RIBA declares climate emergency saying it is architecture's "biggest challenge"

The Royal Institute of British Architects has declared a state of climate emergency, committing to a five-year plan of action for climate change.

The decision to formally acknowledge the role that architects have in causing climate change and alleviating it was made at a council meeting of the RIBA.

“The climate emergency is the biggest challenge facing our planet and our profession,” said RIBA president Ben Derbyshire.

“But to have a significant impact we need to do more than make symbolic statements – we need to turn warm words into impactful actions.”

Architects must “transform” their practice

The five year plan aims to make sustainable practices standard within the British architecture industry, improve government policy by lobbying and reduce the RIBA’s own carbon footprint.

The RIBA also pledged to support the UK government’s drive to make the country carbon neutral by 2050.

“We architects need to transform the way we practice and along with our fellow professionals around the world, make changes that will impact at a global level,” added Derbyshire.

Built environment causes climate change

A recent report from think tank Chatham House revealed that eight per cent of the world’s carbon emissions comes from concrete’s main ingredient, cement.

Stirling Prize winning architecture firms including Zaha Hadid Architects, David Chipperfield Architects and Foster + Partners have already declared a climate and biodiversity emergency.

Along with Amanda Levete’s firm AL_A, Rogers Stirk Harbour + Partners, and Alison Brooks Architects they have called on others to join their campaign group Architects Declare and encourage clients to commission more sustainable buildings.

Climate justice movement Extinction Rebellion blockaded central London, prompting mass arrests, for ten days in April 2019. The UK parliament subsequently declared a climate emergency.

This year the United Nations warned that humanity has just 12 years to limit global warming to 1.5 degrees Celsius, or risk catastrophic changes to the planet’s climate.

Main photo is by Schmid-Reportagen via Pixabay.

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Kick up a storm with these uber cool sneaker designs

What happens when a sneakerhead meets a product designer? Well, these designs the result of such a collaboration. From the iconic Nike Air Max 1 with it’s golf-inspired makeover to sneakers that have been created from chewing gum that lines the city’s streets, we have a sneaker design that will surely make you a sneakerhead if you already aren’t one!

A-symmetrical Championship Air Jordan 1 by Dominic Ciambrone aka the Shoesurgeon in collaboration with the Golden State Warriors.

The Link by Padwa Design, Olga Kravchenko & Yehuda Azoulay is free like a flip-flop, safe as a shoe.

This NIKE Air Yeezy II ‘Red October’ designed by Kanye West was officially launched instantly selling out 11 minutes after being announced via twitter.

The Amsterdam metropolitan area introduces gumshoe, a sneaker with soles made from chewing gum taken from the city’s streets

The iconic Air Max 1 gets a golf-inspired makeover with the upcoming release of this Grass colorway by Nike 

The “F1” sneakers mark the designers’ first signature sneaker silhouette where the future wearer gets to pick and choose custom elements in the shoe’s construction by Shift Studio

Paris inspired Nike Sneakers revamped by Dominic Ciambrone aka the Shoesurgeon

Puma’s self-lacing sneakers come with a touch-sensitive control panel.

Native Shoes makes plant-based sneakers from pineapple and eucalyptus by Mike Belgue 

Tropic Shoe is made to be worn everywhere and that’s including being worn underwater by Tropic Design

The Grit by Aarish Netarwala’s sole collapses when your foot lands on the ground, and material physics pushes it to expand when your foot is lifting off the ground too, allowing it to absorb impact, and release energy.

Waugh Thistleton designs eco-village in a lake to reinvigorate central Bergen

Trenezia by Waugh Thistleton

Over a thousand houses built on the Store Lungegårdsvann lake will form the heart of Trenezia, a sustainable village masterplanned by Waugh Thistleton for Bergen, Norway.

London architecture studio Waugh Thistleton designed Trenezia in a bid to create a carbon neutral residential and cultural hub for the city that would attract locals to remain within central Bergen.

“Given the scale of the development, to achieve carbon neutrality in terms of operational energy on a net annual basis will be a challenge,” senior associate Kirsten Haggart told Dezeen.

Trenezia by Waugh Thistleton

The masterplan imagines 1,500 homes positioned on the lake in the city centre. These will be built on a series of artificial islands connected to the shore by a giant, publicly-accessible boardwalk.

