Black Lives Matter illustrations feature in today's Dezeen Weekly newsletter

The latest edition of our Dezeen Weekly newsletter includes illustrations by graphic designers in support of the Black Lives Matter movement.

People around the world are protesting following the death of George Floyd, Breonna Taylor, and other black men and women who have died at the hands of police officers in the US.

To show their support for the marches and condemnation for the killings, illustrators and artists have created visual reminders of the Black Lives Matter movement and shared links to resources which people can use to help others and better educate themselves.

We rounded-up 17 images and artists for readers to follow, including British data journalist and writer Mona Chalabi who has created a series of illustrations outlining the statistics of POC killed by police officers in the US.

Black Latin American artist and author Reyna Noriega who used her art to show two different sides of the same scene in her duo of illustrations is also featured.


 

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A post shared by REYNA NORIEGA 🇨🇺🇧🇸 (@reynanoriega_) on Jun 2, 2020 at 3:14pm PDT

Other stories in this week’s newsletter include eight key projects by Christo and Jean-Claude, a divisive holiday home in the Costa Rican jungle and a pair of devices that have been designed to allow people to physically experience conversations while apart during coronavirus lockdown.

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University of Art and Design Linz students explore "a sustainable, diverse and inclusive future of fashion"

Material Matters by Melanie Nutz

University of Art and Design Linz students look to the future of fashion in this Virtual Design Festival school show, which features projects ranging from upcycled clothing to garments that explore gender boundaries.

The digital exhibition includes 10 projects completed by students studying the Fashion and Technology bachelor’s degree at the Austrian design school, which is taught by Ute Ploier and Christiane Luible-Bär.

University of Art and Design Linz

School: University of Art and Design Linz
Course: Fashion and Technology
Studio: Bachelor
Tutors: Ute Ploier and Christiane Luible-Bär

Course statement:

“Fashion and Technology is a bachelor’s and master’s program for forward-thinking fashion design at the University for Art and Design Linz, blending the interfaces of the digital and the analogue while intertwining traditional and emerging technologies.

“It is aimed at designers who want to explore a sustainable, diverse and inclusive future of fashion.

“Students develop new fabrics such as biomaterials or e-textiles, use additive manufacturing or robotics and combine them with traditional techniques, for example, weaving, knitting or draping.

“International experts support the students in practice-oriented workshops in design, styling, photography, material innovation, fashion studies, digital technologies and presentation strategies.”

Photography is by the designers, Stefanie Moshammer and Florian Voggeneder.


Invert by Tania Pérez Hérnandez

Invert by Tania Pérez Hérnandez

“Invert by Tania Pérez Hérnandez plays with human and non-human bodies in virtual space.

“The bodies interact, mix and mingle resulting in novel shapes. The abstract silhouette of the inside becomes visible.

“Peeling off these new body surfaces creates abstract patterns that are transferred back into textile surfaces and three-dimensional, wearable objects. Invert dissolves our ideas of the body to create new analogue and digital physiques.”

Student: Tania Pérez Hérnandez
Project: Invert
Contact address: taahdez@hotmail.es


Design (For) A Body by Simon Hochleitner

Design (For) A Body by Simon Hochleitner

“Design (For) A Body centres the relationship between body, technologies and design.

“New perspectives for fashion can emerge from digital procedures in design processes.

“The project creates an openness to conceive the body, technologies and form-finding as a complex system, allowing them to flow into one another in a modular fashion and to be open for the most diverse results and states.”

Student: Simon Hochleitner
Project: Design (For) A Body
Contact address: simon.hochleitner@ufg.at


Yarn by Belinda Winkler

Yarn by Belinda Winkler

“Fast fashion has led us to lose our connection to clothes and their manufacturing process.

“How and under which conditions products are made remains invisible. Belinda Winkler has developed a machine which generates three-dimensional textile forms directly from yarn, without the necessity to weave or sew the material.

“The origin of the textiles is thereby made visible and new materials of which the valuableness is perceptible are created. Thus, fashion can be produced more transparently as well as more sustainable.”

Name: Belinda Winkler
Project: Yarn
Contact address: belinda.w@gmx.at


Transforming Sculptures by Ursula Vogl

Transforming Sculptures by Ursula Vogl

“Reversible transformation, transformative reversal.

“Biomechanical principles and growth process of unicellular organisms, such as radiolarians and slime moulds, inspire the constantly changing textile structures of Transforming.”

