L’Uritonnoir by Faltazi

This outdoor urinal by French design studio Faltazi slots into a straw bale to recycle pee from festivalgoers into compost.

L'Uritonnoir by Les Ekovores

L’Uritonnoir is a cross between a urinal (“urinoir” in French) and a funnel (“entonnoir”) and was designed by Faltazi as a tidy and eco-friendly method of outdoor sanitation.

L'Uritonnoir by Les Ekovores

To set up a urinal, L’Uritonnoir is pushed into the side of a straw bale and fixed in a place by looping a strap through its top holes.

L'Uritonnoir by Les Ekovores

As the bale collects liquid, nitrogen from urine combines with carbon in the straw and starts a process of decomposition.

L'Uritonnoir by Les Ekovores

After use, the bale can either be taken to a local composting facility or left on the spot for six to 12 months to become compost, before being scattered on the soil or used as a planter.

L'Uritonnoir by Les Ekovores

The urinal comes in two versions – the flat-pack polypropylene DIY model and the stainless steel Deluxe model.

L'Uritonnoir by Les Ekovores

Production starts in June and the Uritonnoir will debut at French heavy metal festival Hellfest that month.

L'Uritonnoir by Les Ekovores

A couple of festival toilets have appeared on Dezeen before – a urinal designed for women and another urinal that straps around tree trunks.

L'Uritonnoir by Les Ekovores

We’ve also published a single-use, disposable toilet made for developing countries – see all toilets on Dezeen.

Here’s some more information from the designers:


L’Uritonnoir by Les Ekovores, part of Faltazi

Uritonnoir, french noun. This term refers to a sanitation facility intended to urinate in standing position. An uritonnoir is a hybridisation of two everyday products, an urinal and a funnel (literally in french, “urinnoir” et “entonnoir”). This system is used either used in public spaces during festive events (slotted into round bales) or in private gardens (slotted into small straw bundles). L’Uritonnoir is an utensil filling a volume of straw (carbon) with urine (nitrogen) in order to compost it during a 6-12 month period and convert it into humus.

Two models:

DIY model. Polypropylene version. Cut from a polypropylene sheet, this model is delivered flat. Then it is folded and put together thanks to closing tongues. You can customize this model with silkscreen printing.

Deluxe model. Stainless steel version. Designed in stainless steel, this model will resist climatic challenges.

Collective use for festival configuration:

Are you an open-air festival organiser? Are you wishing to adopt environment-friendly solutions? Do you consign glasses but would like to do more?

L’Uritonnoir is a simple and efficient solution providing a sanitation facility to festival fans and converting urine into compost. Once it is transformed into humus, it will naturally enrich surrounding soil and plants. After the round bale is positioned, simply slot into your Uritonnoirs and set them together with a strap! Your mission is to raise festival-goers’ awareness to dry urination, rinse water saving and urine upcycling. Setting Uritonnoirs up will relieve sitting toilets from men’s number ones, therefore your facility will be kept optimally clean. You may customise your Uritonnoirs by silkscreen-printing the vertical zone with pedagogical messages (the interest of straw and urine equation) or with your event’s graphic identity.

Once your festival is over, different solutions are available to manage with your round-bale soaked with urine:

» Municipal Garden Services transports it towards the closest composting facility and keeps it for horticultural use.
» The round bale stays and composts on-the-spot. Six months later the manure can be used by local farmers. The following year, it can be used as a giant planter to be enjoyed by new festival-goers !

Personal use for garden configuration

Do you use to go for a number 1 in the back of your garden? Do not waste this valuable golden fluid by sprinkling inappropriate surfaces! Convert your urine into humus instead by “uritonning” in a small straw bundle. About six to 10 months only are required before spreading this amazing composted manure around the base of your trees and plants.

Raise your friends’ awareness to this simple and essential gesture that respect nature, saves water and upcycles urine!

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8 Reasons To Turn To Solar Energy

Humans have been harnessing radiant hear from the sun since times immemorial. A host of ever-changing and evolutionary technologies have helped us stake claim on solar power, which is free and abundant. Active solar techniques like the use of photovoltaic panels and solar thermal collectors and Passive solar techniques like constructing buildings oriented towards the sun are the two methods that most designers consider whilst integrating solar energy into their design.

The biggest innovator of our time, Steve Jobs too had his opinion on the power and potential of alternative energy and our dependence on it. He felt that there was a way in which Silicon Valley could contribute towards its progress through investments and taking up of projects. The ideas were out there but no one was taking the necessary risks. Looks like we are still too far away from taking full advantage of its potential.

So what is it that we can do? Hyun-Joong Kim & Kwang-Seok Jeong feel that a creative SIG or Self-Energy Converting Sunglasses will be a good way to harness the goodness of the sun and create juice for our devices. After all we will be wearing sunglasses in the sun! The lenses of the glasses have dye solar cells, collecting energy and making it able to power your small devices through the power jack at the back of the frame. The dye solar cell of the SIG uses cheap organic dye along with nano technology providing cheap but high energy efficiency. Inexpensive, light, and visible-ray penetrable. The lens turns sunlight rays, into electrical energy.

According to Hosung Jung, Junsang Kim, Seungin Lee & Yonggu Do we need to radically think out of the box and invest in a solar powered printer that doesn’t use cartridges. The Tanning Printer that they have conceived uses the process of sun-tanning the paper!

If Weng Jie had his way then we would never need to invest in those expensive batteries used in our cameras. The Solar Camera Strap is a sturdy camera strap with solar panels to trap solar power for the camera. Team this up with a solar energy harvesting backpack and you have a winning combination.

Cheng-Tsung Feng, Yao-Chieh Lin & Bo-Jin Wang think of a more conventional option. Traffic lights are out in the sun and thus the prime spot for harnessing the sun energy. Their version of the Solar Traffic Light has been designed to include Discolor LED (Light Emitting Diode) technology, essentially hosting all the three colors of the lights within a single unit. Red, Amber and Green all together! The lights source power from the Solar Panel on top of the unit, which is elegantly designed as a hood.

The ones with a really innovative streak are Wu Kun-chia, Wang Shih-ju, Chen Ming-daw & Liou Chang-ho. All of them think that we need to get ourselves a solar powered and portable radio. Their creation the Flexio is sleek and beautifully designed. The innovative factor comes from the flexible speaker & flexible solar cell. It’s designed to be used within the station-waves range, but could be modified to receive Internet radio via WiFi or WiMax. Moreover they recommend using it as promotions and gifts; this ways you not only give an awesome gift but also spread a meaningful message.

Tracy Subisak, Donn Koh & Herlinda have a brilliant idea up their sleeve with the reNEW Solar Battery Charger. While the pack looks like a neat decorative frame that hangs on your window (via the suction cup) or sits pretty on a table, in reality it’s a solar charger for your re-chargeable batteries. Slide the batteries down the back of the frame, into the protective charging pouch, and when it’s all juiced up, pluck it out from the bottom.

