Pivoting doors offer breezes and views at Tamara Wibowo's Indonesian home

Rows of pivoting glass doors can be opened to allow air to flow through living spaces that open onto courtyards, terraces and lush gardens at this house in the Indonesian city of Semarang.

House of Inside and Outside by Tamara Wibowo Architects

House of Inside and Outside is the first project designed by architect Tamara Wibowo, and was developed as a home for her young family in the port city on the north coast of Java.

The house is located on a corner lot in a hilly neighbourhood. The architect claimed her main intention was to create a 600-square-metre home that doesn’t feel too big and makes effective use of the site.

House of Inside and Outside by Tamara Wibowo Architects

The property comprises a series of grey concrete blocks that are each dedicated to a specific function. One volume houses the living areas, another the office and garage, and the final contains the service quarters.

At the centre of the plan is a void containing a mango tree that has been growing on the site for decades. The tree was left undisturbed and marks the position of the entrance, which is covered by a bridge connecting rooms on the upper floor.

House of Inside and Outside by Tamara Wibowo Architects

The entrance leads directly into a kitchen and dining area lined on both sides by glass doors that pivot open to allow air to waft through the space.

By seamlessly connecting indoors and outdoors, Wibowo’s design provides a range of comfortable spaces that can be used year round in this tropical climate.

House of Inside and Outside by Tamara Wibowo Architects

“The house focuses on creating a sequence of experiences that brings the focus back to nature through spatial overlapping of indoor and outdoor rooms and presence of light coming through skylight and large openings,” the architect explained.

A short set of steps leads up from the tiled dining area to a lounge connected to an open-air patio sheltered beneath an overhanging corner of the first floor.

House of Inside and Outside by Tamara Wibowo Architects

All of the main living spaces can be opened up to the central yard, which contains a lawn, swimming pool and several seating ares.

The large, recessed openings containing windows and doors on both levels of the house are lined with warm timber that contrasts with the cool grey concrete of the facades.

House of Inside and Outside by Tamara Wibowo Architects

The materials used both externally and internally are kept in their raw state to maintain a sense of architectural honesty.

Built-in furniture throughout the interiors helps to create a clean and uncluttered feel, with teak wood joinery, polished-concrete flooring and exposed plaster on the walls introducing various tones and textures.

Photography is by Fernando Gomulya.

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Wolkite University Ethopia

The conceptual master plan design for Wolkite university began by understanding the regional, local and university level opportunities that not only c..

WAW Architects adds concrete extension to social services centre in former orphanage 

concrete and glass block projects out over the entrance of this red brick building in Brussels, which has been converted into offices for social services by WAW Architects.

Social Welfare Office by WAW Architects

The local architecture studio restored and redesigned the former orphanage, which was built in 1901, to create an office space for social services organisation OCMW Halle.

Social Welfare Office by WAW Architects

Period features, such as the the red brick facade, first floor chapel and rafters in the attic of Social House were carefully preserved, while the rest of the interior was gutted and slabs of steel and concrete inserted to create open-plan offices. The original walls are isolated from the new structure inside.

Social Welfare Office by WAW Architects

Jutting out from the side of the building on three irregular-shaped columns, the concrete and glass extension frames the entryway and holds a conference room.

Social Welfare Office by WAW Architects

Having moved the front door away from the busy main road, the architects inserted large bay windows into the blind street-facing facade to act as a “showcase” for the organisation.

“From the new central entrance a new circulation is conceived. Voids emphasise openness and promotes visibility and a better working environment,” the architects said in a statement.

Social Welfare Office by WAW Architects

In contrast with the traditional facade, the new offices, meeting rooms and first floor foyer are modern and industrial in style. Concrete surfaces have been left raw in some places to contrast with white walls and panels in bright colours.

Social Welfare Office by WAW Architects

Colour coding has been used throughout the office space, with green used for the walls and desk in the foyer. Staff kitchens are finished in red and blue, with matching corridors and doors.

Social Welfare Office by WAW Architects

The second-floor chapel with its vaulted roof and wood-panelled apse has been restored, with meeting tables and chairs surrounded by relics. An attic archive was added under the preserved rafters of the steep gabled roofs and spires.

Social Welfare Office by WAW Architects

Brussels has seen a number of high profile adaptive reuse projects in the past year. Stéphanie Willox, LD2 Architecture and Mamout converted a former cigarette factory into council offices with minimalist flair.

The city’s £109 million Centre Pompidou is to be built in a former Citroën car factory by a winning team of architects from noAarchitecten, EM2N and Sergison Bates.

Photography by Tim Van de Velde.

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Spacemakers engages young Londoners in furniture design

London agency Spacemakers has brought together design studio Silo and a group of young people to create a range of public seating.

Designed specially for use in a forthcoming square in Wealdstone, northwest London, the furniture has been designed as part of a new public design project that engages young people in the area.