Name: Ursula Vogl
Project: Transforming Sculptures
Contact address: ursula.vogl@gmx.at


I Is Another by Shari Bartko

I Is Another by Shari Bartko

“The 21st century marks a stage in the world’s history in one certain aspect: voices for equality get louder.

“Imbalances caused by narcissistic perspectives are discovered. The definition of gender itself is shifting towards the blurriness of its boundaries. After all, what is gender?

“And when we’ve discovered that reality as a construction – not actual truth: do genders even exist?

“A design language translating these aspects into aesthetical statements.”

Name: I Is Another
Project: Shari Bartko
Contact address: shari.bartko@ufg.at


Transfer by Ines Kastner

Transfer by Ines Kastner

“Motion tracking systems record the movement of garments underwater.

“Data of a dynamic snapshot. Transforming parameters and patterns.

“The perception of immateriality and materiality, dress codes and genres, volumes and norms are changing. Ines Kastner is researching different layers of transfer and developing a new way of creating volumes and shapes.”

Name: Ines Kastner
Project: Transfer
Contact address: ines.kastner@ufg.at


In_Between_Spaces by Aaron Alvin Keller

In_Between_Spaces by Aaron Alvin Keller

“The fashion industry is contributing to the environmental and social crises on an ever-increasing scale.

“Overproduction, huge transport distances and massive labour law violations are the result of an endless race for change in fast fashion.

“This project examines an alternative production method of clothing and tests the whole garment weaving as an experimental construction and production method.

“The basis of the practical method is the creation of multi-layered composite fabrics, which are transformed from a two-dimensional surface into a three-dimensional garment only by cutting into them.”

Name: Aaron Alvin Keller
Project: In_Between_Spaces
Contact address: aaron.keller@me.com


Chemical Aesthetics by Sophia Höretzeder

Chemical Aesthetics by Sophia Höretzeder

“In her work Chemical Aesthetics, Sophia utilizes the uncontrollable and disobedient formative tendency of substances as a design tool for slow fashion.

“Her starting point was the work of the chemist Friedlieb Runge. He discovered a new method for the breakdown of chemical mixtures that is still used today – paper chromatography.

“The wonderful patterns that resulted were surprising. Friedlieb Runge himself said about these pictures: ‘No painter, even the sun, is able to produce the same thing twice’.

“Chemical Aesthetics creates sustainable dyeing and printing processes.”

Name: Sophia Höretzeder
Project: Chemical Aesthetics
Contact address: sophia.hoeretzeder@me.com


Re_Sampling by Miriam Eichinger

Re_Sampling by Miriam Eichinger

“Re_Sampling researches a natural and unexplored raw material for fashion – microorganisms.

“In the future, bacteria will be used to create cellulose yarns for spinning and weaving textiles.

“Growing these fibres directly in the lab makes for a more sustainable approach than through agriculture, which uses water, pesticides and land.”

Name: Miriam Eichinger
Project: Re_Sampling
Contact address: miriam.eichinger@ufg.at


Material Matters by Melanie Nutz

Material Matters by Melanie Nutz

“Material Matters by Melanie Nutz is researching novel material concepts and production methods.

“Circular design strategies by deconstruction and reconfiguration existing materials are closing the loop.

“The upcycling method breathes second life into cotton shirts that have been deconstructed, shredded and hand-woven into new clothes. The collection is one-size and can adapt to individual body shapes.

“Material Matters proposes second-hand clothing as a valuable resource to create durable and future-proof fashion.”

Name: Melanie Nutz
Project: Material Matters
Contact address: melanie.nutz@ufg.at


Virtual Design Festival’s student and schools initiative offers a simple and affordable platform for student and graduate groups to present their work during the coronavirus pandemic. Click here for more details.

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This fully mechanical rotisserie machine fits right into your oven!

There’s a rather fascinating episode of Ugly Delicious on Netflix that’s dedicated exclusively to rotating meats. The concept of evenly cooking a piece of meat using a rotating method has existed for thousands of years and can be found in practically every cuisine. The job of rotating the meat was usually designated to a lowly individual known as the ‘spit jack’, and one of Da Vinci’s contraptions even tried to mechanize it, so that it would automatically rotate without needing someone to manually turn it. In fact, the complexities of Da Vinci’s contraption eventually went on to stimulate the invention of the clock! Eventually, the rotisserie was born, and it found its way into European cooking. The idea was to horizontally rotate the meat over a fire, and gradually it evolved into the rotisserie oven which cooked the meat from the top as well as the bottom, while a plate under the rotating meat helped collect the dripping fat. Heck, my mouth’s watering already.

