Sister City hotel distils hospitality "down to the essential beautiful parts"

Sister City hotel by Atelier Ace

In the first of two videos about Atelier Ace produced by Dezeen for the AHEAD Awards, Kelly Sawdon explains how the brand’s Sister City hotel offers travelers a minimal refuge from the bustle of New York.

Sister City is a hotel in the Lower East Side of Manhattan designed by Atelier Ace, the Ace Hotel‘s in-house creative team.

Sister City hotel by Atelier Ace

The hotel was nominated in the Hotel Conversion category at this year’s AHEAD Americas hospitality awards, which were broadcast in a video ceremony as part of Dezeen’s Virtual Design Festival after the physical event was cancelled due to the coronavirus pandemic.

Amongst the other nominees was Maison De La Luz, a luxury guesthouse in New Orleans also designed by Atelier Ace.

Sister City hotel by Atelier Ace

Sister City acts as a quiet, minimal counterpoint to the portfolio of hotels under the Ace Hotel name, which are known for their rock-and-roll opulence and hip nightlife areas.

The project is a conversion of a 10-storey brickwork building, which Atelier Ace topped with an additional four floors that include a rooftop bar.

Sister City hotel by Atelier Ace

In a video interview with Dezeen filmed using video conferencing app Zoom, Sawdon stated that the hotel was devised to offer guests peace when they step in from the streets of Manhattan.

“The overall vision for the project was to really look at how we can do something in a minimalist, refined way,” she said.

“It’s restorative for the guests when they’re coming in from the hustle and bustle of the city.”

Sister City hotel by Atelier Ace

Sister City’s interiors were designed with calm in mind, making use of warm wood fittings and furniture throughout.

“It was all based around how can we minimise the noise and the clutter and really just distil it down to the essential beautiful parts,” said Sawdon.

This quiet approach is apparent in the lobby, which features an AI-powered ambient soundtrack developed by electronic musician Julianna Barwick.

“We used a lot of light and shadows,” said Sawdon. “There’s a lot of wood, a lot of natural materials, terrazzo stone. We used vintage furniture and plants to create a peaceful, serene sort of space.”

Sister City hotel by Atelier Ace

Each of the compact guest rooms features a cherry wood bed frame, a wooden valet that folds up and down when needed, terrazzo sinks, striped bedsheets and Noguchi lanterns, as well as a Bang & Olufsen speaker attached to the Headspace app for guests to meditate.

“The rooms have really taken a focus on what’s functional,” Sawdon said. “They’re refined and thought through but minimalist in a warm and inviting way.”

Sister City hotel by Atelier Ace

According to Sawdon, Sister City’s departure from the approach to previous Ace Hotels is an outcome of Atelier Ace’s attitude towards innovation.

“At Atelier Ace, we really focus on remaining curious and continuing to expose ourselves to new ideas and new schools of thought and I think as a company, we’re going to continue pushing ourselves and evolving.”

This video was produced by Dezeen for AHEAD. Photography is courtesy of Atelier Ace.

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Jewellery designs from New Designers showcase question normative gender roles

Jewellery designs from New Designers showcase question gender roles

A necklace strung together from images of male nipples is among five projects from 2020 graduates selected by the organisers of the annual New Designers showcase to be exhibited in this VDF school show.

The students, who hail from different universities and courses across the country, have shared designs that exaggerate and subvert traditional notions of femininity and masculinity, predominantly through the medium of jewellery but also through embroidery and graphic design.

Their work was chosen from the more than 3,000 graduate projects that were set to be featured at the annual New Designers exhibition in London this year.

In lieu of a physical show, the event is taking place digitally this year, with standout projects from 20 students showcased at the Virtual Design Festival, where their work is divided into the four key themes of gender, nature, sustainability and bold, geometric prints.

But even across these disparate categories, organisers say that students’ work this year has been united by an increased concern for the environment, as well as for social and psychological wellbeing.

This can be seen in the five projects below, which are primarily concerned with issues of gender but also make a point of utilising recycled metals and ethically sourced gemstones in their production.


New Designers graduate show: Gender

Showcase: New Designers
Instagram: @newdesigners
Organiser: Upper Street Events

Event statement: 

New Designers, the UK’s largest design graduate show, celebrates its 35th anniversary in 2020 with the launch of a series of digital initiatives throughout the summer. In lieu of a physical showcase, the event will aim to promote and celebrate the work of the graduate class of 2020. With these virtual initiatives, New Designers hopes to offer graduates alternative opportunities to gain better insights into the design industry and advance in their professional careers in such extraordinary circumstances.

