Tadao Ando creates full-scale mock up of Church of the Light for Tokyo exhibition

A full-size model of Church of the Light takes centre stage in a survey of Tadao Ando‘s 50-year career – even though the architect told Dezeen his latest projects are his best work.

Endeavors by Tadao Ando

Tadao Ando: Endeavors at The National Art Center in Tokyo is an exhibition covering the architect’s entire career. It starts with his transition from professional boxer to self-taught architect, then follows progress of the Osaka office he set up in 1969.

The show presents models and sketches of Ando’s most acclaimed works, alongside an installation recreating the interior of the architect’s studio and a video showing his involvement in post-disaster reconstruction in Japan, through tree-planting programmes.

Endeavors by Tadao Ando

However the architect told Dezeen he considers his active projects – including the conversion of Paris’ stock exchange into a gallery – the pinnacle of his career.

“I do not think of this exhibition as being a retrospective. Being overly infatuated with your past accomplishments does not allow for opportunities to pursue new endeavors,” Tadao Ando, 76, told Dezeen.

“This exhibition shows the possibilities of the future through the experience I have gathered during my career,” he continued. “The highlights of my career are always the projects that I am presently working on.”

“Currently, this includes the Bourse de Commerce in Paris and various efforts to improve the environment by cultivating the forests all around Japan.”

Endeavors by Tadao Ando

For the exhibition, Ando created a 1:1 scale model of Church of the Light, a concrete church with a striking cross-shaped cut out in its front, which was completed in Osaka in 1989.

He said the mockup is designed to allow visitors to the exhibition to properly experience the architecture, but also to resolve a 30-year dispute between the architect and the client over the inclusion of glazing in the building.

Ando had originally proposed the cross cut-out be left completely open to the elements, but the client refused, claiming it would create an inhospitable environment for the congregation. For this replica, the glass was omitted.

Endeavors by Tadao Ando

“Architecture must be experienced in person. Photographs may represent the appearance of a building, but cannot replicate human perceptions of material, scale, and light,” said Ando.

“I desired the Church of the Light to become accessible for the general public to experience. It is a 1:1 replica of the original building and holds complete integrity to the initial design concept.”

Endeavors by Tadao Ando

“After the construction was completed, I visited regularly to convince the client to remove the glass,” he continued.

“I eventually gave up and decided I would simply make it myself to fulfill my dream. In comparison with the original church, the experience of light and wind has significantly intensified.”

Endeavors by Tadao Ando

Models of Ando’s Punta della Dogana Contemporary Art Center in Venice, and his current project, which will see Paris’ Bourse de Commerce building transformed into an art museum, are also presented in the show.

In addition, there is a large-scale model showing the design for Ando’s recently completed project for a cemetery in Sapooro. The project saw a huge buddha statue surrounded by a lavender-covered mound carpeted in 150,000 of the purple-flowering plants.

Its use of exposed concrete and landscaping coupled with the dramatic play of natural light is characteristic of the architect’s style.

 

Endeavors by Tadao Ando

Ando’s career has been studded with architectural awards including the illustrious Pritzker Architecture Prize, won in 1995, the Person of Cultural Merit (Japan) in 2003, Commander of the Order of Art and Letters (France) in 2013 and Architectural Institute of Japan Prize, Japan Art Academy Prize in 1993.

Tadao Ando: Endeavors continues at The National Art Center in Tokyo until 18 December 2017.

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Carney Logan Burke spends five years creating Wyoming retreat clad in cedar and steel

This residence and nearby guest house for a principal of Carney Logan Burke Architects are meant to sensitively respond to their setting: a forested site that looks toward a verdant valley and towering peaks.

Fish Creek Compound by Carney Logan Burke Architects

The Fish Creek Compound is located on a five-acre (two-hectare) site in western Wyoming, near the village of Wilson. Consisting of a main home and a guest house, the compound serves as a personal residence of firm principal John Carney and his wife.

Creating a home that embraced the natural context was a guiding concern. The gently sloping, forested site features a seasonal stream and clear views of the Sleeping Indian, a mountain peak to the east.

Fish Creek Compound by Carney Logan Burke Architects

“The thick understory of berries, wildflowers and other vegetation attracts abundant wildlife, which is a constant reminder of the unique qualities of this very special landscape,” said Carney Logan Burke Architects, a studio based in Jackson, Wyoming.

Fish Creek Compound by Carney Logan Burke Architects

“The goal of the design was to create a compound in harmony with nature, where multiple generations of the architect’s extended family could gather and experience the wonders of the site, while also serving as an intimate home for two.”

The project was completed in two phases over the course of five years. The 950-square-foot (88-square-metre) guesthouse was finished first, which gave the architect time to fully understand all of the conditions of the site, including weather patterns and quality of light, before designing the main home.

Fish Creek Compound by Carney Logan Burke Architects

The guest house consists of a simple rectangle oriented on an east-west axis. The small dwelling and its outdoor decks are meant to provide an immersive experience for visitors, both visually and aurally.