If living on land gets too much for us then maybe we will need to relocate and move onto the sea. According to Michele Puzzolante, The Solar Floating Resort is an example of what the distant future might hold when it comes to architecture, our reliance on renewable resources, and dealing with overpopulation on land. Covered completely in a photovoltaic skin, the resort is 100% self-sufficient and non-polluting. On top of that, the floating palace is actually a modular system that divides into much smaller components that can be moved and assembled almost anywhere.

Coming back to where I began this article, if we listen to what Steve Jobs had to say then any step that takes us towards integrating solar energy will be a step in the right direction. So starting with what Jobs was good at, how about a simple polycarbonate laptop that has been inspired by light. Luce features a transparent touch-keyboard, Double Solar Panels (one on top and the other under the keypad) and the possibility of having a laptop that needs NO WIRES! Yes, even for charging it, is something that Andrea Ponti wants us to consider. I am sold on the idea of investing in solar energy, the question is will you as a consumer be willing to pay a tad bit extra for this super awesome energy source?


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(8 Reasons To Turn To Solar Energy was originally posted on Yanko Design)

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  3. Solar Powered Solar Panel Sun Glasses

    

Arup unveils world’s first algae-powered building

World's first algae-powered building tested in Germany

News: the world’s first building to be powered entirely by algae is being piloted in Hamburg, Germany, by engineering firm Arup.

The “bio-adaptive facade”, which Arup says is the first of its kind, uses live microalgae growing in glass louvres to generate renewable energy and provide shade at the same time.

Installed in the BIQ building as part of the International Building Exhibition, the algae are continuously supplied with liquid nutrients and carbon dioxide via a water circuit running through the facade.

When they are ready to be harvested they are transferred as a thick pulp to the technical room inside the building and fermented in a biogas plant.

World's first algae-powered building tested in Germany

The facade also absorbs heat from the sun to warm the building’s hot water tank, while sunny weather encourages the algae’s growth to provide more shade for the building’s occupants.

“To use bio-chemical processes for adaptive shading is a really innovative and sustainable solution, so it is great to see it being tested in a real-life scenario,” said Jan Wurm, a research leader at Arup.

“As well as generating renewable energy and providing shade to keep the inside of the building cooler on sunny days, it also creates a visually interesting look that architects and building owners will like,” he added.

The project was led by Arup in cooperation with German consultancy SSC Strategic Science Consult and the building was designed for the exhibition by Austrian firm Splitterwerk Architects. The shading louvres were made in Germany by Colt International.

The International Building Exhibition in Hamburg continues until 3 November.

Algae-powered buildings have until now remained in the conceptual stage, with ideas for a building covered in modular algae pods and a biofuel-powered skyscraper in London previously featuring on Dezeen – see all algae architecture and design.

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algae-powered building
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Proyecto Roble by Équipe

Bright red louvres screen the gabled walls of this office building in Tilburg, the Netherlands, by Dutch architects Équipe (+ slideshow).

Proyecto Roble by Équipe

Proyecto Roble is the headquarters of landscape firm Van Helvoirt Groenprojecten, who asked Équipe to upgrade an existing building that had become too small.

Proyecto Roble by Équipe

The architects demolished the canteen of the old office, then added a new structure stretching out in its place. Constructed around a chunky timber frame, the building has an asymmetric shape with floor-to-ceiling glazing along its sides and the red slatted timber across its ends.

Proyecto Roble by Équipe

“The original building wasn’t that old so we tried to reuse it,” architect Daniëlle Segers told Dezeen. “We demolished half of the structure then reused as much of the materials as we could, for example the old brickwork was used in the foundations.”

Proyecto Roble by Équipe

Describing their decision to use red paint, Segers explained: “We had a discussion about leaving the wood in a natural colour, but it wouldn’t stay beautiful in the future. Now, when you approach the building you notice the colour stand out against the green, but it’s still a natural pigment.”

Proyecto Roble by Équipe

The roof of the building is covered with a mixture of sedum grass and photovoltaic solar panels.

Proyecto Roble by Équipe

Meeting rooms are located in the old building, while all the offices occupy the new building and are lined up beside a spacious corridor.

Proyecto Roble by Équipe

The architects designed custom furniture for use throughout the building, then added reclaimed chairs and LED lighting.

Proyecto Roble by Équipe

This is the second bright red building we’ve featured in the last week, following a temporary theatre that recently opened in London. See more red buildings on Dezeen.

Proyecto Roble by Équipe

Photography is by René de Wit and Équipe.

Here’s a project description from Équipe:


“Proyecto Roble” extension of Van Helvoirt Groenprojecten in Berkel-Enschot

“Proyecto Roble” by young office Équipe is a grass roots project, a building embedded in the local context in the rural south of the Netherlands. The client, owner of landscaping firm Van Helvoirt Groenprojecten, had a vision for his headquarters to be a flagship model of sustainability. This was to be a key project where sustainable innovations replace money-issues as the bottom line.

Proyecto Roble by Équipe

The building is a custom designed environment with no standard details. The project was undertaken as a research into the potentials for creating a positive workplace. Key themes were broken down into components and expressed in the design. “Feel Good!” was the catchphrase coined that encompassed the different themes as renewable energy, passive climate control, abundance of natural light and the relationship to the external landscape, which was to be a showpiece of healing environment garden.

Sustainability was thus been payed attention to in all stages and all scales. From a period of studying what ‘sustainability’ actually means to making sure everyone on the building site understands and embraces these principals.

A.o. a new way of tendering was used, called the Building-team Plus and a new formula was invented to document decisions on materiality and techniques.

Proyecto Roble by Équipe

The new extension immediately catches the passing motorist’s eye, a sleek red form in the agrarian landscape, replete with a fully integrated photo-voltaic-panel roof and a green roof. The green roof transcends its cosmetic role, and is a testing ground for emerging water filtration technology. In the beginning of the 20th century Tilburg was re-known for its textile industry, collecting the workers pee in pitchers for using it as a bleach. Now this project goes back to this tradition inventing worlds first sloped constructed wetlands.

Urine is separated from the black water using it a as a nutrition ingredient for making fertiliser in the clients landscaping activities. Further the grey water runs through the grass roof leaving it as clean water that can be used in the building again. This is only one of the multiple innovations in this project that has been designed to the smallest detail: from building to garden, from the bicycle shed to the bespoke interior and signposting.

Proyecto Roble by Équipe

The building consists of two parts, connected by the clay stove. Heated with prune wasted from the greenery’s own business, this element brings together the office-employees and the outdoor workers. Thus connecting the new extension to the traditions of the family business. Besides the pleasant indoor atmosphere the clay stove also brings technical advantages. The air heating pump could have less capacity and in addition the heater is used as a hot water boiler.

