For Safety, Barcelona Kids Bike to School in Massive Mobs Called a "Bike Bus"

On Barcelona’s Entença Street there are three schools, but no bike lanes. This has led to a phenomenon where, for safety’s sake, parents have organized a sort of mass bike ride to the school each Friday morning. Five kids on bikes are a lot easier to see than just one; but while the group started with five kids in September, the group has grown to more than 100 kids and parents, all cycling together in a gigantic blob of bikes, right in the middle of the street.

The phenomenon is called a bicibus, or “bike bus.”

Barcelona resident and parent Mireia Boix, who participates in the rides and shot the photos you see here, is hopeful that the trend might reduce car traffic and increase bike traffic. “Bicycles are a means of transportation, and if a 5-year-old can ride a bike to school it means that everyone else could,” she told NPR. “If the population uses their bikes, there will be a healthier, quieter and overall better city to live in.”

Build: Architecture 2021 online event to explore frontiers of real-time 3D rendering

Zaha Hadid Architects' Twinmotion project

Dezeen promotion: Zaha Hadid Architects, BIG, HOK and Foster + Partners are among the architectural practices giving presentations at Build: Architecture 2021, an event exploring innovative uses of real-time rendering.

Build: Architecture 2021 is a two-hour showcase of projects that will launch on 2 November 2021, demonstrating how some of the world’s leading architecture firms are using real-time technology to create and present their work.

Zaha Hadid Architects' Twinmotion project
Zaha Hadid Architects is among the firms using Twinmotion to create 3D renderings. Photo by Zaha Hadid Architects

The event is being put on by Epic Games, the creator of Twinmotion and Unreal Engine – the two most popular real-time rendering tools for architectural visualisation, according to the 2020 CGarchitect survey.

Initially built for video games, Unreal Engine has been increasingly adopted by architecture firms for 3D visualisation in recent years, with high-end features including real-time ray tracing, high-resolution textures and automatable optimisation.

Its follow-up, Twinmotion, has a more easy-to-use interface and faster workflow and has been favoured by BIG for some of the practice’s large projects.

Mass rapid transit 3D model for Wellington by Buildmedia
The tools allow for the creation of digital twins, for modelling data in the virtual world. Photo by Buildmedia

These real-time technologies open the door to new kinds of architectural visualisation, because traditional 3D rendering has typically taken hours, days, or even weeks of processing time.

With real-time tools, creations such as interactive virtual-reality experiences are possible, because when the user wearing VR goggles turns their head in a new direction, the newly visible area of the 3D model can be rendered in milliseconds. This allows clients to visit buildings in virtual reality during the design phase.

Unreal Engine and Twinmotion also enable the creation of digital twins – virtual representations of real-world buildings and even entire cities.

In this fast-growing arena, data from sensors in the real world provides a way to analyse elements such as traffic flow, movement patterns and comfortable environments via the virtual model.

HOK architects' Twinmotion project
Architecture firm HOK is among the users of Twinmotion for real-time renderings. Photo by CENTRUS

Another use is product configurators, where, for instance, sofas are changed from red to blue at the click of a button. While this is usually done on a product level, Zaha Hadid Architects is one of the practices applying it on rooms and buildings too for real estate sales.

On the development side, these tools allow for collaborative real-time design.

Zaha Hadid Architects' Twinmotion project
Zaha Hadid Architects will present their real-time rendering projects at Build: Architecture 2021. Photo by Zaha Hadid Architects

In addition to ZHA, HOK, Foster + Partners and BIG, Build: Architecture 2021 will feature presentations from Pawel Rymsza, 3D Repo, Buildmedia, Cannondesign, Pureblink, Vectorworks and Vouse.

These will be followed by virtual “dev lounges” where the audience can ask questions of Epic Games’ experts and the presenters.

Registration for Build: Architecture 2021 is via the Unreal Engine website.


Partnership content

This article was written by Dezeen for Build: Architecture as part of a partnership. Find out more about Dezeen partnership content here.

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Razer’s Zephyr face mask aka Project Hazel with RGB lighting is finally available for sale at $100!



While the company has dropped some high-end features, the RGB lit filters remain.

In CES 2021 – the first-ever virtual avatar of the biggest tech event to kickstart 2021 and Razer has come up with an answer to a question on everyone’s mind – how will tech handle our covid infested world? 2021 promises to be the year of solutions, with vaccines rolling out with speed, while realistically, we know that face masks aren’t going anywhere. Razer, the world’s leading lifestyle accessories brand for gamers takes a dip in the face mask world with the Project Hazel, now released as Zephyr.



The face mask concept showcased a glossy, waterproof, and scratch-resistant shell, transparent by design to allow for lip-reading, and made from recycled plastic. The main attraction is the two circular ‘Active Ventilation’ discs that sit on the sides of your mouth and hold the reusable N95 filters that give a 95% filtration efficiency.