Once built, the boardwalk spanning the lake will form the “central spine” of Trenezia. There will be floating structures along its length, including a swimming pool, performance space and moorings, intended to encourage community activity and interaction.

It will also form a link between Bergen’s old town on the west of the lake and the city’s arts hub on the east, which will be complete with a new beach.

Trenezia by Waugh Thistleton

Waugh Thistleton’s priority for the scheme is that it is ecologically friendly, with low energy and water consumption and minimal waste generation.

“Firstly, the demand from the buildings and facilities will be minimised through a highly efficient building envelope and water and energy saving technologies,” explained Haggart.

“Secondly, the scheme will generate energy from clean on-site renewable sources and export more energy than it consumes, thereby effectively offsetting its carbon emissions.”

Trenezia by Waugh Thistleton

All the houses will be made from timber, while the foundations will be filled with locally-sourced material from current infrastructure projects in the area.

There are also plans to create on-site energy centre to help offset carbon emissions, which will use technologies like biomass and seawater heat pumps.

Trenezia by Waugh Thistleton

Given the limited daylight hours in Bergen’s winter, each cluster of housing in the Trenezia masterplan will be split by a “solar corridor”, intended to maximise the natural light in the homes.

This will also be helped by the sizes of the houses, which Waugh Thistleton has designed to increase in height from south to north of the site to reduce the amount of shadow they create.

The smaller buildings within each cluster will comprise small, private family properties, while the taller blocks will host homes more suited to individuals, couples or students.

Throughout the housing, the number windows, access points, materials and colours will also vary, “to create a palette of materials that create variation and identity for those living there, and yet are harmonious and coherent as a whole”.

Trenezia by Waugh Thistleton

At the centre of each cluster, Waugh Thistleton will create shared outdoor spaces, which will vary in character depending on the type of building it sits next to.

Between the larger buildings, including an elderly centre and nursery, “civic squares” will be built to encourage interaction between different groups

Meanwhile, the smaller buildings will surrounded linear, domestic-scale courtyards. Houses will also each have front gardens complete with trees and shrubs, planting beds, play spaces and seating.

Trenezia by Waugh Thistleton

Each building and courtyard throughout the scheme will be accessible to visitors and residents by bridges and pathways that also offer long vistas of the lake and surrounding mountains.

“Trenezia is a world class demonstration of how to build in a truly sustainable way both environmentally and socially, representing a microcosm of the vision for Bergen as a leading sustainable capital in the world,” concluded the studio.

Waugh Thistleton is an architecture studio based in Shoreditch, London, founded by Andrew Waugh and Anthony Thistleton in 1997.

Other recently completed projects by the studio include a modular maze installation in V&A’s Sackler Courtyard, cemetery buildings with rammed-earth walls and its collaboration with Japanese architect Shigeru Ban to build a five-storey house beside London’s River Thames.


Project credits:

Lead architect: Waugh Thistleton Architects
Local architect: Artec
Client: BOB Housing Association
Sustainability strategy: Urban System Design
Structural engineer: Degree of Freedom
Landscape/urban design: East

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Oddly Satisfying Loops

Andreas Wannerstedt est un artiste et directeur artistique basé à Stockholm qui réalise des sculptures 3D et des animations en boucle fascinantes. En jouant avec les formes et les couleurs, Andreas crée des compositions sophistiquées souvent décrites comme «curieusement satisfaisantes». Défiant la loi de la gravité ou les limites de l’espace, ces boucles créatives sont parfaitement synchronisées et hypnotisantes pour le spectateur.

« Oddly Satisfying Vol. 6 est une série de courtes boucles, chacune basée sur l’idée de déclencher une sorte de satisfaction étrange et ce sentiment inexplicable que nous connaissons tous. »

This Parthenon pillar inspired 360-degree air purifier brings a touch of Greek architecture to your home

The Pillars of Parthenon’s iconic stature can now be beautifully introduced into your living room, bringing with it the clean, healthy air that we deserve. Appropriately named after the Greek God of the West Wind, Zephyrus is a domestic air conditioning unit that absorbs fine dust from the air that surrounds it.

