Trailer for The Canyons starring Lindsay Lohan ( Video )

Notorious writer Bret Easton Ellis (American Psycho) and acclaimed director Paul Schrader (writer of Taxi Driver and director of American Gigolo) join forces for this explicitly erotic thriller about youth, glamour, sex and surveillance. Manipulative and scheming young movie producer Christian (adult film star James Deen) makes films to keep his trust fund intact, while his actress girlfriend and bored plaything, Tara (Lindsay Lohan), hides a passionate affair with an actor from her past. When Christian becomes aware of Tara’s infidelity, the young Angelenos are thrust into a violent, sexually-charged tour through the dark side of human nature.(Read…)

Marvel’s Ant-Man – Clip 1 ( Video )

Marvel has released a new television spot for their upcoming superhero film, Ant-Man. The chip shows Scott Lang donning his new Ant-Man suit, shrinking down to a miniature size for the first time, and then facing a fierce trial by water.(Read…)

The Funniest Way to Wash Your Dog

It’s called the Woof Washer 360, and it’s sort of like a hula hoop that sprays water.The Woof Washer 360 is a perforated garden hose that sprays water from the interior of a circle. You can channel soapy water through it, as well as clean water for rinsing. The result is at once magical and hilarious. The Woof Washer 360 costs $19.99 for the small size and $24.99 for large and comes with a microfiber drying mitt. There is no guarantee that it will work or that your dog will ever forgive you for doing this to it, but we can assure you it will be funny.(Read…)

What Those Lights On Your Dashboard Really Mean

Know Your Car Warning Lights, those lights on your dashboard really mean.(Read…)

Best-of Creative Plant Jars on Fubiz

Pour cette fin de mois de Juin, Fubiz a rassemblé pour vous les plus beaux vases présentés au cours des derniers mois. Revisités en tant que petits bijoux, en terrariums ou suspendus dans l’espace, les artistes ne manquent pas d’idées lorsqu’il s’agit de sublimer fleurs et plantes vertes. Un best-of végétal et créatif à découvrir.

Green Marble Side Table by Plan S-23.

Monstera Pots for Plants by Tim van de Weerd.

The Rainy Pot by Jeong Seungbin.

Booming Vases by Analogia Project and Alessio Sarri.

Jellyfish Planters by Cathy Van Hoang.

Ceramic Cephalopod and Jellyfish Air Plant Holders by Cindy and James Searles.

Crazy Faces Ceramic Vases by Ben Sanders.

Ecoid Urban Nature.

Exploding Vases by Martin Klimas.

Self Cleaning Fish Tank by Noux.

Flower Vases With Oil Lamp Design by Giuseppe Bessero.

Funny Creative Terrariums by Matteo Cibic.

Geometric Glass Terrariums and Lamps by Score+Solder.

The Growing Books.

House for Trees by Vo Trong Nghia Architects.

Roman Objects by Jean-Claude LeBlanc.

Milo by Lightovo.

Melting Flowers Jars by Tanner Bowman.

Plants in Stratosphere by Azuma Makoto.

Poetic Jewels Containing Real Flowers by RubyRobin.

Saturn Flower’s Vase by Kim HyunJoo.

Suspended Ceramic Vases by Dosso Fiorito.

The Book Vase by YOY.

Urban Survival Pack by Ryan Romanes.

Wearable Planter by Colleen Jordan.

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Pez Illustration for Converse Fan

Dans le cadre de sa campagne MadeByYou, Converse a repéré cinq fans de la célèbre Chuck Taylor et a décidé de leur offrir une oeuvre d’art réalisée sur mesure par des illustrateurs et des tatoueurs. Ici, c’est Romdilon, basé à Marseille, qui aura le plaisir de recevoir ce superbe portrait réalisé par l’artiste PEZ.

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Sport Photography by Adam Pretty

Adam Pretty est un photographe spécialisé dans la photographie sportive. Il saisit avec passion les moments intenses des grandes compétitions sportives comme les Jeux Olympiques ou les Grands Prix de Formule 1. Il travaille notamment pour l’agence Getty Images.

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Swimming - 15th FINA World Championships: Day Sixteen
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Kengo Kuma replaces the walls of a Beijing tea house with a grid of translucent blocks

Japanese architect Kengo Kuma has arranged translucent plastic blocks in a brick-like formation to create new walls for a Beijing tea house overlooking the Forbidden City (+ slideshow).

Beijing Tea house by Kengo Kuma

Kengo Kuma and Associates used polyethylene plastic batons to create an elaborate grid across the ceiling and walls of each room of the private member’s club, which is simply named Beijing Tea House.

Beijing Tea house by Kengo Kuma

The white latticework is interlaced with translucent blue polycarbonate panels – offering an alternative to the decorative wood panelling and paper screens that are typical within tea houses all over Asia.