Every Instagram-worthy gaming setup is in visual sync with each other, why should your mask not be a part of the new normal? Jokes aside, if this is a feature that helps people keep their masks ‘on’ wherever they are, I am all for it. The rings can glow with the color of your choice and the LEDs automatically detect and light up in a low light setting to illuminate your face so you can always be seen talking. How helpful is this feature, that is something we will know only once we actually try it but it does sound good in theory!

As Razer says, “The Razer Zephyr is not a medical device, respirator, surgical mask, or personal protective equipment (PPE) and is not meant to be used in medical or clinical settings. It is not tested specifically against the COVID-19 virus but offers the same functionality and adequate protection due to its 99% BFE rating.” Razer has dropped the before-promised UV charging case and voice amplification module to save costs.

Speaking of specs, the mask is now available on Razer’s site with three pairs of filters tested to last about three days each for a full day’s use. As an add-on, a pack with 10 sets of replacement filters will run $30. You can also buy it in a starter pack with the mask and 33 sets of filters — roughly 3 months’ worth — for $150! The mask weighs 209 grams (7 ounces) and it runs for about 8 hours with dual-speed fans set to low.

The mask is currently made for the masses, with no size variations or even allowances for a beard. Razer was one of the few companies worldwide that converted their manufacturing plants for the creation of surgical masks and wanted to pledge and donate up to a million surgical masks. The mask currently ships with an antifog spray, with Razer recommending that you don’t wipe your mask surface. Given all this, the mask seems more aesthetic rather than a medical wearable, but we’ll wait for further reviews to make a final call!

Designer: Razer

Click Here to Buy Now!

 

Eco-friendly & sustainable automotive designs that are not only a boon to the road, but the environment as well!

We’ve been seeing an influx of some cutthroat and drool-worthy automotive designs at Yanko Design. But a genre that really and truly piqued my interest was – sustainable and eco-friendly automotives! In a world, where the pandemic transformed our way of life and truly instilled the importance of living consciously and carefully within us, it’s time that we apply the same principles to Automotives. In fact, half of the world’s air pollution comes from passenger vehicles! Hence, we curated a collection of automotives that check all the boxes when it comes to being environment-friendly! Each automotive is innovative, bringing to us something we had never seen nor experienced before. Amped with killer speed, dashing good looks, impenetrable safety standards, and a non-threatening attitude to Mother Earth – every automotive we have featured has broken some design barrier for us, and hopefully, they will do the same for you as well. From a sustainable Lamborghini of the future to a DIY sustainable café racer-inspired e-bike – each of these designs is mercilessly pushing the boundaries of the automotive industry while managing to be a boon to the environment!

This sports car will be a fully electric vehicle with the battery pack right in the middle of the chassis under the interior cabin, and to keep the overall weight down a carbon fiber frame is used. On the inside, this electric Lamborghini gets the single-seater configuration – just like the ones on the fighter jet planes or racing prototypes. The steering on this concept gets a futuristic vibe with its dynamic shape, and the HUD is integrated right behind it. The paddle shifters look so inviting – I virtually want to try them out. To charge up the powerful ride, all one has to do is plug in the charging hose into the retracting portal located at this Lamborghini concept’s front left-hand side – just behind the front wheel. Like some other concepts or even prototype vehicles having an all-glass windshield that runs to the rear, this one has a body-colored perforated film. How that’s going to affect the visibility is anybody’s guess.

Inspired by the iconic café racers and scrambler motorcycles of the cycle, paired up with her own desire to own an e-bike, professional model maker and woodworker Evie Bee designed Electraply. Electraply is a wooden e-bike that was created out of Evie’s passion for sustainable design and an urge to combine modern manufacturing methods with traditional construction techniques. She implemented these ideologies throughout the entire design and construction process. And it really comes through in the final product! A vintage motorcycle aesthetic and sustainable design met to give birth to Electraply, which as its name implies, is made primarily from plywood. Layers of sustainably sourced poplar ply and birch ply were used to build the bike.

While this vehicle looks pint-sized, its efficient design makes optimum use of every inch out there. The car ships right out of reusable crates to cut on transportation costs, and once it reaches the destination, the containers are reused to ship back broken furniture. Just like IKEA, Höga can be assembled by one person in few hours thanks to its simple LEGO-like attachable frame elements in a perfectly symmetrical design. There are 374 total parts and 114 individual parts (sounds like a lot, but this is a car we are talking about!), which can be put together piece by piece to create the Höga. The skateboard platform of the vehicle houses the four individually moving wheels, which can move in any direction for maneuvering in tight spaces. Höga’s A-frame design comes with roll cage bars and body panel gaps to prioritize the safety of a vehicle so small in size.

