New websites for Zaha Hadid and Ross Lovegrove


Dezeen Wire:
following the launch of Herzog & de Meuron’s new website this week and ensuing discussion about the design of architects’ sites, tell us what you think about the recent makeovers for www.zaha-hadid.com and www.rosslovegrove.com.

Thanks, Mom!

The dottie angel book has many extra little details that make it very special—and labour-intensive. The stitched scalloped-edge postcards adhered to each cover had to be stitched by machine. With a print run of 3000, that’s a lot of stitches! Over 3km of stitches, actually!

Thank you so much to my mom and to Paige for taking on this arduous task. Mom stitched her way through 2200 postcards, so chances are high that the book you order will be her stitches on the cover.

Above are some images of my mother’s workspace which is just off the family room. The sewing area is designed to fold up and fit behind a closet door, but I can only recall a handful of times when it has been completely stowed away. Which is a good thing because my Mom always has a project in the works.

She recently put up a flannel wall so that she can view her quilts in progress:

Below is a hand-hooked rug that she made. It is one of my favourites; I like the graphic design and use of black.

My Dad holds up a recently completed quilt (he’s got quite the wingspan!:

Finley admires some flowers:

Thank you again to my skilled, talented and hard-working mom.

Knoll Textiles 1945-2010

A comprehensive study detailing the past 65 years of superlative material design

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Known as one of the world’s leading modern furniture design companies, Knoll has employed the likes of Mies van der Rohe, Eero Saarinen and other leading designers in its postwar production periods. Although less recognized, Knoll Textiles has played an essential role in Knoll’s success and widespread influence since day one. As the title suggests, Knoll Textiles 1945-2010 celebrates 65 years of premium textile design.

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Reflecting the mid-century Modernist movement, Knoll Textiles prioritized color and texture as primary design elements, unlike any other company of the time. The book shows patterns created through the years in extreme detail, documented period by period. With insightful showroom, fabric swatch and furniture photographs, as well as sketches and illustrations, every page of this encyclopedia has something to teach the reader.

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The latter portion of the massive book is dedicated to the stories of 84 designers known to have created for Knoll Textiles since 1942. Important for its contribution to modern design history, the detailed biographies contain previously unpublished and enlightening information on each designer, including design contribution and career timelines.

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Recently released, Knoll Textiles 1945-2010 is available through its publisher Yale University Press and Amazon, at a base price of $75.


Tribal DDB office by i29

Tribal DDB office by i29

Walls, ceilings, furniture and lighting are covered in grey felt at this advertising office in Amsterdam by Dutch interior architects i29.

Tribal DDB office by i29

Felt was selected for its sound-absorbing properties and to integrate the different surfaces and existing structural elements with one gesture.

Tribal DDB office by i29

It also served to cover the scars where parts of the building had been demolished or altered.

Tribal DDB office by i29

Designed for Tribal DDB Amsterdam, the offices accommodate 80 members of staff.

Tribal DDB office by i29

See more interiors by i29 here.

Here are some more details from i29:


Tribal DDB office

Tribal DDB Amsterdam is a highly ranked digital marketing agency and part of DDB international, worldwide one of the largest advertising offices. i29 interior architects designed their new offices for about 80 people.

Tribal DDB office by i29

With Tribal DDB our goal was to create an environment where creative interaction is supported and to achieve as much workplaces as possible in a new structure with flexible desks and a large open space. All of this while maintaining a work environment that stimulates long office hours and concentrated work. As Tribal DDB is part of an international network a clear identity was required, which also fits the parent company DDB. The design had to reflect an identity that is friendly and playful but also professional and serious. The contradictions within these questions, asked for choices that allow great flexibility in the design.

Tribal DDB office by i29

Situated in a building where some structural parts could not be changed it was a challenge to integrate these elements in the design and become an addition to the whole. i29 searched for solutions to various problems which could be addressed by one grand gesture. At first a material which could be an alternative to the ceiling system, but also to cover and integrate structural parts like a big round staircase. Besides that, acoustics became a very important item, as the open spaces for stimulating creative interaction and optimal usage of space was required.

