Jeep and USA Basketball

The American car brand partners with the Basketball Men’s National Team
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Advertorial content:

Two American icons come together with the Jeep brand’s official partnership with USA Basketball. As a focal point of this partnership, the Jeep brand introduced its special edition model, the 2012 Jeep Wrangler Unlimited Altitude featuring a new, more powerful V6 engine and customized interior and exterior design cues.

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Unified in their drive for excellence, the Jeep brand joins USA Basketball in rallying the “Power Within” as the National Teams endeavor to realize their dream. “The Jeep brand embodies the American spirit,” states Chris Paul, campaign spokesman and member of the 2012 USA Basketball Men’s National Team. Paul appears in a partnership behind-the-scenes video series as well as a TV spot featuring the music of hip-hop artist, Common, giving voice to “a legendary vehicle supporting a legendary team.”

Launching the start of the exhibition season, the USA Basketball Men’s National Team hits the road on 5 July with the opening of training camp in Las Vegas. To celebrate the tour, the Jeep brand teamed up with acclaimed designer Jeff Staple to create the Believe Collection, featuring custom items (some limited to 25 pieces each), including an exclusive, handmade basketball by Leather Head and a basketball duffel bag designed by 3×1, handcrafted from American selvedge denim.

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3×1 also contributes a custom scarf that tops off a classic look along with the collection’s vintage inspired, limited edition Ft. Knox sunglasses by Knockaround. Combining timeless appeal with the latest in technology, the collection also includes custom editions of sleek Aviator Headphones by Skullcandy, custom protective iPad and iPhone cases from Uncommon and a Big Jambox, a hi-fi portable wireless speaker by Jawbone. Built NY contributes the Cargo Travel Organizer, a must-have case for keeping cords together while on the go.

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Each item captures the USA Basketball’s team pride with the iconic American flag logo and “When We all Believe” tag line that is designed to commemorate the belief we all have in a common goal as we support our team. Visit Jeep to enter to win a shot at the entire Jeep for USA Basketball Believe Collection.

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Partnering with USA Basketball to pave “the road to victory,” the Jeep brand upholds achievement and distinguishes itself as a leader in capability. Check out the Jeep High Altitude content series as it features interviews with profiles of influential designers, digital entrepreneurs and adventurers demonstrating the latest in edge, power and innovation.


Columbia University Medical Building by Diller Scofidio + Renfro

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Architects Diller Scofidio + Renfro have proposed a medical education centre at New York’s Columbia University that appears to have had its skin peeled away from its skeleton.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

The 14-storey building will be constructed at the existing medical campus in northern Manhattan and will accommodate facilities for physicians, surgeons, nurses, dentists and doctors in training.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Students will be able to recreate real-life medical situations within one of the proposed simulation rooms, or study in groups using learning spaces in the hallways.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Timber-clad boxes slotted into the glass facade will provide decked balconies and a decked terrace will offer a view out over the Hudson River.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Explaining the layout, Elizabeth Diller says that “spaces for education and socializing are intertwined to encourage new forms of collaborative learning among students and faculty.”

Columbia University Medical and Education Building by Diller Scofidio + Renfro

The building will be completed in collaboration with architects Gensler and is scheduled to open in late 2016.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Also new at Columbia University will be a sports centre by architect Steven Holl, which is currently under construction – see it here.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Click here to see more projects by Diller Scofidio + Renfro, including section two of elevated park the High Line.

Here’s some text from the design team:


Columbia University Medical Center Unveils Design for New Medical and Graduate Education Building

Building design led by Diller Scofidio + Renfro

Columbia University Medical Center (CUMC) has announced plans for a new, state-of-the-art medical and graduate education building on the CUMC campus in the Washington Heights community of Northern Manhattan. The new building, with a design led by Diller Scofidio + Renfro, in collaboration with Gensler as executive architect, is a 14-story facility that incorporates technologically advanced classrooms, collaboration spaces, and a modern simulation center, all reflecting how medicine is and will be taught, learned, and practiced in the 21st century.

