BIG's experiments in skyscraper design continue with Frankfurt win

Bjarke Ingels’ firm has won a competition to design a 185-metre-high skyscraper in Frankfurt, with a proposal it describes as both classical and sculptural (+ slideshow).

Frankfurt skyscraper by BIG

Less than a month after the firm ousted Foster + Partners from the Two World Trade Center project in New York, it has now been named winner in a contest to design a mixed-use tower in Frankfurt’s downtown financial district.

Frankfurt skyscraper by BIG

The building is conceived by BIG as a simple rectilinear form with two sculptural interventions.

Floorplates will be shifted at both at the base and the centre of the tower to mark clear boundaries between the building’s different functions, with sections dedicated to apartments, offices and public uses.

Frankfurt skyscraper by BIG

“By gently shifting the floorplates of the simple elegant volume, the tower incorporates all the elements of a real city: spaces for living and working, inside as well as outside,” explained Ingels.



“The result is a striking new silhouette on Frankfurt’s skyline that looks different purely because it performs differently,” he said. “The shift at the hip will be a sign that new life has infiltrated the cluster of corporate headquarters in downtown Frankfurt.”

Frankfurt skyscraper by BIG

Copenhagen- and New York-based BIG is partnering with Austrian engineering firm Bollinger + Grohmann on the project.

Their aim is to create a strong presence on the skyline, as well as a building that is welcoming at street level.

Frankfurt skyscraper by BIG

The office floors will be housed in the upper levels of the 65,000-square-metre tower, while residential floors will be located in the middle section, where the shifted floorplates will create generous terraces.

Public uses will be accommodated at the base, opening out onto a new public square.

Frankfurt skyscraper by BIG

“Our proposal for the new Metzler site embodies the unique character of Frankfurt, a city that has a unusual mix of high-rises of a modern metropolis and traditional city blocks,” said BIG partner Andreas Klok Pedersen.

“In that sense the Metzler tower brings a small piece of the human scale city into the skyline.”

Frankfurt skyscraper by BIG

The tower will replace a building that had been the headquarters of Metzler Bank for nearly 200 years, before it was sold off to New York-based property developer Tishman Speyer.


Related content: see all our stories about BIG and Bjarke Ingels


“We want to create a new type of high-rise, a building that is open and approachable,” said Florian Reiff, senior managing director in Germany for the company, which has already completed three high-rise projects in Frankfurt.

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Site plan – click for larger image

He claims that BIG’s design will become an example of how work, living and public life can be separated in one building.

“BIG’s proposal is a design with a strong presence both at street level and in the skyline, especially the apartment floors and the public base of the high-rise, which are distinct elements in the architecture and make a vivid impression,” he said.

Frankfurt skyscraper by BIG
Section – click for larger image

The project is the latest in a series of designs by BIG that aim to rethink the traditional form of the skyscraper. The firm has designed twisting towers for Canada and Miami, and towers resembling irregularly stacked blocks in Seoul, as well as at New York’s World Trade Center site.

In a movie from 2014, Ingels described his firm’s unconventional combination of building elements as “bigamy”.

Bjarke Ingels Worldcraft Future of StoryTelling movie
Bjarke Ingels illustrates his “bigamy” approach to design in a 2014 movie

“You can take multiple desirable elements that might not fit together, or even seem mutually exclusive like the garden home and the high-rise, and merge them together into a new genre,” he said. “You don’t have to remain faithful to a single idea, you can literally marry multiple ideas into promiscuous hybrids.”

Demolition has already begun at the Frankfurt site, and the project is scheduled for completion in 2018.

Scroll down for a series of concept diagrams from BIG:


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Save the Date! The Core77 Conference Comes to LA October 23, 2015

Save the date, folks! Our second annual Core77 Conference is happening on October 23rd, 2015 at the beautiful Vibiana in Downtown Los Angeles. #CoreCon2015 is shaping up to be an even bigger event than our inaugural conference last year

This year, the full day of inspiring speakers and presentations will be bookended by a pre-conference mixer the night before, exclusive tours of LA venues (that may or may not involve jet propulsion) and a picnic lunch with a beautiful view. We’ll have great food and drinks throughout the event, and no matter what corner of the design world you call home you’ll be sure to leave with fresh perspectives, ideas, insights and a few new friends.

As if you needed any more incentive to attend, we’re offering 50 tickets to join the fun at a nicely discounted price—$200 off, to be precise. The only catch is you have to sign up in order to buy these tickets during an exclusive 24-hour sale. Here’s how it works:

1) Sign up to receive your pre-sale invite on the Core77 Conference website
2) Keep an eye out for your invitation to the one day pre-sale on July 15th.
3) Buy your steeply discounted tickets early on July 15th, because once those 50 tickets are sold out, they’re gone. 

Even if you don’t want to save money, signing up keeps you in the loop for conference updates on speakers, workshops and tours as they are added.  The pre-sale is only two weeks away, so sign up and mark your calendars today! 

Mignonne Gavigan's Beaded Shark Scarves: The New York designer's penchant for the finned creature isn't understated

Mignonne Gavigan's Beaded Shark Scarves

You’ve probably spotted Mignonne Gavigan’s work under another moniker, as she was head footwear designer at Rachel Roy as well as the senior shoe designer for Loeffler Randall. But under her eponymous label, she’s able to pull out all the stops……

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REVISIT + Erickson Woodworking: The Langhorne Stool: A functional and design-minded seat made for adventures

REVISIT + Erickson Woodworking: The Langhorne Stool

During Robert Erickson’s last year of college, an article about an Appalachian chair-maker piqued his interest. Deciding to explore the world of the handmade, he would move from Nebraska to California but ultimately his work as a furniture-maker……

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3D Printed Phalanges!