CAKE has been on a quest to develop sustainable electric bikes with its first custom-built electric off-road motorbike introduced in 2018. Then the Swedish marque again surprised motorheads with the funky modular bike dubbed Ösa which could be personalized depending on the specific needs. Now CAKE wants to protect the African wildlife from the impending threat of poachers. They call this new version the Kalk AP (for anti-poaching), and it’s solar-powered for good measure. The clean energy-powered drivetrain means less noise which in turn means minimal disturbance for the native wild animals in their habitat, and also a means not to alert the poachers on the prowl. The bike doesn’t need to be hooked to the electrical grid for a charge, adding to its versatility in operation sans any time delays. This two-wheeler is based on the original Kalk bike that created quite a buzz when CAKE burst into the scene. The African terrain is quite harsh for vehicle components, hence, the Kalk AP bike has been modified to deal with extreme temperatures, and the mechanical parts and electrical components are sealed to ward off dust damage.

The visionary minds at the core of REE have developed a flexible platform that acts as a base for placing any vehicle body design on top. The highly advanced chassis is more than just a base with the X-by-Wire technology doing everything from steering, braking, and even driving. The modular platform also integrates the drivetrain, powertrain, suspension, and steering components into the arch of the wheel – making it a good option for automotive manufacturers. This opens up avenues for easy manufacturing of sports cars, off-roaders, delivery pods, lorries, and any configuration of vehicle you can think of. These components can be tweaked easily for any type of driving setup – a robust chassis for a 4WD with good suspension and loads of torque or maybe a two-wheel-drive warehouse bot with normal suspension and four-wheel steering.

Switch Motorcycles is a new electric bike company and they have just unveiled the eScrambler which is their very first product and we have to say, it’s quite impressive! To share some context, we expect nothing short of this from custom motorcycle veteran Matthew Waddick who teamed up with designer Michel Riis (former Yamaha Japan Advanced Labs Industrial Designer and past Danish Flat Track champion!) The first thing you’ll notice is that it has a sturdy, angular build, almost like the flat trackers and classic bikes of the ’70s or even the Tesla Cybertruck, making it stand apart from the usual slimmer electric bikes. To complete its big-guy aesthetic, it has 18-inch wheels wrapped in chunky tires, KTM forks, and a central mono-shock. Being a vehicle in 2020, it has all the tech you’d want in a bike – a digital display, cruise control, a battery level indicator, integrated GPS tracking, three power modes, and in-built Wi-Fi which truly sets it apart.

Eli reimagines the personal vehicles of the future by creating compact, efficient, clean, and affordable micro-EVs. The first is Eli’s line of automobiles, the Eli ZERO is half the cost, half the size, and 3–10 times more energy-efficient than conventional compact cars. In fact, its makers even go so far as to call it the “iPad of Cars”, comparing cars to laptops, while positioning the Eli ZERO as something that’s just as advanced and capable, in a ridiculously compact form factor! “It communicates a new vision of mobility and urban lifestyle that is friendlier, more engaging, less intrusive, and more sustainable”, say the designers at the LA-based Eli Electric Vehicles.

Airo comes complete with a state-of-the-art HEPA filtering system that removes fine particles from the air it drives through, edging the electric car’s green initiative even further. HEPA filters, or high-efficiency particulate air filters, are mechanical air filters that remove fine air particles measuring 0.3-microns in diameter. Airo’s HEPA filter is located in the vehicle’s undercarriage, where pollution from the air passes through and filters out, leaving the air around Airo that much cleaner. In addition to its embedded air-filtering system, Airo’s interior has a versatile configuration that can be altered to form multi-functional spaces specifically designed for today’s progression toward a mobile lifestyle.

A consortium headed by the Kyoto University and supported by the Ministry of the Environment in Japan has developed the NCV, or the Nanocellulose Vehicle, which features a body made from cellulose nanofiber, or CNF. What’s remarkable about CNF is that it’s derived from wood-pulp, which can be grown, unlike metal which can only be recycled. The beauty of CNF as a material is that it’s 80% lighter than steel but 5 times stronger. It’s derived from wood pulp, a raw material produced using forestry and agricultural waste, essentially turning refuse into an incredibly capable material that can replace metal, plastic, and glass. The Nanocellulose Vehicle is a case study for the CNF material. Scientists claim that the use of CNF in car production can result in a stronger but lighter car, also making it more CO2-efficient.

The SIN CUV (crossover utility vehicle) seats four passengers, giving them ample leg-room, and comes with a very generous maximum range of 160km, enough to cover a city from end to end twice. The entire car weighs a mere 950 kilograms (with the battery itself weighing 200 kilos). The 20kWh battery comes in two parts, with one larger battery pack permanently fixed within the car and another second detachable battery pack that can be swapped or charged separately. The SIN CUV’s efficiency also comes from its four-wheel drive, with each wheel having its own 15 kW in-hub motor for 160 Nm of torque, and a zero to 100 km/h time of 13 seconds, and a top speed of 130 km/h.

