Talitha Leather

An altruistic leather worker’s line of covetable purses, bags and accessories

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Portland, OR-based Talitha Leather was founded by Nate Bagley after working as a case manager for a homeless youth organization. Inspired by bible stories, he named the business after a sickly young girl who Jesus saves after her parents leave her for dead.

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A friend of Bagley’s was working in a shoe store, where he learned leather working techniques. Together they began collecting tools and set up shop in a basement, refining their skills at riveting and sewing. Today, Talitha Leather sells a full line of men’s and women’s accessories, including bags, purses and leather jewelry made from materials sourced on the West Coast.

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A portion of the profits from the sturdy bags goes towards the International Justice Mission, a human rights agency that promotes victim advocacy in the public justice system. The profits from the company also allow Bagley to offer a sliding scale for his services as a private practice mental health counselor to uninsured families and children in Portland.

Prices range from $14 for jewelry to $200-$500 for handmade messenger bags and sell from their online shop or Talitha Leather’s Etsy site.


CR August issue: Make Your Own Pinhole Camera

The CR cutting board has never seen the like

The final cut-out-and-make project from CR’s Bumper Summer Fun issue is perhaps the most challenging. But to prove it can be done, here’s our very own ‘Pinolta’ pinhole camera that we made earlier with some invaluable help from our intern Jasmin…

The Pinolta camera is one of several models you can make from Justin Quinell and Josh Buczynski’s Build Your Own Paper Cameras, published by Ilex Press (£12.99).

Justin and his publishers kindly let us include the instructions to create the Pinolta model in the new issue and also house downloadable templates for the camera on the CR website, along with notes on how to load and expose your film.

So all you need to make your own Pinolta is a copy of the Bumper Summer Fun issue, some A4 card (220 gsm recommended), a printer, a scalpel or scissors, some glue, a needle, an aluminium drinks can and two regular camera films. (The needle is used to make the tiny hole you need in your flattened square of aluminium).

Of course, the photographic fruits of our endeavours will be shared on the CR blog once we read up a bit on how to properly expose our film in a pinhole style. Suffice to say we’ll be taking our surprisingly sturdy Pinolta around the office and on to the streets of Soho early next week. So once we’re back from the chemists, expect a holiday slide show courtesy of CR!

Here’s a better look at Jasmin’s Pinolta, with the shutter closed…

…and – wait for it – open. The metal you can see is the “lens” of the camera which is made from a drinks can. The “pinhole” is in the centre of the lens and is easily made with a needle:

More details on the book, Build Your Own Paper Cameras, at ilex-press.com. Make sure you also check out pinholephotography.org for examples of the kinds of images you can make.

And we’d love to see any pictures you take with your Pinoltas, not to mention shots of your cameras too.

Patrice – Ain’t Got No

Voici en exclusivité le nouveau clip de l’artiste Patrice sur le single et titre Ain’t Got No. Des artworks réalisés par l’artiste JR (Women Are Heroes), pour cette vidéo dirigée par Guillaume Cagniard et produite par Cosa. A découvrir dans la suite de l’article.



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Previously on Fubiz

Ask Unclutterer: I’m organized but my workplace isn’t

Reader Anonymous submitted the following to Ask Unclutterer:

I’ve started to notice how disorganized my office is … not my personal office, but the office as a whole.

Some examples:

  1. Office supplies are disorganized, so no one knows where to find anything, which leads to ordering more of things we usually already have.
  2. Our shared computer folders are a mess — everyone has their own systems which makes it hard to find anything unless you ask someone for it.
  3. No one has cleared out the paper files for years. When people leave a position, their paper files (which the new person probably doesn’t need or has their own system) get shoved onto a shelf somewhere and pretty much never looked at again, but no one will get rid of them!

I’d like to find a way to help with these problems, but I’m struggling with it because it’s not really my job and I don’t want to step on any toes or take on additional work just because I’m the only one who brings it up.

Any suggestions? I’ve heard about some companies doing a 2x a year “office clean-up” day — I don’t know if my office will go for it, but I’m interested in hearing if others have experience with this method.

Thanks in advance for your help!

Anonymous, I think you could have entered your name as “Everyone,” seeing as most of the working world is in the same position you are. Companies waste so much money being disorganized in the exact ways you have mentioned. They’re doling out unnecessary dollars for wasted productivity, duplicate supply ordering, increased network storage, and offsite archival paper file storage. A little organizing and uncluttering could save companies thousands, but often these activities are seen as wasted time.