“Since the start of June, New Designers has been running ND Selects, a social media campaign that hopes to offer visibility and recognition to students’ final projects. Each day, New Designers publishes a post about different students, highlighting their final piece, alongside their processes and influences.

“This year has seen a surge in final projects that respond directly to environmental and social issues. From game design to textile prints, the class of 2020 has offered creative design solutions for contemporary storage, diagnosing dyslexia and reconnecting children with nature. Making informed and considered material choices that are either recyclable or locally sourced has also been a key focus for many students.”


Jewellery designs from New Designers showcase question gender roles

Modern Venus by Daniel Groza

“Modern Venus is a high-end jewellery collection that promotes inclusivity. It highlights the beauty of individuality found within our body shapes and pigments.

“A variety of precious metals are used to create jewellery that matches all skin tones. The Japanese Mokume-gane technique of blending different alloys celebrates imperfections. The hanger motif symbolises rejecting society’s image of the ‘ideal woman’ in favour of a realistic view of the female form, with stretch marks and limbs of diverse proportions.

“Tracing metals back to their natural source is a crucial feminist issue. Women who work at the beginning of the jewellery supply chain are often underpaid, as well as victims of abuse and discrimination. Reclaiming gold family heirlooms and using scraps of silver demonstrates a commitment towards ethical production methods.

“This collection speaks of important feminist matters and enables the wearer to use their body as a canvas – a visual representation of their beliefs.”

University: Edinburgh College of Art
Course: MFA Jewellery and Silversmithing


Jewellery designs from New Designers showcase question gender roles

Symbols of Femininity by Celeste Chambers-Hill

“How is gender performed? Alongside ideas generated by theorist Judith Butler and writer Susan Sontag, this collection represents a personal, individual exploration of the ways in which gender is characterised in dress, style, costume, fabrics and colour combinations.

“The processes and practice of designing and making these jewellery pieces was motivated by particular ideas of what might constitute femininity, whether in popular culture, theatre, literature or film, where the feminine is symbolic of specific female energy or force. Playing with such notions of gender constructions, this collection includes objects exaggerated in scale and pattern, with pale, pastel colours that parody what is thought to be an inherently female palette.

“The overall appeal of drag performances and the ambiguity and humorous nature of such performance in particular, provide the context for this collection to challenge constructed and canonical narratives of gender identity. All precious metal used in this collection is 100 per cent recycled and the natural gemstones have been ethically sourced.”

University: Glasgow School of Art
Course: BA Silversmithing & Jewellery Design


Jewellery designs from New Designers showcase question gender roles

Boys will be boys by Greg Sutherland

“My work is an exploration of male homosexuality and masculinity through the lens of a working-class background. I studied the fetishisation of the hyper-masculine within the gay community and how these masculine ideals can stimulate excitement, fear, rebellion and shame. More specifically, I concentrated on the impact of growing up as a gay man in the age of the internet, bringing into focus the impact of an oversaturation of explicit content and the birth of an image-obsessed body culture.

Photography of the body provides substantial inspiration for my work, and I use it directly as a medium for creating jewellery. I view my pieces as possessing cyclical qualities, designing from the body and for the body. I also take inspiration from pop culture, traditional symbolism and the architecture of my hometown, which I use as a metaphor to express feelings of suppression, frustration and constriction.

“My approach to making is centred on traditional jewellery techniques and handmaking skills. I hope to blend humour, sex and fashion alongside my intimate feelings and experiences to create pieces of contemporary jewellery that are intriguing, captivating and offer a narrative.”

University: University of Dundee
Course: BDes Jewellery and Metal Design


Man Up by Sean Morgan

“Man Up is a booklet about toxic masculinity and how we can try to solve the problems it causes.”

University: Plymouth College of Art
Course: BA Graphic Design


Jewellery designs from New Designers showcase question gender roles

Dollhouse by Francesa Lim

“I drew inspiration from my love of dolls, which I’ve collected since I was a child. My fascination with them is based on each doll’s personal character and style as embodied in its appearance and the craftsmanship behind it.

“The collection is called Dollhouse because the dolls are grouped together into themed ‘rooms’ that represent their unique character. The Romanticism room is based on 18th-century dolls, while Fantasy features fairytale creatures such as fairies and mermaids.