The north part of the building consists of offices. The linearity of the building is emphasised by the interior elements, that are placed on the coloured pathways. By using red linoleum on different areas of the floor and furniture the interior keeps a coherency to the exterior looks of the building.

The southern part of the building is a oversized foyer that connects all spaces. This multipurpose lobby, used for bigger and smaller, organised and spontaneous meetings, provides a green and transparent link to the outdoor world. The play of lines has been made expressive by folded raw aluminium lighting trays that float the length of the building.

Proyecto Roble by Équipe

Above: site plan

The facades are made of open detailed, wooden slats painted red with water based ‘nature paint’ thus creating different transparencies between inside and outside. The structure of prefabricated cross laminated timber elements is left unfinished, the imperfections of the timber adding to the natural serenity of the interior. The timber imbues the internal spaces with a positive connection to nature, something which contributes to the landscaping firms green image. All interior elements, apart from second-hand chairs and desk LED lamps, were custom designed. They are specifically designed in consultation with the personnel. Chairs and table carriages are second hand, like all kinds of smaller parts in the interior design: the door handle of the employees entrance (a re-used banister), the magazine stand (heating pipe) and the fruit boxes in the sample cabinet. Also in the furniture low environmental impact products were used. Special research was done to investigate what material could be best used in what elements and how should these materials be connected. Just like for the exterior the ‘decision document’ was used to explore the considerations in the building team plus and to be able to document conclusions. This proved to be a very useful tool that helps making choices that exceed standards or norms. During the whole process norms were never leading anyhow. Choosing consciously prevailed following scores. (Nevertheless all calculated scores are excellent) F.e. were passive house theories and Dutch energy performance norms may lead to small windows in the north facade, this building has high windows from floor to ceiling that provide the employees with a view to the landscape and lots of northern light.

Proyecto Roble by Équipe

Above: floor plan

Project title: Proyecto Roble
Address: Oisterwijksebaan 8a 5056 RD Berkel-Enschot, Gem. Tilburg the Netherlands
Client: Van Helvoirt Pensioen BV
Architect: Équipe voor architectuur en urbanisme
Project architects: Huib van Zeijl, Daniëlle Segers
Employees: Adam Murray
Interior design: Equipe voor architectuur en urbanisme
Garden Design: Studio Van Helvoirt

Function: office
Original building year: 1996
Research & design: 2006-2011
Start building: May 2011
Deliverance I employment: June 2012

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by Équipe
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Agora Garden by Vincent Callebaut

A plant-covered twisting tower shaped like a DNA strand by Belgian architect Vincent Callebaut is under construction in Taipei, Taiwan (+ slideshow).

Agora Garden by Vincent Callebaut Architectures

Described by Vincent Callebaut as “neither single tower, nor twin towers”, the 20-storey Agora Garden apartment block is designed with a double-helix structure that twists up around a fixed central core.

Agora Garden by Vincent Callebaut Architectures

“Different from the modern city built of concrete, glass and steel, the Agora Garden tower appears in an urban centre as a green twisted mountain,” says the architect.

Agora Garden by Vincent Callebaut Architectures

Balconies on each floor will be filled with plants, vegetable gardens and fruit trees, creating a cascading layer of greenery across the exterior. These will enable residents to grow their own food and compost all their biodegradable waste.

Agora Garden by Vincent Callebaut Architectures

Between two and four apartments will be located on each floor of the building and will integrate a number of sustainable technologies, including rainwater-harvesting and solar energy.

Agora Garden by Vincent Callebaut Architectures

“The concept is to build a true fragment of vertical landscape with low energetic consumption,” explains Callebaut. “The project represents a built ecosystem that repatriates the fauna and the flora in the heart of the city and generates a new box of subtropical biodiversity.”

Agora Garden by Vincent Callebaut Architectures

Agora Garden is being constructed on one of the largest designated residential sites in the city and will be surrounded be a moat. As well as apartments, the building will also accommodate rooftop clubhouses, a swimming pool, gym facilities and car parking floors.

Agora Garden by Vincent Callebaut Architectures

Vincent Callebaut won a competition to design the building in 2010 and construction is set to complete in 2016.

The architect also recently unveiled a futuristic concept for “farmscrapers” made from piles of giant glass pebbles. See more architecture concepts by Vincent Callebaut.

Here’s a detailed project description from the architect:


Agora Garden, An Ecologocal Residential Tower

Taipei, Taiwan, 2010-2016

In November 2010, Vincent Callebaut Architectures SARL was awarded as the successful tenderer for the construction of a new luxurious residential tower located at Taipei. The project is currently under construction and will be completed in 2016.

You will find below the conceptual design proposal presented during the competition phase in 2010 by Vincent Callebaut, design architect:

The Ecologic Philosophy of the Project

In the heart of the urban networks of Xinyin District in full development, the Agora Garden project presents a pioneer concept of sustainable residential eco-construction that aims at limiting the ecologic footprint of its inhabitants by researching the right symbiosis between the human being and nature.

On this site that is the last and only biggest parcel of land for residential use, the concept is to build a true fragment of vertical landscape with low energetic consumption. The building is thus eco-designed. It integrates not only the recycling of organic waste and used water but also all the renewable energies and other new state-of-the-art nanotechnologies (BIPV solar photovoltaic, rain water recycling, compost, etc.). The project targets thus the energetic performance so as to be officially approved by the Green Building Label, the norm for high environmental quality, delivered by the Home Affairs Ministry of Taipei.

Part of the concept of inhabited and cultivated vertical farm through its own inhabitants, this project of residential tower enables first to design by its avant-gardist architecture a new life style in accordance with the nature and the climate. Actually, the Agora Garden tower superimposes vertically wide planted balconies of true suspended orchards, organic vegetable gardens, aromatic gardens and other medicinal gardens.

Such as a living organism, the tower becomes metabolic! It overpasses its energy-consuming passive role (absorbing all the natural resources and rejecting only waste) to produce its own organic food. The architectural concept is thus to eco-design an energy self-sufficient building, whose energy is electric, thermal and also alimentary.

Therefore, the project answers directly to 4 main ecologic objectives of the After Copenhagen:

1. The reduction of the climatic global warming.
2. The protection of the nature and the biodiversity.
3. The protection of the environment and the quality of life.
4. The management of the natural resources and waste.

Finally, according to the Cradle to Cradle concept where nothing is lost, everything transforms itself; all the construction and furnishing materials will be selected through recycled and/or recyclable labels. By imitating the processes of natural ecosystems, it deals thus with reinventing in Taiwan the industrial and architectural processes in order to produce clean solutions and to create industrial cycle where everything is reused, either back to the ground as non-toxic organic nutrients, or back to the industry as technical nutrients able to be indefinitely recycled. Biotechnological prototype, the Agora Garden project reveals thus the symbiosis of human actions and their positive impact on the nature.