Spacemakers create sell-able furniture to change perceptions of youth in north-west London

Called the Wealdstone Youth Workshop, the project has seen a group of local 17 and 18 year olds – Esther, Marius, Tanya, Leo, Katy, Danica, Kayleigh and Marina – working with multi-disciplinary designers Silo to research, design and produce the furniture over a period of six months.

Using a technique they refer to as “handmade hi-tech”, Silo’s work borrows industrial processes and materials ordinarily used for mass production and adapts them for small-scale production. Using this method, it aims to develop the “expressive potential” in industrial materials.

Previous projects include a line of furniture made by steaming polystyrene beads inside fabric moulds.

Spacemakers create sell-able furniture to change perceptions of youth in north-west London

Made in the UK, the Wealdstone Leg is a multifunctional component that forms the basis of the Wealdstone Youth Workshop’s collection. While it can be used as a leg, an arm or a bracket, it will be form a part for a range of stools, benches and chairs for the new public square.

The unusual legs are made from a mixture of 60 per cent polypropylene and 40 per cent sustainable paper pulp, which that gives each a unique colour. The multicoloured legs are designed to be used together at random.

Spacemakers create sell-able furniture to change perceptions of youth in north-west London

The Wealdstone Legs are also available to buy with all proceeds going back into the project. The youth involved in the project each receive a royalty percentage on each sale, along with a small stipend of £500 for taking part.

“The project was a response to the situation we found in Wealdstone,” said Spacemakers. “We were initially asked to find new users and create new uses for the new square. We quickly realised, however, that the community had bigger problems: namely, a lack of activity for young people due to cuts to youth services, and the resulting negative perception of young people hanging around the town.”

“We set out to create a project that could change this dynamic, by putting the young people at the centre of what was happening in Wealdstone, and working with them to create something the rest of the community could use,” they continued.

Part of a wider project by Harrow Council to create a new public space at the centre of Wealdstone that can bring the community together, the Youth Workshop project will help to change perceptions of both the youth and the area itself, according to Spacemakers.

Spacemakers create sell-able furniture to change perceptions of youth in north-west London

The overall Wealdstone Square project is being led by architecture studio We Made That, with Spacemakers, Europa and others in support, while Karolina Cialkaite provided assistance with the furniture project.

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How to make a kitchen knife from aluminum foil

Aluminum foil. Great for packaging food and for protecting your brain from being scanned by the government. Also great for repurposing into kitchenware. Youtuber Kiwami Japan looked at his roll of aluminum foil as not really a finished product but rather as a source of raw material. Doing something rather remarkable, he turned the foil back into a 4mm thick sheet of aluminum… and then carved a rather sharp and useful kitchen knife out of it.

What Kiwami does requires astronomical amounts of patience and passion and it’s no surprise that half the video runs at high speed. He first takes the roll, hammering it into a flat sheet before popping out the cardboard tube that’s inside. Then, using a stove flame, a pair of nose-pliers and a hammer, he further hammers away at the sheet, removing any air between the layers, and turns it into a flat piece of aluminum (which he taps against to show you it makes a clinking sound). The aluminum sheet is then cut into the shape of a knife, filed to perfection, and then sharpened against a whetstone. Kiwami then proceeds to add a wooden handle to it, finally finishing the product to make it a completely functional kitchen knife with a remarkably sharp blade that slices easily through cucumber. I guess it helps that the knife is food-grade because it came from food-grade aluminum foil.

Yes, you could just as easily go to the market and pick up a pretty good knife. You’d spend a dollar or two extra, and you’d get something more resilient and finished; but doing what Kiwami did displays immense amount of skill, patience, and drive… and he got a pretty nifty looking knife out of it that he can claim as a product of his own perseverance… something he has a lot of, judging from the fact that he’s made a knife out of raw pasta too.

Not a fan of knives? Japanese people are breaking the internet by polishing crumpled balls of aluminum foil into mirror-finished spheres. Check it out!

Designer: Kiwami Japan

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Modernist bank to be razed for Gehry's Sunset Strip development

Los Angeles officials have approved plans to demolish a mid-century modern bank by architect Kurt Meyer in order to build Frank Gehry’s mixed-use complex on the city’s Sunset Strip.

LA’s court of appeal gave Gehry‘s 8150 Sunset Boulevard project permission to raze the modernist Lytton Savings building on Friday 23 March 2018.

Meyer’s 20,000-square-foot (1,850-square-metre) bank on the corner of Sunset and Crescent Heights will therefore be bulldozed to make way for the complex of five interconnected buildings. The announcement comes despite opposition from preservations, who aimed to save the 1960 zig-zagged-roofed bank on the grounds of its architectural merit.

Gehry’s 8150 Sunset Boulevard project will be built on the site of the modernist Lytton Savings building

The decision reverses a ruling ordered on 25 April 2017, which was backed by the Los Angeles Conservancy and stopped the city from providing permits for Gehry’s 334,000 square feet (31,000 square metres) scheme to developers Townscape Partners unless alternative designs that include the structure were suggested.