“The Puppet series are handcrafted dolls from different cultures and Plastic features kitsch-like representations of quirky, modern plastic toys. These different elements come together as a colourful collection of eclectic and experimental designs, representing each doll’s theme as an embroidered garment piece.”

University: Royal School of Needlework
Course: BA Hand Embroidery


Virtual Design Festival’s student and schools initiative offers a simple and affordable platform for student and graduate groups to present their work during the coronavirus pandemic. Click here for more details.

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Creative Heroes: FKA twigs

As part of our 40th celebrations, we’re honouring some of the artists and creatives we feel are changing the industry today and inspiring new generations. Here, we interview musician FKA twigs, who discusses her journey from humble beginnings to global recognition

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Creative Futures Revisited: Creature’s Ben & Stu

As part of our 40th birthday celebrations, CR is revisiting the alumni from our Creative Futures scheme, which ran for nearly 30 years. Here, we chat with creative duo Ben Middleton and Stu Outhwaite-Noel, who were featured in 2005

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Aux zine keeps prisoners thinking creatively

Prisons have been the centre of debate during the Covid-19 pandemic. Outbreaks have been a source of ongoing concern, prompting a call for early releases and remote parole hearings, though only a fraction have gone ahead. Given the overcrowded nature of the UK’s facilities, prisoners have spent the last three months essentially held in solitary confinement around the clock, with a clampdown on external visits and educational initiatives.

In light of this, InHouse Records took on the task of launching Aux, a weekly zine that has been distributed to prisons and correctional facilities in the UK and USA. Founded by Judah Armani, the non-profit organisation is the first fully functioning record label to be launched in prison, and is created with and by prisoners. InHouse Records describes itself as “a label for change wishing to see safer communities, less victims of crime, and for prisoners; rehabilitation and employment with dignity and aspiration”.

The zine was conceived by Armani as a way to “combat potential anxieties and frustrations and to support the prisoners without us being inside,” explains InHouse Records’ Hannah Lee, who taught graphic design at HMP Elmley in Kent prior to the lockdown and now helps to create the zines.

Aux zine by InHouse Records

“The decision process behind releasing a weekly zine happened very quickly. When lockdown began in March, programmes like InHouse Records were suspended as only essential staff were allowed inside the prisons. For the 86,000+ prisoners in the UK this meant remaining in their cells for almost 24 hours a day,” says Lee.

The design of Aux is vibrant and colourful, often taking inspiration from the old posters and album covers that came up in the pieces, and features typefaces donated by Or Type and Signal type foundry.

The first issue was completed start to finish in under ten days, and was “raw and a little rough around the edges”, which Lee attributes to the urgency of the project. Since then, the team has been producing the zine on a weekly basis, and has so far distributed 30,000 copies around the UK. The deliveries go out at a similar time each week to create an element of structure, which Lee says is important when normal routines have been upended as they have been.


Aux zine by InHouse Records

The zine takes the form of a music publication filled with interviews, tips and informative guides across seven sections: creativity, writing, music, wellbeing, rhythm, production, and culture. Each issue features a new poem or lyrics from one of the label’s ‘graduates’, and has so far included interviews with Sopranos actor Joe Ganascolli, comedian Tom Ward and musician Yazz Ahmed.

The content is determined by the music facilitators, many of whom had no experience in writing articles but made up for it with “a connection and relationship with the prisoners,” Lee says. “[The facilitators] know which artists they are inspired by, who they don’t like and who may be of benefit for them to discover.”

The direction of the zine is also informed by Lee’s experience of teaching graphic design inside a prison, an initiative proposed by Armani, where she covered the basics of typography, logo design, advertising and marketing, poster work and album artwork.

“Even though I was ripped for my flared jeans (apparently in some clubs there are signs on the door banning entry of ‘bootcuts’) and the nicest comment I received in three months was ‘you’re not that shit at this’, it was deeply rewarding and this first hand experience helped me greatly when it came to designing the zine,” Lee reflects.

The zine also comes with a CD, which Lee says functions like a podcast by offering a summary of each section and a selection of tracks to work with. Creating an audio accompaniment to the zine seeks to address varying literacy rates among prisoners, and is designed to help improve literacy skills by allowing people to read along while listening.

Aux seems to be a resounding success: even after restrictions are lifted in prisons, the team plans to continue producing the zine once or twice per month, and Aux has been well received among readers according to Armani. Many have even shown interest in learning how to play guitar, something InHouse has been able to respond to with acoustic guitars donated by Fender.