Fish Creek Compound by Carney Logan Burke Architects

“Through its siting near a stream that provides the sound of rushing water, and large windows that open the intimately scaled rooms to the outside, the small house creates the feeling of actually being in the woods,” the team said.

Cedar shingles and bonderised steel – galvanised steel processed through a phosphate bath – wrap the facades. Meanwhile, white oak was used for interior floors, doors and millwork. “A disciplined use of materials gives cohesion to this small outbuilding,” the team said.

Fish Creek Compound by Carney Logan Burke Architects

The main house was built farther up slope, where it is afforded commanding views of the valley and mountains. Encompassing 4,275 square feet (397 square metres), the house is oriented along a roughly north-south axis and consists of rectilinear volumes topped with overhanging shed roofs.

Fish Creek Compound by Carney Logan Burke Architects

The two-storey home is tucked into the hillside and follows the contours of the site. The base is made of board-formed concrete, while the upper walls are clad in the same materials as the guest house. The entrance was placed on the upper floor.

“In order to take full advantage of the site amenities while keeping a low profile, the main house is tucked into the hill and entered from the upper level,” the studio said.

Fish Creek Compound by Carney Logan Burke Architects

Running alongside the garage is a covered pathway, which leads to a terrace and the front door. One steps into an open-plan kitchen and great room, where floor-to-ceiling glass provides a strong connection to the outdoors.

Fish Creek Compound by Carney Logan Burke Architects

Adjacent to the public area is a private wing, which contains the master suite, a music room and a screened porch. A bedroom, an exercise room, laundry facilities and mechanical space are situated downstairs.

Founded over two decades ago, Carney Logan Burke Architects has an extensive portfolio of buildings designed in a regional modernist style. Other projects by the studio include a rustic cabin built on a fire-ravaged mountainside and a barn-shaped guest house made with reclaimed wood.

Photography is by Matthew Millman Photography.

Project credits:

Architect: Carney Logan Burke Architects
Architect design team: John Carney, Jen Mei, Bryan James, Sam Ankeny, Sarah Kennedy
Interior design: Carney Logan Burke Architects and owner

The post Carney Logan Burke spends five years creating Wyoming retreat clad in cedar and steel appeared first on Dezeen.

The Future Has Just Been Delivered

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The future of postal delivery is here and now – a sentence I didn’t envision myself ever saying so proudly. Alas, you heard it here first folks, the future is here, and it’s in the form of the Deutsche Post – PostBOT. Designed to follow the postal deliverer, PostBOT handles a significant portion of the heavy lifting involved in transporting the cargo itself. This French designed bot is jammed full of sensors, helping the little guy navigate its way through the environment, whatever it may throw at it. That being said, the deliverer will also have access to the driving elements of this BOT, enabling them to switch between a manual and automatic mode whenever they please. Hard to miss, this delivery assistant is large enough to carry up to six letter trays and, due to the on-brand color scheme, the PostBOT will be catching eyes no matter how far or near it is.

Designers: Effidence & Deutsche Post

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The Whiskey Whisperer

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Cast your mind back two years to the release of the Whiskey Wedge by Corkcicle – every whiskey lover’s dream. The design of the Whiskey Wedge is as though the designer, Ryan Bricker, reached inside the mind of every whiskey drinker and stole their thoughts. The glass is a double old-fashioned size glass with a gorgeous shape comprised of freeze strength glass. How it works is very simple – you add water into the glass, insert the mold, then freeze. The ice forms an elegant wedge which compliments the glass in a unique manner and, similar to a glacier, melts slowly due to the reduced amount of surface area. Genius.

Well, we have good news for you, Ryan Bricker has designed yet another must-have glass with Corkcicle in the form of the Cigar Glass. This modified tumbler is wonderfully original and just oozes all sorts of cool. Similar to the Whiskey Wedge this double old-fashioned whiskey glass is handmade too, but it comes with an ergonomic built-in cigar rest – fitting so perfectly together, it will make you forget what it used to be like holding a cigar and a whiskey glass at the same time before the Cigar Glass. This glass is only the second addition that Ryan Bricker has designed with Corkcicle, and if we’re lucky, we may begin to see a lot more of these funky whiskey glasses to come.

What you may find interesting is Bricker isn’t your traditional Industrial Designer, in fact, he’s not an Industrial Designer at all. Bricker started out as an urban designer/architect and began experimenting with Industrial Design and consumer products ever since he set up his own company R | E | Bricker Studio 5 years ago – here you’ll find him use his combined 20 years’ experience, experimenting with various platforms from technology ideation and furniture design to small-scale art installations. As if Ryan wasn’t already juggling so much, he currently serves as the design director for HNTB too. An impressive resume for sure – with a lot more to come by the sound of things.

Designer: Ryan Bricker for Corkcicle

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Streets Between Lights & Shadows

Saisir la poésie de la ville est souvent saisir les choses les plus simples. Jouer avec l’architecture, les ombres et les lumières fait partie des sujets favoris des photographes de rue. Les rayons du soleil changent la physionomie des rues, mettent en lumière les passants, qui ne sont parfois plus que des silhouettes ombragées.