Construction of this new building is supported by a lead gift of $50 million from P. Roy Vagelos, M.D., a distinguished alumnus of Columbia’s College of Physicians and Surgeons (P&S), and his wife, Diana Vagelos. This gift was announced in September 2010.

The building will become an important landmark to the skyline of Northern Manhattan – as it will be visible from the nearby George Washington Bridge and Riverside Park. Construction is expected to begin in early 2013 and will take approximately 42 months.

“The new building provides upgraded education facilities that reflect the eminence of one of the top medical schools in the world. Both the building and the newly created green space that will surround it will also revitalize our campus in ways that will benefit both our medical center and the entire community,” said Lee Goldman, M.D., dean of the faculties of health sciences and medicine at CUMC and executive vice president for health and biomedical sciences at Columbia University.

Located on existing Columbia property on Haven Avenue between West 171st and West 172nd Streets, the Medical and Graduate Education Building will be used by students from all four CUMC schools (P&S, Nursing, Dental Medicine and the Mailman School of Public Health), and the biomedical departments of the Graduate School of Arts and Sciences. Its high-tech medical simulation center, which will allow hands-on learning in realistic settings, will transform the way CUMC trains health professionals in medicine, dentistry, and nursing, as well as how practicing physicians maintain their clinical skills and learn new techniques.

“The new building will have the best possible design that is attractive, comfortable, and appropriate for the intense kind of education that our students receive,” said Dr. Vagelos, a 1954 graduate of P&S, and former chairman and CEO of Merck & Co. Inc. He is chairman of the CUMC’s Board of Visitors and Defining the Future Campaign “The formal learning space will have state-of-the-art electronics that facilitate the delivery of information to students. In addition, there will be space where the students can informally interact and work as teams – reflecting our new curriculum which emphasizes team-based learning. And there will also be space to relax and have coffee. It will incorporate every aspect of medical and graduate education – updated in a modern, environmentally responsible way.”

The design weaves together areas for study and other activities. It features technology-enabled classrooms; a state-of-the-art medical simulation center that will replicate clinics, operating rooms and other real world medical environments; innovative learning facilities for both collaboration and quiet study; an auditorium and event areas with integrated technology; centralized student support services; student lounges and cafés; and multiple purpose outdoor spaces, including a terrace with views of the Hudson River.

The “Study Cascade” is the principle design strategy of the building – a network of social and study spaces distributed across oversized landings along an intricate 14-story stair. The Study Cascade creates a single interconnected space the height of the building, stretching from the ground floor lobby to the top of the building, and conducive to collaborative, team-based learning and teaching. The “Study Cascade” interiors are complemented by a distributed network of south-facing outdoor “rooms” and terraces that are clad with cement panels and wood. While the “Study Cascade” provides an organizational strategy for the building’s interior, it is also an urban gesture that, with its glass façade, aims to become a visual landmark at the northern limit of Columbia University’s medical campus. The northern face of the building houses space for classrooms, clinical simulation and administration and support.

“The new Medical and Graduate Education Building will be the social and academic anchor of the CUMC campus,” said Elizabeth Diller, principal-in-charge of the project Diller Scofidio + Renfro. “Spaces for education and socializing are intertwined to encourage new forms of collaborative learning among students and faculty.”

“The architecture of the (campus) revitalization program is really powerful and brings medical students, dental students, graduate students all together and makes us feel more like we are part of the community,” said Kally Pan, a doctoral candidate in P&S and a member of a student committee that participated in the design process.

The Medical and Graduate Education Building incorporates green design and building techniques that will create a welcoming environment and contribute to the long-term sustainability of the entire neighborhood. The University is planning the building to meet LEED-Gold standards for sustainability. LEED stands for Leadership in Energy and Environmental Design and is a national design standard for green buildings and sustainability which is administered by the United States Green Building Council (USGBC).