“It’s been incredibly positive, but that only begins to tell part of the story,” he says. Armani is keen to point out the difference between the public lockdown and the kind seen in prisons (“one measure is protection driven the other one is punishment driven”), which influences the role and importance of the zine.

“Aux doesn’t just help create the safe and enabling environment for prisoners to engage with the magazine, increase literacy or develop a technical skill, it also serves to convey far more powerful messages. How do we operate in a society that is becoming more and more contactless? By creating more and more human responses,” Armani says.

“Aux magazine is carefully and beautifully designed because we want to convey a value and significance to every reader that picks up a copy. If we want to see real change we need to start doing things differently, and Aux magazine is doing just that.”

The zine taps into Armani’s belief that creativity is a powerful healing mechanism. “The creative process is one that is good for the soul, good for the mind, it’s good for our wellbeing,” he says, adding that it can “inspire others to reflect, engage and change”.

“Without the consistent opportunity to nurture creativity, emotions like anger, frustration, anxiety and uncertainty are channelled into more unhealthy coping mechanisms,” Armani says. “Creativity heals.”

inhouserecords.org

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NASA releases decade-long time lapse of the sun

NASA releases decade-long time lapse of the sun

NASA has compiled over 87,000 high-resolution images of the sun taken over the past decade from its Solar Dynamics Observatory to create an incredibly detailed time-lapse movie.

The video was released to mark the 10th anniversary of NASA’s Solar Dynamics Observatory (SDO) satellite, which has been photographing the sun from its orbit around the Earth since 2010.

To create the time lapse, NASA edited down the 425 million high-resolution images captured with its SDO by choosing one photo taken every hour from the satellite.

NASA releases decade-long time lapse of the sun
NASA has created a decade-long time lapse of the sun

NASA’s video condenses the past decade into a 61-minute-long video, with each second representing approximately one day.

The SDO takes an image of the sun every 0.75 seconds and has so far amassed 20,000,000 gigabytes of data on the star at the centre of the solar system. It takes images in 10 different wavelengths of light.

The time lapse shows the sun’s outermost atmospheric layer, the corona. It was compiled using images taken at an extreme ultraviolet wavelength of 17.1 nanometers.

NASA releases decade-long time lapse of the sun
NASA’s Solar Dynamics Observatory has been photographing the sun since 2010

Although the SDO has been focused directly at the sun for the past decade, the video has some dark frames caused by the Earth or the moon passing between the satellite and the sun.

The video also has a dark spot when there was a week-long issue with the camera in 2016. At some moments in the video the sun moves off centre, this is due to the SDO calibrating its instruments.

The SDO was launched on 11 February 2010 and is part of NASA’s Living With a Star program, which aims to understand the influence of the sun on the Earth.

NASA is currently planning a mission to the moon for 2024. The space organisation recently named Jeff Bezos’s Blue Origin, Elon Musk’s SpaceX and Alabama-based Dynetics as the three teams that will develop vehicles for the mission.


Project credits:

Lead producer: Scott Wiessinger (USRA)
Lead data visualiser: Tom Bridgman (GST)
Lead science writer: Mara Johnson-Groh (Wyle Information Systems)
Project support: Robert C. Garner (USRA)

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Students go back to nature in projects from New Designers graduate show

Students go back to nature in projects from New Designers graduate show

Building blocks that support biodiversity and a textile homage to cold-water swimming feature in this roundup of work from 2020 design graduates, which is being presented at VDF by the New Designers student showcase.

The annual exhibition, which is described by organisers as “the UK’s largest design graduate show”, was set to feature the final projects of more than 3,000 students from a range of disciplines and universities.

But with the physical event called off due to the ongoing coronavirus pandemic, New Designers is showcasing their work digitally this year.

From this vast pool of projects, 20 are being highlighted here at the Virtual Design Festival across the four unifying themes of nature, gender, sustainability and bold, geometric prints.

In an increasingly urbanised, digitised world, the five projects below are united by their exploration of how we relate to our natural surroundings, whether that’s through the medium of ceramics or textiles, transport or interior design.


New Designers graduate show: Nature

Showcase: New Designers
Instagram: @newdesigners
Organiser: Upper Street Events

Event statement: 

New Designers, the UK’s largest design graduate show, celebrates its 35th anniversary in 2020 with the launch of a series of digital initiatives throughout the summer. In lieu of a physical showcase, the event will aim to promote and celebrate the work of the graduate class of 2020. With these virtual initiatives, New Designers hopes to offer graduates alternative opportunities to gain better insights into the design industry and advance in their professional careers in such extraordinary circumstances.