Tribal DDB office by i29

This led us to the use of fabrics. It is playful, and can make a powerful image on a conceptual level, it is perfect for absorbing sound and therefore it creates privacy in open spaces. And we could use it to cover scars of demolition in an effective way. There is probably no other material which can be used on floors, ceiling, walls and to create pieces of furniture and lampshades than felt. It’s also durable, acoustic, fireproof and environment friendly. Which doesn’t mean it was easy to make all of these items in one material!

Tribal DDB office by i29

i29 always looks for choices that answer to multiple questions at the same time. They tell a conceptual story about the company, the space and the users of the space. They deal with specific practical and functional issues and they have to have some autonomous quality as well. These ‘levels’ are intertwined; one leads you to the other. If you see how smart it serves it purpose practically it leads you to the company. If you see the powerful image that is non-depended, it leads you to the functionality, and round it goes.

Tribal DDB office by i29

At i29 we believe that simplicity builds character. Compare it to a human being; strong individuals always have one or few characteristics that stand out. We all know how hard it is to stay focused on the one thing that is most important to you. The same way it is with a design. The result of being very selective is that you have to push the one choice to the limit. It also provides a field of tension, and gives energy to a space without fail into chaos. But more importantly it leaves you with a charismatic environment.

Tribal DDB office by i29

Client: Tribal DDB Amsterdam
Design: i29 l interior architects
Size: 650 m2

Tribal DDB office by i29

Constructor: Slavenburg
Interior build: Zwartwoud
Materials: white epoxy flooring, felt, hpl, steel
Furniture: lighting & furniture objects custom made


See also:

.

Power Office
by i29
No Picnic by
Elding Oscarson
OneSize by
Origins Architects

The History of the IDEO Logo

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Scott Underwood, former IDEO jack-of-all-trades, has a wonderful history of the IDEO’s ubiquitous logo in his portfolio of projects from his IDEO days. Read the full story here.

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Steve Jobs (who made news today) recommended the graphic designer who designed the first logo, Paul Rand. At the time, in 1991, IDEO couldn’t afford Rand’s rate for a complete corporate identity, and so Rand only designed the logo. Bill Moggridge had come up with “IDEO” after finding the root “ideo-” in the dictionary. However, people often asked what I-D-E-O stood for. Early acronyms, like “an innovation design and engineering organization,” came only after the fact and never caught on.

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In 1997, the logo was altered slightly by Pentagram’s Michael Beirut. The I, D, E, and O were thickened and reshaped to fill the blocks more evenly. There was even a Google-esque primary-color version, two years prior to the introduction of Google’s now-iconic logo.

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Fred & Friends is Seeking a Product and Packaging Designer in Cumberland, RI

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Product and Packaging Designer
Fred & Friends

Cumberland, RI

Fred designs, imports, and distributes fun and clever gifts, home goods, and personal items to specialty retailers across the US and the world. You can see Fred products at Urban Outfitters, MoMA, Sur La Table, Amazon.com, and shops on your local main street, or visit us at www.fredandfriends.com

Fred & Friends is looking for a clever and skilled industrial designer to join its in-house creative team. Fred’s studio is small in size, but big on ideas. You will have the opportunity to work on a wide range of creative projects, and the satisfaction of seeing your ideas through from beginning to end. The Fred studio manages everything from product concepts, to production design, packaging, and sales materials in-house. We encourage everyone in the studio to contribute ideas and collaborate in the production process.

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The best design jobs and portfolios hang out at Coroflot.

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Core77 Design Award 2011: Solar Soda Lights, Notable for DIY/Hack/Mod

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Over the next months we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com

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jeff.jpgDesigner: Jeff Zischke
Location: Scottsdale, Arizona, USA
Category: DIY/Hack/Mod
Award: Notable



Solar Soda Lights

Solar soda lights are made from repurposed plastic soda cups and a solar module. Various designs were created that are cut out of the cups creating a modern and green approach to solar lighting. The translucent properties of the plastic illuminates all night long with a 2-3 hour daytime charge.

Millions of plastic soda cups are used and thrown away each day around the world. I wondered if the ubiquitous plastic cups used at fast food places could be transformed and repurposed as solar light fixtures. Would they illuminate well? How could the cups transform into a variety of different shapes? Could they be functional as well as sculptural?