UK net-zero strategy "totally lacking in ambition" say architects

Architects Climate Action Network Protest in article about UK net-zero strategy

The UK’s strategy for achieving net-zero emissions by 2050 “does not go far enough” and ignores embodied carbon according to the RIBA and other industry groups.

More funding plus regulations to establish embodied carbon targets are needed, they say.

RIBA president Simon Allford said the proposals are “overshadowed by the lack of adequate funding and the absence of vital embodied carbon targets for new buildings.”

The plans “fall far short of the action needed to realise the objective of net-zero” added James Rixon of Architects Climate Action Network (ACAN).

Michael Pawyln of climate action group Architects Declare added that “much more radical thinking” would be needed to avoid a climate catastrophe.

“The approach that the UK government is taking involves doing enough to persuade the population that they are taking the problem seriously while, in reality, not doing anywhere near enough to prevent collapse,” Pawlyn told Dezeen.

“We need to rethink the fundamental purpose driving our economy, our relationship with the rest of the living world and the way we design, plan and operate our built environment.”

Growing calls for embodied emission regulation

The government released its net-zero strategy on Monday ahead of the COP26 climate conference, which the UK is hosting next month.

The document outlines how the country aims to reach its goal of becoming net-zero by 2050 in line with Paris Agreement targets, at which point it hopes to no longer contribute any additional carbon dioxide into the atmosphere.

Currently, the built environment accounts for roughly 40 per cent of the UK’s carbon footprint, which is addressed in the government’s new dedicated Heat and Buildings Strategy.

But architects have critiqued the UK’s approach for focusing solely on operational emissions from electricity and heating while failing to set rules around the embodied carbon footprint derived from material sourcing and construction, which accounts for around half of a building’s lifecycle emissions.

“After over a year of waiting, this strategy does not go far enough,” said RIBA’s Allford.

“Positive references to ‘fabric first’ and ‘whole building’ approaches are overshadowed by the lack of adequate funding and the absence of vital embodied carbon targets for new buildings.”

“Moving ahead, we hope for tighter regulation, substantial and sustained funding and adaptation of tax mechanisms to encourage ‘able to pay’ homeowners to retrofit their homes,” he added.

RIBA joins a growing number of industry voices that are calling for mandates around calculating and reducing the embodied carbon footprint of a building including architect Andrew Waugh and advocacy group Part Z.

Green heating strategy could leave “people living in cold homes”

The government’s roadmap set out plans to cut down operational emissions by having the entire country run on renewable energy and banning the sale of gas boilers come 2035.

Instead, the goal is to install only low-carbon heating systems such as heat pumps from that point, which absorb the warmth stored in the ground or air around a building rather than relying on natural gas but which are generally more expensive.

To make the technology affordable, the government will be giving 90,000 households across the country a £5,000 grant over the next three years, in the hope that this will increase demand and ultimately drive down the price for the wider population through economies of scale.

However, the UK’s independent Climate Change Committee has forecast that around five times as many heat pumps would need to be installed by 2025 to hit emissions targets.

“Bolting on a new heat pump or hydrogen boiler will not resolve the issues of heat and thermal inefficiency that are present in our existing housing stock,” argued Rixon of ACAN.

“While heat pumps use less energy to provide the same amount of heat as gas boilers, electricity currently costs about three times more than gas,” he continued.

“Without significant improvements in energy efficiency, householders with newly installed heat pumps will face significantly higher bills for heating, increasing rather than reducing the risk of unaffordable energy prices, leaving people living in cold homes.”

While the net-zero strategy sets out aims for all UK households to reach a medium energy efficiency rating in the
next 14 years, Rixon argues that the policy offers little financial support for achieving these improvements.

“The government’s target of achieving an energy performance rating of EPC C by 2035, caveated ‘cost-effective, practical and affordable’, is totally lacking in ambition,” he said.

“It is providing some additional funding for improving the energy efficiency of social housing and low-income households but no support for homeowners. The government should introduce fiscal changes, including reducing VAT on home improvements, to incentivise investment in upgrading homes.”

Regenerative approach needed to restore nature

Pawlyn from Architects Declare added that more systems-level changes are required to avoid runaway climate change, as we need to fundamentally need to redesign buildings to regenerate the natural environment rather than simply reducing the amount of harm they do.

“We need change at a systemic level if we are to rise to the challenges of the planetary emergency,” he said. “We need to urgently shift from a sustainable mindset to a regenerative one and that requires much bolder thinking than is currently evident.”

Currently, the government considers efforts to restore the UK’s natural ecosystems as separate from its built environment strategy, with £625 million designated for planting trees and restoring peatlands so they can serve as natural carbon sinks.

The roadmap also sets out aims to engage 75 per cent of UK farmers in regenerative farming practices come 2030 to cut down emissions from agriculture and help lock away atmospheric carbon in soil.

At the same time, a billion-pound carbon capture and storage infrastructure fund will be established with the aim to pull 20 to 30 million tonnes of carbon dioxide from the atmosphere every year by 2030.