Agora Garden by Vincent Callebaut Architectures

Above: north and south facades

The Morphologic Philosophy of the Project

Neither single tower, nor twin towers, the project arises towards the sky with two helicoidal towers gathering themselves around a central core. This architectural party offers a hyper-compacted core and a maximal flexibility of the housing storeys (with the possibility to unify two apartments units in one without any footbridge). It brings a reduction of view angles towards the urban landscape and a hyper-abundance of suspended gardens.

The Agora Garden tower is, as its name indicates it, directly inspired of the structure in double helix of the DNA (Deoxyribonucleic acid), source of life, dynamism and twinning. Every double helix is represented in the project by two housing units forming a full level.

Thus, from its base to the top, the 20 inhabited levels in double helix stretch themselves and twist themselves at 90 degrees. By metaphor, the obtained sinuosity corresponds to the universal musical symbol of harmonic revealing the notion of ultimate balance praised by the project.

» This twist of 90 degrees answers to four major objectives:

1. The first objective is to be perfectly integrated in the north/south pyramidal profile of the building volume. Actually, the morphology of the project changes according to its orientation. Its east/west elevations draw a rhomboidal pyramid whereas the north-south ones represent a reverse pyramid.

2. The second objective is to generate a maximum of cascades of suspended open-air gardens, not part of the F.A.R. (floor area ratio). Thus, the planted balcony surface area can easily exceed the limit of the required 10 percents. The global framework of 40 percents of building coverage ratio, i.e. 3 264 M2 is thus totally respected.

3. The third objective is to offer to the inhabitants exceptional panoramic views on the skyline of Taipei by multiplying the transversal views, especially towards the very close Taipei 101 tower and the Central Business District in full emergence.

4. The fourth objective is to generate from a flexible standardized level a progressive geometry with corbels which assures the intimacy and the confidentiality of each apartment by avoiding the indiscreet vision axes.

Inspired from nature, the Agora Garden project is shaped with an organic fluid and dynamic geometry. From the simple and standardized element of the double helix of housing superimposed vertically and put in successive rotation of 4.5 degrees level by level, a multi-facial morphology appears all in convex and concave curves.

Actually, according to the point of view of the pedestrian from the surrounding streets, the Agora Garden tower changes of faces and proposes new profiles. Besides this moving geometry wearing a planted dress with sensual style, the project represents a built ecosystem that repatriates the fauna and the flora in the heart of the city and generates a new box of subtropical biodiversity. It is a new nest in the city!

Agora Garden by Vincent Callebaut Architectures

Above: east and west facades

The Main Components of the Project

The luxuriant forest and the glade

In order to ensure the confidentiality of the residents, the whole perimeter of the site is bordered by a mineral moat that animates the outside public space with organic urban furnitures. Inside the parcel, the walls of this moat transform themselves into planted surrounding walls. The main access of the site is located at the Song Yong Road which is less busy that the main avenue, Song Gao Road. The tower is coiled up in the centre of a heavy and luxuriant safe forest of mature trees that protects the intimacy of the inhabitants from the surrounding urban pollution. In the heart of the vegetable lung, the pedestrian square of exotic wood opens itself on a mineral and aquatic glade.

Such as the shock wave created by a water drop, the landscape design is made in circles arches and radiates from the epicentre of the tower. A circular light well, curved this time, makes the light, the abundant plants in cascades to the deepest basement. The car parks, the swimming pool and the fitness are thus naturally lightened and ventilated.

The lobbies in indoor – outdoor connectivity

The ground floor in double height sets through its great transparent facades a high connectivity between the interior community spaces and the exterior garden.

The central core, a vertical twisted garden surrounded by sky entry foyers

The central core has been designed to separate totally the vertical circulations into two housing units on the same level. This core is fixed (it does not pivot). But in order to ensure the rotation of the storeys floor by floor, it is surrounded by a (naturally lightened) horizontal circulation loop welcoming the entry foyer dedicated to each unit. This buffer loop enables thus to set the main entrance always in the axis of each apartment and this despite of the 4.5 degrees rotation storey by storey. An alternative has been studied to build sky entry foyers directly around the cylindrical central core offering thus planted entry foyers with spectacular front view on the city of Taipei.

By level, the central core gathers 2 staircases, 4 high speed elevators of 24 people (1800 kg), 1 car elevators (also useful to carry enormous art pieces, luxury antique vehicles, or even huge pianos, etc.), 2 sky garages in glass and also all the vertical shafts for the main flows. All these vertical flows are covered by a huge bearing exoskeleton in reinforced steel.

The apartments, a maximal spatial and technical flexibility

The apartments of 540 M2 on average superimpose themselves under the shape of two planted twists unified around a central core. Each unit presents a storey structurally made with Vierendeel beams system behind glass facades only on even floors. All levels are linked at both ends by two spiralling mega columns covered by green walls. Each apartment is completely free columns!

This structural concept inspired by the DNA chain enables a maximal flexibility in terms of interior layout. It ensures also an optimal visual permeability (indoor outdoor connectivity) towards the suspended gardens of the balconies in foreground and the urban panorama on the background.

» The spatial flexibility is divided in 4 main typologies of storeys of 2 or 4 units:

Typology A: 2 units with curved living rooms around a central core.
Typology B: 2 units with living rooms stretched in the length behind the Southern façades.
Typology C: 2 units with living rooms set in bow by the panoramic storey.
Typology D: 4 units in duplex with living rooms benefiting from a double height.

In addition to these basic typologies, two huge clubhouses are set up on the roof floors so as to respect the setback required by the building volume. Therefore, from the same standardized double helix (1.250 M2 floor area), the rotation of the storey and its customizable interior laying-out makes every level be a unique floor for each resident!

Agora Garden by Vincent Callebaut Architectures

Above: north-west and south-east facades

» The technical flexibility is obtained by the integration of the double deck and double wall concepts:

Spatially hyper-flexible, the constructive system proposed also a total flexibility to the level of technical distribution of the flows. Additional vertical flows are organized with “oblique shafts” along the glass façade. The system of double deck is integrated at each level under the shape of a double floor and a suspended ceiling. The network of the flows (rain water, used water, hot water, electricity, under floor-heating, cool air, hot air, optic fibre, etc.) crossing the central core can thus irrigate without any difficulty on the horizontal way all the surface area of each storey. Moreover, the use of castellated beams will enable to take advantage of a maximal free height under ceiling. The interior partitioning of each apartment will be à la carte according to the wishes of each inhabitant. The double walls will compartmentalize the different rooms following the curved axes of the building by integrating also many useful storage spaces.

» The energetic efficiency is obtained by isolating façades with high performance named inter-layer or double-layer:

The Agora Garden tower is covered by linear crystalline façades repeating themselves at each level. The identical facades in every apartment will be pre-manufactured in factory to accelerate their setting-up during the works. A multilayer glass (airspace + Polyvinyl Butyral) or double layer façades with integrated blinds will be directly associated there in order to protect the interior spaces from the solar radiation in summer and to limit the calorific loss in winter.