For more than two centuries, Columbia University has been a premier destination for medical education, training generations of outstanding physicians and scientists. It was the first medical school in the United States to award the M.D. degree in 1770. The new building is intended to keep Columbia at the forefront of innovations in medical and graduate science education.

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by Diller Scofidio + Renfro
appeared first on Dezeen.

Assassin’s Creed 3 – Rise

Sid Lee Paris a réalisé pour Ubisoft cette vidéo publicitaire très réussie pour la sortie du 3ème volet de la série de jeux vidéo Assassin’s Creed, prévu pour le 31 octobre. Le spot intitulé « Rise » nous montre que chaque petit acte de rébellion peut amener à une révolution et un soulèvement. Plus d’images dans la suite.

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Don Giovanni set design by Frank Gehry

Architect Frank Gehry filled a stage with crumpled paper for a recent production of the Mozart opera Don Giovanni (+ slideshow).

Don Giovanni set design by Frank Gehry

The performances took place at the Walt Disney Concert Hall in Los Angeles, the venue designed by Gehry that opened back in 2003.

Don Giovanni set design by Frank Gehry

White platforms were scattered amongst the scrunched-up lengths of paper and could be moved around to create a huge staircase at the centre of the stage.

Don Giovanni set design by Frank Gehry

The orchestra surrounded the performance from the back rather than the front, bringing the audience closer to the action.

Don Giovanni set design by Frank Gehry

The production was the first in a trilogy of operas written by Mozart and librettist Lorenzo da Ponte that the LA Philharmomic is staging over three years and the other two will reportedly feature set designs by architects Zaha Hadid and Jean Nouvel.

Don Giovanni set design by Frank Gehry

Frank Gehry also recently designed a theatre in New York, which you can see here.

Don Giovanni set design by Frank Gehry

Other architects to have designed stage sets include OMA and John Pawson.

Don Giovanni set design by Frank Gehry

See all our stories about set design »

Don Giovanni set design by Frank Gehry

Photography is by Autumn de Wilde.

Here are the full details of the show from the organisers:


The Los Angeles Philharmonic have revealed the complete creative team and full cast for Don Giovanni, the first installment of an ambitious three-year Mozart/Da Ponte opera project presented at Walt Disney Concert Hall. Joining Gustavo Dudamel, the Los Angeles Philharmonic, and Frank Gehry are Kate and Laura Mulleavy, founders of fashion house Rodarte, and acclaimed director Christopher Alden. One of the most celebrated young interpreters of the role, Polish baritone Mariusz Kwiecien will lead an international cast as Don Giovanni, sharing the stage with equally notable soloists.

Three of the greatest operas ever written were collaborations between librettist Lorenzo da Ponte and composer Wolfgang Amadeus Mozart: The Marriage of Figaro, Don Giovanni and Così fan tutte. Over the next three years, the LA Phil will present the trilogy (one opera each season), each conducted by Gustavo Dudamel. Set designs will be created by three of the most influential architects of our time, and each architect will work with leading fashion designers to create a unique and distinctive visual setting for each of these timeless masterpieces. Each complete opera performance will be a Walt Disney Concert Hall first.

In a fitting beginning, Don Giovanni brings together an acclaimed, Los Angeles-based team. Architect Frank Gehry returns to Walt Disney Concert Hall – the landmark building of his own design that not only transformed Los Angeles, but is now one of the most recognized architectural structures in America – to create an environment uniquely imagined for this auditorium.

“This is an inspiring opportunity to work with my friends at the Los Angeles Philharmonic. This is a project very close to Gustavo Dudamel’s heart. He knows the music like the back of his hand, and has a unique vision that I find very exciting,” says Gehry. “Kate and Laura’s work reminds me of my early days – it is free and fearless and not precious.”