Globally, an estimated 10 billion tonnes of CO2 would need to be removed from the atmosphere annually by 2050 through technologies such as direct air capture and mineral carbonation to stabilise global warming as close to the crucial 1.5-degree threshold as possible.

Main image is of ACAN members at the Global Climate Strike in 2019. Photography by Joe Giddings.

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Buildings could "definitely" be made exclusively from plant-based products says biomaterials CEO

Biobased Creations CEO Lucas De Man

Architects could soon be designing homes and other buildings using nothing but biomaterials, according to Biobased Creations CEO Lucas De Man.

De Man believes that natural products such as timber, hemp, straw and mycelium could completely replace polluting, non-renewable materials such as steel, plasterboard and cement.

Buildings “definitely could be” made exclusively from plant-based products plus natural mineral materials such as earth and lime, said De Man, whose company is behind an all-natural showhome built at this year’s Dutch Design Week.

Biobased Creations CEO Lucas De Man
Top: an all-natural showhome was displayed built at Dutch Design Week. Above: Biobased Creations CEO Lucas De Man

The project aims to prove that biomaterials can be used to build houses at scale and features 100 different plant-based or natural materials that are commercially available already or launching soon.

According to De Man, the same materials could be used to build large-scale buildings such as offices and schools.

“For bigger skyscrapers, I think you still need concrete for the foundations,” he said after giving Dezeen a tour of the showhome, which is called The Exploded View Beyond Building. “But the concrete can be without cement, so the impact is way less.”

“Practically it is already possible”

However, the construction industry will need a radical overhaul to achieve this, according to Pascal Leboucq head of design at Biobased Creations.

“Right now only three per cent of materials are bio-based, so there’s a long way to go to get to 100 per cent,” Leboucq said.

Pascal Leboucq head of design at Biobased Creations
Pascal Leboucq is head of design at Biobased Creations

But De Man predicts a radical shift towards plant-based and natural materials as people increasingly demand more sustainable buildings and legislation to reduce carbon emissions is introduced.

“Practically it is already possible [to build with biomaterials]” he said. “There will be more attacks on CO2. It will be impossible to keep on going the way we are going now.”

“I think we have to embrace the fact that things are temporary”

De Man also believes that the construction industry will eventually embrace the principles of the circular economy.

“I think the biggest shift will be our concept of time,” he said. “Now we want to build everything forever, for eternity. I think we have to embrace the fact that things are temporary.”

Based in Amsterdam, Biobased Creations works with biodesigners to showcase natural materials at events and festivals.

The showhome at Dutch Design Week in Eindhoven also features materials made from algae, bacteria, jute, linen, food waste and sewage. The products used are listed on the projects’ website.

In 2019 the studio produced The Growing Pavilion, a small temporary performance space at Dutch Design Week that was made of mycelium.

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Remi Connolly-Taylor creates her own glass brick-walled London home

Maryland House by Remi Connolly-Taylor

Architect Remi Connolly-Taylor has designed Maryland House in London, which features a glass brick enclosed staircase, as her own home and studio.

Set at the end of a row of terraced houses in east London, the brick house was designed as a home that has a dedicated workspace for Connolly-Taylor, who is the founder of London studio Remi CT.

Modern brick house designed by Remi Connolly-Taylor
Maryland House was designed by Remi Connolly-Taylor

“When I returned from New York, I noticed the current housing market didn’t reflect my needs,” Connolly-Taylor told Dezeen. “I started Remi CT in 2017 and like most young professionals, needed a space to work and create from home.”

“Maryland House’s core concept was the desire to shine a light on other lifestyles in London as the traditional layout does not reflect the diversity of the city and functional homes are lacking for young professionals,” she added.

Basement kitchen in London house
The kitchen is located in the basement

The home’s functions are stacked vertically with two bedrooms located on the ground floor and an open-plan kitchen, dining and living space placed in the basement.

The entire top floor of the house is given over to a dedicated studio space that opens onto a small balcony with a glass brick balustrade.

Studio with glass brick balcony for Remi Connolly-Taylor
A studio space is at the top of the house

“The traditional hierarchy of the home was challenged during the development of the design,” said Connolly-Taylor.

“Usually, traditional home layouts place emphasis on larger kitchens or family sitting rooms. We wanted to speak to the younger generation and young professionals through this design,” she continued.

“We focused on creating a workspace that wasn’t an afterthought. We wanted the space to be a destination within the home that one would want to work from.”

Glass brick wall
The floors are connected by a glass brick-enclosed staircase

Connolly-Taylor designed the home around a red, statement staircase that is wrapped in a glass-brick wall.

This allows natural light into the home and, along with a lightwell, helps to make the basement feel like a bright space.

“The glass blocks were a strategic design choice,” said Connolly-Taylor. “The dwelling’s mass was curated around how the natural light would enter the home.”