The landscape balconies, green cascades of flowers, fruits, vegetables and aromates

The landscape concept is to build a cascade of suspended gardens which cover the entire building. The tower becomes then a true vertical inhabited park, in a box of nature in the heart of the city! The selected essences will be preferably eatable in order to make each inhabitant gardener in its own vegetable consumption. Suspended orchards, organic vegetable gardens, aromatic and medicinal gardens will flourish the wide and deep jardinière along the global periphery of each apartment. Garden furniture, compost spaces from waste to organic fertilizers, fuel cells, rain water tanks for the irrigation of plants, and ecologic nests for birds will be directly integrated in the design of these jardinières. In order to protect the organic substrate tanks from the heating coming from the solar radiation, the planting beds will be covered by a layer of Bethel white granite on honeycomb. The white colour of the Agora Garden tower will provide a new emblematic, pure and fresh identity.

The tower generates through its morphology in rotation two types of very specific landscape balconies:

1. The balconies called ascending or positive:open-air, they benefit from a maximal sunshine and enable to cultivate their trees and shrubs of subtropical essences. We will preferably set up the living rooms on this side. It will be also possible to inlay photovoltaic sunshades at the extremity of the slab according to the wishes of each resident. Thermal captors could be also set up in order to produce sanitary hot water.

2. The balconies called descending or negative:Covered by the superior level, they offer half shadowed relaxing spaces to cultivate flowers, vegetables, aromatic plants and falling and climbing species. We will preferably set up the bedrooms on this side.

In bow of the housing storeys, are laid-out some outdoor garden bath sanctuary that coils themselves up in an alcove dig in the façade of each apartment. Different from the modern city built of concrete, glass and steel, the Agora Garden tower appears in an urban centre as a green twisted mountain. Following the seasons, the planted essences (with persistent and deciduous leaves) will make its colours and its abundance to evolve. Declining a camaieu of green in the summer, the tower will blaze with golden and bloody colours in autumn. In spring, it will be bloomed with thousands colours and will liberate floral fragrances from its fruit trees. The tower will then develop perfumed micro-climate for the very best welfare of its inhabitants!

The photovoltaic roof and its gardens for phyto-purification

Located at 100 meters high, a huge photovoltaic pergola of 1000 m² transforms the sun rays into electric energy which is directly reintroduced into the network of the building. Under this layer with blue-steel reflection, clubhouses are located on the roof surrounded by panoramic sky gardens. They filter and purify the rain water with the action of the plants in order to reinject the water by gravity in the distribution network of sanitary water. From this terrace, there is an extraordinary panoramic view on the 101 tower.

Agora Garden by Vincent Callebaut Architectures

Above: north-east and south-west facades

The landscape basement naturally lightened and ventilated:

Contrary to the traditional car park of 2.10 M high under beams and plunged under an artificial shadowy light, the car park of the Agora Garden project benefits from the natural light. Actually, a light well integrating seismic joints makes the light and the fresh air fall to the levels of the basement. Thus, the car park and the connected facilities (swimming pools and fitness) are naturally ventilated. The main access of the basement is done by the Song Yong Road under a sculptural entry gate inspired by a spiralling leaf.

From the level B1, we can access to both car elevators inside the central core and go very quickly to the sky garages located at the entrance of each apartment. The car park is designed in the existing perimeter of the current car park of the pre-existing Agora Garden hotel in order to limit the works cost of excavation and foundations.

Only the south-west wall has been corrected so as to set up a laying-out with double helix. Actually, in the continuation of the rotating tower, the car park is drawn according to a circular plan with an ascending interior helix around the core in the direction of the exit and a second descending helix in the direction of the entrance. The whole set forms a continuous banister that welcomes more than 230 cars and 500 scooters. From slab to slab, the minimal height is 3,10 meters which improves comfortably the atmosphere of the building of an immaculate white. It is important to notice that the structure of the tower weights through this car park in order to facilitate the descent of the loading of the whole building.

The Challenge Of A Positively Ecologic Revolution!

In the architecture of the Agora Garden project, the association of the living (Bios), the biotechnologies (renewable energies and nanotechnologies), and the NICT (New Technologies of Information and Communication), can meet the Chinese antique thought which always refused to separate the nature and the humanity that nourishes itself from it; the body from the spirit that did not exist without it. Avant-gardist on the theme of contemporary ecologic crisis, the Chinese thought prefers the relationships rather than the separated elements. The human being and its life framework depend from the fusion of the variables:

As humbly wrote the influent sinologist, specialist in old China Marcel Granet in the Chinese Thought in 1934: None opposes the human being from the nature; do not think of opposing them such as the free element from the determined element. The Chinese people only see in the Time and the Space a gathering of occasions and sites. These are interdependences, solidarities that constitute the order of the Universe. We do not think that the Man could form a reign in the Nature or that the spirit distinguishes itself from the material.

In the heart of Taipei, after having built the city on the landscape, after having then built the city on the city, it is now time for the landscape to rebuild itself on the city! In this perspective of ecologic resilience, the Agora Garden project must be considered as an abstraction of geography and a distortion of ecosystem. The Agora Garden project is a nature built from the living that fights for the re-naturalisation of Ecopolis of tomorrow! This tower reveals strongly and surely the challenge of reinventing a new lifestyle for residential tower, that is self-sufficient, sculpturally unprecedented. It is a project absolutely unique in the world and charismatic drawing with poetry in the oriental sky, a delicate superposition of sky villas with wide suspended private gardens.

Last but not least, it is a unique ecologic landmark, new symbol of sustainability at the bottom of the prestigious 101 tower!

Agora Garden by Vincent Callebaut Architectures

Above: cross section

Type: International Competition – First Prize Winner In November 2010
Client: Bes Engineering Corporation, Taipei
Contract Location: Xinyin District, Taipei City, Taiwan
Program: 40 Luxurious Apartments + Facilities
Surface Area: 42.335.34 M²
Delivery: 2016
Current Phase: Construction Documents – Below Grade Under Construction
Green Certification: LEED Gold

International Design Architect: Vincent Callebaut Architectures, SARL Paris
Local Architect: LKP Design, Taipei
Structural Engineer: King Le Chang & Associates, Taipei
Local Mep Engineering: Sine & Associates, Taipei
International Interior Architect: Wilson & Associates (Wa), Los Angeles
International Landscape Architect: SWA, Sausalito, San Francisco
Local Landscape Architect: Horizon & Atmosphere (H&A), Taipei
International Lighting Designer: L’observatoire International, New-York
Local Lighting Designer: Unolai Design, Taipei
Green Consultant: Enertek, Taipei
VCA’s Team: Emilie Diers, Frederique Beck, Jiao Yang, Florence Mauny, Volker Erlich, Philippe Steels, Marco Conti Sikic, Benoit Patterlini, Maguy Delrieu, Vincent Callebaut
Model Maker: Patrick Laurent

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Vincent Callebaut
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Asian Cairns by Vincent Callebaut

Belgian architect Vincent Callebaut has developed a concept to introduce natural ecosystems into cities with designs for “farmscrapers” made from piles of giant glass pebbles for a site in Shenzhen, China (+ slideshow).