These new walls allow light to filter gently into the building from all sides. They also rise above the tea house’s traditional tiled roof to enclose a terrace overlooking the Forbidden City – Beijing’s former imperial palace, and one of the city’s biggest tourist attractions.

Beijing Tea house by Kengo Kuma

There are numerous tea houses dotted around the outer walls of the UNESCO-listed palace, which was constructed in the early 15th century and occupied by imperial courts until the early 1900s, when it was converted into a museum.

Chinese studio Cutscape Architecture recently completed one to the north-east corner of the complex, inside a pair of converted brick warehouses, while Kengo Kuma’s stands at the east gate.

Beijing Tea house by Kengo Kuma

The staggered arrangement of the new walls is reminiscent of the city’s traditional brick architecture – which the firm also referenced for a Beijing clothing boutique enclosed with walls of latticed aluminium.

Beijing Tea house by Kengo Kuma

“The main structure for the city of Beijing is masonry bricks,” explained Kengo Kuma and Associates. “Blocks made of polyethylene are in this sense a modern version of masonry.”

“It proves high performance in insulation and passes through light to create a gentle space of Zen, just as the paper used for Siheyuan [courtyard residences] did in the past,” they added.

Beijing Tea house by Kengo Kuma

The white plastic framework was produced through rotational moulding, a process where liquid plastic is inserted into a mould and slowly rotated to produce a hollow form.

Slotted together in varying formations, the blocks create display nooks in the interior walls, and also hang down from the ceiling of each room.

Beijing Tea house by Kengo Kuma

“Four types of blocks were produced by rotational moulding to be joined and stuck up, as the structure of the extended part,” explained the architects.


Related content: see all our stories about Kengo Kuma


Dark timber floors and furniture can be found on the ground level of the building, while the two upper floors feature tea rooms decorated with patterned rugs and floor cushions.

Beijing Tea house by Kengo Kuma

Kuma has had a busy year. Other recently completed projects by his firm include a bar lined with tufts of electrical cabling to give it a hairy appearance, a community centre with a hilly floor and a university building covered with hundreds of wooden strips.

Photography by Koji Fujii/Nacasa & Partners Inc.

Beijing Tea house by Kengo Kuma
Ground floor plan – click for larger image
Beijing Tea house by Kengo Kuma
First floor plan – click for larger image
Beijing Tea house by Kengo Kuma
Second floor plan – click for larger image
Beijing Tea house by Kengo Kuma
Roof plan – click for larger image
Beijing Tea house by Kengo Kuma
North elevation – click for larger image

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"Rules are for those who don't otherwise know how to design"

Guggenheim Helsinki

Comments update: the winning design in the much-hyped Guggenheim Helsinki competition was among the most commented stories on Dezeen this week. Read on for more on this, plus other lively comments threads.

Finnish line: little known French-Japanese firm Moreau Kusunoki was named as the designer of the new Guggenheim outpost in Helsinki, but many readers weren’t taken with the black-clad design.

“A black building on that scale in a city with little light in winter,” wrote Derek_V. “‘Very respectful to the site indeed.”

Some commenters were concerned about whether the design met the rules of the competition. “Rules are for those who don’t otherwise know how to design,” retorted Finlandese. “There may have been better ones in the 1700+ entries, but Moreau Kusunoki’s plan was way better than the other finalists.”

“It’s refreshing, and gives me hope to see that the winner is NOT Hadid or Ghery again,” agreed regular Dezeen commenter Concerned Citizen. Read the comments on this story »


Alessandro Mendini

Eenie-meenie-Mendini: Hackles were raised after Italian designer, theorist and editor Alessandro Mendini told Dezeen that there are “no more ideologies” in design.

“He isn’t looking hard enough, and possibly does not know how to see them,” wrote Beatrice. “Expecting for established media to represent the shock of the new? That’s a failure on his part.”

“I believe we are in an era of explosion of meaning,” added Warren. “We are exploring new possibilities and multiple ideologies at once.”

TFO offered another theory: “True radical change comes with a crisis, the last, most substantive one being industrialisation. We’re on the cusp of another – but the formalists need to die off by one or two generations before anything really takes hold… if the world lasts that long.” Read the comments on this story »


CanopyStair by Thor ter Kulve and Rob McIntyre

Tree-hugger: a pair of Royal College of Art graduates designed a system for strapping stairs around the trunk of any tree to create a spiral staircase, but some commenters were worried.

“This will kill the trees! Please stop visually contaminating nature,” wrote Guisforyou.

Peter was a bit more eloquent: “Did the designers calculate the pressure on the cambium layer and talk to a biologist to see if it would harm or kill the tree?” he wrote. “That looks like a lot of pressure to me.”

“Funny one would feel bad for the tree that carries it, not for the one that was chopped down to carve the steps,” retorted Rem. “I think neither cares.” Read the comments on this story »


Dita von Teese dress by Francis Bitonti

Printer jam: Francis Bitonti, the designer behind the printed dress for Dita von Teese, told Dezeen that 3D printing had stagnated thanks to a combination of toy-like machines, over-priced materials and legal wrangles. Many readers agreed.