“Since the start of June, New Designers has been running ND Selects, a social media campaign that hopes to offer visibility and recognition to students’ final projects. Each day, New Designers publishes a post about different students, highlighting their final piece, alongside their processes and influences.

“This year has seen a surge in final projects that respond directly to environmental and social issues. From game design to textile prints, the class of 2020 has offered creative design solutions for contemporary storage, diagnosing dyslexia and reconnecting children with nature. Making informed and considered material choices that are either recyclable or locally sourced has also been a key focus for many students.”


Students go back to nature in projects from New Designers graduate show

Ashore by Marieke Evans

“Ashore is an intercultural community hub in an abandoned Edwardian bathhouse. It celebrates cultural diversity by bringing people together, providing them with skills and a place to share stories as well as food, workshops, education and performances.

“This adaptive reuse proposal is based on the property of Govanhill Baths in Glasgow and aims to challenge the negative connotations of immigration within the most culturally diverse area of Scotland and an area of urban deprivation. A narrative of sea crossing influences the design and nods to the setting of the public bath while honouring the bravery of refugees, who have crossed dangerous seas to get here.

“The base is cast in plaster, while acrylic interior walls and elevations provide a clear insight into the design. Photography on the walls will serve to provide context and a magazine-style booklet will present the primary and secondary research, development, design and production processes that have influenced the final design.”

University: University of Dundee
Course: BDes Interior and Environmental Design


Sublimity by Imogen Mills

“Having swum in seas, rivers and lakes over the winter, I have faced my fear of deep waters and woven a textile installation to explore how sublimity can be achieved both through cold-water swimming and the act of weaving cloth.

“These immersive sculptures are woven in thin wire and cotton, manipulated into forms that highlight the frailty of cloth. The viewer can see each individual piece of thread, allowing them to gain a deeper understanding of how cloth is made.

“I have also articulated my experiences of cold water swimming through an assortment of drawings and prints. In these, I deal with facing my fear of deep waters, which I have held since I was a child, but also talk about the compulsion I feel to get in and swim. This tension is captured in the woven sculptures through the use of scale and colour.”

University: Camarthen School of Art
Course: BA Textiles: Knit Weave & Mixed Media


Students go back to nature in projects from New Designers graduate show

TVR Cynolycus by Sam Warrilow-Pearce

“TVR Cynolycus is a convertible sports car based on the mythical creature of a cynolycus, which features the body of a stag, the neck of a lion, hooves for feet and a bony ridge instead of teeth. A cynolycus is said to imitate the human voice, call men by their name at night and devour those who approach it.

“This new breed of TVR sports car represents the ultimate evolution of the brand and has been designed to encompass the design DNA of its predecessors while offering a glimpse of the future. The four-seater is powered by a four-cylinder hydrogen hybrid engine for enhanced green credentials while maintaining the ultimate driving experience.

“The concept utilises the iStream manufacturing process, developed by Gordon Murray to rethink the way cars are designed, developed and manufactured.”

University: Staffordshire University
Course: BA Industrial Design: Product & Transport


Living Blocks by Lawrence Parent

“Living Blocks is an open-source recipe, which can be used to produce building blocks that can support plant and insect life. Drawing inspiration from the porous structure of limestone formations, living blocks uses waste fruits, vegetables and locally sourced aggregates such as crushed shells, shingle or waste rubble from building sites, to produce a similar porous structure in a cement-based alternative.

“This project explores the ways in which we can build with nature to increase biodiversity in cities while developing our connection to nature. Currently, cities are built with clean, smooth surfaces and spaces, with little focus on natural life. Living blocks aims to provide a basic, open-source process people can use and adapt to build blocks or other shapes that provide complex, textured, bio-receptive surfaces that could provide rich ecosystems in urban spaces.

“Living blocks are made from hypertufa, a cement-based material used to make garden planters. I have repurposed this material and cast it in a process similar to lost-wax casting, but instead of wax my method used tomatoes, ice and balloons to achieve craters, voids and holes that are ideal for hosting urban plants, insects and wildlife.”

University: University of Brighton
Course: BSc Product Design


Students go back to nature in projects from New Designers graduate show

Natural Landscapes by Amy Jackson

“This collection of ceramics explores glaze and application techniques, which take inspiration from the natural world.