The ROTO-Q 360 helps evolve that setup a wee bit further by scaling it down and making it more affordable + accessible. Designed to slide right into any regular oven or be placed on a pellet grill, smoker, or even a campfire, the ROTO-Q 360 is a foldable spring-operated rotating spit that doesn’t use electricity, fuel, or gas. It comes with an easy-to-store foldable design that opens out and fits in any standard oven. The spring-loaded gearbox at one end lets you set the rotating time, while a set of skewers let you mount your meat right onto the ROTO-Q 360 and into the oven. All you do then is run the oven like you normally would, and your roast-chicken turns into a fancy rotisserie chicken. The rotating setup helps your meat cook evenly while staying incredibly juicy on the inside, because the fat with it keeps getting circulated within the meat. For the excess fats that drip off the meat, the ROTO-Q 360 features a nifty bed-tray below the rotating skewers… a design detail that has two-fold benefits. Not only does the dripping fat make your meat less oily (and more healthy), you can even layer the bed-tray with veggies and have them cook right in the fat, giving you rotisserie meat and roasted veggies all in one single cook!

Things get even more interesting when the ROTO-Q 360’s add-ons come into play. The various add-ons help you cook more than just a whole chicken, allowing you to use your oven in a variety of interesting ways. Aside from the standard rotisserie rod, the ROTO-Q 360 packs newfangled attachments like multiple kebab skewers, sausage-cradles for hot-dogs, steak cages, and cylindrical rotisserie cages for baking stuff you’d normally fry, like chicken-wings. With a little bit of creativity, you could even roast your own coffee beans in your oven too! The attachments retrofit right onto the ROTO-Q 360, which universally fits in every household oven, giving you the ability to do more with it and take it to new levels.

Designed to put a rotisserie in every home (because buying a special rotisserie oven could set you back a couple of grands), the ROTO-Q 360 costs a mere $49 and comes in all-metal and folds right down to easily fit into a drawer when not in use. Cleverly designed with spring-loaded mechanical components, the ROTO-Q 360 can rotate for a full 60 minutes at a time. When you’re done, the rotating gearbox slides right off, allowing you to put the rest of the rotisserie in a dishwasher, or even clean it in your kitchen sink. The entire setup weighs a little over 5 pounds, and can be used either at home, or carried over to a friend’s house or barbecue party. Along with those attachments, the ROTO-Q 360 lets you cook up a veritable storm, doing much more than making a 5-star rotisserie chicken, allowing you to foray into seafood, red meats, and even roast veggies in a variety of ways. Designed to upgrade your roasting repertoire, much like a good cast-iron skillet upgrades your pizza-baking repertoire, the ROTO-Q 360 helps you make great tasting, healthy food… right in your oven!

Designer: Susie Wen

Click Here to Buy Now: $49 $105 ($56 off). Hurry, only 3/521 left! Raised over $260,000.

ROTO-Q 360 – The Non-Electric Rotisserie Cooking Machine

Taking up minimal space, ROTO-Q 360 self-rotating appliance, automates the entire rotisserie process so that all you need to do is set it up, turn it on, and let it do its job. ROTO-Q 360 does not need any power, gas, or fuel to run, so you never need to worry about keeping any tanks filled or charged either.

Fits into Your Oven

The ROTO-Q 360 has been engineered to fit into any home. If you own an oven – and everyone owns an oven – you can put ROTO-Q 360 into your kitchen. This is a portable device that you can set up as you need it, even carting it off somewhere else for the night.

Key Features:

– Non-electric design
– Healthier Choice
– Easy to Clean
– Easy to Store
– Indoor / Outdoor
– Durable

Money-saving Appliance

The ROTO-Q 360 has achieved perfection in cooking the rotisserie cousins while cutting down cooking time by as much as 30%. Since the ROTO-Q 360 brings down the cooking time, energy expenditure is also less which in turn saves your money.

Traditional methods of rotisserie cooking require industrial-style appliances with electric driven motors. These devices are much more expensive (ranging from $250-$600) also not portable and take up a large amount of space in your kitchen.