The first thing I suggest doing is documenting on a sheet of paper some of the troubled areas in your division or department. Don’t add commentary to the listed items, simply write notes like, “No inventory system on the office supply closet. Janet has two drawers of files she hasn’t opened in two years.” Then, track down your favorite human resources staff member and see if you can take him or her out for coffee or lunch.

During this casual meeting, talk about some of your concerns. Put greater emphasis on the positive benefits that result from a more organized workplace. Don’t complain or blame or bring up office politics — just focus on why you think uncluttering and organizing could save your company money and improve worker productivity. If all goes well, the issue will be pushed up the chain of command and eventually your HR department might make a twice-a-year organizing day a reality for the entire company. Every time I’ve worked with a company for such a project, I’m always contacted and contracted through the HR department, so my assumption is that this is how it would be handled at your company. If your organization is structured differently, go through whatever department is most likely to be responsible for planning such an event.

A few, rare and wonderful companies have regular organizing days. They’ll hire one or more professional organizers to come in and give a pep talk at the beginning of the day and then be on site to assist workers as tough questions arise. Some of these companies have organizing weeks if it’s the first time they’ve gone through the process. And, these uncluttering days usually help to build employee morale because everyone is working together to improve their place of employment. Happier, more organized, and more productive employees — I’m surprised all companies aren’t already doing it.

Regarding your specific examples, your office could save money by installing a more formalized inventory system for office supplies. Also, check out our tips for organizing a shared drive and the comments to the post for ideas on how to tame the data on your office network. Finally, before clearing out paper files (and there are lots of tips for how to do this in a corporate environment in Unclutter Your Life in One Week), talk with a lawyer. You might not be able to get rid of all of these documents based on whatever it is your company does.

Thank you, Anonymous, for submitting your question for our Ask Unclutterer column. Good luck!

Do you have a question relating to organizing, cleaning, home and office projects, productivity, or any problems you think the Unclutterer team could help you solve? To submit your questions to Ask Unclutterer, go to our contact page and type your question in the content field. Please list the subject of your e-mail as “Ask Unclutterer.” If you feel comfortable sharing images of the spaces that trouble you, let us know about them. The more information we have about your specific issue, the better.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


If the cubicle was Alpha, check out the Beta workplace system

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pIn office furniture design we’ve seen tons of would-be successors to the cubicle, but nothing’s really taken root yet. The latest to throw their hat into the ring is Italian furniture manufacturer A HREF=”http://www.tecnospa.com/” Tecno/A, with their A HREF=”http://www.red-dot.de/” Red-Dot-Award-winning Beta workplace/A, designed by Pierandrei Associati:/p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/07/0tecnobeta009.jpg” width=”468″ height=”1672″ alt=”0tecnobeta009.jpg”//div

blockquoteBeta is a fresh furniture system that addresses the needs of the creative office. Using flexible system elements, offices can be creatively reconfigured and redesigned, while constantly adjusting to the user’s individual work style. The starting point of this innovative concept was the idea that a progressive office should provide space for working on both an individual and a team basis as well as space for relaxation, while fostering the shared use of knowledge. Thus beta is not just a simple furniture system, but rather an atmospheric work environment./blockquote

pAt press time Pierandrei Associati’s website was down, but A HREF=”http://www.contemporist.com/2010/07/28/the-beta-workplace-system-by-pierandrei-associati-for-tecno/” Contemporist has got tons-o’-shots of the Beta system up/A.br /
/pa href=”http://www.core77.com/blog/object_culture/if_the_cubicle_was_alpha_check_out_the_beta_workplace_system_17050.asp”(more…)/a
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Ghosts now officially exist, thanks to Sergey Larenkov’s computational rephotography

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/07/0sergeylarenkov001.jpg” width=”468″ height=”312″ alt=”0sergeylarenkov001.jpg”//div

pPhotographer Sergey Larenkov uses computational rephotography (as shown above and explained A HREF=”http://www.wired.com/gadgetlab/2010/07/camera-software-lets-you-see-into-the-past/” here/A by IWired/I) to overlay extant WWII-era photographs on their corresponding modern settings. The results are both spooky and stunning:/p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/07/0sergeylarenkov002.jpg” width=”468″ height=”1001″ alt=”0sergeylarenkov002.jpg”//div

pThe shots really do have to be seen large, so check out A HREF=”http://sergey-larenkov.livejournal.com/” Larenkov’s LJ page/A for the rest of ’em. /p

pvia A HREF=”http://gizmodo.com/5600272/photoshop-time-portals-to-world-war-ii” gizmodo/Abr /
/pa href=”http://www.core77.com/blog/object_culture/ghosts_now_officially_exist_thanks_to_sergey_larenkovs_computational_rephotography_17049.asp”(more…)/a
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HardPacked

Aaron Rayburn – Over it

Une installation intéressante d’Aaron Rayburn avec le Studio Jelly est présentée ici à travers une série de visuels autour d’un long assemblage de fils et ficelles afin de donner une impression typographique du plus bel effet. Plus d’images dans la suite de l’article.