Asian Cairns by Vincent Callebaut

As a response to the rapid urbanisation going on in the country, Vincent Callebaut wanted to completely rethink the current structure of cities and do away with suburbs. “The more a city is dense, the less it consumes energy,” he explains.

Asian Cairns by Vincent Callebaut

He continues: “The challenge is to create a fertile urbanisation with zero carbon emissions and with positive energy. This means producing more energy that it consumes, in order to conciliate the economical development with the protection of the planet.”

Asian Cairns by Vincent Callebaut

The architect proposes a new type of urban habitat based on the rules of the natural world, with stacks of giant pebbles housing entire communities. All energy would be sourced from the sun and wind, anything produced would be recyclable and local expertise would be capitalised wherever possible.

Asian Cairns by Vincent Callebaut

Residents of each tower would also work there, reducing the need to travel. All food and commodities would be produced within the building, in suspended orchards and vegetables gardens, plus all waste would be fed back into the ecosystem.

Asian Cairns by Vincent Callebaut

“The garden is no more placed side by side to the building; it is the building!” says Callebaut. “The architecture becomes cultivable, eatable and nutritive.”

Asian Cairns by Vincent Callebaut

Entitled Asian Cairns, Callebaut’s proposals are for a series of six towers, with some containing as many as 20 glazed “pebbles”. A steel structure would create the curved shapes, while solar panels and wind turbines would be mounted onto the outer surfaces.

Asian Cairns by Vincent Callebaut

The project was commissioned by private Chinese investors.

Asian Cairns by Vincent Callebaut

Vincent Callebaut has developed a number of conceptual architecture projects in recent years. In 2010 he revealed a conceptual transport system involving airships powered by seaweed and has also been working on a tower with the same structure as a DNA strand.

Asian Cairns by Vincent Callebaut

See more architecture proposals in China, including a Zaha Hadid-designed cultural complex in Changsha and a pair of opposing museums in Tianjin by Steven Holl.

Here’s a lot of extra information from Vincent Callebaut:


Sustainable Farmscrapers for Rural Urbanity, Shenzhen, China

From Rural Exodus to Chinese Urban Biosphere

At the end of 2011 in China, the number of inhabitants in the cities exceeded the number of inhabitants in the countryside. Whereas 30 years ago only one Chinese person out of five lived in the city, the city-dwellers represent now 51.27% of the total population of 1 347 billion of people. This urban population is supposed to increase to 800 million of inhabitants within 2020 spread mainly in 221 cities of at least one million of inhabitants (versus only 40 in Europe of the same scale) and 23 megapolis of more that five million of inhabitants.

Asian Cairns by Vincent Callebaut

According to Li Jianmin, an expert in demography from the Tianjin University, the Chinese population will be urban at 75% within 2030! Facing this massive rural exodus and the unrestrained acceleration of the urbanisation, the future models of the – green, dense and connected – cities must be rethought from now on! The challenge is to create a fertile urbanisation with zero carbon emissions and with positive energy, this means producing more energy that it consumes, in order to conciliate the economical development with the protection of the planet. The standard of living of everyone will thus be increased by respecting at the same time the standard of living of everybody.

Asian Cairns by Vincent Callebaut

The green city

The cities are currently responsible for 75% of the worldwide consumption of energy and they reject 80% of worldwide emissions of CO2. The contemporary urban model is thus ultra-energy consuming and works on the importation of wealth and natural resources on the one hand, and on the exportation of the pollution and waste on the other hand. This loop of energetic flows can be avoided by repatriating the countryside and the farming production modes in the heart of the city by the creation of green lungs, farmscrapers in vertical storeys and by the implantation of wind and solar power stations. The production sites of food and energy resources will be thus reintegrated in the heart of the consumption sites! The buildings with positive energies must become the norm and reduce the carbon print on the mid term.

Asian Cairns by Vincent Callebaut

The dense city

The model of main contemporary cities advocating the urban spread and based on the mono-functionality and the social segregation, must be rejected! Actually, the more a city is dense, the less it consumes energy. This is the end of ultra secured ghettos of rich people against quarters of huge poverty! This is the end of bedroom suburbs without any activity alternating with uniform commercial area and without any inhabitant! This is the end of museum city centres fighting against monofunctional business districts. This is the end of embolism of the all-car eating away the city centres! This is the end of the explosion of public and private transports devouring our lands because based on an obsolete geographical separation of housing and work! The social diversity and the functional diversity must be the key words to build more intelligent cities! Ecologically more viable, the dense, vertical and less spread city will constitute an attractive open pole and offering many services. The social will be reinvented!

Asian Cairns by Vincent Callebaut

The connected city

The information and communication technologies have now a major role in the development of city network and will be able to reduce the carbon emissions from 15 and 20% within 2020. The communication solutions such as the optic fibre and the satellite systems enable already thanks to their associated applications (videoconference, telecommuting, telemedicine, video surveillance, e-commerce, real time information, etc.). to reduce considerably the carbon emissions and to save the travel costs by reinforcing at the same time the economical dynamism and the attractiveness of the cities.

Based on innovation, the TIC solutions favour the diminution of physical goods and means of transport via the dematerialization. They empower also a clever logistics and a synchronisation of the production operations. Everything tends to new opportunities of profitable growth and to a saving with low carbon print. The sustainable development must thus enable to find innovative solutions for an economy resilient to climatic changes which is in total harmony with the biosphere in order to preserve the capabilities of the future generations to meet their needs.

Asian Cairns by Vincent Callebaut

The Biomorphism, the Bionic and the Biomimicry at the Service of the Renaturalisation of the City

The oldest living beings appeared 3.8 billion years ago. In terms of durability, the human societies are thus far behind the nature that made its proofs. If only 1% of the species survived by adapting themselves constantly without hypothecate the future generation and without any fuel, their subsistence merits the respect and reminds us the laws of their prosperity:

» The Nature works mainly with solar energy.
» It uses only the quantity of energy it needs.
» It adjusts the shape to the function.
» It recycles everything.
» It bets on the biodiversity.
» It limits the excess from the interior.
» It transforms the constraints into opportunities.
» It transforms waste into natural resources.
» It enhances the local expertise.

Based on these billions of years of Research and Development, new innovation approaches aiming at modifying the carbon balance, guide us to three additional scales operated by the contemporary biotechnologies: the shapes, the strategies and the ecosystems.

