Margrethe Odgaard's bobbly rugs feel like pebbles underfoot

Danish textile designer Margrethe Odgaard has created a collection of rugs that are designed to feel like pebbles underfoot for design brand Muuto.

Muuto debuts bobbly rugs that feel like pebbles underfoot

Woven with jute yarn –a vegetable fibre – and wool, the rugs feature a centralised grid of soft, fluffy wool loops that evoke the feeling of walking across a pebbled beach.

“Pebble Rug is inspired by the sensuous feeling of a pebbled beach with its diverse and tactile surface, inviting you to take off your shoes and walk across it barefooted. ,” said Copenhagen-based Odgaard, who established her studio in 2013.

Muuto debuts bobbly rugs that feel like pebbles underfoot

“With a handwoven structure that references fashion textiles, the Pebble Rug plays with the contrasting materials of its soft, woolen loops, sitting atop a sturdy canvas base in cooling jute yarn,” she continued.

“Pebble Rug brings a new perspective to any space through its woolen loops, popping up from the ground like sprouts in a bed of moss, joined by the distinct woven texture of its surface.”

Available in two sizes and four colours  – burnt orange, pale rose, light grey and dark grey – the rug’s inner loop area has softly rounded edges framed by an outer jute area.

The Pebble Rug is hand-woven on a loom in India from 100 per cent New Zealand wool, while the jute is made from 100 per cent vegetable fibres.

Muuto debuts bobbly rugs that feel like pebbles underfoot

Founded in 2006 by Peter Bonnén and Kristian Byrge, Muuto was set up to manufacture contemporary furniture rooted in the Scandinavian design tradition. The Scandinavian brand has previously worked with a broad range of designers, including Thomas Bentzen, who designed a sideboard for the company, and French duo Normal Studio, which created a range of table mirrors.

At the end of last year, Muuto was bought by US company Knoll in a deal that set out to double the company’s business within the next five years.

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Neutral tones used to create tranquil family home in Copenhagen

Kaja Møller, head of Danish furniture brand Fredericia, opted for a Scandi-inspired colour palette of greys, whites and taupes for the interiors of her family home in Copenhagen.

Kaja Møller's home

The house is situated 20 minutes outside of central Copenhagen in the coastal region of North Zealand, bordered by orchards, forests, and a nearby beach.

Originally built in 1904, since 2001 the property has undergone an extensive renovation process that has involved a number of structural changes and revival of its historic details.

Kaja Møller – who lives there with her husband and two children – took it upon herself to design its interiors, creating a series of calming, monochromatic spaces that allow the home to serve as the “perfect hideaway”.

Kaja Møller's home

“Besides Scandinavian, I also adore French and Italian interior design, so I tried to achieve a mix of all three,” Møller told Dezeen.

“Our second home is near Nice on the French Riviera, and I get a lot of inspiration from my travels to this particular region.”

Kaja Møller's home

A cluster of small, cramped rooms have been knocked through on the ground floor to form an open-plan cooking and dining area. The walls have been painted a pale shade of grey, contrasting against black timber ceiling beams and burnished steel cabinetry in the kitchen.

Touches of warmth are provided by a long timber table, which sits in front of a large fireplace, and beige linen curtains that cover a set of doors overlooking the garden.

Kaja Møller's home

Colour is briefly introduced in the living room, which has a slate-blue feature wall and murky green painting by artist Anette Wier.

Surfaces have otherwise been kept neutral and paired with a selection of furniture from Denmark and elsewhere. This includes a pair of black leather chairs by Danish designer Børge Mogensen, and sofa by Italian brand Verzelloni.

“Among my favourite pieces is the doctor’s chest in the living room. It took me more than two years to acquire this vintage piece from Greensquare [antique furniture store] in Copenhagen,” said Møller.

Kaja Møller's home

Upstairs, a wall has been moved to form a large bathroom, which now features a black tiled floor and bathtub.

Textural interest has been created in the pitched-roof master bedroom with the addition of a quilted duvet cover and shaggy fur throw.

Kaja Møller's home

Norm Architects also opted for natural tones for the revamp of another family home in North Zealand, where they implemented stone-coloured furnishings and sandy-hued walls to echo the surrounding seaside landscape.

Photography is by Line Thit Klein.

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The Ultimate Veggie Burger Taste Test

“Which fake meat makes for the the tastiest vegetarian treat? We held the ultimate veggie burger taste test to find out!”..(Read…)

Footwear With Flex Like No Other

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The REEBOX FLEXAGON moves away from the full-length foam midsoles found on many athletic trainers and expands on the trend of wild sole form innovations with an origami-inspired underfoot section. The design features an articulated midsole and outsole that allows for absolute flexibility, traction, and fit. This, combined with a woven sock-like upper give it enhanced comfort and versatility. The concept’s unique construction allows for different colorways variations to pop through from the underlayer.

Designer: łⱠłJѦ ₦ł₭ØⱠłĆ

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Make inserts public gardens between office towers at London Wall

Architecture studio Make has completed a pair of office buildings in the City of London, alongside a series of pocket gardens traversed by sinuous pre-weathered steel bridges.

The studio, founded by architect Ken Shuttleworth, oversaw the design of the two office towers and the surrounded public realm for developers Brookfield Properties and Oxford Properties.

London Wall Place by Make

London Wall Place neighbours the postwar Barbican development and incorporates the largest set of public gardens created in the City of London since the completion of the Brutalist housing in 1976.