Furthermore, cooking chicken in a crockpot or tray by roasting or baking takes a long time to prep 5-6 hours, and sometimes leaves it uncooked or soggy from the bottom side. ROTO-Q 360 will never cause this problem because it cooks the food from all sides through its 360 degrees rotating mechanism. So there is no need for adjusting, stirring or flipping in the middle of cooking, and no more rubbing more butter or oil.

Non-Electric Design

Patent-Designed Gear Box

Utilizing a gearbox that stores kinetic energy when the knob of the device is turned, the ROTO-Q 360 does not require any additional electricity or fuel to operate. The cooking time can be set by manually turning the knob a specified number of rotations, to achieve the optimal cooking time for a wide array of food items.

Healthier Choice – 90% Less Fat

As the food turns, unwanted fats and grease drip down into the drip tray for healthier results.

Roto-Q setup.

Rotisserie in action: speed up 8x

Easy to Clean & Dishwasher Safe

Completely non-electric, ROTO-Q 360 could not be any easier to clean. The components pull apart for simple rinsing, cutting down drastically on the clean-up time after every meal. Much easier to clean than a traditional rotisserie machine.

Space-Saving Design

The ROTO-Q 360 is a portable device that you can set up as needed, even for chefs on the go. It folds down into a size that will fit into any kitchen drawer as well, and it will not take up counter space, unlike other bulky food machines.

Enjoy Rotisserie On To Go

Simply place ROTO-Q 360 on indoor/outdoor grill or fire pit as a heating source and the ROTO-Q 360 rotisserie do the rest. While your food is being cooked, the ROTO-Q 360 will continuously rotate to ensure that your food is evenly cooked throughout.

The entire unit weighs in just 5.5 lbs (2.5 kg), the portable size ROTO-Q 360 could easily fit in any backpack making it a perfect companion for hikers, campers, outdoor enthusiasts to carry around. The compact design of the ROTO-Q 360, makes it convenient to transport the device and attach it to Gas/Charcoal grills, fire pits, etc. for use while traveling, camping, or tailgating.

ROTO-Q 360 Possibilities

The ROTO-Q 360 can cook various types of meat, fish and poultry (up to 5 lbs.) in 60 mins. or less. Additionally, by utilizing one of the many accessory attachments available for the device, you can further utilize your ROTO-Q 360 to cook other non-meat food items, such as potatoes, fries, and roasted vegetables.

Click Here to Buy Now: $49 $105 ($56 off). Hurry, only 3/521 left! Raised over $260,000.

Colored Glass Chair by Germans Ermics

Cette chaise en verre coloré dessinée par le designer lituanien Germans Ermics est inspirée d’un siège de 1976 du designer de produits japonais Shiro Kuramata. Elle est destinée à donner l’impression de flotter dans l’air et est en fait un clin d’œil à 2001 : A Space Odyssey.
Baptisée « chaise Ombré » elle est assemblées à partir de panneaux de verre réunis sans vis ni autres accessoires visibles.
En choisissant des formes géométriques simples, le designer joue avec différentes couleurs dans des tons variés. Grâce à l’utilisation de la couleur appliquée par un processus de pigmentation innovant, Ermics est capable de créer des pièces simples et belles de haute qualité.





Black-Owned Restaurants to Support in the Bay Area

The San Francisco Chronicle, with assistance from the Bay Area Organization of Black Owned Business, has compiled a searchable directory of Black-owned restaurants in the region—making it even easier to support those businesses. Included are details like whether or not they offer takeout or delivery, how to order without relying on third-party delivery services, and what types of dishes and drinks are on the menu. It’s another pragmatic approach “to spend with intent… to support your community directly” quotes the Chronicle. See the list there.

Herzog & de Meuron designs Canada's tallest skyscraper

1200 Bay Street by Herzog & de Meuron

Swiss firm Herzog & de Meuron and Canadian studio Quadrangle have unveiled plans for a super-skinny skyscraper in Toronto that will rise 324 metres.

The 87-storey skyscraper, called 1200 Bay Street, is proposed for a site in the city’s Yorkville area on the northwest corner of Bay Street and Bloor Street.

If completed, it would be Canada’s tallest skyscraper, taking the title from Foster + Partners’ 306-meter-tall One skyscraper that is already under construction on Bloor Street.

1200 Bay Street by Herzog & de Meuron

The 324-metre-high building would have a 3:1 construction ratio, meaning that its length is approximately three times that of its width. Its height and slender proportions give way to the description of it being a supertall and skinny skyscraper.