Gehry envisions a set that he describes as a “moving still-life on the stage” that works in concert with the costumes and supports the music of Don Giovanni. Gehry’s modifications will place the orchestra upstage on raised lifts approximately three and a half feet above the action taking place downstage. The choir benches will be removed to allow space for the orchestra. This layout aims to create a unified ensemble between the orchestra and soloists, with a focus on the action at the front of the stage, creating intimacy between the soloists and audience. This configuration has recently been tested in a rehearsal with Gustavo Dudamel and Yasuhisa Toyota, the chief acoustician who collaborated with Gehry and the Los Angeles Philharmonic to develop Walt Disney Concert Hall’s visual and acoustic designs.

California natives, Kate and Laura Mulleavy- the creative force behind the internationally recognized fashion house Rodarte- make their operatic costume debut. Founded in Los Angeles in 2005, Rodarte is the winner of the Cooper Hewitt 2010 National Design Award for fashion and the designers and creators of the ballet costumes for the Academy Award winning film, Black Swan. Admirers of Gustavo Dudamel and Frank Gehry, Kate and Laura are honored to be a part of the Don Giovanni creative team. “Frank Gehry is an incredible artist and brilliant innovator whose unparalleled vision has redefined the modern landscape. We are great admirers of Gustavo Dudamel’s masterful and inspired direction,” says Kate and Laura. “Opera has always been a part of us; our grandmother was from Rome and studied it as a young girl. To be a part of the legacy of Don Giovanni is an amazing opportunity. Working with Frank Gehry in the concert hall that he designed, alongside Gustavo Dudamel and the Los Angeles Philharmonic, is a dream.” Kate and Laura’s ambition is to create a timeless context for Mozart’s characters, bringing together tradition and their unique point of view.

Director Christopher Alden belongs to a generation of modernist directors known for his use of contemporary imagery and, on occasion, minimalist visual style. He has an eye for bold theatrical gestures that are dramatically effective and his approach to stagecraft is driven by a desire to reveal how powerfully opera stories can resonate with modern experience. Alden has said that “however fascinating the era in which an opera was composed may be, I have a primary responsibility to the world we live in now.” Christopher Alden replaces Paul Curran, who had to step down from the production due to scheduling issues.

Le nozze di Figaro, the second installment of the LA Phil’s Mozart/Da Ponte trilogy, will be performed in May 2013, and the trilogy will conclude with a production of Così fan tutte in May 2014.

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by Frank Gehry
appeared first on Dezeen.

Alternate Perspectives by Randy Scott Slavin

New York photographer Randy Scott Slavin has joined hundreds of photographs to create distorted views of American cities and landscapes (+slideshow).

Alternate Perspectives by Randy Scott Slavin

Named Alternate Perspectives, the images present a series of panoramic views that curve around to form impossible circles.

Alternate Perspectives by Randy Scott Slavin

Places depicted include the Empire State Building and Battery Park in New York, as well the region of Big Sur and the Redwood National Park in California.

Alternate Perspectives by Randy Scott Slavin

The photographs are on show at the Kristen Farrell gallery in New York City until 12 August.

Alternate Perspectives by Randy Scott Slavin

Other surreal photography we’ve featured includes images of impossible buildings and photographs of rooms shot from the ceiling.

Alternate Perspectives by Randy Scott Slavin

Here’s some more information from the exhibition organisers:


360-Degree Landscapes Bend Reality

Randy Scott Slavin’s “Alternate Perspectives” Opening in Soho at Kristen Farrell with Music by Hesta Prynn
Opening, July 25th runs until August 12, 2012

“Alternate Perspectives,” a photography exhibition opening Wednesday, July 25, 2012, from 7:00 p.m. until 9:00 p.m. at Kristen Farrell in New York, will feature the dramatic, uniquely circular panoramic landscape images of award-winning filmmaker and photographer Randy Scott Slavin. The large-scale landscapes were taken around the United States ranging from Big Sur to the New York City skyline. The photographs are noted for their 360-degree circular view, creating a visually stunning and surreal take on familiar landscapes.