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Previously on Fubiz

Rolls by Sinato

Diesel Denim by Chikara Ohno

Japanese designer Chikara Ohno of Sinato has installed coils of aluminium sheeting at the Diesel Denim Gallery Aoyama in Tokyo.

Diesel Denim by Chikara Ohno

The ends of the rolls have been draped from the ceiling and the middles of some pushed upwards, while glass surfaces on top of the rolls can be used to display merchandise.

Diesel Denim by Chikara Ohno

More installations at Diesel Denim Gallery Aoyama on Dezeen:

Labyrinth of Woods by Point
Nature Factory by Makoto Tanijiri
Power Plant by Geneto
Heart of Shapes by Keiko + Manabu

Suspended Figure by Ayako Maruta
Another Geography by Kimihiko Okada
Boojum by Megumi Matsubara with AssistantHeart of Shapes by Keiko + Manabu

Diesel Denim by Chikara Ohno

Here’s some more information from the gallery:


DIESEL DENIM GALLERYAOYAMA present a store installation “ROLLS” by Chikara Ohno / Sinato.

Diesel Denim by Chikara Ohno

DIESEL DENIM GALLERYAOYAMA has a high reputation by curating featuring a lot of talented creators like video director Timothy Saccenti (Partisan) and an architect Makoto Tanijiri.

Diesel Denim by Chikara Ohno

Among other exhibitors are architect Kimihiko Okada whose work Another Geography was scaled up at the Museum of Contemporary Art Tokyo and artist Mark Jenkins whowas chosen by Time magazine as one of the Top Ten Artists.

Diesel Denim by Chikara Ohno

Now the gallery is known as a gateway to success for new artists and architects.

Diesel Denim by Chikara Ohno

Concept by the architect:

The characteristic of aluminium, the material used fro the installation, is its softness and thinness, yet harder than cloth or paper.

Diesel Denim by Chikara Ohno

Its possession of both soft and hard qualities makes it easy to be bent by hands.

Diesel Denim by Chikara Ohno

By winding and sometimesextending this single long strip of aluminium from the entrance to the back-end of the store, it creates a beautiful waving form, changing its function and features as the material strength changes.

Diesel Denim by Chikara Ohno

This flexible quality of the material represents a gentle connection between the softness of clothes and hardness of architecture.

Diesel Denim by Chikara Ohno

Title: ROLLS
Artist: Chikaro Ohno / Sinato
Curation: Masaaki Takahashi (BRIZHEAD)
Date: 2010.7.23

Diesel Denim by Chikara Ohno

Venue: DIESEL DENIM GALLERY AOYAMA 1F
Address: 6-3-3, Minami-Aoyama, Minato-ku, Tokyo
Hours:13:00-20:00
Web: http://www.diesel.co.jp/denimgallery/index.html


See also:

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Ayako Maruta at
Diesel Denim Gallery
Point at
Diesel Denim Gallery
More
interior stories

Lee Broom: One Light Only

An up-and-coming British designer launches an Art Deco-inspired lighting line
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One of Britain’s most exciting young designers, Lee Broom, launches his fourth collection, One Light Only, at the London Design Festival this September. With last year’s Heritage Boy collection gathering praise from fellow designers and press alike, Broom’s latest collection sees him tackle a wider audience with a more affordable selection of offerings.

“With OLO I’ve taken a different design approach; I wanted to create a range which is accessible and affordable,” explains the designer, noting that his previous work has been aimed more at the design-as-investment market. Drawing on his years in the fashion business (he cites Art Deco jewelry and late ’70s fashion photography as influences), Broom developed a striking lighting collection based around two different pendant lights, one 10 centimeters high and the other a princely 30 centimeters.

The lights will form an installation which will welcome visitors to his East London studio, where his other work will also be on show. Exterior faceting in either matte white or polished gold characterizes OLO, with the interior of the lights finished in the juxtaposing finish.

With the designer scooping awards, commissions and projects with growing frequency, his tag as one to watch can safely be replaced with “cannot be avoided.” Not that you would want to. Prices will start from £295.