But Supreme Court judge Anthony Mohr has overturned this order after finding the solutions would not enable the project to reach its full potential, reports the Metropolitan News Enterprise.

“The record contains a number of facts that constitute substantial evidence that the Preservation Alternatives would not fulfill the objectives of the Project, among which was a call for vibrant buildings that draw people in, create new economic opportunities, and preserve view corridors,” said Mohr.

“The City found several conditions preventing the Preservation Alternatives from achieving the visually appealing, pedestrian-oriented, economically viable new development described in the project objectives.”

Located at the eastern end of the Sunset Strip, and facing the Hollywood Hills to the north, Gehry’s 8150 Sunset Boulevard will comprise five buildings linked by a common plaza at street level.

It will include 249 residential units, with 15 per cent to be rented below market rate to low-income tenants, along with restaurants, stores and a host of public spaces. A new bank, a landscaped plaza and 800 parking spaces also feature in the scheme.

A post shared by Adrian Scott (@afine) on Dec 1, 2016 at 4:56pm PST

Mohr added that one of the alternate schemes would “result in a disjointed design to sidewalks, project accessibility, and would not be as visually appealing or pedestrian friendly compared to the proposed project”.

Gehry – who placed at number 61 in the 2017 Dezeen Hot List – first unveiled the project in 2015, and received planning permission the following year. The locally based architect has fought much opposition to scheme. His firm Gehry Partners penning a letter to the city in 2016, asking that a request to protect the Lytton Savings building be ignored.

Originally designed for American financier Bart Lytton, Swiss-born Meyer’s building is currently occupied by Chase bank. It is regarded as the best-known project the late modernist architect completed in the city.

It forms part of a series of architectural and cultural landmarks in the area, including the Chateau Marmot – a storied hotel meant to evoke a French estate opposite the site for Gehry’s project – and the art deco-style Sunset Tower.

The Lytton Savings building is among many architecturally impressive banks built in the USA during the mid 20th-century. Others include a branch based on Le Corbusier’s Ronchamp chapel, and another fronted by tapered columns – both located in Palm Springs.

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A rectangular Pokéball for pigments

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Smaller, sleeker, and much more powerful than its predecessor, the Pico is our favorite Cube’s younger sibling. The size of your finger, Pico puts color knowledge at your fingertip, letting you record hues and shades from around you, to use as inspiration or reference for your work.

Partnering with the Pico app on your phone, you can record a vast multitude of colors from around you, giving them your own names, creating a color library of your life. Pico’s small size makes it easier to carry around with you, and it even comes with a hole for a lanyard, letting you hang it around your neck! A simple single button interface allows you to ‘click’ colors by simply placing the Pico directly on top of the color you want to capture and hitting the shutter button. Pico’s color matching engine allows it to perfectly capture color values, and even cross-reference them with color guides and standards, so whether you use those colors digitally or in print/paint, you know that what you see is what you get. Designed in black anodized aluminum, the Pico feels incredibly slick and premium and we’re putting it on our must-buy list for all designers!

Designer: Palette

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Non-electric waterpik!

The Pocket Flosser is the perfect addition to the Be. toothbrush, giving you the best electric oral care experience without electricity or batteries. Using ingenuity, and principles of physics, the Pocket Flosser is a waterpik that can clean your teeth effectively using water or even your mouthwash. Relying on an internal pump that lets you build high pressure, the Pocket Floss can shoot out a jet-stream of water, cleaning the areas between your teeth just like a floss would, but without the pain and the bleeding that can sometimes accompany flossing.

Just pour water into the Pocket Flosser (or a mouthwash of your choice) and pump air into the flosser, building the pressure inside. When you do, out comes the water in a jet that can dislodge pieces of food stuck between your teeth. The Pocket Flosser holds enough water to last one session.

Designed to be pocket-friendly, and most importantly wireless, the Pocket Flosser can even be taken on travels, allowing you to keep your pearly whites pearly no matter where you are. All you need is water!

Designer: Carlo Ricafort

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Link About It: Farewell, Anti-Apartheid Campaigner Winnie Madikizela-Mandela

Farewell, Anti-Apartheid Campaigner Winnie Madikizela-Mandela


Activist and icon of the anti-apartheid movement, Winnie Madikizela-Mandela has passed away at 81 years old. Married to Nelson Mandela for 38 years (and separated for 30 years because of his imprisonment), Madikizela-Mandela became an “international……

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Buy: Limited Edition Bottle + Ocean Plastic Sleeve

Limited Edition Bottle + Ocean Plastic Sleeve


Soma, Parley and Starbucks have teamed up for an environmentally friendly and ultimately pragmatic product: a reusable BPA-free glass vessel and an accompanying sleeve made from recycled ocean plastic. Available at various Starbucks locations, the……

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