Kosuke Araki turns food waste into tableware

Tokyo-based designer Kosuke Araki has created a range of tableware from recycled food waste.

The Anima collection features a series of cups, plates and bowls, which Araki made by combining carbonised vegetable waste and “animal glue”, from the bones and skin of animal offcuts.

Araki designed the collection to demonstrate the alternatives to throwing away food waste, which is often disposed of in landfills.

RCA graduate Kosuke Araki has created a range of tableware from recycled food waste.
Araki designed the tableware to demonstrate that there are alternatives to throwing away food waste

“Every day, food waste is produced at a huge industrial scale, as well as a small domestic scale,” said Araki.

“Although some of it is processed into something useful, most is disposed of in landfills contributing to environmental problems,” he explained.

The tableware collection includes bowls, cups, and plates

To create the items Araki collected and recorded the amount of non-ediblefood waste – including rind, peel, calyxes, shells and bones – produced in his house for two years. The total amount weighed 315 kilograms.

He burnt the vegetable waste until it became charcoal, and boiled the animal bones and skin into a glueing agent to mould the charcoal into shape.

RCA graduate Kosuke Araki has created a range of tableware from recycled food waste.
Araki combined burnt food waste and boiled animal bones and skin to make the table wear

Finally,  a thick layer of urushi, a type of Japanese black lacquer, was used to coat the products. “[This] gives not only practical strength but also depth and a polish,” said Araki.

“Urushi craft historically has a close relationship with food leftovers of a meal,” he said. “For example, rice, tofu or albumen is mixed with urushi to adjust its viscosity for making sticky glue.”

RCA graduate Kosuke Araki has created a range of tableware from recycled food waste.
The designer collected his waste for two years to demonstrate the amount of inedible food waste produced by households

Anima is on show at Food Revolution 5.0 Design for the Society of Tomorrow at Kunstgewebemuseum in Berlin between 18 May and 30 September

Several designers are now taking to using unusual materials in their products. Examples include Roza Janusz who made an alternative to plastic food packaging, using a combination of bacteria and yeast, while a team of UK scientists have developed a biodegradable construction material made from desert sand.

The post Kosuke Araki turns food waste into tableware appeared first on Dezeen.

Huge balloons inflate and deflate based on atmospheric conditions inside Nordic Pavilion

The Nordic Pavilion at the Venice Architecture Biennale has been filled with huge inflatable blobs that slowly expand and contract in response to changing environmental conditions.

The exhibition, called Another Generosity, aims to explore the relationship between nature and the built environment. Curators Eero Lundén and Juulia Kauste wanted to show how humans can start to create architecture that is symbiotic with the environment.

They have installed four huge inflatables – designed to look like cells – inside the pavilion, with sensors that monitor the surrounding carbon-dioxide levels, humidity and temperature.

The cells “breathe” in response to these environmental conditions. They either fill or empty themselves of air, depending on the carbon-dioxide levels, and change colour to indicate temperature differences.

“Essentially what we’re doing here is we have structures that live according to the changes in their environment, like me and you do,” Lundén told Dezeen. “So they breathe.”

“They breathe differently in different conditions,” he explained. “And then the colours change according to the temperature. They have a little bit of their own life. The original idea was that we wanted to make something that is close to an animal.”

“It’s this idea about reestablishing a relationship with architecture, because quite often we see buildings and that’s it.”

The cells could also be filled partially with water, but this will only happen if organisers are able to mitigate the risk of the historic building, constructed by Sverre Fehn in 1962.

The exhibition title, Another Generosity, is taken from the manifesto Yvonne Farrell and Shelley McNamara compiled as curators of the biennale. In it, they explain that their chosen theme of Freespace calls for a “generosity in spirit”  in the approach to architecture.

“We started to think that maybe the idea is maybe a much deeper question of how we see ourselves in relation to nature – sort of as an opposition to this anthropocenic world view to try to think of what architecture could be in a more symbiotic relationship with its environment,” said Lundén.

“I think gradually from the 60s and 70s we have started to reestablish our position towards nature – we’re not using all the resources that we can, and eating everything,” he said. “Architecture is a consequence of our world view. We need to be something different.”

Also at this year’s biennale, architecture firm Caruso St John and artist Marcus Taylor have installed a huge “island” over the roof of the British pavilion, and at the Swiss pavilion, a group of Zurich-based architects have created a warren of unusually scaled rooms to draw attention to the ubiquitous interior design of rental properties.