Asian Cairns by Vincent Callebaut

The Biomorphism is based only on shapes from the Nature, e.g. the vertical wings of the Steppes Eagle, the spiralling and hydro-dynamical shape of the nautilus, the ventilation of the termite mounds.

The Bionics is based on living strategies, natural manufacturing processes, e.g. the plasticity of the lilypads, the hyper-resistant structure of the hives in bee nests.

The Biomimicry is based on mature ecosystems and tends to reproduce all the interactions present in a tropical forest such as: the use of waste as resources, the diversification and the cooperation, the reduction of the materials at their strict minimum, e.g. the autogenerative agriculture, the reproduction of the photosynthesis process (main energy source of humanity), the production of bio-hydrogen from green algae.

Whereas the primary reason of architecture is since time immemorial to protect Man against Nature, the contemporary city desires by its emergent methods to reconciliate finally Man and the natural ecosystems! The architecture becomes metabolic and creative! The facades become as intelligent, regenerative and organic epidermis. They are matters in movement, recovered by free plants and adjust always the shape to the functionality. The roofs become the new grounds of the green city. The garden is no more placed side by side to the building; it is the building! The architecture becomes cultivable, eatable and nutritive. The architecture is no more set up in the ground but is planted into the earth and exchanges with it the organic matters changed in natural resources.

Asian Cairns, Towards a New Model of Smart City

Benefiting from its privileged geographical position in the heart of the Chinese megalopolis of the Delta of the Pearl River, Shenzhen faces a spectacular economic and demographic development. Since the return of Hong Kong to China, both cities have been merging together and constitute now one of the greatest Chinese metropolises with more than 20 billions of inhabitants! In this context of hyper growth and accelerated urbanism, the “Asian Cairns” project fights for the construction of an urban multifunctional, multicultural and ecological pole. It is an obvious project to build a prototype of green, dense, Smart city connected by the TIC and eco-designed from biotechnologies!

Asian Cairns by Vincent Callebaut

Three interlaced eco-spirals

The master plan is designed under the shape of three interlaced spirals that represent the 3 elements which are fire, earth and water, all organised around air in the middle. Each spiral curls up around two magalithic towers and forms urban ecosystems implanting the biodiversity in the heart of the City under the shape of vast public orchards and urban agriculture fields. Huge basins of viticulture and vast lagoons of phyto-puration recycle the grey waters rejected by the inhabited vertical farms.

Six multifunctional farmscrapers

The six gardening towers engraved in a Golden Triangle pile up a mixed programmation superimposing farmingscrapers cultivated by their own inhabitants. Like our Dragonfly project in New York, the aim is to repatriate the countryside in the city and to reintegrate the food production modes into the consumption sites. The megalithic towers are based on cairns, artificial stone heap present on the mountains to mark out the hiker tracks. Clever exploits of the construction, these six towers pile up housing, offices, leisure spaces in the monolithic pebbles superimposed on each other along a vertical central boulevard. This central boulevard constitutes the structural framework of each tower. It choreographs the human flows, distributes the natural resources and digests the waste by sorting and selective composting. True city quarter piling up mixed blocks, these cairns make the urban space denser by optimising also the quality of life of its inhabitants by the reduction of means of transport, the implantation of a home automation network, the re-naturalisation of the public and private spaces and the integration of clean renewable energies.

Asian Cairns by Vincent Callebaut

These six farmscrapers are pioneer towers aiming at the 10 following objectives:

1. The diminution of the ecological footprint of this new vertical eco-quarter enhancing the local consumption by its food autonomy and by the reduction of means of road, rail and river transport.
2. The reintegration of local employment in the primary and secondary sectors coproducing the fresh and organic products to the city dwellers who will be able to reappropriate the knowledge of the farming production modes.
3. The recycling in short and closed loop of the liquid or solid organic waste of the used waters by anaerobe composting and green algae panels producing biogas by accelerated photosynthesis.
4. The economy of the rural territory reducing the deforestation, the desertification and the pollution of the phreatic tables.
5. The oxygenation of the polluted city centres whose air quality is saturated in lead particles.
6. The production of a vertical organic agriculture of fruits and vegetables limiting the systematic recourse to pesticides, insecticides, herbicides and chemical fertilizers.
7. The saving of water resource by the recycling of urban waters, spraying waters and the evapo-sweated water by the plants.
8. The protection of the biodiversity and the development of eco-systemic cycles in the heart of the city.
9. The diminution of the sanitary risks by the disappearance of pesticides noxious for the health and by the fertility and total protection of the phreatic tables.
10. The diminution of the recourse to fossil fuel needed for the conventional agriculture in long cycle for the refrigeration and the transport of the goods.

Asian Cairns by Vincent Callebaut

Hundred of bioclimatic pebbles with positive energy

Each pebble is a true eco-quarter of this new model of vertical city. Structurally, they are made of steel rings which arch around the horizontal double-decks. These rings are linked to the central spinal column by Vierendeel beams that enable a maximum of flexibility and spatial modularity. These huge beams form a plan in cross that welcomes the individual programmation of each pebble. The interstitial spaces between this cross and the megalith skin welcome great nutritive suspended gardens under the shape of farming greenhouses.

True living stones playing from their overhanging position, the crystalline pebbles are eco designed from renewable energies. An open-air epidermis of photovoltaic and photo thermal solar cells as well as a forest of axial wind turbines covers the zenithal roofs punctuated by suspended orchards and vegetable gardens. Each pebble presents thus a positive energetic balance on the electrical hand and also on the calorific or food hand.

The “Asian Cairns” project syntheses our architectural philosophy that transforms the cities in ecosystems, the quarters in forests and the buildings in mature trees changing thus each constraint in opportunity and each waste in renewable natural resource!

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Vincent Callebaut
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SportPlaza Mercator by VenhoevenCS

This leisure centre in Amsterdam by Dutch architects VenhoevenCS was designed as a fortress covered in plants (+ slideshow).

Sportplaza Mercator by VenhoevenCS

SportPlaza Mercator is positioned at the entrance to a park in the De Baarsjes neighbourhood. The architects wanted it to fit in with its surroundings, so they added a camouflaging facade of bushy plants and flowers.

Sportplaza Mercator by VenhoevenCS

“Because the building was constructed in a park we wanted to preserve as much as possible, we completely covered it in vegetation, camouflaging its diverse program,” explains VenhoevenCS. “From a distance, it seems like an overgrown fortress flanking and protecting the entryway to the nineteenth century city.”

Sportplaza Mercator by VenhoevenCS

Behind the planted walls, the three-storey building contains swimming pools, a sauna and fitness studios, as well as an events hall, a fast-food restaurant, a cafe and a nursery. An outdoor pool is also included at the rear.

Sportplaza Mercator by VenhoevenCS

Windows nestle in amongst the planted exterior but feature tinted glass to reduce visibility into the swimming-pool halls. Skylights were also added to bring in more natural light.