Alternate Perspectives by Randy Scott Slavin

Having spent years as a commercial and music video director, Slavin’s “Alternate Perspectives” series was recently discovered by the media and new collectors, one of whom, celebrity jewelry designer and goldsmith Kristen Farrell, invited Slavin to create a collaborative exhibition in her namesake Soho gallery setting. The two New York-based artists share a visual language, which has been described similarly as surrealist, alchemical, otherworldly and futuristic.

Slavin’s circular panoramic digital technique is a way of seeing only made possible through digital methods and is an orientation he masterfully devised after much experimentation. The time required to capture the images and then create the photographs, which can consist of hundreds of photos “stitched” together to create a single 360-degree image, matches the labor-intensive, artisan approach of Farrell’s traditional goldsmithing. For the opening, the jeweler will match one of her designs to each of Slavin’s pieces.

Slavin’s Process

Slavin’s commitment to the craft of laborious fabrication and design is the basis for his status as a sought-after director. His videos have garnered millions of YouTube hits and his clients include MTV, American Express, Bank of America, VEVO, Universal Records, Atlantic Records and Island/Def Jam Records. Slavin is also a recipient of the prestigious South by Southwest Special Jury Award. Farrell’s work has garnered her notoriety as the personal jeweler to Giselle Bundchen, Gwyneth Paltrow, Jessica Alba, Bethenney Frankel and Janet Jackson.

Alternate Perspectives by Randy Scott Slavin

“In my music videos, I’ve continually tried to take concepts to the next level, to push the ideas to be more engaging, moving to create stimulating imagery, so when I began shooting landscapes, I was compelled to push the traditional perspectives,” he explains. “After experimenting heavily with panoramic photography, I developed a technique that could realize my desire to turn the real into the surreal. The result is something rebellious, beautiful and provocative. The “Alternate Perspectives” series is a collection of the works culled from these photographic explorations.”

Long hours of scouting and planning for a location, and the rigors of hiking, climbing or enduring treacherous weather for the good of a shot at particular times of the day or season, in part, form Slavin’s process. “Scouting is one of the most meditative parts of the process and one which I really enjoy. Being from New York City, where the pace is blistering, there’s nothing better then finding a beautiful spot and just watching the light change throughout the day,“ relates Slavin, “Sometimes a photo comes from weeks of planning and other times I stumble upon the perfect conditions by accident.”

“For example, I found the location for “Sea and Moon” while driving on the Florida coastline. I saw a jetty that looked beautiful and the sun was about an hour from setting. Perfect timing. I ran out to the end and set up my gear. It was beautiful and warm with a light drizzle but the sky was heavy with dark clouds. As the sun was setting there was a moment maybe lasting for ten seconds where the sunlight was so golden it felt unreal. A minute after I got the shot the clouds opened up and it started to pour.”

Alternate Perspectives by Randy Scott Slavin

Slavin shoots with a Nikon D800 and the images are printed as Metallic Digital C prints mounted on non-glare Plexiglas in sizes ranging from 2 x 2 feet to 4 x 6 feet. Each of Slavin’s images is produced in signed, limited editions of 33.

In another collaboration, music for the opening and an after party at The Double Seven will be curated by NYC based DJ and dance-artist Hesta Prynn, whom the New York Post has called “M.I.A. and Miike Snow’s lovechild.” In addition to playing festivals including Bonnaroo and Coachella, Prynn DJ’s for an exclusive list of high-end fashion and corporate clientele. She is set to release new material later this summer featuring production by Mad Decent’s Derek “DJA” Allen.

The “Alternate Perspectives” opening event is open to the public from 7:00 p.m. to 9:00 p.m., at Kristen Farrell, located at 339 West Broadway, New York, New York.

New York designer arrested for “planting false bombs”

New York designer arrested for planting false bombs

Dezeen Wire: Japanese designer Takeshi Miyakawa has been accused of planting false bombs and arrested while installing his work in a New York street during the International Contemporary Furniture Fair.

New York designer arrested for planting false bombs

The 50 year-old Brooklyn-based designer was arrested on Saturday after a passerby reported one of his illuminated I Love NY carrier-bags, hanging from trees and lamp-posts around the city, and the NYPD bomb squad were called in to investigate.