The Venice Architecture Biennale 2018 opens to the public tomorrow and continues until 25 November 2018.

Photography is by Andrea Ferro.

The post Huge balloons inflate and deflate based on atmospheric conditions inside Nordic Pavilion appeared first on Dezeen.

MIT's 3D-printed inflatables could shape the interiors of cars in the future

Car interiors could morph into different configurations at the flick of a switch, using 3D-printed inflatable structures developed by researchers at the MIT.

The Self-Assembly Lab at Massachusetts Institute of Technology (MIT) worked with BMW on the project, called Liquid Printed Pneumatics.

The German auto brand wanted to see how the lab’s experimental engineering techniques could help it realise some of the shapeshifting features imagined in its futuristic concept cars.

The result is a stretchy, inflatable silicone prototype that can take on a number of different shapes depending on the level of air pressure inside.

If turned into a car seat, it could quickly be tuned to different positions, or levels of springiness depending on user preference.

MIT and BMW 3D-printed inflatables

Potentially, the same technology could help to create a more dynamic interior, where seats sink away when not needed, or the dashboard can change shape. This is of interest to automakers because if cars go fully autonomous, it could free up space for passengers to enjoy a range of activities while they travel.

“There is no need to lock the car of the future into any particular shape,” said Martina Starke, head of brand vision and brand design at BMW Group. “Interiors could even take on malleable, modular uses.”

“The outcome of this collaboration manifests that a new material future is imminent,” she continued.

MIT and BMW 3D-printed inflatables

The project marks the first time an inflatable object has been 3D-printed, with traditional inflatable production methods unable to yield a design this complex.

The inflatable was made using the Self-Assembly Lab’s Rapid Liquid Printing technique, which was first unveiled last year as a way of printing furniture and other objects.

The technique involves extruding material from a computer-controlled nozzle into a tank of gel, where its left to harden. This allows for the use of softer materials that in other forms of 3D printing would collapse under the weight of gravity before they are set.

The process is also fast, meaning it opens up possibilities for mass manufacture in a way that traditional 3D printing doesn’t.

MIT and BMW 3D-printed inflatables

“Rapid Liquid Printing combines the advantages of casting with the customisation and capabilities of 3D-printing and demonstrates the first printed inflatables that can fully stretch and transform like balloons,” Self-Assembly Lab head Skylar Tibbits told Dezeen.

“Speed and customisation are important, but more than that, we can uniquely print with truly elastic silicone rubbers, polyurethane rubbers, foams, plastics and a variety of other materials that are difficult or impossible to print with using other forms of 3D printing.”

“Similarly, we can print air and watertight chambers to create the inflatables without relying on support materials as required in other printing process,” he continued. “This makes Rapid Liquid Printing uniquely situated to creating these inflatable printed structures.”

MIT and BMW 3D-printed inflatables

While Liquid Printed Pneumatics was developed with car interiors in mind, Tibbits sees possible applications for these customisable 3D-printed inflatables in furniture, shoes, packaging and soft robotics.

Tibbits and the Self-Assembly Lab of engineers and designers focus on inventing new programmable materials and structures that assemble themselves.

Besides Rapid Liquid Printing — which the team demonstrated at last year’s Design Miami by printing tote bags for visitors — another of their recent innovations is an Active Auxetic material, which responds to different temperatures. It has previously partnered with companies ranging from Airbus to Converse.

MIT and BMW 3D-printed inflatables

While it has no immediate plans to use Liquid Printed Pneumatics, experiments with new materials provide BMW with the chance radically rethink how cars look and interact with their passengers. Air and silicone aren’t currently major car components, but one day, they may be.

The company explored some potential future design features in its influential 2016 concept car, the self-driving Vision Next 100, which had a retractable steering wheel, integrated windshield display and morphing exterior.

At the concept car’s launch, BMW said the choice of materials would become “even more important throughout the design and production process” in the future, “allowing different vehicle shapes to emerge”.

Liquid Printed Pneumatics is on display at London’s V&A museum as part of the exhibition The Future Starts Here until 4 November 2018.


Project credits:

Self-Assembly Lab Team: Bjorn Sparrman, Shokofeh Darbari, Rami Rustom, Maggie Hughes, Schendy Kernizan, Jared Laucks, Skylar Tibbits

BMW Team: Sophie Richter, Akos Stegmar

The post MIT’s 3D-printed inflatables could shape the interiors of cars in the future appeared first on Dezeen.