The pillar-like form isn’t only unique, but it also holds a functional benefit; the cylindrical footprint allows the unit to absorb particles from all sides, 360° degrees around itself, making it extremely efficient! In order for the simplistic design to not be interrupted, a minimalistic yet intuitive air condition indicator is positioned on the top surface of the device. This has been accompanied by a trio of buttons which each control the unit’s power, time-booking mode, and fan-speed!

The simplistic design continues on the inside, with a fuss-free and considered assembly process that allows for quick and hassle-less replacement of the filter.

Designer: Jonggun Kim

Amazing Out of Paper Disney Illustrations by Luigi Kemo Volo

Vous êtes incollable sur les films Disney ? Le Roi Lion, Aladdin, Toy Story, Alice au Pays des Merveilles n’ont plus aucun secret pour vous ? Inutile de préciser que vous allez adorer le travail de l’artiste italien Luigi Kemo Volo.

Grâce à quelques coups de crayon sur des feuilles de bloc-note, les personnages de vos dessin-animés préférés prennent vie en 3D ! Aladdin et Jasmine sur le tapis volant, Winnie l’Ourson, accro au chocolat, Dumbo en plein sommeil… Tous donnent l’impression de sortir des pages pour agir.

L’illusion est parfaite !

 









 

There are only 2 days left to enter TISDC. Winners receive up to $13,000 cash.

If the past few years have been any indication, the east is strongly embracing design culture and the power of design when it comes to shaping lives, societies, and cultures. Countries like China, Korea, Hong Kong and Taiwan are looking to adopt design thinking and design-led innovation on a massive, government-backed scale. The TISDC, or the Taiwan International Student Design Competition, integrates their Ministry of Education’s art and design talent fostering programs, creating the very reverse of a brain drain, and bringing great design thinking to their societies and their cultural landscape.

Held every year since 2010, the TISDC is a great way to use design to create a visible impact, especially since the competition is organized closely with the patronage and support of the Taiwan’s Ministry of Education. With past themes ranging from “Embrace”, and “Circles of Life” to last year’s theme of “Breakthrough & Innovation” and this year’s theme of “Empathy”, the competition encourages participation on an international scale, while also creating a crucial information exchange between Taiwan and the rest of the design world. The current year’s theme of “Empathy” aims to get designers to take on a more user-centric approach and address problems by putting themselves in the user’s specific scenario, by “Seeing the problem through their eyes”.

The Taiwan International Student Design Competition is held across various categories, spanning Product Design, Visual Communication, and Digital Animation, and is judged by a jury panel for their creativity, interpretation of the theme, expression of concept, and aesthetic approach. Winners are awarded a trophy + certificate along with a hefty cash prize of up to $13,000. Organized specifically to foster and nurture student talent, the awards program is made for students, prospective students, and immediate graduates, and requires no registration fee.

Recap:

– No Registration Fee
– Grand Prix (1 winner): $13,000
– Gold Prize (1 winner for each category): $8,000
– Silver Prize (1 winner for each category): $5,000
– Bronze Prize (3 winners for each category): $2,000
– Last Date for Submission: June 30 at 24:00 Taipei Time

Click Here to Submit Your Designs Now. Closes on June 30th.

Below: Winning Designs from TISDC 2018

Easy-Pull Barrier by Jhe-Wei Lin, Jui-Feng Tang

Much like how a QueueMaster makes it really easy to organize crowds and manage queues at airports, movie halls, concerts, and museums, the Easy-Pull Barrier quite easily creates specialized paths on roadways for cars to follow. Relying on the existing barricade design, the Easy-Pull Barrier just puts a convenient collapsible gate within it, giving it extra purpose. Use the barrier as is, or extend the metal gate within to give you more control, the Easy-Pull Barrier is a much more effective way of cordoning off, or outlining roadways during construction, or emergencies. A single barricade can now block off an entire road, when in the past one would need multiple barricades to block out a road. Plus, given their linked-metal construction, these collapsible gates can bend too, giving you full control over how you want to lay the barriers out!

Smart Gloves by Xue Hou, Ying Zhao, Qiu-Shi Zheng, Yue Wang

The Smart Gloves aren’t your ordinary prosthetic. Using an induction-chip/sensor the Smart Gloves can perceive the skin and skeleton changes of nearby fingers to analyze the movement path of the missing finger. The glove’s chip picks up on tiny actions on the backside of your palm to intelligently predict how your prosthetic should behave, giving them the dexterity and nuance you’d get from any normal fingers.