Renderings show the slender design would comprise timber roller shades and an outer layer of open-jointed glass. Units would have interior glazing with floor-to-ceiling operable windows, and the shutters would regulate daylight and heat.

Its structural core is intended to be on the western facade to maximise the usable area of the floorplate. This would also provide privacy from adjacent developments to the west.

Herzog & de Meuron and local studio Quadrangle were enlisted by Dutch management companies Kroonenberg Groep and ProWinko to design the mixed-use tower to replace a 16-storey commercial building from the 1960s that has offices and retail spaces.

The first 16 floors of 1200 Bay Street would comprise retail and office functions, and a level with private amenities would separate these from the residences above.

1200 Bay Street by Herzog & de Meuron

It would include 332 condominium units, ranging one-bedrooms to multi-storey penthouses, that would be spread over 64 floors.

On the top three floors, there would be a restaurant and lounge, and a triple-height lobby for tenants will be located on Bloor Street.

Founded in 1978 in Basel, Herzog & de Meuron has also designed Public hotel in New York City, a white chapel in Switzerland, Hong Kong’s Tai Kwun art centre and Jade Signature skyscraper in Miami. The proposed 1200 Bay Street could mark its first project in Toronto.

The firm joins a number of well-known architects and practices that have also recently unveiled new structures for the city, including Rogers Stirk Harbour + Partners3XNDiller Scofidio + RenfroStudio Gang and Adrian Smith + Gordon Gill.

Images are by Herzog & de Meuron.

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Herman Miller spotlights five seating collections for the workplace at VDF products fair

Striad lounge chair by Herman Miller

Herman Miller is exhibiting five seating collections for work environments at VDF products fair, including the casual Striad lounge chair by Markus Jehs and Jürgen Laub that is modelled on ski boots.

The US brand is also showcasing the updated version of its iconic Aeron chair by Bill Stumpf and Don Chadwick, alongside seating designs by Studio 7.5 and Industrial Facility founders Sam Hecht and Kim Colin.

All five collections are now viewable at the VDF products fair platform, which forms part of the Virtual Design Festival and offers designers and brands an affordable way to present their products.

Wireframe Sofa by Sam Hecht and Kim Colin for Hermann Miller
Herman Miller is exhibiting five seating collections at VDF products fair including Wireframe Sofa (above) and Striad lounge chair (top)

The Striad lounge chair, which is available with a matching ottoman, was developed by Jehs and Laub as a casual seating option for the workplace. It features a rigid outer shell that encases a soft, cushioned inner layer, informed by the construction of ski boots.

Another informal collection on show is the Wireframe Sofa by Hecht and Colin, which is distinguished by its thin, light-weight structure that supports contrasting large, soft cushions.

Aeron by Bill Stumpf and Don Chadwick for Hermann Miller
The US brand is also presenting the 2016 edition of its iconic Aeron chair

The Aeron office chair that Herman Miller is exhibiting is the 2016 edition, which is an updated version of the original model designed by Stumpf and Chadwick in 1994. It was altered to incorporate the brand’s latest technologies to help it respond to a user’s posture and movements more efficiently.

Aeron is joined by two other office chairs named Lino and Cosm. The Lino chair is designed by Hecht and Colin with a “wide range of aesthetic options”, and Cosm was engineered by Studio 7.5 to offer sitters “a feeling of weightlessness”.

Other brands that feature at the fair include Danish brand Muuto, which has launched seven new products including designs by TAFCecilie Manz and Anderssen & Voll.

British brand Modus is also showcasing its latest chairs and sofas, while Austrian brand Vello is exhibiting three of its folding bicycles.

About VDF products fair: the VDF products fair offers an affordable launchpad for new products during Virtual Design Festival. For more details email vdf@dezeen.com.

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Hypnotizing Flowers inspired by Avatar’s World

Le designer et illustrateur Rik Oostenbroek présente une série surréaliste qui nous plonge dans un autre monde. Inspiré par Avatar, la série représente des fleurs colorées hypnotisantes. L’artiste a mélangé les couleurs entre elles pour créer un bel effet de transparence.

« Depuis que j’ai vu Avater de James Cameron pour la première fois, j’ai toujours été émerveillé par les scènes de nuit dans le bois de Pandore. En tant qu’artiste, je n’ai jamais vraiment fait attention à sculpter des choses plus réalistes, mais cette idée a continué à frapper à la porte pendant 6 mois. » explique Oostenbroek.