Sportplaza Mercator by VenhoevenCS

The building was completed in 2006 but recently picked up a nomination for the inaugural Green Building Award, organised by Dak & Gevel Groen magazine in the Netherlands.

Sportplaza Mercator by VenhoevenCS

Other buildings we’ve featured with planted facades include a townhouse in Portugal, an office building in France and a pharmacy in Japan. See more green walls on Dezeen.

Sportplaza Mercator by VenhoevenCS

Photography is by Luuk Kramer.

Sportplaza Mercator by VenhoevenCS

Here’s some extra information from VenhoevenCS:


Amsterdam’s ‘De Baarsjes’ is a multicultural neighbourhood that is home to people from 129 different countries. The city district wanted to boost community life in this area. The authorities therefore opted for a building which combines swimming pools, a therapy pool, fitness, aerobics, a sauna and steam bath, a party centre, café and childcare alongside a fast food restaurant. Each individual element attracts different target groups, so the entire population will be able to use it in the end. Inside, everyone can see other activities, intriguing their interest and inspiring them to use other facilities as well. Because the building was constructed in a park we wanted to preserve as much as possible, we completely covered it in vegetation, camouflaging its diverse program.

Sportplaza Mercator by VenhoevenCS

Now, with its green façades and roof, Sportplaza Mercator marks the start and end of the Rembrandtpark. From a distance, it seems like an overgrown fortress flanking and protecting the entryway to the 19th-century city. Glimpsed through the glass façade, a modern spa-style complex glistens, complete with swimming pools, fitness space, and restaurant and party facilities. The entrance seems like a departure hall from which the various visitors can reach their destination.

Sportplaza Mercator by VenhoevenCS

The building was designed as a city – a society in miniature – inside a cave. The building is full of lines of sight and keyholes that offer perspectives on the various visitors, activities and cultures in the building. Sunlight penetrates deep into the building’s interior through all sorts of openings in the roof. Low windows frame the view of the street and the sun terrace.

Sportplaza Mercator by VenhoevenCS

Above: ground floor plan – click for larger image

Sportplaza Mercator by VenhoevenCS

Above: first floor plan – click for larger image

Sportplaza Mercator by VenhoevenCS

Above: second floor plan – click for larger image

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Isolée by Tjep.

Dutch design studio Tjep. has developed a concept for a self-sufficient retreat with a facade that opens like a cupboard and a moving “solar tree” on the roof (+ slideshow).

Isolée by Tjep.

“Most retreat concepts are about ‘back to basic’,” designer Frank Tjepkema told Dezeen, “but this concept really tries to embrace technology and integrated design to take full advantage of self-sufficiency in a remote area.”

Isolée by Tjep.

Named Isolée, the three-storey structure is designed to impact as little as possible on its surroundings. It would appear to stand on the ground with just four feet, although concrete foundation poles would be concealed inside.

Isolée by Tjep.

A tree-like structure of solar panels is designed to sprout from the roof. Like flowers, the panels would move intelligently to follow the path of the sun.

Isolée by Tjep.

These solar panels would generate all the electricity for the house, while a wood-burning stove would provide heating via a system of water being pumped through the walls.

Isolée by Tjep.

The shuttered facades would hinge back and forth to open the house out to the surroundings and would be linked up to a computer that triggers a closing mechanism if a storm is approaching.

Isolée by Tjep.

“I was curious to see what would happen if you gave a house the same sort of detailed design that’s found in all sorts of products we use every day,” said Tjepkema in an interview with Frame Magazine. “The cars we drive, the computers and tablets we use, the smartphones – all sophisticated, aesthetically sound objects. And then we go home, where we’re surrounded by a stack of bricks.”

Isolée by Tjep.

Tjep. is currently looking for partners to develop a prototype of the project.

Isolée by Tjep.

The studio has previously developed concepts for self-sufficient farms, with one for a single residence, one for a community of 100 and one for a “wonderland” of 1000 people. See more architecture and design by Tjep.

Here’s some more information from Tjep:


This house is a new architectural design delivering an ecologically friendly retreat from the modern world. Combining intelligent technology with elegant sophistication, this design creates a habitat that barely impacts its environment.

Isolée by Tjep.

With massive opening shutters spanning the length of the building, an intelligent heating system integrated within the structure of the house and topped by a solar tree, this home ensures minimal fuel reliance. Applying a minimalized product design ethos, Isolée is anchored to the landscape on just four points, as would a cabinet.

The Isolée creates permanence, but with an engineered beauty that is aesthetically inspired by nature and harmonizes mankind’s relationship with the world.

Isolée by Tjep.

» The aesthetic solar energy deserves – solar panels sprout from the roof as an elegant plant absorbing energy from the sun. The panels follow the sun as it crosses the sky.

» Open house or closed house – a home with a distinct open and closed, inhabited versus unoccupied, appearance thanks to the monumental shutters. The hinges contain electrical motors that operate the shutters through solar energy. The shutters are computer controlled to follow the wishes of the inhabitants and close automatically when a storm approaches.

Isolée by Tjep.

» Connecting element – the stairs form one movement right through the house and connect the different spaces to finally lead to a small terrace offering a spectacular view.

» The stove – a cavity in the side of the house contains the wood stock to fire up the stove. This cavity is accessed from the outside but also from the interior, for those unpleasant days.

Isolée by Tjep.

» Minimal approach to systems – in the back-bone structure of the house a fluid circulates heated by the stove. The circulation is powered electrically through solar energy. The only supply the house needs is fresh water from a well. All LED lighting is powered by rechargeable batteries.

» Elegant like a piece of furniture – the approach to Isolée was the same as designing a piece of furniture. Standing proudly rather than laid flat on the ground, the house touches the landscape to a bear minimum. Allowing the elements to continue their natural path, unresisted.

Isolée by Tjep.

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A Green Solution for City Self Sufficiency

Set in the distant future, this large-scale urban farming concept called Greenbelt aims to provide cities with a way to utilize their own resourcefulness rather than depend on costly imported goods. The Greenbelt actually surrounds the city, using vertical, space-saving structures to support aquapronics (fish farming combined with soil free growing). Water is led to a hydroponic system where by-products from the fish are filtered out by plants as vital nutrients. Cleansed water is then recirculated back to the fish and the process continues.

Designer: Jonas Di Lorenzo


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
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(A Green Solution for City Self Sufficiency was originally posted on Yanko Design)

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Fred Shirts: The encouraging water brand introduces T-shirts made of 100% recycled plastic bottles

Fred Shirts

A water brand unlike any other, Fred has stood on store shelves for some six years now, setting itself apart with an unconventional flask-like shape and a rather counterintuitive message—reuse. Unlike most brands that encourage consumption for a monetary gain, Fred wants its customers to reuse their bottle time…

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