“The collection consists of six forms showcasing a variety of landscape-like qualities, derived from countless experimental glaze developments and applications.”

University: Staffordshire University
Course: BA 3D Designer Maker


Virtual Design Festival’s student and schools initiative offers a simple and affordable platform for student and graduate groups to present their work during the coronavirus pandemic. Click here for more details.

The post Students go back to nature in projects from New Designers graduate show appeared first on Dezeen.

Medical innovations that will revolutionize the future of your healthcare!

We are all aware of the three basic needs for human survival, while a fourth one is added to the list: medicines. Medical innovations are one of the few things that have the ability to change the world in a single innovation. WHO states that Cardio Vascular Diseases are the number one cause of death globally: more people die annually from CVDs than from any other cause. About 422 million people worldwide have diabetes, the majority living in low-and middle-income countries, and 1.6 million deaths are directly attributed to diabetes each year. The only way to handle these diseases is to improve our existing healthcare practices, focus more on monitoring which in turn will help us be more prepared for everything that comes our way. The designs showcased here today attempt to innovate and improve our existing practices – from the cast applied on a fracture to even motion sickness, these designs will improve our quality of life for the better!

Chicago-based startup Cast21, however, has designed a sleeve that fits over any hand. Cast21’s cast takes shape around your hand once it’s filled with a patented gel that hardens over time. Doctors select a sleeve-size based on whether the patient is a child or a fully-grown adult. The sleeve is slipped on, and filled with a patented mixture of resins that become a malleable gel after a while. The doctor can then adjust the gel to perfectly hug the limb, giving it the support it needs. Patients can even choose between gel-colors, opting for combinations and gradients, breaking the stigma that casts need to look horribly clinical. The resins harden through an exothermic reaction, providing soothing heat to the limb as the cast begins to take shape.

Citroën’s SEETROËN (clever name alert) is quite an ingenious device designed to help create a balance between nausea-inducing experiences, so your brain doesn’t get confused. The quirky-looking glasses (designed to be worn only while traveling) come with four rings on the front and side with a liquid suspended in them. When in a moving vehicle, the liquid moves around too, giving the brain a visual stimulus that helps it understand the way you’re moving. When the car moves from left to right, the liquid in the ring does too, informing your brain of the movement as you watch movies on a screen or read a book. The rings stay on the boundaries of your vision, allowing you to see normally, while the liquid rings on the periphery don’t obstruct your vision.

Literally the size of a quarter, Adam Miklosi’s Dab is an unobtrusive Holter ECG/EKG that rests comfortably on your chest, constantly reading your heart’s movements. Designed to be minimal, non-invasive, and simple, the Dab tries to bridge the gap between medical appliances and wearables. Its tiny yet classy design sits on your chest via a gel patch, while the electrodes capture your heart activity. The Dab’s dry-electrodes allow it to be used and reused, while constantly measure one’s heart activity (requiring periodic charging via their wireless charging hub), and keep logs of accurate readings, quietly sitting on your chest while you absolutely forget that they’re even there in the first place!

The Kardia is a tiny ECG (or EKG) reader that works in conjunction with your iPhone to give you heart-rate readings. Simple in its design, with just two textured sensor-pads for your fingers, the device takes readings and its partner-app guides you through the process, showing you your current heart rate. Place your fingers on the sensors & in just 30 seconds, you have a medical-grade EKG reading, to be monitored for irregularities, or shared with your doctor. Just like the thermometer became a household medical product, followed by the blood-sugar meter, the Kardia aims at becoming the next household medical device that helps people monitor their heart status and keep a check on their condition.

VanBerlo Agency’s LifeSaver can be mounted on walls at accessible and prominent locations. If someone is suffering from a cardiovascular attack, you simply grab it and press the button for calling 911 below it. So while you perform CPR, the ambulance is on its way! The first instruction provided is to remove the clothes from the chest of the victim. After that, you open the box and remove LifeSaver from it. Place the AED on the chest of the victim, and follow the instructions. OLEDs and touch sensors guide you through the entire process. LifeSaver even helps you with placing the electrodes correctly and guides you regarding the location and rhythm for the chest compressions. Via visual displays and an audio option, LifeSaver gives you critical feedback.