“I wanted to create a naturally-lit staircase that acts as a spine to the house,” she continued. “We needed to maintain natural light standards to the adjoining neighbours and within the home so the glass blocks were able to allow light to filter through while creating privacy.”

Red metal staircase
The red metal staircase adds colour to the interiors

Overall Connolly-Taylor aimed to create a calm, pared-back series of spaces that are punctuated with “grand moments”, like the staircase.

“Beauty in minimalism and creating grand moments on an 8.5 by nine-metre plot were also very important to this build,” said Connolly-Taylor.

Golden kitchen
The golden kitchen also adds a moment of grandeur

“For instance, when standing in the living room you do not feel like you are standing in a traditional basement,” she continued.

“Natural light floods down from the skylight, garden, and staircase creating an illusion you are above ground. Elements of grandeur are felt by the 3.1-metre ceiling heights in the basement, and the open staircase views to the first floor.”

Other recent London houses featured on Dezeen include a row of “ghostly” terraces designed by Fraher & Findlay, a home by Satish Jassal Architects that peaks above a brick wall and a compact house on the site of a former garage.

Photography is by James Retief.

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iPhone 13 Accessories designed to elevate Apple’s latest smartphone + fulfill every tech lover’s dream!

On September 14th, 2021, the iPhone 13 series was launched at Apple’s event. Everyone had major expectations for the latest iPhone family – some were met, some were not. This year’s iPhone has a smaller notch, bigger battery, better chip, and not too many major changes. Whether you were disappointed or excited by this year’s iPhone launch, whether you found it compelling or a tad bit boring – there’s always scope to amp up your iPhone with a bunch of exciting accessories! And by accessories, we don’t simply mean the same old covers and cases that we’ve all gotten pretty much accustomed to. Designers have been leveling up their accessories game, creating unique and handy products that will totally elevate your iPhone 13! From a MagSafe iStorage that adds a snap-on physical drive to your smartphone to a tiny 20W power bank that can charge multiple Apple devices – these innovative accessories are what your iPhone 13 truly needs!

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Touted as the most powerful power bank for its size, the Pixy Mini is this pocket-friendly, granola bar-shaped power bank with a capacity of 5,000mAh and a 20W power delivery, making it capable of recharging practically any portable gadget you’ve got on hand… even your laptop. What’s so impressive about the Pixy Mini is its deceptively small size. Tinier than a credit card, and hardly bulkier than a Zippo lighter, the Pixy Mini was designed to be carried around… but not even in your backpack, rather in your pocket. Outwardly, it looks like any other power bank, with a USB-A port and a USB-C port on either side, and 4 LED indicators that tell you how much power the Pixy Mini’s battery has.

Designed in California (quite like the iPhone shown inside it), the Moshi Crossbody Holster is a slick little piece of EDC that carries your phone as well as your cards. Perfect when you want to head out for a quick coffee run or to meet a friend (when you don’t need to carry anything more than your phone, wallet, and keys), the Crossbody Holster serves in a pretty stylish fashion accessory that’s just as functional. The holster comes built out of vegan leather and is wide enough to hold all sorts of phones (from the smaller ones to the larger Pro/Max/Plus ones too).

Chau is a wireless charger that can be either mobile or stationary. Much like wireless chargers already on the market, Chau comes in two parts: a wireless charger and its charging dock. The charging dock can be plugged into any outlet and features two charging stations for Apple products. The raised charging station holds the auxiliary charger in place so users can either leave their phone to charge on the dock or dislodge the auxiliary charger from its magnetic port and charge on the go. Working from home, we don’t have all of the supplemental charging accessories that fill up the office and our appliances with juice.

Designer Abdelrahman Shaapan has an idea – Magsafe Storage. Designed to resemble Apple’s newly launched MagSafe Battery Pack (although Abdel came up with this design all the way back in May), the iStorage is a nifty wireless drive that lets you add extra storage to your phone in literally a snap. How would the iStorage even work in theory? Clearly, the MagSafe is built just for hooking accessories to the iPhone and chargers to the wireless charging coil. How would the iStorage even transfer data? Well, even though Abdelrahman’s iStorage is just a fan-made concept, the real device could easily communicate with the iPhone or any other Apple device using AirDrop protocols. The snap-on feature would probably be just something of a convenience, but I could easily imagine the iStorage as being Apple’s own hard drive… something that the company hasn’t really ever worked on.

The Alto Metro Leather Wallet Case completely protects the iPhone 13 series! The case features a card pocket with anti-magnetic properties and is compatible with the iPhone 13, 13 Pro, and 13 Pro Max. You can insert a contactless card within the pocket, and you don’t even have to remove it to make purchases! The interesting wallet case has been crafted from leather, which exhibits an elegant and unique color and texture. The leather also cushions your iPhone and protects it from any damage. At the same time, it also manages to wirelessly charge your smartphone!