Breathing Barrier by Tsung-Ying Hsieh, Hsuan-Ting Huang

Designed to play multiple roles in making cities better for residents within cities, the Breathing Barrier does the job of an aesthetic, audio, and pollution barrier, making city-life much more liveable. The moss barrier is pleasing to look at, and adds a touch of greenery to our lives, while the barrier itself helps block out noise pollution caused by vehicles on the roads. The barrier comes with multiple layers on the inside which trap dust, dirt, and particulate matter, which the moss uses as nutrients, feeding off the pollution and emission caused by automobiles. The Breathable Barrier is a clever way to turn cities green without changing the transportation setup to an emission-free electric one. The emissions from cars end up nourishing the barriers, causing them to flourish, and in turn, naturally purify our air. It’s a win for everyone!

Safety Protection by Zhi Li, Jia-Yuan Zhao, Yun-Qing Wang, Si Liu

With a collapsible shield that unfolds when in use, the Safety Protection fire extinguisher not only fights fire, it protects the firefighter too. The collapsible shield comes with a window that the firefighter can look through, and guards the fighter from any flames that may approach them. The shield even acts as a thermal barrier, keeping the waves of heat from reaching the firefighter, effectively allowing them to fight fire without experiencing the burning effects of the proximity to high heat.

Easy Take by Zhou-Quan Song, Xing-Ting Liang

A simple solution for a simple problem, Easy Take introduces a strip of fabric/plastic to packaged tins, making them easier to pull out, rather than having to dig around to get your fingers in and pull a can out from a full row. A simple string, made from recycled plastic, zigzags its way around the cans, and pulling on the string can disrupt the cans’ order, allowing you to easily grab a single can out of a tightly packed box. Worthy of an honorable mention, I’d say.

Protective Stretcher by Qiu-Shi Zheng, Yun-Qing Wang, Jin He, Shi-Chun Yu

The Protective Stretcher combines the benefits of a stretcher with that of a makeshift cast, by cushioning your body in place using airbags. The bags hold the injured patient in the supine position as the medics carry them out, avoiding any secondary injuries or paralysis that could occur during an emergency evacuation or transit. The airbags are laid out according to ergonomic and medical specifications, gently cushioning bones and joints to keep them in shape, while also keeping the head slightly elevated to prevent blood from rushing to the head.

Wathield Bucket by Ming-Sheng Shih

Ever tried to fill a big bucket in a tiny sink? If so, you know that it’s impossible to use the bucket’s full capacity because of the tilt. Even worse, if the sink is too small, you might not be able to fill it at all. Designed with these issues in mind, the WATHIELD bucket aims to make this everyday task much easier.
Shaped like a traditional bucket, it sports an additional feature in the form of an extended lip that funnels water into the bucket with ease. Better yet, it can be tucked away when it’s not being used. Simply unfold the lip and run it under the sink to capture water even if the space is compact.

Nipple Dust Mask by Jin-Ho Chae, Na-Yeun Kim

The Nipple Dust Mask is an unusual product that may just become a necessity in a few years, with rising environmental concerns about unchecked emissions. Designed to pacify as well as protect the baby’s young respiratory system, the Nipple Dust Mask keeps a child pacified, via a BPA-free polymer nipple, but also surrounds the nose and mouth with a HEPA filter that traps particulate matter, ensuring the child is breathing contaminant-free air.

Click Here to Submit Your Designs Now. Closes on June 30th.

The copyright of all works and pictures are owned by the winners of 2018 Taiwan International Student Design Competition.

10 most revolutionary designs by Jony Ive for Apple

As Jony Ive steps down from Apple, we take a look back at his incredible list of industry-defining career highlights, from the the iMac, to the iPod, iPhone and Apple Watch.


10 most revolutionary designs by Jony Ive for Apple

iMac, 1998

Described by Apple as a computer for the next millennium, the iMac was Ive’s first major contribution at the tech giant.

The computer broke away from the previous industry standard of grey boxes, by wrapping the all-in-one machine in a translucent plastic shell. Originally available in Bondi Blue, the computer was later released in ten different colours.

The iMac also marked Apple’s move away from legacy interfaces with the adoption of USB for the first time and no floppy-disc drive.