Un combo intelligent entre Adobe Photoshop. Et Mon Cinema 4D, donnant naissance à une série visuelle exceptionnelle.





Top Crowdfunding Specialist Now Offering Free Consulting Services to Pro-Black-Lives-Matter Organizations

Correcting America’s racial divide will require a lot of people from different backgrounds working together. People will need to step up and find creative ways to aim their skillsets at this task. A fine example of this is Alex Daly, a/k/a The Crowdsourceress, whose uncanny knack for connecting messages to crowds has led to the success of her eponymous marketing and communications agency.

Daly has one of the best kinds of jobs: She succeeds by helping others succeed. Countless crowdfunding campaigns have hit and surpassed their targets, often at viral levels, with her organization’s assistance. And if there is any movement that all of us need to succeed right now, it is Black Lives Matter. Which prompted Daly to post the following:

We reached out to Daly for details.

Core77: Can you describe the scope of what you’re offering?

Alex Daly: Right now, we are offering pro-bono consulting services to pro-Black Lives Matter and social justice organizations in need of help with their online crowdfunding and fundraising efforts. We are currently only considering initiatives that are actively supporting the BLM movement and/or protestors in a direct way––but we hope to make this pro-bono program sustainable, to have a longer term impact down the line.

What types of services will you provide?

Our crowdfunding and online fundraising consulting services can include, but are not limited to, copy-editing and providing feedback on campaign materials, such as an organization’s campaign or donation page, newsletters, website copy; high-level guidance on social media strategy and messaging; and overall guidance on fundraising best practices.

In short, if you are an organization that’s looking to fundraise for your cause, we can use our expertise to help get you there. For now, we are just offering hourly sessions, so that we can dedicate time to as many efforts as possible.

Beyond that, we are doing our best to spread the word through our networks and social media. Hopefully this post will widen the audience and touch more people in need (thank you for reaching out to us!).

It’s our pleasure! What motivated you to launch this initiative?

For days following George Floyd’s murder, we were doing a lot of listening and researching—where we could donate, what we could be reading, how we could show up—as well as donating to causes like the Black Visions Collective, Campaign Zero, Reclaim the Block, and George Floyd’s Memorial Fund. But it didn’t feel like enough. What could we actively do to yield a more direct impact? That’s why we decided to offer tangible support in the form of our consulting services.

This is just a humble start. I am sure we will learn a lot along the way––we need to keep listening and paying attention, all the while we do the work. Following the onset of Covid, several agencies shuttered, and I am feeling privileged that our agency is still afloat to be able to offer this support. I hope and urge that other agencies who have the resources to step up to offer this kind of work, too.

Thank you for doing this!

Thank YOU for helping us spread the word 🙂

Cosm chair by Studio 7.5 for Herman Miller

Cosm chair by Studio 7.5 for Herman Miller

VDF products fair: Studio 7.5 has designed the Cosm chair for Herman Miller with an automatic tilting mechanism that gives users “a feeling of weightlessness”.

Cosm was developed by Studio 7.5, after it identified a gap in the landscape of office furniture for a truly ergonomic and high-performing seat.

Its key feature is the Auto-Harmonic Tilt – a mechanism that automatically tilts the chair to respond to a user’s body, movement, and posture. This negates the need for a manual, complex adjustment mechanism, and provides users with a continuously comfortable seating position and a “feeling of weightlessness,” according to the studio.

Other features of the chair include a torsional mechanism in the backrest that allows it to flex with its user, and a continual seat surface for added comfort.

Cosm is available in several different block colour finishes, ranging from neutrals to bright shades of red and blue. Single colours were chosen in an effort to dematerialise the chair so that it evokes a sculptural object.

“Studio 7.5 identified a gap in the landscape of office seating,” explained Herman Miller. “Existing solutions aren’t supporting users or organisations in some of the highly dynamic ways work gets done today.”

“Sit in Cosm, and you just might forget you’re sitting in a chair at all,” it continued. “Cosm instantly responds to your body, movement, and posture, delivering a completely new comfort reference. And that comfort translates equally for any person and across the entire office, or home, landscape.”

Product: Cosm
Designer: Studio 7.5
Brand: Herman Miller
Contact address: emeamarketing@hermanmiller.com

About VDF products fair: the VDF products fair offers an affordable launchpad for new products during Virtual Design Festival. For more details email vdf@dezeen.com.

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