I see the Solar Soda Cups as a novel approach to reusing a mass marketed product. I can imagine creating a campaign with any of the fast food companies that could use the green concept of the solar light and using printing that evokes a green message as well as relates to a new design/new attitude towards the soda cup. A website is being developed that would talk about solar lighting and share design ideas with the wide audience that uses plastic cups.

Read on for full details on the project and jury comments.

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Workspace of the Week: Gracefully organized

This week’s Workspace of the Week is Gayle’s armoire office:

There are so many wonderful things about Gayle’s office. The most amazing thing about it is that the entire office can fold up and completely disappear. Second, everything is contained, nothing is out cluttering up the workspace. Third, everything is well labeled. My guess is Gayle has no difficulty finding anything in her office. Fourth, the magnetic strip on the left side of the cabinet is a nice alternative to a traditional cork board and takes advantage of what might otherwise be unused space. Fifth, the cable management is fantastic. And, finally, the pull-down work surface makes this a nice size workspace considering that it is an entire office in an armoire. Thank you, Gayle, for submitting your impressive office to our Flickr group.

Want to have your own workspace featured in Workspace of the Week? Submit a picture to the Unclutterer Flickr pool. Check it out because we have a nice little community brewing there. Also, don’t forget that workspaces aren’t just desks. If you’re a cook, it’s a kitchen; if you’re a carpenter, it’s your workbench.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Design world reactions to Steve Jobs’ resignation as CEO of Apple


Dezeen Wire:
following Steve Jobs’ resignation as CEO of Apple yesterday, Jonathan Glancey summarises the company’s influence on design for the GuardianCliff Kuang for Co.Design points to the hiring of British designer Jonathan Ive as Jobs’ greatest moment and the Huffington Post poles readers on which Apple product best encapsulates “Jobs’ design revolution.”

Apple fan Steven Fry talks about how Jobs “changed the cultural landscape” in a recording for the BBC while The Daily Beast collated Tweets from Apple employees in reaction to the news.

Last week Dezeen featured Foster + Partners’ design for the new Apple headquarters.

The Jewel Box by Fraher Architects

The Jewel Box by Fraher Architects

London-based Fraher Architects have completed a house extension in Islington that is wrapped in larch batons and has a flower-covered roof.

The Jewel Box by Fraher Architects

Adjoining the rear of the listed house, the timber-clad extension contains a study and a dining room with an oversized glass door to the garden.

The Jewel Box by Fraher Architects

Benches and fences lining this garden terrace are made of the same timber.

The Jewel Box by Fraher Architects

A serpent-like lamp illuminates the terrace at night, while matching orange lamps light up the new dining room beneath a rectangular skylight.

The Jewel Box by Fraher Architects

The roof over the dining room is split into two halves, which pitch in different directions and enable rainwater collection.

The Jewel Box by Fraher Architects

Modest residential extensions are common in London neighbourhoods – see our earlier stories about a house extended by just a metre and a zinc-clad extension squeezed into a wedge of land.

The Jewel Box by Fraher Architects

Photography is by Andy Matthews.

The Jewel Box by Fraher Architects

Here are some more details from Joe and Liz Fraher:


The Jewel Box

Intended for a reputable silversmith and QC the brief called for complete renovation and extension to provide a dining area and garden room. This Grade II listed building is located in the prominent Colebrook row conservation area.

The Jewel Box by Fraher Architects

Conceived as a series of jewelled boxes carefully inserted into the existing fabric, the proposals open up and revitalise what was a series of dark disjointed spaces. Timber and concrete have been combined in a simple palette of materials that wrap around the existing fabric, inviting the user through the space and into the garden. The remaining period architectural features are retained and celebrated whilst the rear addition utilises a double canted wildflower roof to bounce light deep into the floor plate.

The Jewel Box by Fraher Architects

Click above for larger image

A hidden garden study provides a place of contemplation overlooking the south facing courtyard garden.

The Jewel Box by Fraher Architects

Click above for larger image

Sustainable Scottish Larch combines with a series of green roofs to soften the junctions of the insertion and provides a habitat for local wildlife. Super insulation and rainwater storage add to the eco credentials of the scheme.


See also:

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Villa extension
by O+A
Extension to Residence Königswarte by PlasmaUniversity extension
by CrystalZoo