The OMNIA Q5 is a nifty docking and charging station that replaces your drawer of cables. Designed as a slick, compact dock that can fit on even the smallest night-stand, or the corner of your work-desk, the OMNIA Q5 lets you organize and charge all your Apple gadgets at once, supplying the right amount of power to each one of them to charge them rapidly and simultaneously. Designed to be an integral part of your ecosystem of Apple products, the OMNIA Q5 acts as an organizer for your gadgets. It docks them in individually assigned areas (so they’re always neatly arranged) and charges them too – wirelessly for the most part, except the iPad which needs a cable with a USB-C input.

The Native Union CLIC Case & Bundle helps you customize your iPhone 13 the way you want! The bundle includes a CLIC Pop or CLIC Classic Case and a Sling or Leather Sling. You can create a style of your choice – either with a simple case or a case attached with a sling (which is easy to detach via the Click Lock mechanism). The leather case comes in a classic black or tan, whereas the sling has eight unique color options! You can wear the sling crossbody or as a necklace. The options are unlimited – you can customize and carry your beloved smartphone in your true style!

Inspired by the daily sunrise, industrial designer Taesung Yoon has thought of the 2 in 1 Apple Devices Charging Stand (yes, that’s the name of this accessory) that does what it says. Designed after feedback from the data-driven research and realizing what people actually want in their unified Apple charging stand, this accessory has been cleverly designed for form and function. The charging stand’s vertical stance with a slightly arched top means that the iPhone sits comfortably without the fear of accidentally toppling it over with an accidental shove.

The Fjorden turns your iPhone into a hybrid DSLR. It physically snaps onto the back of your iPhone, giving you analog camera controls including a two-stage shutter button, a jog dial, a zoom slider, and even an extra multi-function button you can use to do stuff like trigger the flash. The overall form is comfortably tactile and grippy (and comes with the same texture found on cameras) and orients the buttons in a way that’s intuitive and easy to use (so you don’t have to sprain your thumb to reach the shutter button while holding your phone with the same hand). Moreover, the actual physical buttons allow you to use the camera with gloves on, an understated-yet-impressive upgrade to the iPhone camera experience).

The Nimble Wireless Convertible Stand makes wireless charging more flexible than ever! It charges your smartphone on contact and the built-in stand lets you place your iPhone in either a flat or propped-up position. This allows you to use your phone, and continue binging on your favorite Netflix show, while your phone is charging. The stand also features an additional port, so you can charge a second device as well. The built-in thermal management ensures a safe and hazard-free charging experience.

Dezeen Awards 2021 studio public vote winners include all-female Sarit Shani Hay Design Studio

Sarit Shani Hay Design Studio

SO-IL, Yakusha Design and four other studios have been chosen by Dezeen readers as winners of this year’s Dezeen Awards public vote in the studio categories.

Other winners include Tel Aviv-based Sarit Shani Hay Design Studio and Yakusha Design, whose objects are rooted in Ukrainian cultural heritage.

A total of 53,400 votes were cast and verified across all categories. The results of the public votes for the Dezeen Awards 2021 studio categories are listed below.

Dezeen Awards 2021 public vote winners in the architecture winners were announced on Monday, the interiors winners were announced on Tuesday, the design winners were announced on Wednesday and the sustainability and media winners were revealed yesterday.

Dezeen Awards winners announced in November

The public vote is separate from the main Dezeen Awards 2021 judging process, in which entries are assessed by our renowned panel of judges. We’ll be announcing the Dezeen Awards 2021 winners online in late November.

To receive regular updates about Dezeen Awards, including details of how to enter next year, subscribe to our newsletter.

Below are the public vote results for the studio categories:

SO - IL
SO-IL won the Dezeen Awards 2021 public vote in the architecture studio of the year category

Architecture studio of the year

New York studio SO-IL was voted architecture studio of the year in the public vote with 28 per cent.

The runners up were Pedevilla Architects with 23 per cent, LAN (Local Architecture Network) with 20 per cent, NADAAA with 16 per cent and Neri&Hu with 14 per cent.

Mold Architects
Mold Architects won the Dezeen Awards 2021 public vote in the emerging architecture studio of the year category

Emerging architecture studio of the year

Founded by Iliana Kerestetzi, Athens-based architecture practice Mold Architects focuses on the juxtaposition of traditional concepts and contemporary forms. Our readers named Mold Architects emerging architecture studio of the year with 44 per cent of votes.

Up next was Leckie Studio Architecture + Design with 20 per cent, Studio Puisto Architects with 17 per cent, ODDO Architects with 13 per cent and Penda China with five per cent.

Sarit Shani Hay Design Studio
Sarit Shani Hay Design Studio won the Dezeen Awards 2021 public vote in the interior design studio of the year category

Interior design studio of the year

Multidisciplinary interior and furniture design firm Sarit Shani Hay Design Studio specialises in private and public dynamic spaces, with a focus on child-centric design. The public voted the all-female studio interior design studio of the year with 29 per cent of votes.