Understanding how you process information to help you get organized, part 2

Now that you’ve taken the quiz to determine if you are a visual, auditory, or kinesthetic/tactile acquirer of information, it’s time for the next step in the process: taking action.

Knowing yourself and your information processing preferences can help you create an organization system that works best for you. Obviously, we can’t cover every possible solution, but these suggestions will hopefully get you headed in the right direction.

Visual processor:

  • Scheduling programs like Google Calendar might work well for you so that you can input and then see all of your appointments on your agenda.
  • In your closet, you’ll want to have a lot of space and only the current season’s clothing on hangers. A hook on the back of a door can be good for displaying your next day’s outfit. You might also benefit from having your folded clothes on a shelf instead of hidden in a dresser drawer.
  • Try your best to have an office with a door. You’re likely to go batty in cubicle land — especially in cubicle land with only waist-high walls.
  • Carry a small digital camera or a cell phone with a camera in it with you at all times so that you can take images of things you need to remember. You may want to use Evernote to process this information.

Auditory processor:

  • Consider setting timers or audio reminders on your computer to help alert you of meetings and other scheduled events.
  • Carry a small recording device with you so that when you have an idea you can record a message to yourself. Most smartphones also have this ability.
  • If you need to share an office, try to get an office with someone who works while wearing earphones. When you talk to yourself, he or she won’t be distracted when you need to talk through ideas.
  • Keep all of your files in alphabetical order to help you find them more quickly.
  • Have a headset for your telephone since you interact more reliably with people over the phone than you do by email.

Kinesthetic/Tactile processor:

  • Feel comfortable pushing your office furniture against the walls so that you have space to move when you need to.
  • Explore non-traditional desks when looking for office furniture. A drafting table or adjustable height table might work better for you than something that has a fixed height and angle.
  • Keep a space for a small fan on your desk and a space heater under your desk.
  • Exercise before going to work in the morning.
  • Have as few objects on your desk as possible so that you’re not tempted to pick them up when you need to concentrate. However, you should also have a stress ball quickly available to squeeze when mulling over ideas or talking on the phone.
  • You probably like to try on different outfits before choosing the best one to wear, so be diligent about returning the non-selected items back to their proper home.

What organization tips and tricks do you employ in your home and office that are crafted toward you information processing style? Please share your insights in the comments!

 

This post has been updated since its original publication in 2008.

Post written by Erin Doland

Eagle Battling Fox For Rabbit In Mid-Air

A fox who captured a rabbit quickly lost its prey when an eagle swooped in to try to steal the fox’s meal…(Read…)

A Dad Puts A John C Reilly Filter On His Baby

“Best and worst idea of putting John C Reilly’s face on my daughter.”..(Read…)

Thinking Out-of-the-box Lets you Fit your Entire Gym Inside a Box

The FITT cube isn’t just about fitness, it’s also about fitting into your active lifestyle and your small home, because within its ridiculously small boxy footprint, it fits an entire gym, complete with everything you need to be your fittest self. Designed with a layout that cleverly allows you to do as many as 100 exercises, if not more, the FITT cube is perfect for high-intensity power workouts, or strengthening your core, or just regular cardio.

Recognizing that most people don’t have the space for gym equipment in their home, or the money for a gym membership, or even the willpower to head to the gym everyday, Josh Hume embarked on a journey to bring the gym to the household. The catch? It had to be the smallest, most exhaustive (and exhausting!) gym ever made. After multiple iterations, the FITT Cube was born. With its 450mm edge dimension, the FITT Cube occupies as much space as a footstool, and comes with a mini-stepper (with its own seven-segment LCD display), a rotating seat, gripping handles, a plyometric platform, and even resistance bands. The FITT cube also comes with a user guide, exercise chart, and a nutrition guide to keep you on top of your fitness game. Arranged in their optimized formation, the FITT can be flipped over to any side and used to work out on, be it anything from stepping exercises, to twisting exercises, to push-ups or lifts, to even plyometric workouts (in a stroke of absolute genius, the soft-grips double up as non-slip friction pads when you flip the FITT over to use the plyometric platform!)… the FITT was designed to cater to all.