Using a trio of gyroscopic motors mounted within a sleek and futuristic wearable that dramatically wraps around the user’s hands, Tryro counteracts the shakes to stabilize the user’s hands and therefore induce a sense of confidence! Its designer, James Sanchez, recognized the various levels of tremors that an individual can have. To cater to this, a dial that’s located on the user’s wrist allows for adjustment of the gyroscopic motor’s speed! What makes Tryro so unique is the medical aesthetic that it has managed to avoid. Considered details and an attractive form lead to a more desirable product and one which doesn’t carry the stigma of medical devices!

Imagine a smart insulin port attached to your skin, delivering the right dose, and at the right time. At the same moment, getting all information regarding your sugar levels, meds timings, and health data, managed and analyzed with the accompanying app. Kite, designed by Mitul Lad & Cambridge Consultants, replaces the need to pump yourself with over 30 injections a week, thanks to the soft cannula insertion. It turns any device into a ‘smart’ device and automatically dispenses the accurate insulin dose. Designed to be affordable, a device like this can be very helpful in the lifestyle management of diabetics.

Ryan Krause’s VERO isn’t just some regular thermometer… it was built for helping companies monitor the health of their individual employees. The VERO reads temperature using non-contact infrared sensors, but it doesn’t just do that. It helps keep a tab of people scanned too, allowing offices or businesses to internally test their own employees. The VERO scans the patient’s temperature while also logging in their name, details, and their identity… like a biometric scanner that captures an employee’s attendance as well as their health!

I love how designer Manuel Hess put it… “a walker doesn’t have to look like a disease itself.” Harsh but SO true! His proposal for a walker, called PROSUS, ditches the stigma and is instead designed with dignity in mind. It takes inspiration from both sportbikes and modern furniture, applying the same sleek design language to the walker. Unlike “medical” looking walkers, this one totally looks Professor X worthy!

Taking inspiration from Airbus’ existing family of cutting-edge aircraft, the Airbus A-180 Drone project by Reza Salianeh looks a lot like something that might already exist in their modern fleet! To deliver a payload of emergency supplies, it utilizes three double engines – one at the rear for forward thrust and two integrated into the wings for upward and downward maneuvering. Able to take off and land vertically or horizontally, it can safely enter danger zones. Upon arrival, it releases a cargo capsule capable of transporting everything from medicine and antivenin to supplemental blood and even organs.

The award-winning Jelly medicine by Jeongho Oh, Dongho Choi, and Ryangtak Oh is individually packaged to minimize air contact and to prevent almost oxidation of nutrients from the moment it comes into contact with oxygen. It also provides customized medicines by individually tailoring the packaging. You can order medicines for specific diseases and age groups instead of having all tablets coming separately and wasting resources. The aim of this water-free jelly medicine is to ensure that people in developing countries do not needlessly suffer from diseases caused by contaminated water. Not only does this medicine design make swallowing easier, but it also addresses the larger problem of access to clean water in poorer countries. This innovative jelly medicine is created to be water-free so people don’t have to pick between curing themselves or adding on to existing health risks. The jelly is the same size as a sip of water so the patient won’t need to drink anything when taking the medicine. “Poor hygiene and poor water quality are causes of many diseases, including cholera and typhoid fever. When taking medicine in such conditions, there is a risk of acquiring additional illness if the medication is taken with unsanitary water. Jelly medicine eliminates this hygienic problem because it can be easily swallowed without water,” says the designer.

Behold the Full Metal Jacket… No really, this jacket from Vollebak is actually made from a germ-repelling metallic textile. Quite unlike those space-foil jackets that astronauts wear, the Full Metal Jacket actually uses a fabric with woven strands of copper, so it’s entirely breathable, flexible, and doesn’t make a crinkly sound when you move around. With as much as 11 kilometers of copper in each jacket, the apparel relies on copper’s innate ability to kill off any bacteria or viruses that it comes in contact with. The Full Metal Jacket comes with four large waterproof pockets on the outside and three chest pockets for your belongings. Designed to be your everyday jacket, it can be worn in any sort of weather outdoors, and remains as comfortable and soft to touch as any sort of synthetic outerwear would… in fact, you really can’t even see the copper strands unless under a microscope. However, unlike most outerwear, synthetic or not, it possesses the ability to completely obliterate any sort of microorganism that comes in contact with it, a feature that makes it a standout product in our uncertain future.

With reality and life catching up to our unchecked actions, it is time for us to clean up our act and while we repair the damage we inflected to the earth, we need these medical innovations to keep us healthy and safe.

Mas-aqui uses multiple levels to open up Yurikago House in Barcelona

Architecture studio Mas-aqui has transformed an apartment in Barcelona into a multi-level home lined with wood and ceramic tiles.