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As advanced as 3D printing has become, we still imagine the results as being rudimentary. The Printed Prehensile is an exploration into complex 3D printing capability and attempts to register similar characteristics with the human appendage. Prehensile offers the user both an elegant, familiar form with hardy, easy-to-incorporate materials to make the hand not only normal to the eye, but attractive.

Emulating the 27 bones of the hand, the internal rigging consists of various thicknesses of aluminium tubing and coiled springs. The core elastic driver behind the flexor and extensor movement is Nylon. Each digit requires two cords, which provides an option to flex or extend the fingers they’re rigged to.

All ABS plastic components are printed and individually assembled either as a snap-fit onto various joints, or fasted down with stainless steel cap screws. All steel and aluminium components come in the assembly kit along with the printing file.

Designer: Fraser Leid

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Rain-Ready Racer

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The F1 series McLaren-Honda concept explores the design, proportions and regulations of Formula 1 racing in the near distant future. The foremost feature visualizes what the sport might look like if enclosed cockpits were adopted in place of the standard open design. The driving force isn’t looks, but safety in wet weather in which F1 no longer participates. Apart from the canopy, the car features wider rear tires with an increased diameter along with an overall wider stance. A notably smaller front wing is less complex to reduce sensitivity to turbulent air.

Designer: Andries van Overbeeke

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Vases Made Out of Threads and Glass

Conçus par le designer japonais Jun Murakoshi, les vases et corbeilles « Bloom » associent deux types de matières contraires : le tissu et le verre. Les fils sont tendus sur des récipients en verre soufflé, permettant de glisser des tiges de plantes entre les fils ou d’apposer des fruits sur la surface de tissu.

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Pieces of Summer Photography

Le photographe TJ Tambellini nous emmène en vacances avec des close-ups qui sentent bon l’été. En se focalisant sur des morceaux d’architectures, de piscines, d’objets ou de textures, il retranscrit parfaitement l’ambiance estivale des lieux qu’il photographie.

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Biagioni Pecorari adds brick water tower to remodelled house in Argentina

A brick water tower now stands at the entrance to this 1980s bungalow in Santa Fe, Argentina, which has been remodelled and extended by local firm Biagioni Pecorari Arquitectos (+ slideshow).

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

Named House in El Pinar, the building is the home of a couple, one of whom has two children who visit on weekends.

They asked Biagioni Pecorari Arquitectos to give the structure a much-needed facelift, and to create a new bedroom, bathroom and kitchen.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

Elements of the previous mock-Mediterranean exterior were stripped back, including a curved parapet at the front and brick arches at the side, while the 54-square-metre extension was added at the rear.

“The house wasn’t solid enough to build upstairs, so the project had to cleverly use the existing space on the ground floor to create new areas,” architect Gabriel Biagioni told Dezeen.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

Larger windows were added and the exterior walls were re-plastered. But the most noticeable new feature is the brick tower at the front, which has storage space in its base and a water tank above.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

The six-metre-high tower provides a vertical counterpoint to the otherwise low-rise structure, which has walls with a height of just 2.7 metres.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

“It seemed interesting to add this vertical structure as a contrast to the horizontal house,” explained Biagioni, adding that he chose brick to reinforce this contrast.



“We wanted to use a different material, and brick was the best choice as it relates to our local construction,” he said.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

A new paved area and pool were added behind the house. These are traversed by a beam that doubles as a gutter, extending from the house to a small drain at the back.

“As well as carrying water away from the house, the beam has a spatial function – we wanted to integrate the yard and the pool with the house and avoid the use of columns,” explained Biagioni.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

The house was originally built in the 1980s and is divided into two wings, separated by a carport in the middle.

The smaller wing remains largely unchanged, with a guest bedroom that can double as a study, a bathroom, laundry room, and a new outdoor clothes-drying area enclosed by a fence next to the water tower.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

The larger wing, which was extended, contains three bedrooms and two bathrooms along the edge of the house, and a kitchen, dining room and living space along the other side. An internal wall was removed to allow the three spaces to flow as one.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

Brick and eucalyptus wood – which was chosen for its colour and lack of woodgrain – were added to the exterior to help break down the mass of the white plastered walls.

Inside, recycled pinotea wood was chosen for the flooring. Bricks were also used internally, for the kitchen island and to enclose the audio-visual equipment in the living space.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

“We usually think about diluting the inside-outside separation through the continuation of walls and materials inside, as Frank Lloyd Wright and Richard Neutra did,” said Biagioni.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

The house now has an area of 176 square metres. Construction took six months, and Biagioni said the finished result offers a lesson in the value of taking away.

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos

“This project shows how apparently worthless construction can have hidden potential to become a functional, well-organised space,” he added.

“Sometimes there is no need for complicated design to make this happen.”

Photography is by Ramiro Sosa.


Project credits:

Architecture: Biagioni Pecorari Arquitectos
Project and construction management: Gabriel Biagioni and Sergio Pecorari
Collaborators: Virginia Aranda, Ramiro Sosa, Sabrina Perissinotto, Florencia Brizuela
Structural engineering: Gustavo Perini

Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos
Concept diagrams – click for larger image
Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos
Floor plan – click for larger image
Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos
Roof plan – click for larger image
Casa en El Pinar by Estudio Biagioni Pecorari Arquitectos
Sections – click for larger image

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