“The root problem is that folks don’t understand what it takes to take a digital design, move that to physical and then scale,” wrote Nate Evans.

“This technology is too important to lose,” added Peter W. “Companies need to understand it’s not all about selling toys to the masses – we need TOOLS for the masses.” Read the comments on this story »

The post “Rules are for those who don’t otherwise know how to design” appeared first on Dezeen.

Herzog & de Meuron completes a mountain-top restaurant around a cable-car station

Architecture firm Herzog & de Meuron has reframed the cable-car station on the top of Switzerland’s Chäserrugg mountain by enveloping it within a wooden restaurant building (+ slideshow).

Chäserrugg Toggenburg mountain restaurant by Herzog & de Meuron

Located in a ski resort within Switzerland’s Toggenburg region, the Chäserrugg building stands at the peak of the mountain at an altitude of approximately 2,260 metres. It completely surrounds the 1970s-built cable car station, offering a more comprehensive facility for winter sports tourists.

Herzog & de Meuron – which also recently completed a new stadium in Bordeaux – wanted the building to reference the heritage of its Alpine setting without becoming a pastiche.

Chäserrugg Toggenburg mountain restaurant by Herzog & de Meuron

To achieve this, the team used locally sourced spruce wood wherever possible, with the addition of contemporary details. They also employed local craftsmen to build the various elements of the structure.

“We tried to develop a language that fits into Toggenburg, without falling into the trap of popular Alpine clichés,” explained architect Christine Binswanger, one of the five senior partners of the firm.



“The participation of local companies provoked a lot of passion,” she added. “The construction could thus also be implemented in very resource-friendly way. “

Chäserrugg Toggenburg mountain restaurant by Herzog & de Meuron

Chäserrugg is the easternmost of the seven peaks that make up the Churfirsten mountain range. The region had been largely inaccessible until 1972, when the cable car was installed – connecting it with Zurich and St Gallen.

A restaurant had also been in operation on the mountain before now, accommodated within the housing originally built for construction workers.

This was demolished to make way for Herzog & de Meuron’s structure, while the steel and concrete station was retained and concealed behind the new wooden facade.

“This project involved creating a place that has character in every season and in all weather, to create a mood for skiers who are in a hurry, for groups wishing to spend a day or two days here, but also for hikers and other people who seek peace,” said Binswanger.

Chäserrugg Toggenburg mountain restaurant by Herzog & de Meuron

The completed building is sheltered beneath a low-hung sloping roof, which is supported by a series of branching wooden columns.

The restaurant runs along one side of the structure and is glazed on three sides to offer panoramic views of the Alpine scenery. It features built-in wooden seating areas and a balcony that extends out over the precipice.


Related content: see more projects by Herzog & de Meuron


The station sits just behind, where cable cars emerge through unusually shaped cutouts in the walls.

All of the materials used to the build the structure were transported via cable car, apart from the crane, which had to be airlifted to the site by helicopter.

Chäserrugg Toggenburg mountain restaurant by Herzog & de Meuron

The project follows a recent series of small-scale projects by Herzog & de Meuron, which is best known for bigger projects like Miami’s Pérez Art Museum and the Beijing Olympic Stadium. The firm recently created a trio of wooden pavilions at the Milan Expo and a biologically filtered bathing lake.

“The mountain station on the Chäserrugg is one of the smaller projects that we dedicate ourselves to again and again,” said studio co-founder Pierre de Meuron.

“The courage of the building’s owners to start a project in such a place, where for many years nothing has happened, and to attach great importance to architectural quality, is remarkable,” he added.

Photography is by Katalin Deér.


Project credits:

Client: Toggenburg Bergbahnen
Architect: Herzog & de Meuron – Jacques Herzog, Pierre de Meuron, Christine Binswanger
Project team: Michael Fischer, Beatus Kopp, Hendrik Steinigeweg, Salomé Gutscher, Roman Aebi, Frederik Bo Bojesen, Leif Buchmann, Yannick Claessens, Santiago Espitia-Berndt, Alexander Franz, Alen Guberinic, Justin Hui, Maria Krasteva, Victor Lefebvre, Severin Odermatt, Philipp Schaefle, Kaspar Stöbe, Christoph Wassmann, Freya Winkelmann
Construction management: Ghisleni
HVAC engineering: Amstein + Walthert
Structural engineering: Schnetzer Puskas Ingenieure, Pirmin Jung, Schällibaum
Acoustics: Bau und Raumakustik
Building physics: Zimmermann & Leuthe
Fire protection: Amstein + Walthert
Interior consulting: Rondelli Consulting
Carpentry: Schreinerei Stolz
Electrical: Kolb Elektro
Elevators: AS Aufzüge
Roofing: Bühler Bedachungen

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