A la nuit tombée, le soleil étant couché, ce sont les lueurs des lampadaires qui offrent un aspect fantomatique et mystérieux aux marcheurs nocturnes. Les couleurs de la ville changent et nous entrons dans un univers tout aussi poétique avec des jeux de lumières subtiles.

Ces clichés nous permettent d’explorer la ville autrement, de nous attarder sur des détails. La patience du photographe est souvent mise à rude épreuve pour la réussite d’une telle photo. « L’instant décisif » si souvent prôné par Henri Cartier-Bresson prend alors tout son sens.

Sur sa plateforme, Adobe Stock rassemble autant de clichés de ces rues saisies entre ombres et lumières au sein de sa collection Premium à découvrir ici.

Keith Mokris

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Waymo Reveals Why "Hand-Off" Between Autonomous Car and Driver is a Terrible Idea

Four years ago, Google’s self-driving car team recorded some in-car footage that they’ve unsurprisingly kept under wraps, until yesterday. That footage is of what test users were doing while sitting in Google’s (now Waymo‘s) self-driving car prototypes: “Napping, putting on makeup and fiddling with their phones as the vehicles traveled up to 56 mph,” according to Reuters. In other words, completely unprepared to take over if the autonomous systems became overwhelmed and required “hand-off” to a human driver.

“What we found was pretty scary,” [Waymo CEO John] Krafcik said on Monday during a media tour of a Waymo testing facility. “It’s hard to take over because [the drivers] have lost contextual awareness.”

That led Google’s self-driving car team, which has now been spun off as Waymo, to ditch the hand-off practice that most other autonomous car technologists were pursuing. Handing off was seen by many as having two advantages: One, to ease drivers into the notion of the car doing some of the work, and two, as a way to get at least partially autonomous cars on the road while their engineers tried to solve the things an autonomous car couldn’t handle. But the handing off concept demonstrates a poor understanding of human behavior.

Humans tend to adapt, which has served us well in terms of survival and evolution. But the ability to adapt where fast-traveling vehicles are concerned has potentially deadly consequences. The first time an intelligent teenager learns to pilot a car at highway speeds, the heightened awareness that comes with new experiences has them paying attention to the road, and driving carefully if their instructor is competent. After the experience is no longer novel and muscle memory has enabled them to operate the car smoothly, their attention may wander. In a semi-autonomous car it will wander even further; remember that the man who was killed in that Tesla crash was watching a Harry Potter movie on a portable DVD player at the time of his death.

Waymo’s solution, as they revealed yesterday at a press event, is that autonomous cars must be all or nothing. There can be no handing off.

“Our technology takes care of all of the driving, allowing passengers to stay passengers,” the company said in report this month.

Waymo minivans using their all-or-nothing approach are currently being tested in Phoenix, where residents have been invited to sign up to be riders. They’re also conducting private testing at an artificial city they’ve built at an abandoned Air Force base in California.

Waymo’s approach is wise. The traditional human ability to adapt, coupled with modern-day humans’ complete intolerance for boredom, means that in an autonomous car they will not be able to keep their eyes on the road and remain ready to take over; there are Facebook updates to type, YouTube videos to watch and Tweets to get outraged over.

Buy: Salt Fat Acid Heat

Salt Fat Acid Heat


The stack of cookbooks gathering dust on the counter indicates that they’re more food porn-turned-coffee-table-read than actually useful come dinnertime. Samin Nosrat’s photography-free, anti-recipe cookbook “Salt Fat Acid Heat” is a guide to really……

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Couple Dressed as Luke Skywalker and Princess Leia 'Fly' Through NYC on 'Star Wars' Speeder Bike for Halloween

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Kids Draw Their Parents Tattoos

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When Apple, Tesla, & SpaceX Make Power Banks

Every year, it seems as though the day-to-day hustle gets busier and busier, and we find ourselves searching for more hours in the day. With more hours, more energy is needed, and we’re not the only ones who find ourselves out of energy – our devices are running out of power more frequently than not. For that everyday hustle or even for those outdoor escapes, the saber power pack is perfect.

The saber is ‘lifeproof’ – drop this charger as much as you wish, the saber is ultra drop and shockproof, and water/dust-resistant. Laptops, tablets, phones, drones, cameras – you name it, the saber can charge it. With the ability to even charge a MacBook Pro (the one with a USB Type C port), the saber covers a lot of ground.

The saber is not an overcomplicated form, giving nuances to the heavy-duty appearance that Romeo Power are hoping to achieve here. The fact that this power bank was designed and engineered by former employees of SpaceX, Apple, Samsung, Amazon, and Tesla, there is no surprise that this little guy is jam-packed full of goodness. If this beautiful piece of tech achieves what they set out to do, this could be the best power back out there.

Designer: Romeo Power Technology

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