The site’s long and varied history informed the design of the project, which involved restoring a section of the original Roman city wall and the remains of the medieval St Alphage Church tower.

London Wall Place by Make

The gardens are connected by a network of paths and bridges, which reimagine and reinstate the elevated walkways that formed part of the site in the 1960s, and draw a line between ancient, postwar, and contemporary interventions.

“The beauty of this project lies in recognising it is simply the latest layer in the history of this site, the next trace to be remembered,” explained the project’s lead architect, Sam Potter.

London Wall Place by Make

“We’ve designed state-of-the-art offices, but it’s the combination with the public realm that has attracted the occupiers, not just the commercial spaces themselves.”

A total of 1.5 acres of public space will ultimately be created as part of the scheme, once the various pocket gardens are completed. This accounts for half of the total site area.

London Wall Place by Make

The gardens and a series of green walls are arranged over several terraced levels, conceived as “a continuous three-dimensional landscape” that ensures a seamless flow across the site.

The network of walkways crosses four different streets and provides improved pedestrian connections between the various buildings on the site, as well as the surrounding neighbourhood.

London Wall Place by Make

The material palette of weathering steel and iroko wood applied to the walkways provides a warm and textural complement to the varied planting, which is tailored to the different growing conditions across the site.

An elevated garden also forms part of the new public realm, which is intended to provide a respite from the city for office workers, retail customers, Barbican residents and commuters.

London Wall Place by Make

The London Wall Place gardens are enclosed by a 13-storey tower accommodating offices interspersed with nine roof terraces, as well as a 17-storey structure providing further offices, with a ground-floor cafe, shops and a restaurant unit on the first floor.

The buildings’ facades feature contrasting vertical sections defined by the application of pale glass-reinforced concrete or dark-blue ceramic ribs that surround the glazing.

London Wall Place by Make

“The materials were inspired by the Kentish ragstone found in the Roman wall,” Make explained, “with the glass-reinforced concrete (GRC) echoing the smooth, matt appearance of the stone’s chalky exterior, and the iridescent blue ceramic reminiscent of its glossy interior.”

The studio added that the vertical composition of the facades offers an intentional contrast to the horizontality of the neighbouring Barbican estate, with the ceramic bands also functioning as shading louvres to prevent unwanted solar gain.

London Wall Place by Make

The crisply detailed concrete sections conceal the services and elevators, with the more fluid ceramic surfaces cladding the office floor plates.

At 1 London Wall Place, these glossy ribs wrap underneath to form the soffit of large cantilevers, while at the second building they extend across the ceiling of the reception area.

London Wall Place by Make

Make’s previous office projects include a workplace for insurance company Hiscox featuring a staircase built around a decommissioned Soviet rocket.

The firm also added bronze escalators as part of a refresh of the entrance hall at London department store Harrods, and designed a prefabricated kiosk with a folded shell that resembles a paper fan.

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Drone Tech That Looks Terrifying!

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If just looking at this drone makes you itch, you’re not alone. Designer Arman Zamani of UNSEEN Design Studio says it takes on a form similar to that of the grasshopper, but all I can see is mosquito! Either way, its biomimicry aims to make it just as swift as the insects from which it is inspired. Aside from having enhanced aerodynamics, it also features a unique folding mechanism that makes it easy to transport with its components safely tucked together. Capable of being equipped with camera equipment, it’s ideal for capturing fast moving subjects like cars, races, and more… so long as you can get past that menacing look.

Designer: Arman Zamani of UNSEEN Design Studio

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The Most Functional Wireless Charger to Date?!

Thanks to the rapid advancements in technology, a lot of the mobile devices that surround us are now harnessing the ability to wirelessly charge. But naturally, each device requires a charger, and having multiple of these surely isn’t the ideal solution?

This is where Wyrex comes into play… and it may just be the most functional wireless charger to date! With a design that has been inspired by Urban Growth, the use of uniform lines and geometric shapes creates a striking and professional product that looks right at home within the workspace! Its carefully configured design allows for two mobile phones, a set of Apple AirPods and a smartwatch to simultaneously charge!

Wonderfully integrated into the design is a collapsible stand; this gives the user the option to have it propped-up for video calls, of rest parallel against the desk to remove possible distractions.

Designer: Evgenija Medvedeva

Click here to Buy Now: $79.00 $119.00 (35% off). Hurry, less than 72 hours left!

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Using a magnetic-induction technology, Wyrex matches all Qi-compatible devices. The Wyrex pad consists of numerous coils – four fast charging for phones (10W), one coil for smartwatches, and one coil for earphones.

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Wyrex pad incorporates complicated multi-coil charging system and simplicity of size and form. It takes minimum space in any position. Additionally, Wyrex pad is foldable. You can easily transform it into the kickstand mode to make the working process more convenient.

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The kickstand mode turns into a form of the pre-opened page of the book, which creates the most convenient angle for usage. See all your notifications, have video calls, or watch a video hands-free, while Wyrex is charging your devices. We turn the anxiety routine of charging into a comfortable, fast and productive process.

You can put four devices on the pad at one time including an Apple Watch, AirPods, and two phones (iOS or Android).

Yes, you read it right: with Wyrex there is no distinction between Operating Systems, so you can use it for various models.

By offering 4 fast charging 10W coils Wyrex saves your time. Charge devices faster by one-third compared to standard wireless chargers. A multi-coil pad provides more space for charging, so you can always be sure your device is connected properly and ready to use.

Click here to Buy Now: $79.00 $119.00 (35% off). Hurry, less than 72 hours left!