Heneghan Peng's Greenwich architecture school has a restrained exterior and a modern interior

Behind a traditional limestone facade, Heneghan Peng’s new architecture school for the University of Greenwich is a four-storey composition of steel and glass centred around a double-height critique room (+ movie).

University of Greenwich Stockwell by Heneghan Peng

Irish firm Heneghan Peng Architects designed the building to house the 2,000 students that make up the university’s architecture and landscape department, as well as a campus library, and teaching facilities for a new faculty of creative professions and digital arts.



University of Greenwich Stockwell by Heneghan Peng
Photograph by Hufton + Crow

Located within the confines of Maritime Greenwich, a UNESCO World Heritage Site, the building features a limestone exterior designed to “complement but not mimic” the historical architecture – including Hawksmoor’s St Alfege Church and the Royal Naval College by Christopher Wren.

University of Greenwich Stockwell by Heneghan Peng

This facade is complicated by a series of angled fins and recesses that respect the lines of the existing street scene. The block is also broken up by narrow courtyards that aim to bring daylight through the building.

University of Greenwich Stockwell by Heneghan Peng
Photograph by Hufton + Crow

“From the very start we did feel that, within historic Greenwich, there was an important necessity to retain the historic block and part of this building was to restore that,” explains architect Shih-Fu Peng in a movie produced by Stephenson/Bishop.

University of Greenwich Stockwell by Heneghan Peng
Photograph by Hufton + Crow

“The materiality of the stone and the kind of continuity of that urban block and its relationship to the outside, one should possibly see as an outdoor room,” he says.

University of Greenwich Stockwell by Heneghan Peng
Photograph by Hufton + Crow

The grain of narrow and wide bands visible on the facade continues through the interior, creating a layout where teaching and learning areas are intermittently divided up by service spaces and circulation routes.

University of Greenwich Stockwell by Heneghan Peng

Unlike the stone exterior, the interior is unashamedly modern with exposed concrete surfaces and industrial steel staircases.

University of Greenwich Stockwell by Heneghan Peng

The library occupies the northern end of the block so it faces out towards the main university campus. At its centre, a steel staircase extends up through a full-height atrium, while window seats framed by the angular sections of the facade offer quiet reading areas.

University of Greenwich Stockwell by Heneghan Peng

The architecture school centres around a 10-metre-high crit space – a forum where students pin up their work for critique. Located on the first floor, this area is surrounded on all sides by design studios.

University of Greenwich Stockwell by Heneghan Peng
Photograph by Hufton + Crow

Galleries overlook the space from above, leading through to seminar rooms where groups can observe the comings and goings below.

University of Greenwich Stockwell by Heneghan Peng
Photograph by Hufton + Crow

“Somehow architects have the capacity to utilise spaces and programme spaces in such a way, even if it was a building meant for something else, so that it still turns out with a particular personality,” says Peng.

University of Greenwich Stockwell by Heneghan Peng
Photograph by Hufton + Crow

“One can probably see that most in the crit space,” he adds. “You have this field of making where students are developing research and coming up with forms and objects and buildings and so forth.”

University of Greenwich Stockwell by Heneghan Peng

There are two lecture rooms in the building. Both are located on the ground floor and sink gradually down to the basement. There are also exhibition spaces, shops and a cafe along Stockwell Street.

University of Greenwich Stockwell by Heneghan Peng

A landscaped roof features 14 terraces and gardens, covering an area equivalent to 12 tennis courts. Among other things, the school uses this space to accommodate facilities for the study of algae and aquaponics.