10 most revolutionary designs by Jony Ive for Apple

iBook G3, 1999

Following the release of the iMac, Ive introduced the distinctive transparent shells to other products, one of the first being the iBook G3. Like the iMac, the clam-shell laptop used USB instead of legacy interfaces and was without a floppy-disc drive.

The iBook G3 was also one of the first mainstream computers to have wireless capabilities built in.


10 most revolutionary designs by Jony Ive for Apple

iPod, 2001

Apple’s first move into digital music-players, the iPod would revolutionise the whole market.

The 5GB MP3 player, which was designed to be a compromise between capacity and size, had a simple design with just five buttons and a scroll wheel. It would come to dominate the music-player market, until the iPhone destroyed the need for dedicated players.


10 most revolutionary designs by Jony Ive for Apple

iMac G4, 2002

The iMac G4 was Ive’s first major design update of the iMac since the original in 1998.

With an appearance similar to a desk lamp, all of the computer’s hardware was contained within a semi-spherical base, while the screen was attached via an arm that allowed it to be rotated to suit the user.


10 most revolutionary designs by Jony Ive for Apple

iPhone, 2007

Apple’s first foray into the mobile-phone market would, like the iPod before it, revolutionise the entire industry. Apple founder Steve Jobs said that the company aimed to “reinvent the phone” with the device, which was a wide-screen iPod that had internet-browsing capabilities and a touch-screen user interface.

Described at the time by Dezeen editor-in-chief Marcus Fairs as one of the “outstanding designs of the 21st century so far”, the iPhone was nominated as the Design Museum’s Design of the Year in 2008, but did not win. Design Museum director Deyan Sudjic later described this as “a howling error”.

Since its original release the iPhone has been updated multiple times, and remains a mainstay in the smartphone market.


10 most revolutionary designs by Jony Ive for Apple
Photo by Ryan Morse

MacBook Air, 2008

At the time of its launch, Apple claimed the 1.94 centimetre thick notebook was the thinnest laptop in the world. The lightweight computer was designed to be extremely mobile.

Last year Apple released its latest update to the laptop, which it described as the “greenest Mac ever”.


10 most revolutionary designs by Jony Ive for Apple

iPad, 2010

Essentially an enlarged version of the iPhone, the iPad marked Apple’s entry into the tablet market. The 9.7-inch touch-screen device was compatible with the majority of Apple’s existing apps and was designed for reading, browsing the internet, listening to music and playing games.

“iPad is our most advanced technology in a magical and revolutionary device at an unbelievable price,” said Steve Jobs, Apple’s CEO at the time.

“iPad creates and defines an entirely new category of devices that will connect users with their apps and content in a much more intimate, intuitive and fun way than ever before.”


10 most revolutionary designs by Jony Ive for Apple

iOS 7, 2013

The first major update to Apple’s user interface following Ive taking over as lead of both hardware and software at the tech giant, iOS 7 was designed to have an uncluttered appearance. The redesign aimed to bring the company’s software in line with the minimal aesthetic that Ive had developed for its phones, watches and computers.

“I think there is a profound and enduring beauty in simplicity, in clarity, in efficiency,” said Ive at the time of the launch. “True simplicity is derived from so much more than just the absence of clutter and ornamentation; it’s about bringing order to complexity.”


10 most revolutionary designs by Jony Ive for Apple

Apple Watch, 2014

With the Apple Watch, Ive created a device that could be more available and accessible than the phone. Along with a watch display, the device was designed to communicate with iPhones and other devices to alert the user of messages and calls. It could also be used to control music.

“So personal you don’t put it on your desk or in your pocket but you wear it on your wrist,” the designer said at the watch’s launch.

The watch had a square digital face, included a Fitness App and Workout App and was launched with interchangeable straps.


10 most revolutionary designs by Jony Ive for Apple

Apple Park, 2017

Ive oversaw construction of the Foster + Partners-designed Apple Park – the vast doughnut-shaped headquarters for the tech giant in Cupertino, California.

Throughout the process he insisted the project was treated like an Apple product, making prototypes and adapting the design accordingly.

“A lot of the buildings that are being built at the moment are products of software-only cultures. [But] we understand making,” he told WSJ Magazine during a tour of the campus in 2017.