New York designer arrested for planting false bombs

Miyakawa is now being held at Rikers Island prison for 30 days for psychological evaluation as the design world campaigns for him to be freed – follow #freetakeshi on Twitter and the Free Takeshi Miyakawa group on Facebook for more updates.

New York designer arrested for planting false bombs

Portrait is by Louis Lim.

Here’s some more information from his studio:


Brooklyn-based designer Takeshi Miyakawa was arrested on Saturday, May 19, 2012 at 2am for “planting false bombs” – he was installing a new series light sculptures inspired by the I LOVE NY plastic shopping bags (see attached images) around the city in trees and on lamp posts as part of NY Design Week 2012.

A passerby called in a bomb threat after noticing the sculpture installation. The NYPD arrested Miyakawa while a bomb squad verified that the sculptures were non-threatening. The designer and four of his colleagues co-operated with the police, repeatedly explaining that the hanging bags were an art-installation, and not explosives.

At an arraignment on Sunday, May 20, 2012 the prosecution recommended that the judge fix bail, while his lawyer, Deborah J Blum, characterized Miyakawa’s arrest as a gross misunderstanding as evidenced by his many accomplishments in the field of design.

The Honorable Martin Murphy decided to hold Miyakawa for a mental evaluation, extending his detainment for an additional 30 days.

The 50-year-old designer relocated Tokyo to New York City 23 years ago, working for the renowned New York architect Rafael Vinoly. Miyakawa established his solo design practice, Takeshi Miyakawa Design, in 2001.

Frieze Art Fair NYC by SO-IL

Frieze Art Fair NYC by SO-IL

The first New York Frieze Art Fair took place last weekend inside a 450 metre-long snaking white tent designed by Brooklyn architects SO-IL.

Frieze Art Fair NYC by SO-IL

Located between Manhattan, Bronx and Queens on Randall’s Island, the structure comprised six rented rectangular tents connected with wedge-shaped corner sections.

Frieze Art Fair NYC by SO-IL

Strips of white tent fabric overhanging the two gabled ends were fanned out and fastened to the ground, creating partially sheltered entrances.

Frieze Art Fair NYC by SO-IL

This is the first year that the Frieze Art Fair has taken place in New York as well as London.

Frieze Art Fair NYC by SO-IL

See Carmody Groarke’s timber pavilions for last year’s London event here.

Frieze Art Fair NYC by SO-IL

See more stories about SO-IL here, including a temporary pavilion with reflective purple scales created for an arts festival in Beijing.

Frieze Art Fair NYC by SO-IL

Photography is by Iwan Baan.

Frieze Art Fair NYC by SO-IL

Here’s some more information from SO-IL:


Frieze Art Fair NYC

Working with a prefabricated rental structure forced us to be inventive with a limited vocabulary.

Frieze Art Fair NYC by SO-IL

Randall’s Island, situated in between Manhattan, Bronx and Queens is one of the few pieces of open land in New York City large enough to accommodate the 225,000sf, 1500 ft long structure.

Frieze Art Fair NYC by SO-IL

Pie-shaped tent section wedges are inserted between six tent sections to relax and open up the standardized system, and offer amenities at each section as a moment of recess.

Frieze Art Fair NYC by SO-IL

The wedges bend the otherwise straight tent into a meandering, supple, shape.

Frieze Art Fair NYC by SO-IL

The winding form animates it on the unusual waterfront site, as well as establishing the temporary structure as an icon along the water.

Frieze Art Fair NYC by SO-IL

The wedges divide the relentless length of the fair into manageable sections.

Frieze Art Fair NYC by SO-IL

Rather than exposing the end gable section at each end of the tent, we extended the tent roof fabric in stripes, dissolving the tent into the ground.

Frieze Art Fair NYC by SO-IL

The playful entrances introduce visitors to the experience within.