Project credits:

Client: University of Greenwich
Architecture: Heneghan Peng Architects
Structures/Civil: Alan Baxter Associates
Building Services: Hoare Lea
QS/PM: Fanshawe
Acoustics: Sandy Brown
Planning: Drivers Jonas Deloitte
Specialist Lighting: Bartenbach LichLabor
Fire: Tenos

University of Greenwich Stockwell by Heneghan Peng
Concept diagram – click for larger image
University of Greenwich Stockwell by Heneghan Peng
Concept diagram – click for larger image
University-of-Greenwich-Stockwell-by-Heneghan-Peng_dezeen_3
Ground floor plan – click for larger image
University of Greenwich Stockwell by Heneghan Peng
First floor plan – click for larger image
University of Greenwich Stockwell by Heneghan Peng
Second floor plan – click for larger image
University of Greenwich Stockwell by Heneghan Peng
Third floor plan – click for larger image
University of Greenwich Stockwell by Heneghan Peng
Section one – click for larger image
University of Greenwich Stockwell by Heneghan Peng
Section two – click for larger image
University of Greenwich Stockwell by Heneghan Peng
Elevation – click for larger image

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NASA 3D prints its first object aboard the International Space Station

News: a 3D printer on the International Space Station has produced its first object, “paving the way to future long-term space expeditions” according to the US space agency NASA.

NASA 3D prints aboard the International Space Station

Installed on the space station on 17 November by NASA astronaut Barry Wilmore, the printer began producing its first part – a faceplate for its own casing – on Monday using commands sent from ground controllers on earth. The experiment was intended to prove that the machine would be able to produce its own replacement parts in space.



“This first print is the initial step toward providing an on-demand machine shop capability away from Earth,” said Niki Werkheiser, project manager for the International Space Station 3D Printer at NASA’s Marshall Space Flight Center in Alabama. “The space station is the only laboratory where we can fully test this technology in space.”

“If a printer is critical for explorers, it must be capable of replicating its own parts, so that it can keep working during longer journeys to places like Mars or an asteroid,” added Werkheiser. “Ultimately, one day, a printer may even be able to print another printer.”

NASA’s printer produces objects by extruding plastic filament that has been heated at a low temperature to melt it. The plastic is printed in layers, slowly building an object using digital design data that is sent to the machine.

Made in Space and NASA put 3D printer in space

The first object was removed from the machine yesterday morning and inspected by Wilmore, who found that it had partially stuck to its tray. The NASA team said this suggested that the bonding of the layers of plastic might be different in microgravity.

A new printer tray has now been installed, and a new printing instruction sent to the machine by the ground team. These first objects printed in space will be sent to Earth next year to be compared to control samples and see if there are any differences between the printing quality achieves in microgravity and in normal ground conditions.

“This is the first time we’ve ever used a 3D printer in space, and we are learning, even from these initial operations,” said Werkheiser. “As we print more parts we’ll be able to learn whether some of the effects we are seeing are caused by microgravity or just part of the normal fine-tuning process for printing. When we get the parts back on Earth, we’ll be able to do a more detailed analysis to find out how they compare to parts printed on Earth.”

The faceplate produced by the first print run is engraved with names of the organisations that collaborated on the project: NASA and Made In Space, Inc, the space manufacturing company that worked with NASA to design, build and test the 3D printer.

Teams from both organisations are monitoring the printing processes from the ground using images and videos beamed back from the space station, which is in orbit 431 kilometres above Earth.

The printing process is controlled from Earth to make it a more efficient process and limit the amount of time needed for astronauts to spend on the project.

Made in Space and NASA put 3D printer in space
Made in Space CTO Jason Dunn and lead engineer Mike Snyder with 3D printer

“The operation of the 3D printer is a transformative moment in space development,” said Aaron Kemmer, chief executive officer of Made In Space. “We’ve built a machine that will provide us with research data needed to develop future 3D printers for the International Space Station and beyond, revolutionising space manufacturing. This may change how we approach getting replacement tools and parts to the space station crew, allowing them to be less reliant on supply missions from Earth.”

This week’s experiments take NASA a step closer to its ultimate ambition – to be able to generate large, complicated structures in space.

Last year the space agency revealed it was in the process of developing an orbiting digital fabrication factory, which would allow it to use robots and 3D printers to build giant structures such as antennas and solar arrays of up to a kilometre in length while in space. Technology firm Tethers Unlimited Inc (TUI) was awarded the contract to work on the facility.

The European Space Agency is also working on ambitious extraterrestrial 3D printing plans, working with architecture firm Foster & Partners to explore the possibilities of 3D printing buildings on the moon using lunar soil.