Mas-aqui renovated the semi-basement apartment near Antoni Gaudí’s Park Güell, using half levels to create more space on the upper storey and creating a new internal staircase to connect to a previously unused lower level.

Yurikago House by Mas-aqui

The project is called Yurikago House after the Japanese word for a cradle. The name references the shape of the wooden structure that supports part of a new mezzanine, and also works as a reinforcement for Yurikago House’s frame.

The cradle-like mezzanine is made of slatted wood that allows light to filter down onto the ground floor dining area. This space adjoins a recessed kitchen, while a bathroom is tucked away behind a wooden door panel.

Yurikago House by Mas-aqui

The living room meanwhile is on a raised platform with tall arched windows and doors that open onto a balcony.

This level is accessible via a pair of wooden steps: one set rests on a tiled floor and the second is perched on a concrete plinth that doubles as a fireplace.

Yurikago House by Mas-aqui

The sunny lounge area looks out over the balcony and enjoys a high ceiling vaulted in the traditional Catalan style. A wooden structure covering a staircase doubles as a table.

On the other side of the dining area, another step leads up to a long wooden platform that connects with a flight of cantilevered wooden stairs. This platform can double as a bench.

Yurikago House by Mas-aqui

Concrete panels in an L-shape line the staircase, protecting the white-painted walls and supporting the individual treads.

The staircase connects to the fourth level by rounding another corner. This topmost level of Yurikago House is divided into several sections.

Yurikago House by Mas-aqui

A study area sits in the wooden cradle, the taller side forming a half-wall that acts as a balcony overlooking the living space and the windows beyond.

Floor-to-ceiling glazing allows natural light to flow unimpeded into the adjacent main bedroom, which is accessed via a sliding door.

Yurikago House by Mas-aqui

Two small rooms either side of the bedroom contain a toilet and shower room respectively.

On the landing next to the shower room runs a gallery that overlooks the living space on one side, and has built-in storage space and bookshelves that are visible from the sofa below.

Yurikago House by Mas-aqui

The gap between the gallery floor and the living room floor forms a wood-lined alcove that is used as a tokonoma, a Japanese display area for artworks.

To complete the project Mas-aqui excavated below the main living space to create an internal stair to the home’s basement level, which was previously only accessible via an outdoor staircase.

Yurikago House by Mas-aqui

This level now contains a guest bedroom with a bed framed by a structural arch. This bedroom has its own sink, and a separate toilet and shower room. It also has access to a small sunken courtyard.

“The excavation created a double-height space, surrounded by exposed concrete retaining walls,” said Mas-aqui. “This intervention completely determined the character of the house and became a central element.”

Yurikago House by Mas-aqui

Throughout the project Mas-aqui chose a simple, natural palette of concrete, red ceramic tiles, white walls and plain wood for Yurikago House.

The kitchen and bathroom surfaces are topped with a flecked grey stone that complements the exposed concrete.

Founded by Japanese architect Masaaki Higashi and Minorcan artist Esther Mir, Mas-aqui blends Spanish and Catalan design in their projects.

Recently the practice renovated another 20th-century apartment in Barcelona to create a minimalist home lit by a skylight.

Photography is by José Hevia.

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Issey Miyake’s perfume-bottle design language, channeled into wristwatches

There’s certainly an element of luxury that overlaps the perfume and watch industry. They both are objects of desire and symbols of high-society. They even often have the same points of inspiration, with the liberal use of faceted glass, chrome, and gemstones if you’re looking to really up the ante… but there’s obviously a distinction between a watch and a perfume bottle. Lee Huang’s conceptual watch created for Issey Miyake blurs that distinction.

The conceptual Issey Miyake watch cleverly uses glass as a material for the watch body, as opposed to stainless steel. Borrowing the fluted design texture from most top-of-the-line fragrance bottle designs, the watch’s thick glass body comes with a unique textured rim that reflects light just the way a fancy looking glass bottle does. The glass body (and the dial cover too) come with a high refractive index that creates enough parallax to give it the appeal of a perfume bottle, along with just a slight tinge of frosting that actually helps cut the internal reflections to retain the watch’s minimalist appeal. In keeping with the timepiece’s clean, almost zen-ike design, a plain white leather strap suspends the crystalesque time-telling beauty to your wrist. Looks beautiful, doesn’t it?!

Designer: Lee Huang