Frieze Art Fair NYC by SO-IL

Client: Frieze Art Fair

Frieze Art Fair NYC by SO-IL
Location: New York

Frieze Art Fair NYC by SO-IL
Program: exhibition spaces, event space, cafes

Frieze Art Fair NYC by SO-IL
Area: 20.900 m² / 225,000 sf

Frieze Art Fair NYC by SO-IL

Marina Abramović Institute by OMA

Marina Abramovic Institute by OMA

Architects OMA have unveiled plans to convert a former theatre in Upstate New York into an performance institute commissioned by Serbian artist Marina Abramovic.

Marina Abramovic Institute by OMA

The Marina Abramović Institute for the Preservation of Performance Art is to be located in Hudson and will operate as both a performance venue and an archive hosting workshops and lectures.

Marina Abramovic Institute by OMA

Performances hosted inside the building will last from between a few hours to a few days, so the architects will create bespoke chairs on wheels that can be moved to quiet areas when visitors fall asleep.

Marina Abramovic Institute by OMA

The institute is the latest in a string of new projects for the practice, following a masterplan to expand Moscow and a new centre for contemporary culture in the same city. Rem Koolhaas also gave Dezeen a quick introduction to the new gallery at the launch event, which you can watch here.

Marina Abramovic Institute by OMA

See also: all our stories about OMA.

Here’s some more information from OMA:


OMA to design Marina Abramović Institute in Hudson

Artist Marina Abramovic has commissioned OMA to develop a former theater in Hudson, upstate New York, into the Marina Abramović Institute for the Preservation of Performance Art (MAI). The project, led by Shohei Shigematsu and Rem Koolhaas in OMA’s New York office, marries Abramović’s 40 years of pioneering work in the genre with OMA’s innovation in theatres, museums and curation.

Marina Abramovic Institute by OMA

The mission of the MAI is to cultivate new kinds of performance while functioning as a living archive, preserving and hosting performances of historic pieces. Abramovic plans to use the space as a laboratory for exploring time-based and immaterial art – including performance, dance, theater, film, video, opera, and music – through collaboration with practitioners in the realms of science, technology, and education.

Marina Abramovic Institute by OMA

Working with the local Hudson community as well as schools and institutions from around the world, the MAI will host workshops, public lectures and festivals. As well as training artists, Abramovic also wants to train audiences in the mental and physical disciplines of creating and experiencing long-durational work.

Marina Abramovic Institute by OMA

Abramovic commented: “MAI’s aim is to protect and preserve the intellectual and spiritual legacy of performance art from the 1970′s into the future, and will serve as an homage to time-based and immaterial art.”

Marina Abramovic Institute by OMA

Led by partners Shohei Shigematsu and Rem Koolhaas in collaboration with associate Jason Long, the project will be designed locally out of OMA’s New York office. Shigematsu commented: “We are excited to design a new performance typology, unique in its integration of specific parameters for long duration works.”

Marina Abramovic Institute by OMA

The institute will be housed in a former theatre, which later became an indoor tennis court, then an antiques warehouse and market before falling into disrepair. Abramovic bought the theatre in 2007. OMA’s design will enhance the existing structure to accommodate both the research and production of performance art. As a venue specifically created for long duration performances, OMA will also develop new types of furniture, lighting and other elements to facilitate the viewing of such works.

Marina Abramovic Institute by OMA

Open Horizon

Russell Houghten nous présente sa nouvelle vidéo appelée “Open Horizon”, du même titre de la bande-son composée par Richard Houghten. Avec des images du désert conjuguées à des images de skateboard, le rendu simple et très efficace est à découvrir dans la suite.



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Kate Rentz

Kate Rentz est une photographe freelance de talent. Elle aime capturer une atmosphère à travers des clichés où la lumière est toujours très bien gérée. Nous vous proposons de découvrir une partie des photographies de cette artiste basée à Los Angeles dans la suite.



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Previously on Fubiz

Copyright Fubiz™ – Suivez nous sur Twitter et Facebook