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the International Space Station
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Custom Women's Shirts by Double R: The Dallas-based brand offers traditionally tailored garments in seven refined designs

Custom Women's Shirts by Double R

In the world of menswear, customization and tailoring are commonplace. Yet, when looking for bespoke women’s wear, it is hard to find a designer that doesn’t fall within the prohibitively expensive category of couture. This is where Double R, a new……

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Tokyo house bridges the rooftops of a dental surgery and garage

Japanese architect Kunihiko Matsuba has balanced a small white house over the flat rooftops of a dental clinic and garage near Tokyo (+ slideshow).

Nagasawa Dental Clinic by Kunihiko Matsuba

Kunihiko Matsuba designed the Nagasawa Dental Clinic, and an accompanying home and garage for the owner, in the residential area of Hachioji, 25 miles outside the city centre.



Nagasawa Dental Clinic by Kunihiko Matsuba

The three stacked blocks sit at the back of a parking lot. The garage and dental surgery are located on the ground, while the narrow one-storey house balances on the edge of the two rooftops.

The garage and clinic have smooth white-rendered facades, while the suspended house has a ribbed texture formed of metal cladding panels.

Nagasawa Dental Clinic by Kunihiko Matsuba

Matsuba said he designed the unconventional split-level building to be the “farthest from the standard concept of two-storey buildings.”

Nagasawa Dental Clinic by Kunihiko Matsuba

“The buildings look like a set of building blocks piled up to the brink of collapsing,” he told Dezeen.

Nagasawa Dental Clinic by Kunihiko Matsuba

“We designed the house so that one of its ends barely stayed on the edge of the garage and the other on the edge of the dental clinic.”

Nagasawa Dental Clinic by Kunihiko Matsuba

The garage and parking spaces are located closest to a road that runs in front of the clinic, with the surgery and house set behind.

Nagasawa Dental Clinic by Kunihiko Matsuba

The gap below the raised house allows cars and patients to pass underneath the structure, and can also be used as an outdoor seating area in good weather for both the property and the clinic.

Nagasawa Dental Clinic by Kunihiko Matsuba

A flight of white-painted metal stairs ascends from a concrete platform into a narrow rectangular opening in the base of the suspended house.

Nagasawa Dental Clinic by Kunihiko Matsuba

Emerging in the centre of the stark white space, to the right there is an open-plan living space, bathroom and separate toilet.

Nagasawa Dental Clinic by Kunihiko Matsuba

Two bedrooms sit on the other side of the stairwell. The smaller one has a window that points into the stairwell, while the larger features a window overlooking the garage roof.

Nagasawa Dental Clinic by Kunihiko Matsuba

In the clinic, a narrow white hallway with pale wooden seats and benches leads from the white reception desk to three open-plan consultation booths.

Nagasawa Dental Clinic by Kunihiko Matsuba

Storage areas are situated beyond the clinical space, with access either through the consultation rooms or a corridor leading off from the reception. A toilet is located at either end of the L-shaped corridor.

Nagasawa Dental Clinic by Kunihiko Matsuba

LED lights set into the perimeter of the dental surgery uplight the smooth white facade at night.

Nagasawa Dental Clinic by Kunihiko Matsuba

On the interior, lighting in the cornicing and skirting of the clinic waiting room and living areas give the spaces a subtle glow.

Nagasawa Dental Clinic by Kunihiko Matsuba

“The surface of both inside and outside walls are illuminated by soft, linear rays of light,” said the architect.

Nagasawa Dental Clinic by Kunihiko Matsuba
Ground floor plan – click for larger image
Nagasawa Dental Clinic by Kunihiko Matsuba
First floor plan – click for larger image

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of a dental surgery and garage
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Landscapes Double Exposure Series

Voici une nouvelle série de photographies en double exposition réalisée par David Babies, artiste talentueux qui mélange subtilement des images de paysages sauvages avec des portraits mélancoliques sur des fonds gris ou crème. Une série aux teintes surannées à découvrir dans la suite.

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