The studio is dedicated to creating innovative and therapeutic learning-through-play environments in schools, kindergartens, hotels and hospitals where design becomes a vital and productive tool for social change.

Following were Fyra with 24 per cent, Home Studios with 20 per cent, Case-Real with 15 per cent and Rafael de Cárdenas with 12 per cent.

WGNB
WGNB won the Dezeen Awards 2021 public vote in the emerging interior design studio of the year category

Emerging interior design studio of the year

WGNB merges the boundaries between architecture, furniture and product design, creating a new sense of experience in its spatial design. The Seoul-based space design studio has been voted emerging interior design studio of the year by our readers with 35 per cent of votes.

Not far behind were Fumihiko Sano Studio with 32 per cent, File Under Pop with 13 per cent, Child Studio with 10 per cent and The Guild of Saint Luke with nine per cent.

Yabu Pushelberg
Yabu Pushelberg won the Dezeen Awards 2021 public vote in the design studio of the year category

Design studio of the year

Founded by George Yabu and Glenn Pushelberg, Yabu Pushelberg was named design studio of the year with 26 per cent of votes. Yabu Pushelberg’s offices in Toronto and New York now span architecture, landscapes, interiors, lighting, furniture, objects, textiles, branding and graphics.

Next in the design studio of the year category were Superflux with 18 per cent, Lee Broom and dn&co with 17 per cent, Form Us With Love with 14 per cent and Estudi Antoni Arola with 10 per cent.

Yakusha Design
Yakusha Design won the Dezeen Awards 2021 public vote in the emerging design studio of the year category

Emerging design studio of the year

Yakusha Design‘s minimalist and utilitarian objects show the richness of live materials. The Ukrainian studio was picked as emerging design studio of the year by our readers with 31 per cent of votes.

Yakusha Design supports local Ukrainian artisans and gives a strong voice to ancient crafts and traditions reviving them in modern design.

The finalists were ThusThat with 29 per cent, Marjan van Aubel Studio with 22 per cent, Studio Raw Material with 11 per cent and A Space with eight per cent.

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Fritz Hansen creates beige, white and rose showroom in Shanghai

Fritz Hansen showroom in Shanghai

Danish brand Fritz Hansen has opened a showroom in Shanghai‘s Jing’an district, which is the brand’s latest outpost in China.

Located in the ShanKang Li lifestyle and dining hub, the 220-square-metre showroom is decorated in a palette of beige, white and rose.

Fritz Hansen showroom in Shanghai
Fritz Hansen has opened a showroom in Shanghai

The directly owned showroom marks the latest step in Fritz Hansen‘s expansion into China following its first Chinese store in Xi’an in 2019, which was opened in collaboration with a local partner.

The Shanghai showroom forms part of Fritz Hansen’s strategy to become the “biggest Danish brand in China”.

Shanghai showroom
It is the brand’s first directly owned showroom in China

“Our Shanghai showroom represents a physical manifestation of our brand as we take our steps into the Chinese market,” said Fritz Hansen’s CEO of Asia Dario Reicherl.

“It reflects the evolving vision of a luxury lifestyle brand, first established 150 years ago.”

Showroom window
The showroom contains a selection of the brand’s furniture

The showroom is divided into four main areas, with spaces dedicated to furniture for dining rooms, living rooms, kitchens and home offices.

It features a curated selection of Fritz Hansen’s most iconic pieces, including China chair designed by Hans J Wegner, and PK80 daybed, PK54 dining table designed by Poul Kjærholm.

Walls are adorned in oak, marble and plasterboard, while playful floral arrangements add a pop of colour to the space.

Spanish designer Jaime Hayon’s Ro and Fri chairs are intended to give the space an adventurous and imaginative modern touch.

“We want to create a dialogue between the classic design and modern young design,” according to Fritz Hansen’s head of China Jenny Pu.

Office furniture
One room is dedicated to office furniture

Founded in Denmark in 1872, Fritz Hansen produces classic items by pioneering twentieth-century Danish designers including Arne Jacobsen, as well as contemporary figures including Cecilie Manz, Benjamin Hubert and Nendo.

Fritz Hansen opened its first store in Asia in Tokyo, Japan nearly 20 years ago. The brand then entered other Asian countries including South Korea, Thailand, Singapore and Indonesia.

Living room furniture by Fritz Hansen
Another is dedicated to living room furniture

“Fritz Hansen’s success in Japan and South Korea give me more confidence in its future in China,” said Reicherl.

“In the past few years, I’ve seen more and more young Chinese are searching for higher quality lifestyle, with increasing stress from outside world, they tend to look inward and spend more time at home with family and friends.”

Fritz Hansen recently revamped its headquarters in eastern Denmark to create a homely space to cater for its employees many diverse working needs.

Images courtesy of Fritz Hansen.

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