The FITT comes made from gym quality steel, a steel that’s capable of easily taking stress of any kind while not gathering rust accrued from sweat and moisture. With soft-touch grip handles for your elevated push-ups, a plyometric platform for your power workout, or lifts to a rotating seat for all your core exercises to even a high-quality stepper and display, and a pair of resistance bands, the FITT, over two years worth of iterations and prototypes, fits your entire gym routine into a box that’s literally less than 3 cubic feet. Now if that isn’t out-of-the-box thinking…!

Designers: Luke Modeste & Josh Hume

Click here to Buy Now: $107.00 $199.00 (45% off)

fitt_cube_06

FITT Cube is a patent-pending, transformational fitness tool uniquely designed for multifunctional, total-body workouts. It’s one piece of equipment that maximises all aspects of your fitness and stands up to even the most vigorous of plyometric workouts. And it’s 10 or more pieces of equipment all contained in a 45cm cube. The new shape of fitness.

fitt_cube_04

FITT Cube provides unmatched versatility – cardio, strength, flexibility, endurance, and power training all with one machine. This self contained patent-pending multi-gym delivers an effective, total body workout in minimal time and with minimal space requirements.

fitt_cube_05

If you ever want to switch up your routine, just flip FITT Cube and you’re targeting a whole new aspect of your fitness.

Use the plyometric platform for power workouts. Flip it, and use the padded twisting seat to target your core. Another turn and work your strength with dips, press-ups and lifts. Flip it again, and you can even get your cardio with the built-in mini stepper. There’s nothing you can’t do with FITT Cube.

Here are some of our favourite exercises:

fitt_cube_07

With FITT Cube, there is always something new to challenge you and keep your body guessing. We’ve identified more than 100 individual exercises you can do to target every muscle group in your body. We’re certain you’ll find even more once you get your hands on it!

fitt_cube_08

Ready to go. No assembly. No complex attachments.

fitt_cube_02

Click here to Buy Now: $107.00 $199.00 (45% off)


Evolution of FITT Cube

fitt_cube_09

fitt_cube_10

fitt_cube_11

fitt_cube_12

Click here to Buy Now: $107.00 $199.00 (45% off)

New Innovative 3D-Printed Running Shoes by adidas

adidas s’apprête à dévoiler son dernier modèle de chaussures de sport innovantes, issus du label FUTURECRAFT, qui regroupe les dernières innovations technologiques de la marques : le modèle AlphaEDGE 4D.

La révolution c’est la semelle légère, ultra flexible et robuste, imprimée en 3D.

Pour concevoir cette dernière sneakers, adidas et son partenaire technologique, Carbon, ont développé un processus pionnier dans la conception de matériel de sport : le Digital Light Synthesis. La semelle dite intercalaire est produite numériquement à partir de résines liquides, de lumière et d’oxygène. L’ensemble est chauffé pour donner une semelle souple, durable et performante.

Afin d’adapter la chaussure aux besoins de ceux qui la portent, adidas associe ses
données informatiques à la technologie 3D. Les informations récoltées auprès des athlètes permettent de maximiser le confort de la semelle, pour l’adapter aux mouvements : vitesse, endurance, puissance, agilité…

Les différentes zones de la semelle sont conçues avec précisions pour offrir amorti, propulsion et stabilité aux athlètes, qui peuvent ainsi faire la différence dans leur domaine sportif.

En terme de design, la technologie 4D laisse la possibilité de développer un design complexe et sans limite. adidas peut brouiller les lignes entre une chaussure performante tout en respectant la tendance streetwear actuelle.

adidas prévoit le lancement officiel de la AlphaEDGE 4D à Paris le 31 mai aux Galeries Lafayettes Haussmann. La chaussure sera disponible en quantité très limitée dans certains points de vente dédiés.








Secret Photos of Marilyn Monroe

Marilyn Monroe a toujours réussi a rester très discrète sur sa vie privée, mais pour Milton H. Greene, elle a posé dans 52 endroits différents, alimentant des archives de plus de 5 000 images. L’exposition « Up Close with Marilyn: Portraits by Milton H. Greene« , à la galerie Proud Central de Londres, donne à voir les différents visages de l’actrice à travers des images rares issues des archives considérables du photographe, jusqu’au 24 juin 2018.

 

 








Design Job: Be Curious, Confident and Creatively Bold as This Way Up's Design Director

If you are passionate about design, determined to make a real difference, extremely talented and bursting with great ideas, then come and join our rapidly growing design agency. We are looking for senior creatives who can lead projects, strive for that big ideas.

View the full design job here