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Jony Ive to leave Apple and start an independent design company

Jony Ive leaves Apple

Apple’s chief design officer Jony Ive has announced he will leave the company later this year to start an independent design company called LoveFrom, which will count Apple amongst its clients.

The British-born designer revealed in a statement on the technology brand’s website that he will be leaving his role before the end of the year, having spent nearly 30 years at the company.

Ive will continue to work with Apple

He will “continue to work closely” with Apple whilst he pursues “personal projects”, the company said.

Ive is credited with helping to turn around Apple‘s fortunes and is responsible for many of the brand’s most successful and distinctive products .

He created the original iMac in 1998, followed by other landmark designs including the iPod in 2001, the iPhone in 2007, the iPad in 2010 and the Apple Watch in 2015.

He also worked closely with Foster + Partners on the design of Apple Park, the company’s $5 billion headquarters in Cupertino, California.

“After nearly 30 years and countless projects, I am most proud of the lasting work we have done to create a design team, process and culture at Apple that is without peer,” said Ive in the statement.

“Today it is stronger, more vibrant and more talented than at any point in Apple’s history.”

Marc Newson will join new venture

Whilst Ive has offered few details about his new venture, LoveFrom, in an interview with the Financial Times he suggested that Australian designer Marc Newson – who joined him at Apple in 2014 – will be involved, as well as a “collection of creatives” with “diverse areas of expertise”.

The continuing relationship with Apple will allow Ive to proceed with ongoing projects.

“There are products that we’ve been working on for a number of years — I’m beyond excited that I get to continue working on those. And there are some new projects as well that I’ll get to develop and contribute to,” said Ive to the newspaper.

“While I will not be an employee, I will still be very involved — I hope for many, many years to come. This just seems like a natural and gentle time to make this change.”

As well as working with Apple, LoveFrom is likely to work in the fields of healthcare and wearable tech and will be based in California, the designer said.

“I certainly have an ambition and feel almost a moral obligation to be useful,” he told the newspaper.

Internal appointments to head design team

Ive’s position will not be directly replaced. Instead, existing team members will step up to head different divisions.

Vice-president of industrial design Evans Hankey will head up hardware design, with vice-president of human interface design Alan Dye in charge of software design, reporting to chief operating officer Jeff Williams.

“The team will certainly thrive under the excellent leadership of Evans, Alan and Jeff, who have been among my closest collaborators,” said Ive in the statement.

“I have the utmost confidence in my designer colleagues at Apple, who remain my closest friends.”

“Evolution” of relationship between Apple and Ive

Apple CEO Tim Cook described the departure as an “evolution” of Ive’s relationship with Apple.

“Jony is a singular figure in the design world and his role in Apple’s revival cannot be overstated, from 1998’s groundbreaking iMac to the iPhone and the unprecedented ambition of Apple Park, where recently he has been putting so much of his energy and care,” said Cook.

“Apple will continue to benefit from Jony’s talents by working directly with him on exclusive projects, and through the ongoing work of the brilliant and passionate design team he has built.”

Ive became head of Apple’s design studio in 1996, at a difficult point in the company’s history and is considered to be an integral part of its reversal of fortune. Last summer, Apple became the world’s first trillion dollar company.

Author of a 2013 biography of the designer, Leander Kahney, told Dezeen at the time that Ive was more important to Apple than Steve Jobs was when the former Apple CEO passed away and that the company would be “in trouble if he left”.

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Explore The Colour Palace by Yinka Ilori and Pricegore in 360-degree video

The Colour Palace by Yinka Ilori and Pricegore

Take a look inside The Colour Palace, a brightly patterned pavilion by designer Yinka Ilori and architecture studio Pricegore, in this 360-degree video filmed by Dezeen.

Ilori teamed up with Pricegore to install the temporary building on the lawn of Dulwich Picture Gallery in south London, as part of the London Festival of Architecture.

A cafe and ticket office occupy the ground floor of the timber structure, while two pink staircases offer access to a first-floor walkway.

The pavilion is open to the public until 22 September 2019, and will host a variety of events throughout the London Festival of Architecture, such as live podcast recordings, talks and performances.

Other notable creations for the annual architecture fair include the playful street furniture scattered throughout London’s Cheapside financial district and the placement of forty gold angels above the heads of commuters near St Paul’s Cathedral.

Find out more about The Colour Palace

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