Mind the Future

Contemporary trends delineated in a comical, design-forward compendium
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If you’ve ever wondered about how machines become emotional, if you’re curious about the rise of monocultures or if you were unaware that mounting transparency beckons the end of secrecy, Mind the Future is your guide to the 60 most important long-term societal trends. Essentially a collection of color-coded notecards, the information takes you through scenarios from environmental plights to political conundrums with a bit of wit and a healthy dose of research.

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Born from the Web for Interdisciplinary Research and Expertise (WIRE), this think tank-produced collection focuses on movements in economics, politics, technology, society and ecology. Accompanying the predictions are comical graphics that illustrate the problem at hand. A card on 21st-century epidemics shows an obese likeness of Michelangelo’s David, An “I ♥ Botox” T-shirt demonstrates how health has become a status symbol and the redefinition of patents is joined by none other than a tape deck turned Jolly Roger.

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In addition to the trends, a set of black cards discusses the world’s most pressing dilemmas, weighing the pros and cons for openness versus isolation, materiality versus virtuality, nature versus artifice and more. Perfect for coffee tables and waiting areas, Mind the Future tempers the oft-depressing outlook for the coming years.

Also worth a look is Mind the Future’s hilarious “trailer“, which demonstrates the box’s wireless capabilities, cutting edge features and indestructibility.


Atlantish

Contemporary crisis and mythical inspiration in a Greek design collection

by Ikechukwu Onyewuenyi

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When one thinks of Atlantis, a phantasm of decadence and splendor floods the senses, harkening a city at the height of its glory. For the “Atlantish: quite like Atlantis” collection, design collective Greece Is For Lovers (GIFL) turned to the present to communicate the allegorical allure of the past through modest design classics synonymous to Grecian culture. GIFL designer Thanos Karampatos says he wanted to “play with the idea of how the current and the antique are often blurred.” The ubiquitous and somewhat nondescript styrofoam water cooler is peppered throughout fishing docks and port cities across Greece, while disposable paper cloth adorns the tables of provincial tavernas all over Greece. Yet with Greece on the brink of a financial crisis, these objects possess a nostalgia quite like Atlantis, symbolic of a bygone era of innocence.

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In that vein, as an ode to the historical vestiges of Atlantis, a plastic water cooler was sculpted into a luxe red earthen clay pot while trite tablecloths were turned into precious silk twill scarves emblematic of the lost city. The end result straddles the line of calculated irony and metaphoric reverence, with neither evoking a retrogressive aesthetic. At the same time, utility and integrity are not lost in the beautifying process. “Our products always have a utilitarian aspect but we insist on giving priority to emotive qualities and metaphors,” reflected Karampatos. Indeed, both recreations are sensitive to the distinction of Atlantis, but in their functionality do not capitulate in addressing the present. Karampatos feels this mirrors his current country’s plight in that Greece “obsess over the glory of the past rather than firmly focusing on the problematic present and future to come.”

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“Atlantish: quite like Atlantis” had a recent unveiling at the 2011 Tent London design trade show and the metaphorical significance of the collection resonated among fair-goers. Despite standing as one of their more opinionated pieces of work, Karampatos comments that “this is by no means a campaign for Greece. Of course the Greek crisis has been an inspiration factor around this in a symbolic way of how Greek people interpret the chasm between the glorious past and the bleak present.” In keeping with the ephemeral beauty of Atlantis, the limited series of just seven ceramic decanters sell for €350. The scarves, on the other hand, will be a permanent part of the GIFL product range and will be available soon online.


Smart Grid Athletic Lights

Hybrid-powered lighting potentially saves cities cash and energy
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A finalist in the Philip’s Livable Cities Awards, Andrew Burdick’s “Smart Athletic Grid Light” prototype has enormous potential to prove how urban development and sustainable design can work together. In association with Ennead, the idea was seeded during conversations with schools and extracurricular groups that were in need of more athletic space in New York City. Burdick realized that the issue wasn’t actually space but usage, with most teams needing the space at the same times. His Smart Athletic lights aim to increase the amount of usable time the community can get from a playing field, while minimizing the impact on the environment and the city’s wallet.

Burdick’s design combines a variety of technologies and features suited to the New York City landscape. The lights use both wind and solar power; in each case the electricity gathering element is customizable to suit the location. If placed in an area where wind is more prominent, the wind turbine on the lights can be raised or lowered for ideal energy production. In the same manner, solar panels can easily be rotated to achieve the highest exposure to sunlight in sunny areas. Ideally, using both these technologies, the lights could produce enough energy to illuminate the playing field but also offset their own maintenance, upkeep and installation costs.

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The focus of the concept is to create technologies for public space that can operate off the grid or create a smart grid. Cost effective by nature, off-the-grid streetlights have been proven in other parts of NYC, but Burdick’s project faced larger challenges—athletic spaces require much more light than the sidewalk. Designed from the ground up with these issues in mind, his modular system shows great promise and, if awarded the grant from Philips, a functional prototype could prove the usefulness of smart grid technologies for urban and suburban environments.

As part of a greater push to make cities and communities more environmentally and fiscally effective, Burdick’s prototype is a bright idea. Dubbing his project “Sustainable Philanthropy,” Burdick explains “by this term, I do not mean this project is simply ‘green;’ rather, it is a project that uses environmentally sustainable technologies to pay for its own maintenance and upkeep, thus being a gift to the community in perpetuity.” Economic and sustainability issues should always play a part in the design process, but the recent rise in environmental consciousness and subsequent economic decline make these points exceptionally poignant.